Background and first production
By the mid-1890sOriginal cast
* Bouzin – Saint-Germain * General Irrigua – M Milher * Bois-d'Enghien – Perrée Raimond * Lantery – M Luguet * Chenneviette – Gaston Dubosc * Fontanet – M Didier * Antonio – M Garon * Jean – M Colombet * Firmin – M Bellot * Concierge – M Liesse * A Gentleman – M Parizot * Émile – M Garnier * Lucette – Jeanne Cheirel * Baroness – Mme Franck-Mel * Viviane – Mme B Doriel * Marceline – Mme A Bode * Nini Galant – Mme Mèdal * Miss Betting – Mme Darville * A Lady – Élisa Louise Bilhaut * Servants, Maids, A wedding party ::Source: ''Les Annales du théâtre et de la musique''.Plot
Act 1
The scene is the Paris flat of the singer Lucette. Her lover, Fernand de Bois-d'Enghien, is engaged to be married to Viviane, daughter of the Baroness Duverger, but is too cowardly to break the news to Lucette. As the morning continues more characters arrive at the apartment. Bouzin is a notary's clerk who dabbles in song-writing. Although he does not know Lucette, he brings along a song he has written for her. Lucette dismisses his song as stupid and sends him away. A bouquet and ring are delivered for her, with Bouzin's card attached. They have been sent anonymously by Lucette's admirer General Irrigua, a South American exile, but Bouzin has surreptitiously planted his business card in the bouquet. When he returns for his forgotten umbrella, Lucette is more welcoming, sending him back to his flat to retrieve the song. The general enters. He says he will kill anyone who comes between him and Lucette. Bois-d'Enghien tells him Bouzin is her lover. Bouzin returns, the general attacks him, and when it emerges that the bouquet and ring were from the general, Lucette throws Bouzin out.Act 2
At the baroness's town house they are preparing for a party to mark Viviane's engagement. Viviane is not enthused about marrying Bois-d'Enghien: she thinks him a milksop and is attracted only by dashing, disreputable men. Bois-d'Enghien arrives, and is appalled to find that Lucette has been booked to sing at the party. She arrives, and he hides in a wardrobe, where she discovers him. Bois-d'Enghien tries frantically to conceal the news of his engagement, but eventually she discovers it. She takes a thistle from a bouquet and rams it down the back of his neck. Behind a screen he takes off his shirt to remove the thistle, and Lucette removes her dress, makes loud protestations of love, knocks down the screen and embraces him. The uproar brings in the assembled guests who look on, appalled.Act 3
Bois-d'Enghien arrives at his apartment. He is in the middle of changing his clothes when Bouzin arrives. The latter had been the notary's clerk at the betrothal, and is delivering a bill and a copy of the contract. The general arrives, and there is a chase scene before Bois-d'Enghien sends the general in the wrong direction. Lucette arrives and unsuccessfully tries to regain Bois-d'Enghien's affections. She feigns a suicide bid with what turns out to be a toy pistol, and leaves shortly before the general returns. Bois-d'Enghien tells the general he can win Lucette, sending him running after her. Bois-d'Enghien is trapped, trouserless, when the apartment door shuts behind him, leaving him in the corridor. He uses the toy pistol to forge Bouzin to surrender his trousers. The concierge comes up the stairs with policemen looking for a man in his underclothes, and Bouzin flees as Viviane arrives, to the surprise of Bois-d'Enghien. Having discovered that Bois-d'Enghien does in fact have the scandalous reputation she desires she is determined to marry him. The baroness soon discovers them and is forced to agree that as Viviane has compromised herself by coming to Bois-d'Enghien's apartment, their marriage is inevitable. ::Source: Pronko, ''Georges Feydeau''.Reception
The authors of ''Les Annales du théâtre et de la musique'' said that they despaired of conveying to their readers how funny the piece was.Noël et Stoullig (1895), p. 321 In ''Le Figaro'' Henry Fouquier took mild exception to jokes about a minor character's bad breath, but concluded, "I came out dizzy, shaking with laughter" at the sheer youthful delight of the piece, which gave "the rare and charming impression" that the author had enjoyed himself writing the play as much as the audience had enjoyed watching it. The Paris correspondent of the London paper ''The Era (newspaper), The Era'' reported that the play "sent us away tipsy with laughing … a side-splitting piece whose broad fun renders criticism superfluous".Revivals and adaptations
During Feydeau's lifetime the play was revived in Paris, at the Théâtre Antoine in 1911, with Marcel Simon as Bois-d'Enghien, Armande Cassive as Lucette and MSulhac as Bouzin. It ran for 111 performances. Feydeau's work underwent years of neglect after his death, and ''Un fil à la patte'' was not given a major revival in Paris until 1961, when Jacques Charon directed it for the Comédie-Française. Charon played the supporting role of Fontanet, whose bad breath is a trial for all who converse with him; the author's grandson Alain Feydeau alternated in the part with Charon. Micheline Boudet played Lucette, Robert Hirsch (actor), Robert Hirsch Bouzin, and Jean Piat Bois-d'Enghien. Since then there have been at least 24 new productions in Paris, Brussels and French provincial cities, under directors including Jérôme Deschamps, Pierre Mondy and Francis Perrin (actor), Francis Perrin.English versions
The first American adaptation of the play was given in 1910, under the title ''The Lady from Lobster Square''.Pronko, p. 115 It ran for 24 performances on Broadway. John Mortimer's version, called ''Cat Among the Pigeons'', was first performed in London in 1969. Norman Shapiro's adaptation, called ''Not By Bed Alone'', was published in 1970.Cinema
*', directed by (1925). *', directed by Karl Anton (1933). *', directed by Guy Lefranc (1955). *', directed by Michel Deville (2005).Notes, references and sources
Notes
References
Sources
* * * * * * {{DEFAULTSORT:Fil A La Patte, Un Plays by Georges Feydeau 1894 plays