The Magnetic Lady
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''The Magnetic Lady, or Humours Reconciled'' is a Caroline-era stage play, the final
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
of
Ben Jonson Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for t ...
. It was licensed for performance by Sir Henry Herbert, the
Master of the Revels The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. ...
, on 12 October 1632, and first published in 1641, in Volume II of the second folio collection of Jonson's works. The play was premiered by the King's Men at the
Blackfriars Theatre Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child acto ...
; it was not an overt failure like ''
The New Inn ''The New Inn, or The Light Heart'' is a Caroline era stage play, a comedy by English playwright and poet Ben Jonson. ''The New Inn'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 19 January 1629, and acted l ...
,'' but does not appear to have been a great success either. The play was criticised by the dramatist's long and seemingly ever-growing list of enemies,
Inigo Jones Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable archit ...
being one example.


Synopsis

As the subtitle indicates, ''The Magnetic Lady'' is a humours comedy, a form that Jonson had begun exploring three decades earlier and the last of the type that Jonson would write. The play is supplied with an Induction and a set of entr'actes that Jonson calls "Intermeans," through which the characters Probee and the ignorant Damplay have the play explained to them as it proceeds, by the Boy who has been left in charge of the "Poetique Shop." The focus of the play lies in the wealthy Lady Loadstone and her young, attractive, "marriageable" niece Placentia Steel. Placentia is the target of the amorous ambitions of a set of gulls and fools and hangers-on – Parson Palate, Doctor Rut, Bias, Practice the lawyer, and Sir Diaphanous Silkworm. Lady Loadstone's brother, Sir Moth Interest, is Placentia's financial trustee, and cares about little but maintaining control of her money. This crew is counterbalanced by two Jonsonian men of worth: Compass, Lady Loadstone's faithful steward, and his friend Captain Ironside. In Lady Loadstone's household, conditions are upside down (at least in the playwright's system of values). Lady Loadstone commands her little domestic world without male rule – in the words of one critic, it is a "feminocentric environment." Yet she cannot manage her household against her obstreperous servants. The governess, Mistress Polish, the midwife, Mother Chair, and the nurse, Mistress Keep (representing the "smock-secrets" of women), are a set of females out of control – a theme that Jonson visits again and again in his works, as in the Ladies Collegiate in ''Epicene'' and the chorus of she-critics in ''
The Staple of News ''The Staple of News'' is an early Caroline era play, a satire by Ben Jonson. The play was first performed in late 1625 by the King's Men at the Blackfriars Theatre, and first published in 1631. Publication ''The Staple of News'' was entere ...
.'' However to describe Lady Loadstone's domestic world as 'feminocentric' is argued by some to be completely inaccurate. The very fact that Lady Loadstone is guided constantly by the advice of Master Compass, who is described by Parson Palate as 'the perfect instrument your Lady should sail by' indicates her dependence upon her male friend's guidance, as a widow in a male dominated society. She is also counselled by the Parson and the Doctor and the dowry is controlled by Sir Moth Interest. It is the machinations of Master Compass, who exposes Mistress Polish's plot and effectively wins the day in the final revelation and his supremacy of the situation. The female characters in the play are outnumbered by the male and ultimately are 'subdued' at the end in one way or another. The character of Mistress Polish is arguably one of Jonson's more interesting female characters and a challenge for any actress. The play's action features a dinner party that is never seen onstage, but is reported by various characters. The foppish Sir Diaphanous Silkworm falls into a quarrel with the gruff soldier Captain Ironside, which causes Placentia to go into premature labour, thus revealing her illegitimate pregnancy. A complex tangle of misunderstandings is eventually unwound: fourteen years earlier, Polish switched her own infant daughter with the Lady's niece Placentia. The girl known as Placentia is actually Polish's daughter Pleasance, and the supposed Pleasance, serving as the false Placentia's maid, is the true heir. By the play's end, the two worthy and sensible men in the piece, Captain Ironside and Compass, prove themselves to be the suitable matches for aunt and niece.


Performances

The play was first performed in 1632 and came under severe critical attack from Jonson's literary enemies namely Alexander Gill, Inigo Jones and Nathaniel Butter, who had long-standing feuds with Jonson. The work does not appear again until 1987, in a
BBC Radio 3 BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, with jazz, world music, Radio drama, drama, High culture, culture and the arts ...
adaptation to mark 350 years since Jonson's death produced by Ian Cotterell and adapted by Peter Barnes with Dilys Laye as Mistress Polish, Dinsdale Landen as Master Compass and Peter Bayliss as Sir Moth Interest. The play received its first modern stage performance in Autumn 2010 as part of the White Bear Theatre's ''Lost Classics Project.''Aebischer, Pascale
Performing Early Modern Drama Today
Cambridge University Press, 11 October 2012. pp. 29–30


References


Sources

*Harp, Richard, and Stanley Stewart, eds. ''The Cambridge Companion to Ben Jonson.'' Cambridge, Cambridge University Press, 2000. * Robinson, Karen, and Susan Frye, eds. ''Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern England.'' Oxford, Oxford University Press, 1999. * Woolland, Brian, ed. ''Jonsonians: Living Traditions.'' London, Ashgate, 2003.


External links



{{DEFAULTSORT:Magnetic Lady, The Plays by Ben Jonson English Renaissance plays 1632 plays