Ukraine National Opera

The Kyiv Opera group was formally established in the summer of 1867, and is the third oldest in Ukraine, after Odessa Opera and Lviv Opera.

The Kyiv Opera Company perform at the National Opera House of Ukraine named after Taras Shevchenko in Kyiv. The opera in 2 acts, ''Natalka Poltavka'', was the last scheduled performance before the 2022 Russian invasion of Ukraine.

History

Early history: 1867 - 20th century

Established in the summer of 1867 by Ferdinand Berger (? - 1875). Berger succeeded in inviting many talented singers, musicians, and conductors, and the city council (duma) had offered the newly created troupe to use the City Theatre (constructed in 1856, architect I. Shtrom) for their performances. Officially, the theatre was named the City Theatre but was most commonly referred to as the Russian Opera. The day of the first performance, November 8 (October 27 old style), 1867 was made a city holiday. The performance of the opera ''Askold's Tomb'' by Alexey Verstovsky was the troupe's debut. The initial success is attributed to the vocal talents of that time of O. Satagano-Gorchakova, F. L'vov, M. Agramov but also the captivating plot taken from some principal pages of the ancient history of the city.

Early performances were mostly Russian operas, including ''Ruslan and Ludmila'' by Mikhail Glinka, ''Rusalka'' by Alexander Dargomyzhsky, ''Maccabees'' by Anton Rubinstein and ''The Power of the Fiend'' by A. Serov, as well as translated European operas including ''The Barber of Seville'' by Rossini, ''The Marriage of Figaro'' by Mozart, ''Der Freischütz'' by Weber, ''Lucia di Lammermoor'' by Donizetti, and operas by Giuseppe Verdi, which became the favorite of the Kyivites.

On February 4, 1896, after a morning performance of ''Eugene Onegin'' by Tchaikovsky, a fire erupted from an unextinguished candle in the theatre. The fire consumed the whole building within several hours. One of the largest musical libraries in Europe along with numerous costumes and stage props of many performances were lost during the fire. After the fire of the City Theatre, the troupe performed on other stages for several years, including Bergonie's Theatre (now the National Theatre of Russian Drama named after Lesya Ukrainka), Solovtsov's Theatre (now the National Theatre named after Ivan Franko) and even on the arena of the famous Krutikov's Circus.

Early 20th century

After the fire, the City Council had announced the international competition to design a new building for the Opera Theatre in Kyiv. The winning proposal was by Victor Schröter. The exterior was designed in Neo-Renaissance style and had accounted for the needs of the actors and the spectators. The interior was redesigned in a classical style and called ''Viennese Modern''. However, his greatest achievement is considered to be the stage - one of the largest in Europe designed to the latest engineering standards.

On , the solemn opening of the new premise of the theatre took place with a performance of cantata Kyiv by composer Wilhelm Hartweld (1859 - 1927) and a presentation of the opera ''Life for the Tsar'' by M. Glinka.

On , there was a performance of Rimsky-Korsakov's ''The Tale of Tsar Saltan'' at the Kyiv Opera House in the presence of the Tsar and his two oldest daughters, the Grand Duchesses Olga and Tatiana. The theater was occupied by 90 men posted as interior guards. During the intermission of a performance Prime Minister Pyotr Stolypin was killed.
According to Alexander Spiridovich, after the second act "Stolypin was standing in front of the ramp separating the parterre from the orchestra, his back to the stage. On his right were Baron Freedericks and Gen. Suhkomlinov." His personal bodyguard had gone to smoke. Stolypin was shot twice, once in the arm and once in the chest by Dmitry Bogrov, a leftist revolutionary, trying to rehabilitate himself. Bogrov ran to one of the entries and was subsequently caught. "He tolypinturned toward the Imperial Box, then seeing the Tsar who had entered the box, he made a gesture with both hands to tell the Tsar to go back." The orchestra began to play "God Save the Tsar." The doctors hoped Stolypin would recover, but despite never losing consciousness, his condition deteriorated. The next day, the distressed Tsar knelt at Stolypin's hospital bedside and kept repeating the words "Forgive me". Stolypin died three days later.

In the first decade of the 20th century, the Kyiv Opera Theatre attracted the most outstanding Ukrainian and Russian singers, including O. Petlyash, P. Tsecevich, K. Voronets, M. Medvedev, K. Brun, O. Mosin and O. Kamionsky and famous opera stars from the West often came on tours. Several unusual for the time performances took place on the stage: ''Die Walkure'' by Wagner, ''Sadko'' by Rimsky-Korsakov and ''Mefistofele'' by Arrigo Boito.

Ukrainian state

In 1917, the opera house was used not only for art but also for congresses. In particular, in 1917 the Second All-Ukrainian Military Congress was held in the Opera House well known for the First Universal of the Ukrainian Central Council proclamation.

At the time Ukrainian State, the Kyiv Opera was called the ''Ukrainian Drama and Opera Theater ''. Operas were staged in Ukrainian translation, particularly in 1918 were staged: "Faust", "La Traviata", "Bohemia", "Madame Butterfly" and others. It was written in Ukrainian press that Ukrainian State Opera has every reason and potential to become one of the best theaters of its time, while warning that "Ukrainian State Opera should not repeat the history of Petrograd state theaters, which gave foreign culture and citizenship culture…" and stressing that it is necessary to "organize the work of the opera artistically strong, national and cultural".

Soviet time

In After Ukraine was annexed by Soviet Union the theater was nationalized and named as K. Liebknecht State Opera House. . In 1926 it was renamed as Kyiv State Academic Ukrainian Opera, and in 1934, when Kyiv was returned the capital status - Academic Opera and Ballet Theater of the USSR. In 1936 the theater was awarded Order of Lenin, and in 1939 was named after Taras Shevchenko.

According to the Decree of the People's Commissar of 1926 all the operas were performed in Ukrainian language. This inspired the establishment of the full value of Ukrainian culture and the Ukrainian language. The tradition of performing opera in Ukrainian translations succeeded until the early 1990s.

In 1981 the world premiere of a ballet based on the life of Olga of Kiev was performed to commemorate the 1500th anniversary of the city.Черкашина-Губаренко М. Р. ''Театральні університети Володимира Рожка''. Часопис Національної музичної академії України імені П. І. Чайковського. 2016. № 3 (32). с. 52.

1990–2010s

In 1991–1999, the National Opera was headed by Anatoliy Mokrenko. At this time, the theater is gradually beginning to abandon Ukrainian-language translations, which was explained by economic difficulties and the need for touring activities for artists survival.

See also

* Kyiv Ballet

References

Notes

External links

Kyiv.ua: Virtual tour of the National Opera HouseWorldwalk.info: Shevchenko National Opera House of Ukraine (Kyiv)

{{authority control

Opera houses in Ukraine
Ukrainian opera companies
Theatres in Kyiv
Shevchenkivskyi District, Kyiv
Music in Kyiv
Ukrainian music
Musical groups from Kyiv
Musical groups established in 1867
1860s establishments in Ukraine
1867 establishments in the Russian Empire
Theatres completed in 1901
Art Nouveau theatres
Art Nouveau architecture in Kyiv
Volodymyrska Street
Institutions with the title of National in Ukraine