|
Chuci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the State of Chu, which was located in what is now central China, but was then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Sao
"''Li Sao''" (; translation: "Encountering Sorrow") is an ancient Chinese poem from the anthology ''Chuci'' traditionally attributed to Qu Yuan. ''Li Sao'' dates from the late 3rd century BCE, during the Chinese Warring States period. Background The poem "Li Sao" is in the ''Chuci'' collection and is traditionally attributed to Qu Yuan of the Kingdom of Chu, who died about 278 BCE. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the ''Shijing'' and the other early poems which exist as preserved in the form of incidental incorporations into various documents of ancient miscellany. The rest of the ''Chuci'' anthology is centered on the "''Li Sao''", the purported biography of its author Qu Yuan. In "''Li Sao''", the poet despairs that he has been plotted against by evil factions at court with his resulting rejection by his lord and then recounts a series of shamanistic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lament
"''Li Sao''" (; translation: "Encountering Sorrow") is an ancient Chinese poem from the anthology ''Chuci'' traditionally attributed to Qu Yuan. ''Li Sao'' dates from the late 3rd century BCE, during the Chinese Warring States period. Background The poem "Li Sao" is in the ''Chuci'' collection and is traditionally attributed to Qu Yuan of the Kingdom of Chu, who died about 278 BCE. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the ''Shijing'' and the other early poems which exist as preserved in the form of incidental incorporations into various documents of ancient miscellany. The rest of the ''Chuci'' anthology is centered on the "''Li Sao''", the purported biography of its author Qu Yuan. In "''Li Sao''", the poet despairs that he has been plotted against by evil factions at court with his resulting rejection by his lord and then recounts a series of shamanistic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Longings
Nine Longings () form one of the 17 major sections of the ancient Chinese poetry collection, the ''Chu ci''. The "Nine Longings" consists of ten poems (or, nine plus ''luan'' envoi), each individually titled, written according to the style of the earlier pieces in the ''Chu ci'' anthology. It is one of the several collections of poems grouped under the title of "Nine" something-or-others, most but not all of which consist of 9 pieces of poetry. One of the older of them, ''Jiu ge'' ("Nine Songs") consists of 11 individual pieces: "nine" in antiquity was often used as a synonym for "many", and in the context of the ''Chu ci'' generally refers to a musical arrangement with "nine" modal changes. (Hawkes, 2011 985 36–37) The "Nine Longings" poems were written by the Han Dynasty royal librarian, Wang Yi, who is more famous for his commentary on the ''Chu ci'' than he is for these original works which he appended to his published annotated copy. (Hawkes, 2011 985 307) Content Wang Yi man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Yi (librarian)
Wang Yi (; ), courtesy name Shushi (), was a Chinese poet during the Eastern Han dynasty who was employed in the Imperial Library by the Later Han emperor Shun Di (). Wang Yi is known for his work on the poetry anthology ''Chu Ci''. Although with varying reliability, his commentaries on this work are a main source of information regarding some of its often obscure textual references. Biography Wang Yi was born in the former territory of the State of Chu, in what is now Yicheng, Hubei. (Hawkes, 2011 985 28 and 307) Chu had existed as an independent political entity for many centuries, and for much of that time as one of the major regional powers, until its defeat in BCE 223, by Qin, some four centuries before the birth of Wang Yi. The Qin political unification of China by military conquest was followed by a deliberate policy of enforcing cultural uniformity throughout the new empire. Still, his associations with the former Chu region gave Wang an advantage in terms of explainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Yu
Song Yu (; 298–263 BC) was a Chinese poet from the late Warring States period, and is known as the traditional author of a number of poems in the ''Verses of Chu (Chu ci'' 楚辭'')''. Among the ''Verses of Chu'' poems usually attributed to Song Yu are those in the '' Jiu Bian'' section. Also credited to Song Yu, somewhat improbably, are several '' fu'' collected in the 6th century literary anthology '' Wen Xuan''. Biography Biographic information about Song Yu tends to be anecdotal, rather than truly historical, and little reliable information about Song's life exists. Historical accounts agree that Song was from the state of Chu, and was born in the city of Yan (modern Yicheng, Hubei Province), and lived during the reign of King Xiang of Chu (r. 298–263 BC). Works According to the section covering literature and art in the ''Book of Han'', Song wrote 16 works, but only 14 of them have been handed down, such as '' Jiu Bian'' and ''Dengtuzi Haose Fu'' (). However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qin (state)
Qin () was an ancient Chinese state during the Zhou dynasty. Traditionally dated to 897 BC, it took its origin in a reconquest of western lands previously lost to the Rong; its position at the western edge of Chinese civilization permitted expansion and development that was unavailable to its rivals in the North China Plain. Following extensive "Legalist" reform in the fourth century BC, Qin emerged as one of the dominant powers of the Seven Warring States and unified the seven states of China in 221 BC under Qin Shi Huang. It established the Qin dynasty, which was short-lived but greatly influenced later Chinese history. History Founding According to the 2nd century BC historical text ''Records of the Grand Historian'' by Sima Qian, the Qin state traced its origin to Zhuanxu, one of the legendary Five Emperors in ancient times. One of his descendants, Boyi, was granted the family name of Yíng by Emperor Shun. During the Xia and Shang dynasties, the Yíng clan split ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Huai Of Chu
King Huai of Chu (, died 296 BC) was from 328 to 299 BC the king of the state of Chu during the Warring States period of ancient China. He was born Xiong Huai () and King Huai (懷, a different Chinese character) was his posthumous title. King Huai succeeded his father King Wei of Chu, who died in 329 BCE. In 299 BCE King Huai was trapped and held hostage by King Zhao of Qin when he went to the state of Qin for negotiation, and his son King Qingxiang of Chu ascended the throne. King Huai managed to escape but was recaptured by Qin. Three years later, he died in captivity. One of his grandsons was later reinstated as King of Chu as the Qin dynasty descended into chaos, also under the name "King Huai of Chu"; this grandson was later known as Emperor Yi of Chu. Culture King Huai's historical fame is especially due to the poetry of Qu Yuan, and other early Classical Chinese poetry, as preserved in the ''Chu ci'': particularly and seminally the poem "Li Sao" (sometimes tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunlun Mountain (mythology)
The Kunlun () or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the ''axis mundi'' and divinity. The mythological Kunlun is based on various sources — mythologic and geographic — of the modern so-called Kunlun Mountains of the Tibetan Plateau and Mount Kailash (as an archetypal ''omphalos''). The term "Kunlun" has also been applied to Southeastern Asian lands or islands and seemingly even Africa — although the relationship to the mountain is not clear beyond the nomenclature. In any case, Kunlun refers to distant, exotic, and mysterious places. Different locations of Kunlun have been ascribed in the various legends, myths, and semi-historical accounts in which it appears. These accounts typically describe Kunlun as the dwelling place of various gods and goddesses where fabled plants and mythical creatures may also be found. Many important events in Chinese mythology were based around Kunlun. Historical development As the my ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persona
A persona (plural personae or personas), depending on the context, is the public image of one's personality, the social role that one adopts, or simply a fictional Character (arts), character. The word derives from Latin, where it originally referred to a theatrical mask. On the social web, users develop virtual personas as online identity, online identities. Etymology The Latin word probably derived from the Etruscan language, Etruscan word "", with the same meaning, and that from the Greek ('). Its meaning in the latter Roman period changed to indicate a "character" of a theatrical performance or court of law, when it became apparent that different individuals could assume the same role and that legal attributes such as rights, powers, and duties followed the role. The same individuals as actors could play different roles, each with its own legal attributes, sometimes even in the same court appearance. According to other sources, which also admit that the origin of the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
