Teddy And His Patches
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Teddy and His Patches were an American
garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The sty ...
band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among
psychedelic music Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to ...
enthusiasts, who rediscovered the composition through several
compilation albums A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tr ...
.


History

Initially formed by Teddy Flores (
lead vocals The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of t ...
,
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica inclu ...
) in 1964, the first incarnation of the band—a
Motown Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''moto ...
-influenced group—was received with only local notice until Flores decided to reshuffle the line-up and its musical style in 1966. Flores' new group included Bernard Pearson ( lead guitar), David Conway (
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), Steve "Herbie" Urbani ( bass guitar), and Steve Marley (
drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ...
). The name, Teddy and His Patches, was derived from the eye patch Flores wore as a result of losing his left eye to complications caused by cancer. The band soon garnered a large following in the burgeoning San Jose rock scene, performing regularly at the Cocoanut Grove, the Continental Ballroom, and a small club known as Loser's South. Much of Teddy and His Patches' live setlist was taken from the Yardbirds and the Animals, though Marley also recalls a wide-variety of musical interests ranging from psychedelia, to
Roy Orbison Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician known for his impassioned singing style, complex song structures, and dark, emotional ballads. His music was described by critics as ...
, and the post-'' Rubber Soul''
Beatles The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the developme ...
. In November 1966, the band was given the opportunity to record for Chance Records. The label was spearheaded by local record producer Grady O'Neal, who owed Conway and Marley for the various odd jobs they performed at TIKI Studios. As home to country and Western musicians, at first the record label was apprehensive to signing a young group experimenting with
psychedelic music Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to ...
. However, musical tastes aside, the label was more conscientious of Teddy and His Patches' growing following in San Jose. Recording sessions generated two tracks, including "Suzy Creamcheese", a bizarre tune written by Conway and promoter Jerry Ralston. The song was inspired by the opening dialogue—which "Suzy Creamcheese" features Flores mysteriously reciting—taken from the
Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experimen ...
composition "
The Return of the Son of Monster Magnet "The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, ''Freak Out!''. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dan ...
". On the tune's raw fidelity, Marley recalls, " e psychedelic whoops heard on the track were part of the live recording, with Teddy moving from a studio mic to a hand-held PA mic that was plugged into an old Fender tape-loop echo feeding back through a PA monitor. The whole thing was recorded without a single overdub or edit...and in just three or four takes total". Chance Records issued "Suzy Creamcheese" and "From Day to Day" as Teddy and His Patches' debut
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in February 1967, with the release reaching number one in San Jose. The single opened new opportunities for the band, such as becoming the opening act for more prominent groups including the Doors and Moby Grape. Another single, the gloomy "Haight-Ashbury", also had some success in San Jose; however, neither "Suzy Creamcheese" or their follow-up managed to breakthrough nationally. According to various accounts by the band members, five to ten additional songs were recorded in a more conventional 8-track studio, but were never released because their two singles failed to reach the ''Billboard'' Hot 100. Urbani and Marley also both speculate that the
master tapes Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the Audio mixing (recorded music), final mix to a data storage device (the master), the source from which all cop ...
still survive, since the group's released material is featured on several
compilation albums A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tr ...
. Following financial disagreements and departures of key members, Teddy and His Patches disbanded in late-1967. Since its initial distribution, "Suzy Creamcheese" has been compiled on numerous albums including ''
Pebbles, Volume 3 ''Pebbles, Volume 3'', subtitled The Acid Gallery, is a compilation album featuring American underground psychedelic rock musical artists from the 1960s. It is the third installment of the ''Pebbles'' series and was released on BFD Records in 1 ...
'', '' Acid Dreams'', and '' Love Is the Song We Sing: San Francisco Nuggets 1965–1970'', among several others. "From Day to Day" is found on ''Sixties Rebellion, Volume 6'' and ''Victims of Circumstances, Volume 2'' and "Haight-Ashbury" is featured on ''60s Punk Sampler, Volume 2'', ''Boulders, Volume 2'', and ''A Heavy Dose of Lyte Psych''.


Discography


Singles

* "Suzy Creamcheese" b/w "From Day to Day" - Chance Records (668), 1967 * "Haight-Ashbury" b/w "It Ain't Nothing" - Chance Records (669), 1967


References

{{Authority control Garage rock groups from California Psychedelic rock music groups from California Musical groups from San Jose, California