Tjitra
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''Tjitra'' (literally ''Image'') is a 1949 Indonesian film directed by Usmar Ismail for the Dutch-owned production house South Pacific. Starring Raden Sukarno, Nila Djuwita, and Raden Ismail, it follows a man named Harsono who takes a woman's virginity then flees to the city, where he is caught up in a murder case. Ismail's directorial debut, ''Tjitra'' was made while its director was still a member of the
Indonesian Army The Indonesian Army ( id, Tentara Nasional Indonesia Angkatan Darat (TNI-AD), ) is the land branch of the Indonesian National Armed Forces. It has an estimated strength of 300,000 active personnel. The history of the Indonesian Army has its ...
. He later disavowed the film, as he felt he had had too little creative input.


Plot

Harsono (Raden Sukarno) takes the virginity of Suryani (Nila Djuwita) on his family's plantation, then leaves her to live in the city. Whilst Suryani marries Harsono's brother Sutopo (Raden Ismail), Harsono finds himself attracted to a city girl, a flirt named Sandra. When she wrongs him, Harsono strangles her to death. During an ensuing investigation it is shown that Sandra died of a heart attack and not as a direct result of being strangled, allowing Harsono to return to his village. He tries to marry Suryani, but she chooses to stay with her husband.


Production

''Tjitra'' was the first film directed by Usmar Ismail, originally a reporter. During the Japanese occupation of the
Dutch East Indies The Dutch East Indies, also known as the Netherlands East Indies ( nl, Nederlands(ch)-Indiƫ; ), was a Dutch colony consisting of what is now Indonesia. It was formed from the nationalised trading posts of the Dutch East India Company, which ...
from 1942 to 1945, Ismail had often discussed cinema with the film director Andjar Asmara, learning the basics. Around this time he wrote the screenplay for ''Tjitra''. During the
Indonesian National Revolution The Indonesian National Revolution, or the Indonesian War of Independence, was an armed conflict and diplomatic struggle between the Republic of Indonesia and the Dutch Empire and an internal social revolution during Aftermath of WWII, postw ...
, he had joined the
Indonesian Army The Indonesian Army ( id, Tentara Nasional Indonesia Angkatan Darat (TNI-AD), ) is the land branch of the Indonesian National Armed Forces. It has an estimated strength of 300,000 active personnel. The history of the Indonesian Army has its ...
and been arrested by the Dutch while covering the negotiations towards the Renville Agreement. Upon his release he was ordered to stay in the national capital at
Jakarta Jakarta (; , bew, Jakarte), officially the Special Capital Region of Jakarta ( id, Daerah Khusus Ibukota Jakarta) is the capital and largest city of Indonesia. Lying on the northwest coast of Java, the world's most populous island, Jakarta ...
and watch the Dutch movements. While doing so, he worked with the Dutch-owned South Pacific Film Corporation, first with Andjar and then on his own. The film starred Raden Soekarno, Nila Djuwita, and Raden Ismail. It also featured
A. Hamid Arief Abdul Hamid Arief (25 November 1924 – 20 December 1992) was an Indonesian actor who appeared in more than 120 films. Born in Batavia, Dutch East Indies, he started his acting career in theatre before migrating to film with 1948's ''Anggrek ...
and Mohammad Said Hamid Junid. AA Denninghoff-Stelling, a Dutchman influenced by American cinema, was on camera. ''Tjitra'' was produced by South Pacific.


Release

''Tjitra'' was released in 1949, with a novelisation following in 1950; a song of the same name, by Cornel Simanjuntak, followed not long after. The introduction to the novel, entitled "Pengantar ke Dunia Film" ("Introduction to the World of Cinema"), was later compiled in the 1983 anthology ''Usmar Ismail Mengupas Film'' (''Usmar Ismail on Film''). A 35 mm copy of the film ''Tjitra'' is stored at Sinematek Indonesia's archives. In a 1962 letter Ismail wrote that, aside from choosing the story, he had been given little control over the film. The producer dictated which shots were to be used and most of the creative aspects of filming. As such, Ismail disavowed ''Tjitra'' and ''Harta Karun'', writing that he considered his first film to be '' Darah dan Doa'' (''The Long March''; 1950). The Indonesian film historian Misbach Yusa Biran wrote that, unlike most films from the Dutch East Indies, it showed a sense of an Indonesian nation.


Footnotes


Works cited

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External links

* {{Use dmy dates, date=November 2012 Films directed by Usmar Ismail Indonesian-language films Indonesian drama films 1949 drama films 1949 films Indonesian black-and-white films Dutch East Indies films