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''The Awful Truth'' is a 1937 American
screwball comedy Screwball comedy is a subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristi ...
film directed by
Leo McCarey Thomas Leo McCarey (October 3, 1898 – July 5, 1969) was an American film director, screenwriter, and producer. He was involved in nearly 200 films, the most well known today being '' Duck Soup'', ''Make Way for Tomorrow'', '' The Awful T ...
and starring Irene Dunne and
Cary Grant Cary Grant (born Archibald Alec Leach; January 18, 1904November 29, 1986) was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing. He was one of ...
. Based on the 1923 play ''The Awful Truth'' by Arthur Richman, the film recounts how a distrustful rich couple begins divorce proceedings, only to interfere with one another's romances. This was McCarey's first film for
Columbia Pictures Columbia Pictures Industries, Inc. is an American film production studio that is a member of the Sony Pictures Motion Picture Group, a division of Sony Pictures Entertainment, which is one of the Big Five studios and a subsidiary of the mu ...
with the dialogue and comic elements being largely improvised by the director and actors. It was Dunne's second comedy following '' Theodora Goes Wild'' (1936), for which she was also nominated for a Best Actress Academy Award. Her costumes were designed by
Robert Kalloch Robert Mero Kalloch III (January 13, 1893 — October 19, 1947), often known by his professional mononym Kalloch, was an American fashion designer and, later, a costume designer for Columbia Pictures and Metro-Goldwyn-Mayer. He worked on 105 film ...
. Although Grant tried to leave the production due to McCarey's directorial style, ''The Awful Truth'' saw his emergence as an A-list star and proponent of on-the-set improvisation. The film was a box office hit. It was nominated for six
Academy Awards The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment ind ...
, including Best Picture, Best Actress, and Best Supporting Actor. McCarey won for Best Director. ''The Awful Truth'' was selected in 1996 for preservation in the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
'
National Film Registry The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception ...
. ''The Awful Truth'' was the first of three film pairings co-starring Cary Grant and Irene Dunne, followed by ''
My Favorite Wife ''My Favorite Wife'' (released in the U.K. as ''My Favourite Wife'') is a 1940 screwball comedy produced by Leo McCarey and directed by Garson Kanin. The picture stars Irene Dunne as a woman who, after being shipwrecked on a tropical island for ...
'' (1940) and ''
Penny Serenade ''Penny Serenade'' is a 1941 American melodrama film directed by George Stevens starring Irene Dunne and Cary Grant as a loving couple who must overcome adversity to keep their marriage and raise a child. Grant was nominated for the Academy Awa ...
'' (1941).


Plot

Jerry Warriner (
Cary Grant Cary Grant (born Archibald Alec Leach; January 18, 1904November 29, 1986) was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing. He was one of ...
) tells his wife he is going on vacation to
Florida Florida is a state located in the Southeastern region of the United States. Florida is bordered to the west by the Gulf of Mexico, to the northwest by Alabama, to the north by Georgia, to the east by the Bahamas and Atlantic Ocean, and ...
, but instead spends the week at his sports club in New York City. He returns home to find that his wife, Lucy ( Irene Dunne), spent the night in the company of her handsome music teacher, Armand Duvalle (
Alexander D'Arcy Alexander D'Arcy ( ar, ألكسندر دارسي; 10 August 1908 – 20 April 1996) was an Egyptian stage, television and film actor with an international film repertoire. Career Born Alexander Sarruf in Cairo, Egypt, D'Arcy, variously credited ...
). Lucy claims his car broke down unexpectedly. Lucy discovers that Jerry did not actually go to Florida. Their mutual suspicion results in divorce proceedings, with Lucy winning custody of their dog. The judge orders the divorce finalized in 90 days. Lucy moves into an apartment with her Aunt Patsy ( Cecil Cunningham). Her neighbor is amiable but rustic
Oklahoma Oklahoma (; Choctaw: ; chr, ᎣᎧᎳᎰᎹ, ''Okalahoma'' ) is a state in the South Central region of the United States, bordered by Texas on the south and west, Kansas on the north, Missouri on the northeast, Arkansas on the east, New ...
oilman Dan Leeson (
Ralph Bellamy Ralph Rexford Bellamy (June 17, 1904 – November 29, 1991) was an American actor whose career spanned 65 years on stage, film, and television. During his career, he played leading roles as well as supporting roles, garnering acclaim and ...
), whose mother (
Esther Dale Esther Dale (November 10, 1885 – July 23, 1961) was an American actress of the stage and screen. Early years Dale was born in Beaufort, South Carolina. She attended Leland and Gray Seminary in Townshend, Vermont. In Berlin, Germany, she stu ...
) does not approve of Lucy. Jerry subtly ridicules Dan in front of Lucy, which causes Lucy to tie herself more closely to Dan. Jerry begins dating sweet-natured but simple singer Dixie Belle Lee (
Joyce Compton Olivia Joyce Compton (January 27, 1907 – October 13, 1997) was an American actress. Biography Compton was born in Lexington, Kentucky, the daughter of Henry and Golden Compton. (Despite frequent reports to the contrary, her name was not ...
), unaware that she performs an embarrassing,
sexually suggestive Sexual suggestiveness is visual, verbal, written or behavioral material or action with sexual undertones implying sexual intent in order to provoke sexual arousal. There are variations in the perception and display of sexual suggestiveness, incl ...
act at a local nightclub. Convinced that Lucy is still having an affair with Duvalle, Jerry bursts into Duvalle's apartment only to discover that Lucy is a legitimate vocal student of Duvalle and is giving her first
recital A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide var ...
. Realizing he may still love Lucy, Jerry undermines Lucy's character with Mrs. Leeson even as Dan and Lucy agree to marry. When Jerry attempts to reconcile with Lucy afterward, he discovers Duvalle hiding in Lucy's apartment and they have a fistfight while Dan and his mother apologize for assuming the worst about Lucy. When Jerry chases Armand out the door, Dan breaks off his
engagement An engagement or betrothal is the period of time between the declaration of acceptance of a marriage proposal and the marriage itself (which is typically but not always commenced with a wedding). During this period, a couple is said to be ''fi ...
to Lucy and he and his mother return to Oklahoma. Some weeks pass, and Jerry begins dating high-profile heiress Barbara Vance (
Molly Lamont Molly Lamont (22 May 1910 – 7 July 2001) was a South African-British film actress. Life and career Lamont was born in Boksburg, Transvaal, South Africa. After winning a beauty contest in South Africa she was offered a contract by British ...
). Realizing she still loves Jerry, Lucy crashes a party at the Vance mansion the night the divorce decree is to become final. Pretending to be Jerry's sister, she undermines Jerry's character, implying that "their" father was
working class The working class (or labouring class) comprises those engaged in manual-labour occupations or industrial work, who are remunerated via waged or salaried contracts. Working-class occupations (see also " Designation of workers by collar colou ...
rather than wealthy. Acting like a showgirl, she recreates Dixie's risqué musical number from earlier in the film. The snobbish Vances are appalled. Jerry attempts to explain away Lucy's behavior as
drunkenness Alcohol intoxication, also known as alcohol poisoning, commonly described as drunkenness or inebriation, is the negative behavior and physical effects caused by a recent consumption of alcohol. In addition to the toxicity of ethanol, the main p ...
, and says he will drive Lucy home. Lucy repeatedly sabotages the car on the ride to delay their parting. Pulled over by motorcycle police officers, who believe Jerry is drunk, Lucy manages to wreck the car. The police give the couple a lift to Aunt Patsy's nearby cabin. Although sleeping in different (but adjoining) bedrooms, Jerry and Lucy slowly overcome their pride and a series of comic mishaps in order to admit "the awful truth" that they still love one another. They reconcile at midnight, just before their divorce is to be finalized.


Cast

The cast includes:


Pre-production

The film is based on a 1923 stage play ''The Awful Truth'' by playwright Arthur Richman. In the play, Norman Satterly divorces his wife, Lucy Warriner Satterly, after they accuse one another of infidelity. Lucy is about to remarry, but needs to clear her name before her fiancé will agree to go forward with the marriage. As she tries to salvage her reputation, she falls in love again with her ex-husband and they remarry. There were two previous film versions, a 1925
silent film A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, w ...
'' The Awful Truth'' from
Producers Distributing Corporation Producers Distributing Corporation was a short-lived Hollywood film distribution company, organized in 1924 and dissolved in March 1927. In its brief heyday, film director Cecil B. DeMille was its primary shareholder and major talent. Corporat ...
starring Warner Baxter and
Agnes Ayres Agnes Ayres (born Agnes Henkel; April 4, 1896 – December 25, 1940) was an American actress who rose to fame during the silent film era. She was known for her role as Lady Diana Mayo in '' The Sheik'' opposite Rudolph Valentino. Career Ayres b ...
and a 1929 sound version from Pathé Exchange, '' The Awful Truth'', starring
Ina Claire Ina Claire (born Ina Fagan; October 15, 1893February 21, 1985) was an American stage and film actress. Early years Ina Fagan was born October 15, 1893 in Washington, D.C. After the death of her father, Claire began doing imitations of fellow bo ...
and
Henry Daniell Charles Henry Pywell Daniell (5 March 1894 – 31 October 1963) was an English actor who had a long career in the United States on stage and in cinema. He came to prominence for his portrayal of villainous roles in films such as '' Camille'' (1 ...
. Producer D.A. Doran had purchased the rights to the play for Pathé. When Pathé closed, he joined Columbia Pictures. Columbia subsequently purchased all of Pathé's scripts and screenplay rights for $35,000 ($ in dollars). Doran chose to remake the film in 1937, just as Columbia head
Harry Cohn Harry Cohn (July 23, 1891 – February 27, 1958) was a co-founder, president, and production director of Columbia Pictures Corporation. Life and career Cohn was born to a working-class Jewish family in New York City. His father, Joseph Cohn, w ...
was hiring director Leo McCarey to direct comedies for the studio. Cohn offered the film to director Tay Garnett. Garnett read Dwight Taylor's script, and felt it was "about as funny as the seven-year-itch in an iron lung." He turned it down. According to Garnett, McCarey accepted the project simply because he needed work. "Sure, the script was terrible, but I've seen worse. I worked it over for a few weeks, changed this and that. I finally decided I could make something of it." McCarey did not like the narrative structure of the play, the previous film versions, or the unproduced Pathé script. Cohn had already assigned
Everett Riskin Everett Riskin (1895-1982) was an American film producer, best known for his work at Columbia and MGM, where he specialised in comedies. He was the brother of screenwriter Robert Riskin.Dwight Taylor had a draft script. Taylor changed Norman Satterly to Jerry Warriner, got rid of much of the play's moralistic tone, and added a good deal of screwball comedy. Jerry is violence-prone (he punches Lucy in the eye), and the couple fight over a necklace (not a dog). Much of the action in Taylor's script is set at Jerry's club. The mishaps in the script cause Jerry to crack up emotionally. When the couple visit their old home (which is being sold at auction), his love for his wife is rekindled. McCarey didn't like Taylor's script. He believed, however, that ''The Awful Truth'' would do well at the box office. With the
Great Depression The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
in its seventh year, he felt audiences would enjoy seeing a picture about rich people having troubles. During face-to-face negotiations with Cohn, McCarey demanded $100,000 ($ in dollars) to direct. Cohn balked. McCarey wandered over to a piano and began to play show-tunes. Cohn, an avid fan of musicals, decided that anyone who liked that kind of music had to be talented—and he agreed to pay McCarey's fee. He also agreed not to interfere in the production. McCarey's hiring was not announced until April 6, 1937. Riskin withdrew from the film as McCarey insisted on producing.


Script

McCarey worked with screenwriter
Viña Delmar Viña Delmar (born Alvina Louise Croter; January 29, 1903 – January 19, 1990) was an American short story writer, novelist, playwright, and screenwriter who worked from the 1920s to the 1970s. She rose to fame in the late 1920s with the publ ...
and her regular collaborator, her husband, Eugene. The couple had written racy novels as well as the source material and screenplay for McCarey's ''Make Way for Tomorrow''. The Delmars refused to work anywhere but their home, visit the studio or the set, or to meet any of the actors when working on a script. In a letter to author Elizabeth Kendall, Viña Delmar said that McCarey worked with them on the script at their home, suggesting scenes. McCarey asked the Delmars to drop the major plot points of the play—which focused on Dan Leeson's attempt to purchase mineral rights, a fire in Lucy Warriner's apartment building, and Lucy's midnight meeting with another man at a luxurious mountain resort—and focus on the pride which Jerry and Lucy feel and which keeps them from reconciling. According to the Delmars, they completed a script which included musical numbers, making it resemble
musical theatre Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ...
more than screwball comedy. It also largely retained the play's narrative structure, with four
acts The Acts of the Apostles ( grc-koi, Πράξεις Ἀποστόλων, ''Práxeis Apostólōn''; la, Actūs Apostolōrum) is the fifth book of the New Testament; it tells of the founding of the Christian Church and the spread of its message ...
: the break-up at the Warriner house, events at Jerry Warriner's sports club, arguments and misunderstandings at Lucy Warriner's apartment, and a finale at Dan Leeson's apartment. The sets were simple, and few actors were needed. According to other accounts, Mary C. McCall Jr., Dwight Taylor (again), and
Dorothy Parker Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was known for her wit, wisecracks, and eye for 20th-century urban foibles. From a conflicted and unhap ...
all worked on the script as well. None of their work was used by McCarey, and Taylor even asked that his name be taken off the script. Ralph Bellamy says that McCarey himself then wrote a script, completely reworking Delmar's effort. Harry Cohn was not happy with McCarey's decision to abandon Delmar's work, but McCarey convinced the studio boss that he could rework it. Film historians Iwan W. Morgan and Philip Davies say that McCarey retained only a single aspect of Delmar's work: The alleged infidelity of both man and wife.


Casting

Irene Dunne had freelanced and had not been under contract to a studio since her arrival in Hollywood. She appeared in '' Theodora Goes Wild'' (1936) for Columbia, and despite her misgivings about doing comedy her performance had garnered her an
Academy Award The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment ind ...
nomination as Best Actress. Dunne wanted to undertake a new project quickly after negative reaction to her performing in
blackface Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereo ...
in ''
Show Boat ''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock worke ...
'' (also 1936). Her agent,
Charles K. Feldman Charles K. Feldman (April 26, 1905 – May 25, 1968) was a Hollywood attorney, film producer and talent agent who founded the Famous Artists talent agency. According to one obituary, Feldman disdained publicity. "Feldman was an enigma to Holly ...
, helped develop ''The Awful Truth'' for Dunne, and the film was rushed into production to accommodate her. McCarey wanted her for the film because he thought the "incongruity" of a "genteel" actress like Dunne in screwball comedy was funny, and she was asked to appear in it even though Delmar was still working on a script. Dunne was attached to the picture in mid-February 1937, although commitments to other stage and film projects meant production could not begin for several months. Dunne was paid $75,000 ($ in dollars) for her work. Dunne later said her decision to work on the film was "just an accident". Cary Grant was cast three days after Dunne. Grant had also recently become a freelance actor without long-standing contractual obligations to any studio. By late 1936, he was negotiating a contract with Columbia. He ran into McCarey on the street, and told McCarey he was free. In February 1937, he signed a non-exclusive contract with Columbia Pictures in which he agreed to make four films over two years, provided each film was a
prestige picture A prestige picture is a film produced to bolster the film studio's perceived artistic integrity, rather than to turn a large profit; the studio may even expect the film to lose money. History Prestige pictures are largely the province of major Ho ...
. He was paid $50,000 ($ in dollars) to appear in ''The Awful Truth''. Grant was eager to work with McCarey, McCarey wanted Grant, and Cohn assigned Grant to the picture. For Ralph Bellamy, a contract player with Columbia, the film was just another assignment. Delmar's draft script, sent to Bellamy by his agent, originally described Dan Leeson as a conservative, prudish Englishman, a role written with Roland Young in mind. Per his agent's request, Bellamy ignored the script. Some time later, Bellamy got a call from his good friend, the writer Mary McCall, who asked him to work with her on redeveloping the role. McCall had been instructed to change the Leeson character into someone from the American West. They spent an afternoon together, and recrafting the character as well as writing a scene for his entrance in the film. After more time passed, Bellamy ran into writer Dwight Taylor at a cocktail party and learned that Taylor was rewriting his part. After a few weeks more, Dorothy Parker called Bellamy to tell him she was now working on the script and changing his role once more. The second week of June 1937, Bellamy's agent told him he'd been cast in ''The Awful Truth'' and was to report to the studio the next Monday. His casting was announced on June 23. Joyce Compton was cast on June 9, and Alexander D'Arcy was cast some time before July 11. For the animal role of Mr. Smith, two dogs were cast but did not work out. Skippy, better known to the public as "Asta" in the ''Thin Man'' film series, was cast at the end of June. Skippy proved difficult to work with. For a critical scene in which Mr. Smith is to leap into Jerry Warriner's arms, a white rubber mouse (one of the dog's favorite toys) was placed in Cary Grant's breast pocket. But whenever Grant held his arms open, Skippy would dodge him at the last moment. It took several days to get the shot. The human cast of ''The Awful Truth'' was also forced to take several unscheduled days of vacation in late July 1937 because Skippy was booked on another film.


Pre-production activity

''The Awful Truth'' was budgeted at $600,000 ($ in dollars).
Pre-production Pre-production is the process of planning some of the elements involved in a film, television show, play, or other performance, as distinct from production and post-production. Pre-production ends when the planning ends and the content start ...
on the film neared completion at the beginning of May 1937. Stephen Goosson was the supervising art director (his role today would be called
production designer In film and television, the production designer is the individual responsible for the overall aesthetic of the story. The production design gives the viewers a sense of the time period, the plot location, and character actions and feelings. Wo ...
), and Lionel Banks the unit art director. Goosson was a 20-year veteran art director for Columbia Pictures, and ''The Awful Truth'' is considered among his most important films of the 1930s. Lionel Banks was primarily responsible for the production design of the film. He specialized in films set in the present day, and created restrained, well-crafted
Art Deco Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the Unit ...
sets for the picture. ''The Awful Truth'' is considered one of his more elegant designs.


Costumes

Columbia Pictures' chief costume and fashion designer,
Robert Kalloch Robert Mero Kalloch III (January 13, 1893 — October 19, 1947), often known by his professional mononym Kalloch, was an American fashion designer and, later, a costume designer for Columbia Pictures and Metro-Goldwyn-Mayer. He worked on 105 film ...
, created Dunne's wardrobe. His work was personally approved by studio head Harry Cohn. The clothes were the most elegant and expensive yet worn by her on film, and costume design historian Jay Jorgensen has described them as "magnificent". In 2012, ''
Vanity Fair Vanity Fair may refer to: Arts, entertainment and media Literature * Vanity Fair, a location in '' The Pilgrim's Progress'' (1678), by John Bunyan * ''Vanity Fair'' (novel), 1848, by William Makepeace Thackeray * ''Vanity Fair'' (magazines), the ...
'' ranked ''The Awful Truth'' as one of the 25 most fashionable films ever made in Hollywood.


Principal photography

Principal photography began on June 21, 1937, without a completed script. This so concerned Ralph Bellamy that the Friday before filming started he contacted Harry Cohn to ask where the script was. Cohn declined to say anything about the film, and allowed Bellamy to talk to Leo McCarey. Bellamy went to McCarey's home to discuss the issue with him. McCarey was charming and witty, but evaded all of Bellamy's questions and concerns.


Initial disruptiveness of McCarey's working style

The first four or five days on the set were deeply upsetting to Dunne, Grant, and Bellamy due to the lack of a script and McCarey's working methods. McCarey had the cast sit around on the set the first few days and largely swap stories. The lack of rehearsal activity and script caused Dunne such emotional distress that she spontaneously burst into tears several times each day. Grant was so nervous that at times he became physically ill. When McCarey bowed to the cast's concerns and blocked a scene for Dunne and Grant, Grant refused to perform it. Cary Grant in particular was unnerved by McCarey's behavior and lack of a script. Grant had spent most of his career at Paramount Studios, which had a factory-like approach to motion picture production; actors were expected to learn their lines and be ready every morning, and shooting schedules were strictly enforced. McCarey's improvisational style was deeply unsettling to Grant, and at the end of the first week Grant sent Cohn an eight-page memorandum titled "What's Wrong With This Picture". Grant asked Cohn to let him out of the film, offering to do one or more pictures for free and even saying he'd reimburse Cohn $5,000 if he were released. McCarey was so angry at Grant that he stopped speaking to him and told Cohn he'd kick in another $5,000 to get Grant off the film. Cohn ignored both the memo and the offers. Grant also sought to switch roles with Bellamy and asked Cohn to pressure McCarey into sticking to a more conventional style of filmmaking. Again, Cohn said no to Grant's requests. McCarey later said that Grant "had no sound judgment" when it came to determining what made for good comedy, and McCarey seemed to harbor a grudge against Grant for decades for trying to get out of the picture.


Cast support for improvisation

According to Bellamy, after the first five days, the three leads began to believe McCarey was a comedy genius. McCarey believed that
improvisation Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
was the key to great comedy. " lot of times we'd go into a scene n ''The Awful Truth''with nothing at all", he said. His working method was to ask his cast to improvise the scene, creating their own dialogue and blocking their own action before allowing cameras to roll. If a problem arose with a scene, McCarey would sit at a piano on the set and pick out tunes and sing until a solution came to him. McCarey supported his actors' comedy and other choices, which quickly alleviated the tension which had built up on the set. For example, Ralph Bellamy was told to bring a selection of clothing from his own extensive, personal wardrobe. He did so, but was worried that he had not been given costuming. McCarey told him that the clothes he'd brought from home fit the part perfectly, which made Bellamy feel comfortable in his acting and comedy choices. McCarey was also extremely patient with his cast, understanding of their concerns, and sympathetic to their needs and problems. He also used his own wit to keep his cast in good humor. Irene Dunne later recalled that the entire cast loved working on the picture because every day was full of laughter. Many actors didn't want each day's work to end, because they were having such a good time. Cary Grant began trusting the director once he realized that McCarey recognized Grant's strengths and welcomed Grant's ideas about blocking, dialogue, and comic bits. McCarey also had the ability to get his performers to mimic his own unique mannerisms. (It was something Irene Dunne thoroughly admired.) McCarey taught Grant a repertoire of comic vocalizations (like grunts) and movements and asked him to work with them. In turn, Grant imitated much of McCarey's own mannerisms and personality, becoming a "clone" of McCarey. Grant biographer Graham McCann says it would be an "overstatement" to say that McCarey gave Grant an on-screen personality. Grant had been working on this acting persona for some time; McCarey merely made Grant think more precisely about what he was trying to accomplish on camera. Additionally, McCarey worked to give Grant comic dialogue and
physical comedy Physical comedy is a form of comedy focused on manipulation of the body for a humorous effect. It can include slapstick, clowning, mime, physical stunts, or making funny faces. Physical comedy originated as part of the Commedia dell'arte. It ...
(like pratfalls) as well as sophisticated dialogue and urbane moments, efforts which Grant also deeply appreciated. Over time, Grant came to feel liberated rather than inhibited by the lack of a script, and seized the chance to make sure that the film's humor reflected his own. According to Ralph Bellamy, Grant enjoyed knowing that the audience was laughing at him, and worked to encourage it. Grant also used his early feelings of frustration to build his character's emotional and sexual frustration in the film. Most of ''The Awful Truth'' was improvised on the set. McCarey had two guides for directing the film. The first was that he believed the film was the "story of my life", because McCarey based many scenes and comic moments on misunderstandings he had had with his own wife (although they never accused one another of infidelity). The second guide was McCarey's own lengthy experience directing comedy. Jerry Warriner's need to find a lie to cover for his "boys' night out away from the wives" is a typical scenario McCarey used in many feature motion pictures and
short film A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes ...
s. It was also common in many of the
Laurel and Hardy Laurel and Hardy were a British-American comedy duo act during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in t ...
shorts which McCarey directed for only the man's alibi to break down. Subsequently, in ''The Awful Truth'', it is Jerry's alibi that crumbles. The
bowler hat The bowler hat, also known as a billycock, bob hat, bombín (Spanish) or derby (United States), is a hard felt hat with a rounded crown, originally created by the London hat-makers Thomas and William Bowler in 1849. It has traditionally been worn ...
sequence in Lucy's apartment was based on a standard bit McCarey had frequently used in Laurel and Hardy films (as well as in the
Marx Brothers The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) ...
' comedy '' Duck Soup'' (1933), which McCarey had also directed). Dunne's increasingly outrageous mishaps with the car radio in the scene after Jerry and Lucy leave the Vance mansion is similar to
Harpo Marx Arthur "Harpo" Marx (born Adolph Marx; November 23, 1888 – September 28, 1964) was an American comedian, actor, mime artist, and harpist, and the second-oldest of the Marx Brothers. In contrast to the mainly verbal comedy of his brothers Grou ...
's misadventures with a radio in ''Duck Soup'' and incorporates the straight man (Grant for Oliver Hardy) from Laurel and Hardy bits. McCarey also relied on his ability to craft a narrative from a series of unrelated sketches, and he often staged portions of his films like musicals, inserting a song to tie elements together.


Improvising the film

Irene Dunne had never met Cary Grant before, but she later recalled that they "just worked from the first moment" and called Grant a very generous actor. Cary Grant, in turn, said "we just clicked". Dunne so trusted his comedy judgment that she would often turn to him after a take and ask in a whisper, "Funny?" Nearly every day during principal photography, Leo McCarey would arrive in the morning with ideas for the film written down on scraps of paper. On days when he had nothing in mind, McCarey would arrive on the set and play the piano until inspiration struck. He would then have the script girl write down his ideas or dialogue, and give the actors their instructions. Although he asked the cast to rehearse scenes, McCarey also encouraged his actors to improvise and build up the scene on their own. At times, McCarey himself acted out bits with the performers. McCarey continued to meet with screenwriter Viña Delmar every evening, sitting with her in a parked car on
Hollywood Boulevard Hollywood Boulevard is a major east–west street in Los Angeles, California. It begins in the east at Sunset Boulevard in the Los Feliz district and proceeds to the west as a major thoroughfare through Little Armenia and Thai Town, Hollywoo ...
and improvising scenes for her to write down. McCarey also relied for dialogue on writer
Sidney Buchman Sidney Robert Buchman (March 27, 1902 – August 23, 1975) was an American screenwriter and film producer who worked on about 40 films from the late 1920s to the early 1970s. He received four Oscar nominations and won once for Best Screenplay ...
, who had joined Columbia in 1934 and who had written ''Theodora Goes Wild'' for Irene Dunne. Some of the best lines and comic moments in the film remained improvised, however. For example, McCarey himself came up with the idea of arguing over a dog rather than property. Another example occurs when Cary Grant appears at Lucy's apartment while she is meeting for the first time with Dan Leeson. The writers did not have a line of dialogue for Grant, who ad-libbed the line, "The judge says this is my day to see the dog." Grant and Dunne also came up with the idea for Jerry to tickle Lucy with a pencil while Dan Leeson is at Lucy's door. Grant quickly became an accomplished improvisational actor during the shoot. He ad-libbed with such speed and composure that his co-stars often " broke character". The nightclub scene was apparently also somewhat improvised on the set. In the Delmar script, Jerry's date is named Toots Biswanger and the scene is meant to parody the novel '' Gone with the Wind'' (two years before the film). She has a
Southern American English Southern American English or Southern U.S. English is a regional dialect or collection of dialects of American English spoken throughout the Southern United States, though concentrated increasingly in more rural areas, and spoken primarily b ...
accent, and Toots believes her song is a tribute to the novel. Jerry has a line in which he slyly criticizes Lucy's date by telling Dan "It's a book." As Toots sings the song's critical line ("my dreams are gone with the wind"), the wind machine on the stage was to have blown off her hat, then her muff, then her cape. On the set, the singer's name is changed to Dixie Belle, much of the dialogue is improvised, and the wind machine joke changed to a more restrained blowing of the dress. According to Dunne, the action and dialogue for the scene in the Vance mansion was all written on the set. Dunne choreographed the dance and at least one line of dialogue, while the bit with the long handkerchief was a classic comic routine from silent films. Columbia Pictures head Harry Cohn was not happy with McCarey's directorial methods, either. On the first day of shooting, he walked onto the soundstage to see Bellamy singing ''Home on the Range'' off-key while Dunne tried to pick out the tune on a piano. He shook his head in disbelief and left. Later, Cohn became angry when he learned McCarey was apparently dawdling on the set by playing the piano and telling stories. He angrily confronted McCarey in front of the cast and crew, shouting, "I hired you to make a great comedy so I could show up
Frank Capra Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897 – September 3, 1991) was an Italian-born American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s ...
. The only one who's going to laugh at this picture is Capra!" When Cohn caught McCarey playing the piano another time, McCarey dismissed his concerns by claiming to be writing a song for the film. Cohn also came on the set the day
Harold Lloyd Harold Clayton Lloyd, Sr. (April 20, 1893 – March 8, 1971) was an American actor, comedian, and stunt performer who appeared in many silent comedy films.Obituary '' Variety'', March 10, 1971, page 55. One of the most influential film c ...
was visiting. Cohn was so incensed that McCarey seemed to be telling jokes that he ordered the set cleared. Lloyd departed, and so did McCarey. Cohn finally reached McCarey at home, and in a profanity-laced conversation demanded that McCarey return to work. McCarey demanded in turn that Cohn apologize personally to everyone on the set, and send his apology to Lloyd. Cohn, unwilling to abandon the picture, perfunctorily apologized. Nevertheless, Cohn did not rein in the director. Cohn decided instead to write the entire picture off as a loss, since he was obligated to pay Dunne's salary whether the film was made or not and he could not fire McCarey since only McCarey knew where the film was headed. Improvisation proved to be a problem for actor Alexander D'Arcy, who played the suave musician Armand Duvalle. Initially, D'Arcy portrayed Duvalle as
French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ...
. Columbia Pictures' in-house censors vetoed his performance, saying it would offend overseas audiences. D'Arcy tried an
Austrian Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ...
,
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
,
Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Can ...
, and even vaguely
South America South America is a continent entirely in the Western Hemisphere and mostly in the Southern Hemisphere, with a relatively small portion in the Northern Hemisphere at the northern tip of the continent. It can also be described as the sou ...
n persona. Each time, the censors disapproved of his work. Finally, after much experimentation, the actor's
makeup The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often voc ...
was changed to fair from swarthy, he was told not to gesticulate too much, and he created a nondescript, vaguely European accent (which was nicknamed "Spenchard") for his role. The accent proved difficult to maintain. During
long take In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate bl ...
s, D'Arcy would slip into his native
French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ...
-inflected voice, forcing these scenes to be reshot multiple times. Improvisation could sometimes be a risky choice for the production in other ways as well. Delmar's script called for the film to be set in
Connecticut Connecticut () is the southernmost state in the New England region of the Northeastern United States. It is bordered by Rhode Island to the east, Massachusetts to the north, New York (state), New York to the west, and Long Island Sound to the ...
. The critical plot element had the divorce court judge issue a 90-day
interlocutory Interlocutory is a legal term which can refer to an order, sentence, decree, or judgment, given in an intermediate stage between the commencement and conclusion of a cause of action, used to provide a temporary or provisional decision on an iss ...
decree A decree is a legal proclamation, usually issued by a head of state (such as the president of a republic or a monarch), according to certain procedures (usually established in a constitution). It has the force of law. The particular term used ...
, and it is during this period in which most of the action in the film occurs. As filming commenced, it became clear that no one knew if Connecticut permitted interlocutory decrees. It turned out that the state did not, and Columbia Pictures' in-house lawyers could not determine which state did. By coincidence, David T. Wilentz, the
New Jersey Attorney General The attorney general of New Jersey is a member of the executive cabinet of the state and oversees the Department of Law and Public Safety. The office is appointed by the governor of New Jersey, confirmed by the New Jersey Senate, and term limit ...
, was visiting Los Angeles. McCarey called him on the telephone, and Wilentz confirmed that
New Jersey New Jersey is a state in the Mid-Atlantic and Northeastern regions of the United States. It is bordered on the north and east by the state of New York; on the east, southeast, and south by the Atlantic Ocean; on the west by the Delawa ...
divorce courts used them. The setting of the film was then changed to New Jersey. Improvisation also led to minor visual inconsistencies in the film, such as when Jerry Warriner appears to both stand and sit during the divorce proceedings.


Songs and choreography

During pre-production, McCarey knew that he needed two songs for important scenes in the picture. Composer
Ben Oakland Ben Oakland (September 24, 1907 – August 26, 1979) was an American composer, lyricist, and pianist, most active from the 1920s through the 1940s. He composed mainly for Broadway and vaudeville, though he also worked on several Hollywood scores ...
and lyricist
Milton Drake Milton Drake (August 3, 1912 - November 13, 2006) was an American lyricist and performing rights administrator. As a child, he performed in vaudevilles, in films and on radio. Later he wrote special material for theater and nightclub revues, includ ...
wrote two numbers for the film, "I Don't Like Music" and "My Dreams Are Gone with the Wind". Both were finished by the time principal photography began. Compton's original delivery of "My Dreams Are Gone with the Wind" and Dunne's reprise of it were filmed by July 25. One critical scene in ''The Awful Truth'' occurs in a
nightclub A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gen ...
, during which both Dunne and Grant dance. In a second scene, Dunne's character dances in front of Jerry, his fiancée, and her family. Usually, the production would hire a
choreographer Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who c ...
for these scenes, but McCarey declined to do so. Instead, he asked an
African American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ens ...
youth working on the Columbia lot to teach Dunne and Grant how to dance. Their inept efforts to imitate him made their on-screen dances funnier. Ralph Bellamy was required to do the fictional "Balboa Stomp" in the nightclub scene while Irene Dunne largely stands by, feebly trying to imitate him. The dance proved so physically intimidating that Bellamy lost and his muscles and joints were sore for weeks afterward. Irene Dunne choreographed the burlesque dance which her character performs at the Vance mansion to embarrass Jerry. In rehearsal, Leo McCarey asked her to insert a "
stripper A stripper or exotic dancer is a person whose occupation involves performing striptease in a public adult entertainment venue such as a strip club. At times, a stripper may be hired to perform at a bachelor party or other private event. ...
bump" into her routine. Dunne replied, "Never could do that." McCarey laughed so hard at her response that he asked her to include it in the performance. One of the film's best remembered comedy moments is when Lucy Warriner accompanies an out of tune Dan Leeson on the piano while he sings "Home on the Range". This was filmed on June 21, the first day of filming. McCarey wanted the song in the film, but knew neither performer would agree if requested. Instead, McCarey tricked them into it by casually asking Dunne if she could play the piano. She said she could, a little. McCarey then asked Bellamy if he could sing. The actor said he knew the words to the song, but could not sing. McCarey asked them to do the song anyway, telling Bellamy to "belt it out" in an Oklahoman accent. McCarey had their performance filmed, and it turned out so well that he ordered the footage printed. Dunne was furious when she realized McCarey had intended to use the footage in the film all along.


Cinematography and editing

Cinematographer Joseph Walker used mainly long takes when shooting ''The Awful Truth''. With McCarey providing only minimal direction, this helped to make scenes feel spontaneous and energetic. Generally, a scene would only be shot once unless there was a mistake, and shooting days were kept short (often ending at 3 PM). One particular scene, however, took nearly a full day to film. During the film's finale, shot about August 10, Delmar's script called for a cat to block the door connecting Jerry and Lucy's bedrooms, impeding Jerry's attempt at a marital reconciliation. An animal wrangler brought five cats in the morning, but none would stand still. Frustrated, McCarey called another animal wrangler, who soon arrived with three more cats. None would stay still. Three more animal wranglers were called during the day, but none of the cats would perform as required. Finally, McCarey was forced to issue an open call to the public for anyone with a cat who would perform the actions required. When a cat was found that would stay still, the animal refused to move when Cary Grant attempted to open the door. ''The Awful Truth'' was shot primarily on a soundstage at Columbia Pictures' Gower Street studios. Principal photography ended on August 17, 1937, the 37th day of shooting. At end of August, location shooting occurred at Columbia Ranch, the studio's lot located at the corner of Hollywood Way and Oak Street in
Burbank, California Burbank is a city in the southeastern end of the San Fernando Valley in Los Angeles County, California, United States. Located northwest of downtown Los Angeles, Burbank has a population of 107,337. The city was named after David Burbank, who ...
. Reshoots on the film occurred during the first week of October. McCarey did not permit Joseph Walker to shoot much
coverage Coverage may refer to: Filmmaking * Coverage (lens), the size of the image a lens can produce * Camera coverage, the amount of footage shot and different camera setups used in filming a scene * Script coverage, a short summary of a script, writ ...
, preferring to "edit in the camera". This left editor Al Clark with few choices once the film began to be pieced together. One major cut made to the film was actor
Claud Allister Claud Allister (born William Claud Michael Palmer, 3 October 1888 – 26 July 1970) was an English actor with an extensive film career in both Britain and Hollywood, where he appeared in more than 70 films between 1929 and 1955. Life and ...
performance as Lord Fabian in the Vance drawing room scene, which was completely excised. Film historian James Harvey says that the comic timing of Walker's editing in the nightclub scene—cutting from Dixie Belle Lee's performance to Jerry, Lucy, and Dan at the table—is "exquisite...unmatched deadpan brilliance".


Previews and release

''The Awful Truth'' was shot in just six weeks, a record for a film of this genre (according to Ralph Bellamy). It was finished ahead of schedule and $200,000 ($ in dollars) under budget. The film contained several risqué moments which normally would have run afoul of the
Motion Picture Production Code The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the ...
, including Jerry making
double entendre A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, of which one is typically obvious, whereas the other often conveys a message that would be too socially ...
s about coal mines to an oblivious Dan, Dixie Belle Lee's exposed underwear, Lucy "goosing" pompous Mrs. Vance, and the final moment of the film when the cuckoo clock figures go into the same room together. Code administrator Joseph Breen permitted these gags because the picture and its cast were high-quality, which served to undercut the raciness of the moments. The film was test screened, and the audience's reaction was good but not outstanding. Audiences were unused to seeing the three stars in a comedy, and were unsure whether they should laugh. McCarey realized the opening was too somber, and that viewers were not certain the picture was a comedy. He rewrote the opening scenes, adding one in which Lucy calls her attorney to discuss her impending divorce. A new bit in this scene helped establish the tone of the film more clearly. While on the phone, Lucy's lawyer tries to tell her that "Marriage is a beautiful thing". Each time, his wife (standing in the background of the shot) yells impatiently at him to remind him that dinner is ready. This happens three times. The attorney's response is harsher the second time. The third time, he shouts back "Shut your big mouth!" At a second preview, audiences roared with laughter. ''The Awful Truth'' was released in theaters in the United States on October 21, 1937.


Box office and reception

Gross box office receipts for ''The Awful Truth'' were more than $3 million ($ in dollars). The film made a profit of $500,000 ($ in dollars) in a year when Columbia Pictures' studio-wide profit margin was just $1.3 million ($ in dollars). ''
The Film Daily ''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, informatio ...
'' named ''The Awful Truth'' as one of the ten best films of 1937. Although he was not nominated for an
Academy Award for Best Actor The Academy Award for Best Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given to an actor who has delivered an outstanding performance in a leading role in a film released that year. The ...
, the film was a triumph for Cary Grant. Overnight he was transformed into an
A-list An A-list actor is a major movie star, or one of the most bankable actors in a film industry. The A-list is part of a larger guide called ''The Hot List'', which ranks the bankability of 1,400 movie actors worldwide, and has become an industry ...
leading man. "The Cary Grant Persona" was fully established by this film, and Grant not only became an able improviser but often demanded improvisation in his films thereafter. Ralph Bellamy, however, was typecast for years in "amiable dope" roles after ''The Awful Truth''.


Awards and honors

The film was nominated for six
Academy Awards The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment ind ...
(only winning Best Director for
Leo McCarey Thomas Leo McCarey (October 3, 1898 – July 5, 1969) was an American film director, screenwriter, and producer. He was involved in nearly 200 films, the most well known today being '' Duck Soup'', ''Make Way for Tomorrow'', '' The Awful T ...
). After winning the Oscar, McCarey he said he'd won it for the wrong picture, since he considered his direction of the 1937 melodrama ''
Make Way for Tomorrow ''Make Way for Tomorrow'' is a 1937 American drama film directed by Leo McCarey. The plot concerns an elderly couple (played by Victor Moore and Beulah Bondi) who are forced to separate when they lose their house and none of their five children ...
'' to be superior. ''The Awful Truth'' was selected in 1996 for preservation in the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
'
National Film Registry The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception ...
for being "culturally, historically, or aesthetically significant". The film has since been recognized twice by
American Film Institute The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Lead ...
: * 2000: AFI's 100 Years...100 Laughs – #68 * 2002: AFI's 100 Years...100 Passions – #77


Subsequent versions

Dunne, Grant, and Bellamy performed scenes from ''The Awful Truth'' on the ''
Hollywood Hotel The Hollywood Hotel was a famous hotel, society venue of early Hollywood, and landmark A landmark is a recognizable natural or artificial feature used for navigation, a feature that stands out from its near environment and is often visible fr ...
'' radio program on CBS on October 15, 1937. ''The Awful Truth'' was presented as a one-hour radio program on three occasions on ''
Lux Radio Theatre ''Lux Radio Theatre'', sometimes spelled ''Lux Radio Theater'', a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company ...
''. On the September 11, 1939 broadcast Grant and Claudette Colbert starred in the adaptation.
Bob Hope Leslie Townes "Bob" Hope (May 29, 1903 – July 27, 2003) was a British-American comedian, vaudevillian, actor, singer and dancer. With a career that spanned nearly 80 years, Hope appeared in more than 70 short and feature films, with ...
and
Constance Bennett Constance Campbell Bennett (October 22, 1904 – July 24, 1965) was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid ...
played the leads for the March 10, 1941 version. Dunne and Grant reprised their original lead roles on the January 18, 1955 broadcast. Dunne reprised her Lucy Warriner role in a 30-minute version of ''The Awful Truth'' on ''The Goodyear Program'' on CBS on February 6, 1944. Walter Pidgeon played the role of Jerry Warriner. The play inspired a film musical, '' Let's Do It Again'' (1953), starring
Jane Wyman Jane Wyman ( ; born Sarah Jane Mayfield; January 5, 1917 – September 10, 2007)"Actress, P ...
and
Ray Milland Ray Milland (born Alfred Reginald Jones; 3 January 1907 – 10 March 1986) was a Welsh-American actor and film director. His screen career ran from 1929 to 1985. He is remembered for his Academy Award and Cannes Film Festival Award-winning ...
.


Notes


References


Bibliography

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External links

* * * * *
''The Awful Truth: Divorce, McCarey Style''
an essay by
Molly Haskell Molly Clark Haskell (born September 29, 1939)Aitken, Ian, ed. (2006)''Encyclopedia of Documentary Film, Volume 2'' New York: Routledge. p. 541. . is an American feminist film critic and author. She contributed to '' The Village Voice''—fir ...
at the
Criterion Collection The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cine ...
{{DEFAULTSORT:Awful Truth, The 1937 films 1937 romantic comedy films 1930s screwball comedy films American romantic comedy films American screwball comedy films American black-and-white films Columbia Pictures films Comedy of remarriage films American films based on plays Films directed by Leo McCarey Films whose director won the Best Directing Academy Award United States National Film Registry films Films with screenplays by Sidney Buchman Films adapted into radio programs Films about divorce 1930s English-language films 1930s American films