The Lament (story Collection)

"''Li Sao''" (; translation: "Encountering Sorrow") is an ancient Chinese poem from the anthology '' Chuci'' traditionally attributed to Qu Yuan. ''Li Sao'' dates from the late 3rd century BCE, during the Chinese Warring States period.

Background

The poem "Li Sao" is in the ''Chuci'' collection and is traditionally attributed to Qu Yuan of the Kingdom of Chu, who died about 278 BCE.

Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the '' Shijing'' and the other early poems which exist as preserved in the form of incidental incorporations into various documents of ancient miscellany. The rest of the ''Chuci'' anthology is centered on the "''Li Sao''", the purported biography of its author Qu Yuan.

In "''Li Sao''", the poet despairs that he has been plotted against by evil factions at court with his resulting rejection by his lord and then recounts a series of shamanistic spirit journeys to various mythological realms, engaging or attempting to engage with a variety of divine or spiritual beings, with the theme of the righteous minister unfairly rejected sometimes becoming exaggerated in the long history of later literary criticism and allegorical interpretation. It dates from the time of King Huai of Chu, in the late third century BCE.

Meaning of title

The meaning of the title "''Li Sao''" is not straightforward. In the biography of Qu Yuan, ''li sao'' is explained as being as equivalent to ''li you'' (Sima Qian, ''Shiji'' or the '' Records of the Grand Historian''). Inference must be made that 'meeting with sorrow' must have been meant.

However, the 1st century CE scholar Ban Gu explicitly glossed the title as "encountering sorrow".

Content

The ''Li Sao'' begins with the poet's introduction of himself, his ancestry, and his former shamanic glory.

He references his current situation, and then recounts the his fantastical physical and spiritual trip across the landscapes of ancient China, real and mythological. "''Li Sao''" is a seminal work in the large Chinese tradition of landscape and travel literature.

"''Li Sao''" is also a political allegory in which the poet laments that his own righteousness, purity, and honor are unappreciated and go unused in a corrupt world. The poet alludes to being slandered by enemies and being rejected by the king he served ( King Huai of Chu).

As a representative work of Chu poetry it makes use of a wide range of metaphors derived from the culture of Chu, which was strongly associated with a Chinese form of shamanism, and the poet spends much of "''Li Sao''" on a spirit journey visiting with spirits and deities. The poem's main themes include Qu Yuan's falling victim to intrigues in the court of Chu, and subsequent exile; his desire to remain pure and untainted by the corruption that was rife in the court; and also his lamentation at the gradual decline of the once-powerful state of Chu.

The poet decides to leave and join Peng Xian (), a figure that many believe to be the God of Sun. Wang Yi, the Han dynasty commentator to the '' Chuci'', believed Peng Xian to have been a Shang dynasty official who, legend says, drowned himself after his wise advice was rejected by the king (but this legend may have been of later make, influenced by the circumstances of Qu Yuan drowning himself). Peng Xian may also have been an ancient shaman who later came to symbolize hermit seclusion.David Hawkes, Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology'' (Oxford: Clarendon Press, 1959), 21.

The poem has a total of 373 linesDavis (1970), p. xlvii. and about 2400 characters, which makes it one of the longest poems dating from Ancient China. It is in the '' fu'' style. The precise date of composition is unknown, it would seem to have written by Qu Yuan after his exile by King Huai; however, it seems to have been before Huai's captivity in the state of Qin began, in 299 BCE.

Reissue

The poem was reissued in the 19th century by Pan Zuyin (1830–90), a linguist who was a member of the Qing Dynasty staff. It was reissued as four volumes with two prefaces, with one by Xiao Yuncong.

Translations into Western languages

;English
*E.H. Parker (1878–1879). "The Sadness of Separation or ''Li Sao''". '' China Review'' 7: 309–14.
* James Legge (1895). ''The Chinese Classics'' (Oxford: Clarendon Press): 839–64.
* Lim Boon Keng (1935). ''The Li Sao: An Elegy on Encountering Sorrows by Ch'ü Yüan'' (Shanghai: Commercial Press): 62–98.
* David Hawkes (1959). ''Ch'u Tz'u: Songs of the South, an Ancient Chinese Anthology'' (Oxford: Clarendon Press): 21–34.
* Stephen Owen (1996). ''An Anthology of Chinese Literature: Beginnings to 1911'' (New York: W.W. Norton): 162–75.
* Red Pine (2021). A Shaman's Lament (Empty Bowl).

;French
* Marie-Jean-Léon, Marquis d'Hervey de Saint Denys (1870). ''Le Li sao, poéme du III^e siècle avant notre ére, traduit du chinois'' (Paris: Maisonneuve).
*J.-F. Rollin (1990). ''Li Sao, précédé de Jiu Ge et suivie de Tian Wen de Qu Yuan'' (Paris: Orphée/La Différence), 58–91.

;Italian
*G.M. Allegra (1938). ''Incontro al dolore di Kiu Yuan'' (Shanghai: ABC Press).

See also

*'' Chu Ci''
* Kunlun Mountain (mythology)
* List of ''Chu Ci'' contents
* Liu An
* Liu Xiang (scholar)
* Qu Yuan
* Wang Yi (librarian)
* Wu (shaman)
* Xiao Yuncong

Explanatory notes

References

;Citations

;Works cited

*
* Davis, A. R., ed. (1970). ''The Penguin Book of Chinese Verse''. Baltimore: Penguin Books.
*
*Hawkes, David, trans. (2011 985. ''The Songs of the South: An Ancient Chinese Anthology of Poems by Qu Yuan and Other Poets''. London: Penguin Books.
*
* Hinton, David (2008). ''Classical Chinese Poetry: An Anthology''. New York: Farrar, Straus, and Giroux. /
*
*
* Yip, Wai-lim (1997). ''Chinese Poetry: An Anthology of Major Modes and Genres ''. (Durham and London: Duke University Press).
*

External links

* Yang Hsien-yi and Gladys Yang, verse
full text
an English translation

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Chinese poems