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Saint-Germain (actor)
François Victor Arthur Gilles de Saint-Germain (12 January 1832 – 16 July 1899), professionally known simply as Saint-Germain, was a French actor, known for his playing of comic parts. In a career lasting from 1852 to 1896 he created leading roles in comedies by writers including Eugène Labiche, Henri Meilhac, Alfred Hennequin and Georges Feydeau. Life and career He was born in Paris in January 1832 as François Victor Arthur Gilles, the son of Louis Antoine Fortuné Gilles, an architect, and Marie Hélène ''née'' Cudel. He later adopted the stage name Saint-Germain. Of a bourgeois family, he had a conventional education before enrolling at the Conservatoire national supérieur d'art dramatique, Paris Conservatoire at the age of 17. He entered the class of Jean-Baptiste Provost, a noted Sociétaires of the Comédie-Française, Sociétaire of the Comédie-Française. Provost later said that his only good students were François Jules Edmond Got, François Got, Louis-Arsène Del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Victor Arthur Gilles De Saint-Germain
François () is a French masculine given name and surname, equivalent to the English name Francis. People with the given name * Francis I of France, King of France (), known as "the Father and Restorer of Letters" * Francis II of France, King of France and King consort of Scots (), known as the husband of Mary Stuart, Queen of Scots * François Amoudruz (1926–2020), French resistance fighter * François-Marie Arouet (better known as Voltaire; 1694–1778), French Enlightenment writer, historian, and philosopher *François Aubry (other), several people *François Baby (other), several people * François Beauchemin (born 1980), Canadian ice hockey player for the Anaheim Duck * François Blanc (1806–1877), French entrepreneur and operator of casinos * François Boucher (other), several people * François Caron (other), several people * François Cevert (1944–1973), French racing driver * François Chau (born 1959), Cambodian American act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Fil à La Patte
The United Nations (UN) is an intergovernmental organization whose stated purposes are to maintain international peace and security, develop friendly relations among nations, achieve international cooperation, and be a centre for harmonizing the actions of nations. It is the world's largest and most familiar international organization. The UN is headquartered on international territory in New York City, and has other main offices in Geneva, Nairobi, Vienna, and The Hague (home to the International Court of Justice). The UN was established after World War II with the aim of preventing future world wars, succeeding the League of Nations, which was characterized as ineffective. On 25 April 1945, 50 governments met in San Francisco for a conference and started drafting the UN Charter, which was adopted on 25 June 1945 and took effect on 24 October 1945, when the UN began operations. Pursuant to the Charter, the organization's objectives include maintaining international peace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monsieur Chasse!
''Monsieur chasse!'' (Monsieur is hunting!) is a three-act farce by Georges Feydeau, first produced in Paris in 1892. A married man disguises his absences conducting an extramarital affair in Paris as shooting trips in the country, but an evening's chaotic events expose his deception. The play was Feydeau's first success since his first full-length play, ''Tailleur pour dames'', six years earlier. It ran for 144 performances and has been revived frequently in the 20th and 21st centuries. Background and first production In 1886 the 24-year-old Feydeau had a great success with his first full length play, ''Tailleur pour dames'' (Ladies' Tailor), but his next five plays had been failures or very modest successes.Pronko, pp. 1–2 After a period of studying the works of the earlier comic masters of the 19th century he wrote two new plays in 1892: ''Monsieur chasse!'' and ''Champignol malgré lui'' (Champignon despite himself) – the latter in collaboration with Maurice Desvallières ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Gänzl
Kurt-Friedrich Gänzl (born 15 February 1946) is a New Zealand writer, historian and former casting director and singer best known for his books about musical theatre. After a decade-long playwriting, acting and singing career, and a second career as a casting director of West End shows, Gänzl became one of the world's most important chroniclers of musical theatre history."Kurt Gänzl" Theatre Heritage Australia, 2 September 2020 According to Christophe Mirambeau of Canal Académie, "Kurt Gänzl is an institution. No one interested in musicals and operetta can ignore that. He is the world reference – with some few others, like , |
Bébé (play)
''Bébé'' (Baby) is a three-act comedy by the playwrights Émile de Najac and Alfred Hennequin, first performed in Paris in 1877. It depicts the amorous affairs of an indulged scion of the aristocracy, encouraged by his eccentric tutor. The play opened at the Théâtre du Gymnase on 10 March 1877, and ran for 214 performances. English versions, heavily bowdlerised, were presented in New York in 1877 and London in 1879. Background and first production By the 1870s Émile de Najac and Alfred Hennequin were established writers for the Parisian stage. Both were used to writing in partnership with co-authors, but this was the first time they worked together. Hennequin had recently enjoyed two considerable successes with '' Le Procès Veauradieux'' (1875) and '' Les Dominos roses'' (1876), both written with Alfred Delacour. ''Bébé'' was presented at the Théâtre du Gymnase on 10 March 1877, and ran for 214 performances,Noël and Stoullig (1878), p. 334 a considerable run at a ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile De Najac
Comte Émile de Najac (December 1828 – 11 April 1889) was a French librettist. He was a prolific writer during the Second Empire and early part of the Third Republic, supplying plays and opéra comique librettos, many in one act. Biography Émile de Najac was born in Lorient, France, the descendant of naval commander and bonapartist Benoît Georges de Najac. His son Raoul Charles Eugène was also a writer for the stage. Najac died in Paris on 11 April 1889. Works Always writing with a co-author, Najac provided librettos for several opéras comiques and opéras bouffes: ''La Momie de Roscoco'', with Eugène Ortolan, music by Émile Jonas, ( Bouffes-Parisiens, 1857);Lamb, Andrew"Jonas, Emile"''Grove Music Online'', Oxford University Press 2002. Retrieved 27 August 2020 ''Les Noces de Fernande'', with Victorien Sardou, music by Louis Deffès, (Opéra-Comique, 1878); ''La Bonne Aventure'', with Henri Bocage, music by Émile Jonas, (Théâtre de la Renaissance, 1882); ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of record, along with ''Le Monde'' and ''Libération''. It was named after Figaro, a character in a play by polymath Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a centre-right editorial line, it is the largest national newspaper in France, ahead of ''Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has been owned by Dassault Group since 2004. Other Groupe Figaro publications include ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff (journalist)
Albert Abraham Wolff (31 December 1835, Cologne – 22 December 1891, Paris), was a French writer, dramatist, journalist, and art critic who was born in Germany. Biography Wolff graduated from a trade school after teaching in Paris . This was followed by a degree in Bonn before he settled in Paris in 1857. There he worked as a secretary for Alexandre Dumas. From 1859 he was editor of ''Le Charivari'' under the pseudonym Charles Brassac. He moved to ''Le Figaro'' where he became a leading art critic and was later promoted to editor of the newspaper. His discussions of the Paris Salon had a great impact of the success of contemporary artists. Wolff supported academic painting, with Jean-Louis-Ernest Meissonier as one of his favourite artists. Moreover he was intensively connected with contemporary French artists, a. o. the painters of the Barbizon School who he visited and interviewed frequently. In his publication of 1886: 'Notes upon certain Masters of the XIX century' Wolff de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Arsène Arnaud Claretie
Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the '' Théâtre Français''. Biography He was born at Limoges. After studying at the lycée Bonaparte in Paris, he became a journalist, achieving great success as dramatic critic to ''Le Figaro'' and to the ''Opinion nationale''. He was a newspaper correspondent during the Franco-Prussian War, and during the Paris Commune acted as staff-officer in the National Guard. In 1885 he became director of the Théâtre Français, and from that time devoted his time chiefly to its administration until his death. During the battle for Octave Mirbeau's comedy ''Les affaires sont les affaires'' (''Business is business''), the Comité de Lecture was abolished, in October 1901, and Jules Claretie obtained sole responsibility for choosing the modern plays to be performed. He was elected a member of the Académie française in 1888, and took his seat in February 1889, being receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
