The Staple Of News
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The Staple Of News
''The Staple of News'' is an early Caroline era play, a satire by Ben Jonson. The play was first performed in late 1625 by the King's Men at the Blackfriars Theatre, and first published in 1631. Publication ''The Staple of News'' was entered into the Stationers' Register in Feb. 1626, but was not published till five years later. Like '' The Devil is an Ass,'' ''The Staple of News'' was intended to be part of the second folio collection of Jonson's works that was being readied for publication in 1630, as a follow-up to the first collection in 1616. The project was abandoned, apparently because Jonson grew dissatisfied with the quality of the printing (done by John Beale). ''The Staple of News'', again like ''Devil is an Ass'', was published separately in 1631 in folio format from the existing typesetting, by the bookseller Robert Allot – though it is unclear whether this was ever a commercial publication, or whether Jonson privately distributed copies of the play among frie ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Assemblywomen
''Assemblywomen'' ( grc-gre, Ἐκκλησιάζουσαι ''Ekklesiazousai''; also translated as, ''Congresswomen'', ''Women in Parliament'', ''Women in Power'', and ''A Parliament of Women'') is a comedy written by the Greek playwright Aristophanes in 391 BC. The play invents a scenario where the women of Athens assume control of the government and institute reforms that ban private wealth and enforce sexual equity for the old and unattractive. In addition to Aristophanes' political and social satire, ''Assemblywomen'' derives its comedy through sexual and scatological humor. The play aimed to criticize the Athenian government at the time.Zumbrunnen, John. "Fantasy, Irony, And Economic Justice In Aristophanes' Assemblywomen And Wealth." American Political Science Review 100.3 (2006): 319–333. International Bibliography of Theatre & Dance with Full Text. Web. 25 Sept. 2016. Plot The play begins with Praxagora emerging from a house on an Athenian street before daybreak. She ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ...
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Plays By Ben Jonson
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Nathaniel Butter
Nathaniel Butter (died 22 February 1664) was a London publisher of the early 17th century. The publisher of the first edition of Shakespeare's ''King Lear'' in 1608, he has also been regarded as one of the first publishers of a newspaper in English. Beginnings Nathaniel Butter was the son of a Thomas Butter, a bookseller; the son followed the father's profession. Nathaniel became a "freeman" (a full member) of the Stationers Company on 20 February 1604, and registered his first title before the end of that year. In his career, Butter concentrated on bookselling and publishing; as was a common practice in his era, he commissioned printers to print his books, and worked with most of the printers of his generation. Drama ''King Lear'' was entered into the Stationers' Register on 26 November 1607, by Butter and colleague John Busby. The first quarto edition of the play was published the following year, printed by Nicholas Okes, with Butter listed as publisher. Busby appears to have ...
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The Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ...
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Francis Beaumont
Francis Beaumont ( ; 1584 – 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont's life Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father's footsteps by entering the Inner Temple in London in 1600. Accounts suggest that Beaumont did not work long as a lawyer. He became a student of poet and playwright Ben Jonson; he was also acquainted with Michael Drayton and other poets and dramatists, and decided that was where his passion lay. His first work, ''Salmacis and Hermaphroditu ...
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Love's Welcome At Bolsover
''Love's Welcome at Bolsover'' (alternative archaic spelling, ''Balsover'') is the final masque composed by Ben Jonson. It was performed on 30 July 1634, three years before the poet's death, and published in 1641. The masque was not produced by the Stuart Court in one of the royal palaces around London, as many of Jonson's notable early masques were. Rather it was staged by William Cavendish, 1st Duke of Newcastle (at the time, he was the Earl of Newcastle) at Bolsover Castle in Derbyshire, in honor of King Charles I and Queen Henrietta Maria. Newcastle had put on a Jonson masque for his royal visitors at Welbeck in Nottinghamshire the year before: '' The King's Entertainment at Welbeck,'' performed on 21 May 1633. It was such a success that the King requested another on his 1634 royal progress. The Duke spent between £14,000 and £15,000 on staging the Bolsover masque and providing for his royal guests and their attendants, which was more than double the £4,000 to £5,000 he' ...
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Bartholomew Fair (play)
''Bartholomew Fair'' is a Jacobean comedy in five acts by Ben Jonson. It was first staged on 31 October 1614 at the Hope Theatre by the Lady Elizabeth's Men company. Written four years after ''The Alchemist'', five after '' Epicœne, or the Silent Woman'', and nine after ''Volpone'', it is in some respects the most experimental of these plays. The play was first printed in 1631, as part of a planned second volume of the first 1616 folio collection of Jonson's works, to be published by the bookseller Robert Allot; however, Jonson abandoned the plan when he became dissatisfied with the quality of the typesetting. Copies of the 1631 typecast were circulated, though whether they were sold publicly or distributed privately by Jonson is unclear. The play was published in the second folio of Jonson's works in 1640–41, published by Richard Meighen. Background The play is set at Bartholomew Fair, which from 1133 to 1855 was one of London's preeminent summer fairs. It opened on 24 A ...
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Inigo Jones
Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England and Wales, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Early life and career Beyond the fact that he was born in Smithfield, London, as the son of clothworker Inigo Jones Snr., and ...
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Neptune's Triumph For The Return Of Albion
''Neptune's Triumph for the Return of Albion'' was a Jacobean era masque, written by Ben Jonson, and designed by Inigo Jones. The masque is notable for the contradictory historical evidence connected with it and the confusion it caused among generations of scholars and critics. Context The masque was intended as the major entertainment of the 1623–24 Christmas holiday season, and was scheduled to be performed on Twelfth Night, 6 January 1624. During the Jacobean era, however, attendance at the performances of the Stuart Court masques was coveted and controversial – especially among the foreign diplomats of the Court, who competed fiercely among themselves for admittance to the masques and especially for seating near the King. In the case of ''Neptune's Triumph,'' the dispute between the French and Spanish ambassadors was so intense that James I cancelled the performance. There was more than ego or vague national pride involved: James's son and heir, the future Charl ...
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The London Prodigal
''The London Prodigal'' is a play in English Renaissance theatre, a city comedy set in London, in which a prodigal son learns the error of his ways. The play was published in quarto in 1605 by the stationer Nathaniel Butter, and printed by Thomas Creede. In 1664 it was one of the seven plays that publisher Philip Chetwinde added to the second impression of his Third Folio of William Shakespeare's plays. The play was not entered into the Stationers' Register, but it is attributed to Shakespeare on the title page of the only edition. This attribution is widely and generally rejected by scholars. The title page also identifies the play as a King's Men's play. ''The London Prodigal'' has been dated as early as c. 1591, and as late as 1603–04. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precedent; but it is also an example of the evolving Elizabethian genre of domestic dramas, and "one of the first naturalistic drama ...
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