Tania Mouraud

Tania Mouraud (born January 2, 1942, in Paris) is a contemporary French video artist and photographer.

Early life

An autodidact, Tania Mouraud began her artistic career when young with ''Initiation rooms'', spaces dedicated to introspection. In the 1970s, her work combined art and philosophy through an analytical and intellectual approach, at the time based primarily on words, and later on their typography.

During the same period, she continued to grow her series of photographs. In the late 1990s, she created her first videos. The themes of anguish and responsibility in the world are the basis of her videos and draw inspiration from her life that has been marked by mourning; "... In my artistic work, from the beginning, this obsession is really something fundamentally intimate that I share with the public."

Working in the video field has encouraged Tania Mouraud to radicalize her work through sound. After some concerts with the group Unité de Production she founded in 2002, Tania Mouraud embarked on live solo performances. Her video installations, including Ad Infinitum (2008) or Ad Nauseam (2014) and her collaboration with the Institut de recherche et coordination acoustique/musique (Ircam) marked a turning point in her work.

March 4, 2015, marks the debut of ''Tania Mouraud. A Retrospective''. This is the first major monographic exhibition of the artist and was shown at the Centre Pompidou-Metz. This retrospective will be accompanied by nine other exhibitions in Metz in nine different places like the Regional Contemporary Art Fund of Lorraine (Frac Lorraine) and at the Galerie d'Exposition de l'Arsenal, creating a veritable journey through the city.

Biography

A cosmopolitan youth

Tania Mouraud was born in Paris on January 2, 1942. She is the daughter of Martine Mouraud, journalist, publicist turned businesswoman, and writer. Her Romanian-born father, Marcel Mouraud, was a lawyer and collector of modern art. Both her parents were engaged in the Résistance.

She was exposed to art at an early age by her family environment. She lived in England and then in Germany, where she discovered the most avant-garde of artistic forms. She took influence from interacting with members of the group Zero, Beuys, John Cage, Gregory Corso, John Coltrane, and she befriended Gotthard Graubner and Reiner Ruthenbeck.

In the late 1960s, she lived in New York, where she met Dennis Oppenheim, and came into contact with the New York art scene.

Her first exhibition took place in 1966 at the Zunini gallery in Paris where she exhibited her ''Peintures médicales''. "If my painting is intentionally schematic it is because I want to escape the pathos in the search of precision. I like that which is clear. Feelings are dangerous; the object is defined, reassuring. If one day I decide to paint the human figure, it will be as an object. "

In 1968, after returning from Documenta IV, Tania Mouraud publicly burned all of her paintings.

Initiation Rooms

In 1968, Tania Mouraud created her first environments, called "Initiation Rooms". It is composed of glossy white spaces which combine to bring oneself toward introspection. Understanding the space in a psychosensory fashion creates perceptions of self-awareness. These environments are preceded musical performances by Pran Nath, Ann Riley and Terry Riley and La Monte Young and Marian Zazeela.

Tania Mouraud considers that these spaces are like a room added to our apartments: "An extra space for an extra soul" says Pierre Restany. Tania Mouraud followed a mathematical logic curriculum at Paris 8 University, then leaving for India in Kerala for six years. She still spends six months a year there.

The Work of Art as an analytical proposition

In 1975, Tania Mouraud created in situ installations called "Art Spaces" in which short phrases, written on plastic construction sheeting the size of the wall, question the conditions of visual perception and lead the viewer to a vertiginous awareness from where he can see the depth of what he is doing.

Tania Mouraud continued this theme when she founded the group TRANS with Thierry Kuntzel then with Jon Gibson throughout the installations. Tania Mouraud then exhibited at PS1 in New York where she met Dara Birnbaum and Dan Graham. That same year she began teaching at the Regional School of plastic expression in Tourcoing France.

During this period, she began her famous ''Wall Paintings'' which were huge black painted letters that were stretched, straight, and very close together to the point of almost being illegible. They form a word or sometimes a phrase, such as "I Have a Dream". In 1989, "WYSIWYG" (What you see is what you get) was exhibited at the BPI of the Centre Georges-Pompidou where "the first of the Wall Paintings of Tania Mouraud concealed the slogan of a well-known brand of computer beneath its lofty appearance".

While she displayed her ''Wall Paintings'' series within the art school where she teaches, Tania Mouraud transmitted her vision of the responsibility of the artist facing history: "With this exhibition, I hear students ask the same question I ask myself: what does it mean to be an artist in '92? In 1992, when there are three million people unemployed in a manner seemingly excluding them from society, and that we see the reappearance of the specter of racism? Then there was the phrase, "I have a dream" written in strongly elongated and somewhat illegible lettering, but there will always be someone to decipher them. I speak for that person. It's a secret. "

She exhibits in many art centers in France, England, Canada, and the United States.

Writings

Tania Mouraud has been working on the malleability and plasticity of writings since the 1960s.
For her, it is a system of representation, with its highlights and invisibilities.

The ''Photo-texts'' (1971 - 1973), the ''Plastics'' (1972 - 1990), the ''Mandala'' (1972-1974) or the ''Kairos'' performance (1978) question perception, reading, the way in which language conceals reality and the limits of language.

This research continues with the Wallpaintings since 1989, which require a particular attention to be read, but also with the exploded writings (2012-2017).

In Tania Mouraud's work, we find a taste for a mutual translation of words and images. The ''Dream'' series (2005) exposes the quote "I have a dream", translated into 25 languages. It reflects the rapid shift that writing can make to drawing when it cannot be read. The writing becomes a line, a pictorial element.

It is the same with the counter-forms of the letters that the artist explores, in particular with ''City Performance n°1'' (1977), the series of ''Words'' (1988), that of ''Black Continent'' (1990-1991), that of ''Black Power'' (1988-1992) and the piece ''Alea 718'' (1989).

This last artwork uses a computer program to establish a unique composition, which the artist wants to free from patriarchal pictorial canons thanks to the element of chance allowed by the process. This taste for programming is also put to work with the ''Mots-Mêlés'' (2017-2021), which hide poems or opera excerpts behind black flat tints.

Her artist's books, as ''FlashS (2020), confirm this work of the word and the sign as plastic manifestations.

Photography

In the mid-1980s, various photographic series began emerging, including Made in Palace, composed of black and white photos taken during "gay parties" at a Parisian club showing turbulent and multisensory spaces in blurry images. For the artist, there is a connection between painting and photography. Other series appear until 1992, consisting of pictures of kitsch objects in different places.

In 2008, continuing with her photographic paintings, Tania Mouraud presented the new series "Borderland", displaying a reflection of landscapes of "round balers" of straw. Other series she created include ''Rubato'', created on rubber tree plantations in Kerala. ''Désastre'' centers on the gaps in forests created by deforestation or ''Balafres'' showing quarries in Germany.

Videos and Installations

For the artist, the practice of "the sequential image" has long been set aside but it was during the 1990s that Tania Mouraud gradually became interested in video. "I have become accustomed to walking with a camcorder and, little by little, the idea has emerged." It was the 2000s that marked a turning point for the artist where video became an important part of her work.

Among the main creations:
* "Sightseeing" 2002. A foggy winter landscape, shot through a misty window, unfolds before our eyes, escorted by the incisive air of a klezmer clarinet. For seven minutes the road is an anguished climb to a stop, where finally, in front, a path firmly leads our gaze to a place where we will not approach. We then see that it is the concentration camp Natzweiler-Struthof, in Alsace. "The memory then falsely induces us to the illusion of a train journey, while signs of a car trip are present in the image. "
* "La Curée", 2003. Hunting dogs slowly and sensually devour raw meat. "This film is an ode to life. It is an image of violence, but in reality, when you look, it is the skin, the hair, it is a choreography of the body ... The dogs are happy because this is their reward. They do not seem mean. This is perhaps the violence of eroticism ... "
* "Le verger", 2003. Images of flowers in vibrant colors alternate with images of war at a pace difficult to follow and in a heavy and metallic air, punctuated by harrowing cries. Le Verger was immediately exhibited at the Fonds régional d'art contemporain (Frac) in Lower Normandy.
* "La Fabrique", 2006. Video installations, filmed in India, which will be exhibited in several cities in France including the Foire Internationale d'Art Contemporain (Fiac) curated by the Dominique Fiat gallery, and also in California, Canada and finally in St. Petersburg. "The faces of 108 male and female workers on multiple monitors and the deafening sound of working looms create in the visitor a sensation of mechanical work. The dislocated bodies of these workers are the engine of this strange fabric ..."
* "Roaming", 2009. Video installation on display at the musée de la chasse et de la nature in Paris.

In 2008, a press release for the opening of ''Roaming, Borderland'' we read that this creation "is considered a testimony of her exceptional mastery of the art of video. Shot in black and white, the dark undergrowth of images and watchtowers are reworked and almost become abstract, and then are accompanied by an acoustic creation that accentuates their dramatic character. Captured at twilight and magnified by the work of the artist, these pieces of nature become metaphors for the human condition, violence, loneliness and death ".
* "Ad Infinitum" 2009. Huge video installation in the chapel of the oratory of Nantes. Projected inside the chapel, the filmed whales almost appear and disappear into a dark and cloudy water. For Tania Mouraud, "The whole piece evokes the plea of the living, the groaning of nature that begs us to stop the ecological carnage as well as the moans of our inner child as we face the unknown, the loss of communication and of love. " "The sequence of Ad Infinitum is a choreography"
* "Once upon a time", 2012. Gigantic projection on the City Hall of Toronto during the Nuit Blanche in 2012. "Once Upon a Time shows the mechanistic universe attacking the living, and we sense, at the moment the saw cuts into the tree, that the saw enters our own body."
* "Ad Nauseam" 2014. Huge video triptych at the Musée d'art contemporain du Val-de-Marne. , Projected in a huge room, three side-by-side videos show a book recycling plant. Videos are devoid of any human presence, we see a series of machines that pile and then grind thousands of books. The installation is accompanied by a sound creation by Tania Mouraud done in collaboration with IRCAM. A random droning sound taken from the sounds of grinding machines is constantly played.

Sound and Sound Performances

In 2002, Tania Mouraud founded the musical experimentation group " Unité de Production " with Christian Atabekian, Ruben Garcia, Pierre Petit, Cyprien Quairiat, Marie-Odile Sambourg, Sylvain Souque and Baptiste Vandeweydeveldt.

Then it follows a musical course via the Internet at the Berklee College of Music. Since J.I.T. in Brest (2008), she performed live solo improvisations accompanying her videos at the Béton Salon in Paris, and during the same year at the Centre d'art passerelle in Brest, musée de la chasse et de la nature in Paris and at the Lieu unique in Nantes, during the Nuit Blanche 2012 at Gare d'Austerlitz as well as the Musée d'Art Contemporain du Val-de-Marne (Mac/Val) during her exhibition of Ad Nauseam in 2014.

A Social Art

In 1977, Tania Mouraud organized her first "City performance": 54 4x3 meter billboards on which the word "NI" is written and posted in several Parisian arrondissements. "Absolute negation, a denial, all the more disturbing, when it does not say what it is targeting. This seems to be resistance to the usual forms of advertising discourse, and the market sphere in whose service it is placed" writes Arnauld Pierre.

In 1993, Tania Mouraud directed "Apartment 374", an ongoing intervention in an apartment of the l'Unité d'habitation by Le Corbusier in Firminy. The codified signs of nomads are sandblasted onto the windows of the living room, turning it into a "welcoming home". For the duration of the exhibition, croissants were distributed free to the public.

In 1996, she scattered 4000 small medals marked with the word love on the streets of New York, at the Fondation Cartier and at the Mirabelle Festival in Metz.

That same year, she exhibited ''Le Silence des héros'' for the ''Occupied Territories'' exhibition in Zweibrücken, Germany. Along the walls of the room, red and black flags are rolled up and placed against the wall.

Permanent Installations

* WYSIWYG (1989–2007)
– ''Wall painting'', Bibliothèque publique d'information, Centre Georges-Pompidou, Paris, France
* La Curée (2004)
– Installation vidéo, Musée de la Chasse et de la Nature, château de Chambord, France
* HCYS? (2005)
– Impression sur bâche, collection FRAC, Metz, France
* DDDDLH (2006–2008)
– Bas-relief, commande du Conseil général du Val-de-Marne dans le cadre du Percent for Art, collège Fernande-Flagon, Valenton, France

Exhibitions

Personal Exhibitions (non-exhaustive list)

* 2022 : '' IRE', Ceysson & Bénétière Gallery, Lyon
* 2022 : ''Shmues'', curator Perrine Lacroix, LABF15, espace d’art contemporain, Lyon
* 2021 : ''MEZZO FORTE,'' Ceysson & Bénétière Gallery, Luxembourg
* 2021 : ''De Natura'',  Chateau de Chaumont-sur-Loire
* 2020 : ''Dream,'' Sorbonne Art Gallery, Paris
* 2019 : ''Tania Mouraud, Ecriture(s)'', Hangar 107, Rouen
* 2018 : ''Tania Mouraud, everything must have an ending except my love for you'', Tauves, France
* 2017 : ''Who's the enemy?'', curator Elodie Stroecken, catalogue, Lieu D'art La Mouche, Béziers, France
* 2016 : ''Tania Mouraud: Otnot'', Gallery Eastwards Prospectus, Bucharest, Romania (catalogue), CTJLFDM, 91 billboards across Romania, Bucharest, Iasi, Sibiu, Cluj, Bacau, Pitesti
* 2015 : ''Tania Mouraud, Une Rétrospective'',  Centre Georges Pompidou Metz
* 2014 : ''Exhausted laughters'', musée d'art moderne de Saint-Etienne
* 2014 : ''Ad Nauseam'', au musée d'art contemporain du Val-de-Marne (MAC/VAL)
* 2012 : ''deuxlarmessontsuspenduesàmesyeux'', Collège des Bernardins, Paris, France
* 2011 : ''J’entends les trains depuis toujours / I keep hearing the trains for ever'', curators Marie-Claire Groeninck and Jean-Michel Rabate, Slought Foundation, Kimmel center and Art Alliance, Philadelphia, USA
* 2010 : ''Une pièce de plus'', Centre de création contemporaine de Tours, Centre de création contemporaine, Tours, France
* 2015 : ''Tania Mouraud, Une Rétrospective'', Centre Pompidou-Metz
* 2014 : ''Exhausted laughters'', Musée d'art moderne et contemporain de Saint-Étienne
* 2014 : ''Ad Nauseam'', au Musée d'art contemporain du Val-de-Marne (MAC/VAL)review by Julie Crenn
in Art press #417
* 2010 : ''Une pièce de plus'', Centre de création contemporaine de Tours, Centre de création contemporaine, Tours, France
* 2010 : ''No Name'', Slought Foundation, Philadelphie
* 2009 : ''Ad Infinitum'', Musée des Beaux-Arts de Nantes, France
* 2009 : ''Borderland'', galerie Dominique Fiat, Paris, France
* 2008 : ''Roaming'', Musée de la Chasse et de la Nature, Paris, France
* 2008 : J.I.T, Just in Time, La Passerelle, Brest, France
* 2008 : ''Back from India'', Performance sonore projection vidéo, Bétonsalon, Paris, France
* 2006 : ''La Fabrique'', CSUF Grand Central Art Center, Santa Ana, Californie, USA
* 2006 : ''Façade'', Nuit Blanche, musée de la chasse et de la nature, Paris, France
* 2005 : ''City Performance N°1'', FRAC Lorraine, Metz, France
* 2004 : ''Du pain et des jeux'', galerie Arc en Ciel, Liévin, France
* 2004 : Centre d'Art Sallaumines, France
* 2004 : ''Tania Mouraud'', Centre d'Arts Plastiques de Saint-Fons, France
* 2003 : ''Le Verger'', FRAC Basse Normandie, Caen, France
* 2003 : ''La Box'', Bourges, France
* 2001 : ''Impressions'', Centre d'art Le Parvis, Ibos, France
* 2001 : ''Décorations'', Le Triangle, Rennes, France
* 2001 : ''Tania Mouraud'', Patricia Faure Gallery, Los Angeles, Californie
* 2000 : ''Route # 1'',13 Quai Voltaire, Caisse des dépôts et consignations, Paris
* 2000 : ''A collection'', California State University, Long Beach
* 1999 : ''Made in Palace'', Galerie Rabouan Moussion, Paris
* 1999 : ''Hammer project n°1 : Tania Mouraud'', Los Angeles, USA
* 1999 : ''World Signs IV'', Leeds City Museum, Stoke-on-Trent, England
* 1998 : ''World Signs III'', Maidstone Museum & Art Gallery, Kent, Kent
* 1998 : ''Cityscape'', Galerie Fernand Léger, Ivry-sur-Seine, France
* 1998 : ''World signs II'', Riverside Studios, Londres
* 1997 : ''World Signs I'', Herbert Art Gallery and Museum, Canterbury, Kent, GB
* 1997 : ''Tania Mouraud'', Musées du château des Rohan à Saverne, France
* 1997 : ''Tania Mouraud'', Kent Institute of Art & Design, Canterbury, GB
* 1996 : ''DIEUCOMPTELESLARMESDESFEMMES'', Le Quartier, Quimper, France
* 1996 : ''Ballades de Tania à la Fête de la Mirabelle'', Metz, France
* 1994 : ''De la Décoration à la Décoration'', Gemeentemuseum Den Haag, Arnhem, Hollande
* 1992 : ''Fait main,'' École des Beaux-arts, Tourcoing, France
* 1992 : ''Faire art'', Galerie Gabrielle Maubrie, Paris
* 1992 : ''The Power Plant'', Toronto, Canada
* 1990 : Centre Loisirs et Rencontres, Clermont-Ferrand, France
* 1990 : Galerie Gabrielle Maubrie, Paris
* 1989 : ''BLACK POWER ici là'', CAC Pablo Neruda, Corbeil-Essonnes, France
* 1989 : ''Tania Mouraud : 1969–1989'', La Criée, Rennes, France
* 1989 : ''BLACK POWER'', galerie De Lege Ruimte, Bruges, France
* 1989 : ''BLACK POWER'', "vu ou lu", Galerie Gabrielle Maubrie, Paris
* 1988 : ''Words'', Riverside Studios, Londres
* 1987 : ''Garden Shooting'', Espace Photographique Contretype, Bruxelles
* 1986 : ''Vitrines'', musée de la photographie, Charleroi, Belgique
* 1986 : ''Garden Shooting'', Maison de la Culture, Amiens, France
* 1983 : ''Ah! Paris'', galerie Samia Saouma, Paris
* 1983 : ''Vitrines'', Maison du Temps Libre, Marne-la-Vallée, France
* 1983 : ''Schaufenster in Paris'', galerie Wilde, Cologne
* 1980 : ''City Performance n°2'', 60 affiches, Lyon, France
* 1978 : ''Kairos'' (performance), Franklin Furnace, New York
* 1978 : ''City Performance n°1'', 54 affiches, Paris
* 1977 : ''Art Space n°5'', special project, PSI, New York
* 1976 : ''Art Space n°1'', 2, 3, Chez Malabar et Cunégonde, Nice, France
* 1975 : ''Galerie 33'' (rue Campagne Première), Paris
* 1974 : ''Galerie Yellow Now'', Liège (catalogue)
* 1973 : ''ARC 2'', (musique Jon Gibson), Musée d'Art Moderne de la Ville de Paris
* 1972 : Galerie Françoise Lambert, Milan
* 1971 : Galerie Rive Droite, Paris
* 1971 : Galerie LP 200, Caliche Ligure
* 1971 : Galerie Ben doute de tout, Nice
* 1971 : Galerie Apollinaire, Milan
* 1971 : Galerie LP 220 (avec les musiciens : La Monte Young, Terry Riley, Pandit Pran Nath), Turin
* 1968 : Galerie Rive Droite (musique Éliane Radigue), Paris
* 1966 : Galerie Mensch, Hambourg
* 1966 : Galerie Zunini, Paris

Collective Exhibitions (non-exhaustive list)

* 2022, Parisiennes Citoyennes ! 1789–2000, Carnavalet Museum, Paris
* 2022, Double je, curator Alexandre Quoi, MAMC, Saint-Etienne
* 2022, Pionnières, curator Patrice Joly, Zoo gallery, Nantes
* 2022, Contente d'être aujourd’hui, curator Céline Melon Sibille, Claire Gastaud gallery
* 2021, Elles font l’abstraction, Guggenheim Bilbao
* 2021, L’Énigme autodidacte, curator Charlotte Laubard, Musée d’Art Moderne et Contemporain de Saint Etienne
* 2021, Penser les possibles, curator Mehryl Levisse, Espace Balak, espace temporaire d'art contemporain, Charleville-Mézières
* 2021, La chose mentale, des NFT à l’oeuvre, Festival accès)s( #21, Pau
* 2021, Elles font l’abstraction, Centre Pompidou - Galerie 1
* 2021, The Domino Effect, GAEP Gallery, Bucharest, Romania
* 2021, ART = ACTION, une collaboration Act Up-Paris et MAC VAL
* 2021, Le Goût du paysage, curator Laure Forlay, collection du FRAC Auvergne, halle aux bleds, Saint-Flour
* 2020, Le vent se lève, MAC VAL, Vitry
* 2020, "De franchir de la même façon les lignes d’horizons et des petites allées", Galerie Claire Gastaud, Clermont-Ferrand, France
* 2020, Bye Bye Future! L'art de voyager dans le temps, Musée royal de Mariemont, Morlanwelz, Belgium
* 2020, Paysages du XXIème siècle, Maison De l'Architecture de Poitiers
* 2019, Festival Rose Beton - Tania Mouraud, Les Abattoirs, Toulouse
* 2019, There are treasures everywhere - Jardin Rouge, foundation Montresso, Marrakech, Maroc
* 2019, Defragmentation, ARBA, Bruxelles
* 2019, Symbiotes, Eternal Gallery, Tours, France
* 2019, «Once upon a Time», EAC Les Roches, Chambon-sur-Lignon, France
* 2019, Jeux de Mots, Jeux d’écritures, MAMAC, Nice
* 2019, PULSIONS, The 836 M Gallery February 11- March 5, 2019 - performance SfMa
* 2019, Lignes de vies – Une exposition de légendes, MAC-VAL, Vitry, France, curator Frank Lamy (catalogue)
* 2019, Gigantisme May 2019 - January 2021 Dunkerque, France.
* 2019, Carnegie International, 57th edition, October 2018 - Carnegie Museum of Art, Pittsburg, Pennsylvania, US. curator: Ben Ogrodnik
* 2019, festival VIDEOFORMES ! 2019 Chapelle de l'Hôpital Général, Clermont Ferrand curator : Gabriel V. Soucheyre
* 2018, EXPERIENCE POMMERY #14 // L'ESPRIT SOUTERRAIN, Domaine Pommery, Reims, curator : Hugo Vitrani
* 2018, Considérer le monde II, Musée d'art moderne et contemporain (MAM), Saint-Etienne Métropole, France
* 2018, La science du désordre, curator Pierre Bendine-Boucar, A+Architecture, Montpellier, France
* 2018, Everything we do is music, curator Shanay Jhaveri, Pasquart kunsthaus Centre d'art Biel/ Bienne, Switzerland
* 2018, Art Conceptuel, curator Alexandre Quoi, Musée d'art moderne et contemporain de Saint- Etienne, France
* 2018, Biennale Internationale Saint-Paul de Vence, France
* 2018, LA LUMIÈRE NOIRE. Les traditions hermétiques dans l’art depuis les années 1950,
curator Enrique Juncosa, CCCB, Centre de Cultura contemporanea de Barcelona, Spain
* 2018, Considérer le monde : Narrative Art Collections du Musée, curator Alexandre Quoi,
Musée d'art moderne et contemporain de Saint-Etienne, France
* 2018, Images en lutte (1968-1974) La culture visuelle de l'extreme gauche, curator Eric de Chassey, Palais des Beaux-Arts, Paris, France
* 2017, Contemporary Istanbul, Gallery Eastwards Prospectus, Istanbul, Turkey
* 2017, Paysages du XXIe siècle, que fabriquons-nous aujourd’hui ?, exposition itinérante CAUE
de Haute-Savoie, Annecy, Angoulême, Nantes, Angers, Lyon, Genève, France & Switzerland
* 2016, Observations sonores, Musée Gassendi, Dignes-les-eaux, France
* 2016, J'ai des doutes. Est-ce que vous en avez?, curator Julie Crenn, Galerie Claire Gastaud, Clermont Ferrand, France
* 2016, La peinture à l'huile c'est bien difficile, Frac Languedoc Roussillon, Montpellier, France
* 2015, Experience N°9 Exhibition, Musée des Beaux Arts, Tours, France
* 2015, Il était une fois, Palais de l'Archevêché, Arles, France
* 2015, Un genre humain, curator Claude Leveque, Palais Jacques Coeur, Bourges, France
* 2015, Tous les chemins mènent à Schengen, FRAC Lorraine, Metz, France
* 2015, Terrain sensible, College Frederic et Irene Joliot-Curie, Vivonne, France
* 2015, Game over, Galerie EC'ARTS, ESPE de Bretagne, Rennes, France
* 2014, Carte blanche à l'artothèque, Musée des Beaux-Arts, Angers, France
* 2014, Machines désirantes, Frac BN, Caen, France
* 2014, Populaire, populaire #3, mois de la photo OFF 2014, 6B, St Denis, France
* 2014, ALEA #17 & #18, WIP Villette, France
* 2013, Histoires de géographie, curator Catherine Elkar, Frac Bretagne, Rennes, France (catalogue)
* 2013, Une spiritualité au féminin, curator Madeleine Blondel, Dominique Dendraël, Musée d’Art Sacré, Dijon, France (catalogue)
* 2013, Dinard, l’Amour Atomique, curator Ashok Adiceam, Festival de Dinard, France (catalogue)
* 2013, A distance, Plateforme d’art de Muret, France
* 2013, Le jour d’avant, Domaine départemental de la Garenne Lemot, Gétigné—Clysson, France
* 2013, EMOI & MOI, MAC VAL, Villejuif, France
* 2013, Honey, I Rearranged The Collection, Philippe Cohen Collection, Passage de Retz, Paris, France
* 2013, Honey, I Rearranged The Collection, Philippe Cohen Collection, Musée d'Art de Petah Tikva, Tel Aviv, Israel (Catalogue)
* 2013, Paysage cosa mentale, Le nouveau pittoresque, curator Christine Ollier, Maison Nationale des
* 2013, Artistes, Nogent sur Marne, France (catalogue)
* 2012, Once Upon a Time, video installation, Nuit Blanche, Toronto City Hall, Toronto, Canada
* 2012, Vivement demain, nouvel accrochage de la collection du Mac/Val, Vitry-sur-Seine, France
* 2012, La Plasticité du Langage, Fondation Hyppocrène, Paris, France
* 2012, Songeries végétales, Domaine de Chaumont-sur-Loire, France
* 2012, Contre Nature/Les fictions d’un promeneur d’aujourd’hui, Musée départemental, Beauvais, France
* 2012, Sunset, Frac Poitou Charente, Site de Linazay, France
* 2012, Parlessoirsbleusd’été, j’iraidanslessentiers, (A. Rimbaud, sensation,1870), Biennale d’art contemporain Chemin-d’Art, Halle aux Bleds, St Flour, France
* 2012, Bêtes Off, La Conciergerie, Paris, France
* 2012, Carte Blanche à Tania Mouraud, Théâtre, Auxerre, France
* 2012, Tracts!, Sans niveau ni mètre, Cabinet du livre d’artiste, Rennes, France
* 2012, Portraits/paysages : la transformation des genres, Musée des Beaux-Arts de Nantes, France (catalogue)
* 2012, Quelle histoire ?!, Château de Foix, Musée départemental de l’Ariège, France
* 2012, FormesBrèves, autre,25, curator Anja Isabel Schneider, FRAC, Lorraine, France in partnership with, MARCO, Vigo, Spain
* 2011, Elle était une fois, Eglise des Cordeliers, Gourdon, France
* 2011, Architectures/Dessins/Utopies, curator Ruxandra Balaci, MNAC, Bucarest, Roumania
* 2011, Plug-in II, Musée de l’Ile d’Oléron, St Pierre d’Oléron, France
* 2011, Black Should Bleed To Edge, Ecole Régionale des Beaux Arts, Rouen, France
* 2011, Si loin, si proche, FRAC Bretagne, L’imagerie, Lannion, France
* 2011, Cherries On The Boat, Fondation Hippocrène, Paris, France (catalogue)
* 2011, Jamais le même fleuve, collections privées de photographies (catalogue)
* 2011, Le moins du monde, Frac Lorraine, Metz, France
* 2011, Décor et Installations, curator Françoise Ducros, Galerie des Gobelins, Paris, Galerie nationale de la tapisserie, Beauvais, France
* 2010, Paysage 2 : imminence de la catastrophe, Espace Croix-Baragnon, Toulouse, France
* 2010, A l’ombre d’un doute, FRAC Lorraine, Metz, France
* 2010, La mémoire et l’oubli, Maxime Deyts's high school, Bailleul, France
* 2010, En mai, fais ce qu’il te plaît! Curator Juliette Laffon, Musée Bourdelle, Paris, France (catalogue)
* 2010, Les promesses du passé, 1950-2010 : Une histoire discontinue de l’art dans l’ex- Europe de l’Est, section : sources/documents/archives -Galerie 33, Centre Georges Pompidou, Paris, France
* 2010, Border Zones: Newart acrosscultures, Museum of Anthropology at the University of British Columbia, Vancouver, Canada
* 2010, elles@centrepompidou, Centre Georges Pompidou, Paris, France (catalogue)
* 2010, Paysage-Video, Dialogue avec les collections#2, Musée d’Art de Toulon, France (catalogue)
* 2010, Vénus changée en document, Les Abattoirs, Toulouse, France
First Ural Industrial Biennale of contemporary arts 2010, Special projects, National Center
for Contemporary Arts, Ekaterinburg, Russia (catalogue)
* 2009 : elles@pompidou, Centre Pompidou, Paris, France
* 2009 : Universal Code, The Power Plant, Toronto, Canada
* 2009 : Blind Chance & Possible Futures, Nieuwe Vide, Haarlem, Pays-Bas
* 2008 : Regarde de tous tes yeux, regarde – L'art contemporain de Georges Perec, Musée des Beaux-Arts de Nantes; Musée des Beaux-Arts de Dole, France
* 2008 : Stratégies de l'histoire / Stratégies de l'art – 5^e Biennale de Goumri, Académie des Beaux-Arts de Goumri, Arménie Opera, an artists film selection, Tate Britain, Londres
* 2008 : Å’uvres en papier, Galerie Dominique Fiat, Paris, France
* 2007 : !REVOLUTION?, Kunsthalle, Budapest, Hongrie
* 2007 : Sublime Objects / Sublimes Objets / Obiecte Sublime, Mnac Bucarest, Roumanie
* 2007 : Periskop, La Passerelle, Brest, France
* 2007 : Le Quartier fête ses 16 ans, Le Quartier, Quimper, France
* 2006 : Videogramma, Centre d'arts plastiques, Saint-Fons, France
* 2006 : Chassez le naturel..., Domaine national de Chambord, France
* 2006 : Verdunklung/Darkening, Kunsthaus, Stuttgart, Allemagne, commissaire : Arianne Müller
* 2006 : La Force de l'Art, Grand Palais, Paris, commissaire : Anne Tronche
* 2006 : Collection permanente, musée d'art moderne de la ville de Paris, France
* 2005 : Marie-Madeleine contemporaine, hospice Comtesse, Lille, France
* 2005 : La photographie à l'épreuve, musée d'art moderne, Saint-Étienne, France
* 2005 : Best of, galerie Dominique Fiat, Paris
* 2005 : Doute et Hypothèse, Galerie Aponia, Villiers-sur-Marne, France
* 2005 : Chassez le naturel..., château de Chambord, France
* 2005 : Ah Dieu que la guerre est jolie !, FRAC Basse-Normandie, France
* 2005 : Le chant rythmique de l'esprit, Espace de l'Art concret, Mouans Sartoux, France, commissariat Dominique Boudou
* 2005 : Wonder women, FRAC Lorraine, Metz, France
* 2005 : Le corps dans l'art contemporain, théâtre de Privas, France
* 2005 : Climats, cyclothymie des paysages, Vassivière, France
* 2005 : Forever, Passage de Retz, Paris
* 2005 : Dessins d'artistes, l'école IUFM, Paris
* 2005 : Collection Vicky Remy, musée de Saint-Étienne, France
* 2004 : Art et grandeur nature, La Courneuve, France
* 2004 : Marie Madeleine, musée des arts de Toulon, France
* 2002 : Les années 70, musée d'art contemporain, CAPC, Bordeaux, France
* 2002 : Sans commune mesure, musée d'art moderne Lille Métropole, Villeneuve-d'Ascq, France
* 2000 : Voyager à la verticale, Maison de la Villette-Parc de la Villette, Paris
* 1998 : Tania Mouraud et Niek Van de Steeg, Théâtre des Arts, Cergy-Pontoise, France
* 1997 : Amours, Fondation Cartier pour l'art contemporain, Paris
* 1997 : Sous le manteau, Galerie Thaddeus Ropac, Paris
* 1997 : XI^e bourse d'art monumental, Credac, Ivry, France
* 1997 : Vraiment: féminisme et art, Le Magasin, Centre d'art de Grenoble, France
* 1997 : Petite fiction les pieds dans l'eau, FRAC Languedoc-Roussillon, France
* 1997 :Collection Camille: signatures de femmes, Épinal, France
* 1997 :From One Point To Another, Atelier Soardi, Nice, France
* 1997 :Flash, Power Plant, Toronto, Canada
* 1997 :Cinq ans d’acquisition, FRAC Alsace, Strasbourg, France
* 1997 :Histoires de blanc et noir, Prague, République tchèque
* 1997 :Teen Tonic, FRAC Poitou Charentes, Angoulême, France
* 1997 :Crossroad, City Museum, Art Gallery, Stoke-on-Trent, Angleterre
* 1996 : Wall Drawings ‘96: B. McGee, T. Mouraud, M. Dean Veca, The Drawing Center, New York
* 1996 : Histoires de Blanc et Noir, curator Serge Lemoine, musée de Grenoble, France
* 1995 : Femininmasculin, MNAM, Centre Georges-Pompidou, Paris, New York
* 1995 : Passions Privées, ARC2, musée d'art moderne de la ville de Paris
* 1995 : Collections/collection, musée de Saint-Étienne, France
* 1995 : Feux terrestres, Centre d'art contemporain, Sète, France
* 1994 : L'appartement de Ghislain-Mollet Vieville, MAMCO, Genève, Suisse
* 1994 : Logo non-Logo, Thread Waxing Space, New York
* 1993 : La Donation Vicky Remy I et II, musée d'art moderne, Saint-Étienne, France
* 1990 : Art & Pub, MNAM, Centre Georges-Pompidou, Paris
* 1983 : Arc 2 : 1973/1983, musée d'art moderne de la ville de Paris
* 1976 : Identités : Identifications, CAPC Bordeaux, France
* 1976 : Ambiente/Arte, Biennale de Venise, Italie
* 1972 : 60/72, 12 ans d'art contemporain en France, Grand Palais, Paris
* 1970 : Art Concept from Europe, Galerie Bonino, New York City

Writings on Tania Mouraud

Monographs

* 2022, ire catalogue, LABF15, Lyon, Perrine Lacroix, Cécile Renoult
* 2019, Tania Mouraud, Ecriture(s), catalogue, Le Hangar 107, Rouen, Nicolas Couturieux, Mathias Barthel, Cécile Renoult
* 2018, Tania Mouraud, Everything must have an ending except my love for you, catalogue, Tauves, Perrine Le Querrec
* 2017, Tania Mouraud, Who's the enemy ?, catalogue, La Mouche, lieu d’art contemporain, Béziers, France.
* 2016, OTNOT, Eastwards Prospectus, text by Elodie Stroecken, Bucharest, Romania
* 2016, TANIA MOURAUD, Eastwards Prospectus
* 2016, Everyday ogres at Visual Arts Centre - The University of Texas at Austin, USA
* 2015, Tania Mouraud, Une Rétrospective, catalogue, Centre Pompidou-Metz
* 2014, Tania Mouraud, Ad Nauseam, catalogue, Mac/Val
* 2014, Tania Mouraud, exhausted laughters, catalogue, musée d'art moderne et contemporain de Saint-Étienne
* 2004, Tania Mouraud, textes de Arnauld Pierre, Éditions Flammarion

Others
* 2015 :
"Tania Mouraud: Engagée volontairement", Piguet Philippe, L'Oeil n°678, avril 2015

"Tania Mouraud, méditation spirituelle", Anne Tronche, Artpress N°420, 21 mars 2015

"Tania Mouraud, la fureur et la rage", Emmanuelle Lequeux, LeMonde, 9 janvier 2015

"Tania Mouraud. Une rétrospective", entretien avec Philippe Piguet, Art Absolument n°64, 12 mars 2015
* 2009 :
Tania Mouraud, ''On the roads'', collection "L'art en écrit", éditions Jannink, Paris
* 2008 :
«Entretien avec Tania Mouraud, peintre autrement", Valérie Da Costa et Alain Berland, Particules, n°20, juin – juillet – août

«Transactions mitigées au Grand Palais", '' Le Monde'', 28 octobre

«La Fiac crée un beau désordre à la Cour carrée et trop de sagesse au Grand Palais", Philippe DAGEN, Le Monde, 25 octobre

«Der Clown traegt Rot, Weiss, Blau und Sterne", Angelika Heinick, ''Frankfuerter Allgemeine Zeitung'' (Allemagne), 25 octobre

«Fiac frileuse Slick rieuse", Connaissance des Arts, 24 octobre

«Fiac : choses vues", http://lunettesrouges.blog.lemonde.fr/, 24 octobre

«Investir avec art dans le filon jeune à la Fiac», Béatrice de Rochebouët, '' Le Figaro'', 24 octobre

«Le nec plus... ultra contemporain", L'Œil, octobre

«Les créateurs font leur show à la FIAC", Roxana Azimi, Le Monde, 15 octobre

«Tania Mouraud", Made in Street (Pologne), n°3, février
* 2007 :
«Harmonieux Chaos", AD, Gaelle Cotton, octobre

«Paris Photo", Blog Lunettes rouges, 17 novembre
* 2006 :
«Carte Blanche: Tania Mouraud», Archistorm, juillet-août

«La France de l'Art, Expo 7 : "Ecart", entretien avec Anne Tronche", Beaux Arts Magazine, mai

«Or donc", www.jowebzine.com, Perrine Le Querrec, janvier

«Or donc", www.paris-art.com, Christine André, janvier

«Tania Mouraud", www.paris-art.com, Pierre-Evariste Douaire, janvier

"Les propositions radicales de Tania Mouraud", '' Connaissance des Arts'', Damien Sausset, février

"Graphisme Typographie Histoire", Roxane Jubert, préface de Serge Lemoine, éd. Flammarion, p. 373 et 415, février

"Galerie Dominique Fiat, Tania Mouraud", Le Monde, Harry Bellet, 11 février

Reviews, '' art press'', Valérie Da Costa, mars
* 2005 :
«Wonder Woman, impertinence au FRAC", Le Républicain lorrain, 8 février

"Wonder Woman", ''Le Jeudi'', 24 février

"Femmes en œuvre", Le Républicain lorrain, 6 mars

"Cinglantes super nanas", Est républicain, 6 mars

www.art-themagazine.com, juin

Le Monde, Harry Bellet, 4 août

"L'esprit de Géométrie", Le Figaro Magazine, 3 décembre

Beaux Arts Magazine, décembre
* 2004 :
«Tania Mouraud : le son et le silence", Jean-Yves Bosseur, Parade, février

"Tania Mouraud, Jean-Marc Huitorel", art press, janvier
* 1997 :
«From One Point To Another", Atelier Soardi, Nice

"Collections/Collection", musée d'art moderne, Saint-Étienne»

"Sous le manteau", Galerie Thaddeus Ropac, Paris
* 1996 :
«Tania Mouraud", Catalogue de l'exposition DIEUCOMPTELESLARMESDESFEMMES

Le Quartier Quimper textes de Dominique Abensour et Robert Fleck.

"Tania Mouraud", Arts Info n° 78 Délégation aux Arts Plastiques Paris

"Tania Mouraud" : les bannières, et la rose", Dominique Boudou Beaux Arts, n°142, Paris

"Mouraud compte les larmes de Dieu", Hervé Gauville, Libération 24/25 février, Paris

Agenda international de l'art 1996, Les éditions internationales de l'art, Paris

"La caisse des dépôts dépose ses caisses", Élisabeth Lebovici, 2 Libération, 2 fév.

"Saint-Étienne, lieu d'excellence de l'art contemporain", Le Monde, 13/01

"Wall drawings '96", catalogue de l'exposition, The Drawing Center, New York

"Drawings dare to compete..." Dinitia Smith, The New York Times, Jan 15, New York

"Ballade artistique à Soho", Pascale Richard, France Amérique, New York

"Monument et Modernité", Espace Electra, Paris

"Histoires de Blanc et Noir", musée de Grenoble, Stiftung für Konkrete Kunst, Reutlingen, Allemagne
* 1995 :
"Crossroad", catalogue de l'exposition, Kent Institute of Art and Design, Canterbury

"Territoires occupés", catalogue de l'exposition, FRAC Lorraine

"Art minimal et conceptuel", Ghislain Mollet-Viéville, Skira, Paris

"Avant garde walk a Venezia", catalogue de l'exposition

"Lieux de passage Marseille", L'Observatoire n°4
"Chez l'un l'autre", catalogue de l'exposition, Paris édition Anton Weller

"Fragments d'un paysage amoureux", catalogue de l'exposition Actes sud

Bienale Venedig Ein Rundgang Wolfang Träger Kunstforum International n°131
* 1994 :
«De la décoration à la décoration", catalogue de l'exposition, Gemeente Muséum Arnhem avec des textes de Mirjam Westonet et Michel Pastoureau

"De la décoration à la décoration", Irène Constandse Uit Arnhem, avril 1994, Arnhem

"Tania Mouraud remix", interview avec Ginette Lemaitre et Elein Fleiss, Paris Purple Prose, été

"Beats Pulsares", catalogue de la collection de la Caisse des Dépôts et Consignations Paris, texte de Guy Tortosa

Musée d'art moderne et contemporain, catalogue MAMCO, Genève

"Tania Mouraud", Zeggen zonder te zeggen Cornel Bierens, Hedendaagse

"Franse Kunst in Nederland", Association artistique d'action artistique France Kunst, avril 1994, p. 20

"One more night...Zu Tania Mouraud Meditationsraum", Pierre Restany in Meta 4 Radical Chic, Stuttgart, 1993, p 103-109

"Chez l'un l'autre 1", catalogue de l'exposition, Paris, Éditions Anton Weller

"Franse Kunst..." Wim van der Beek De Telegraph April 8, 1994, Hollande

"De Nulgraad van het Schilderen Janneke Wesseling", April 15, 1994, Hollande

"Politiek werk van Tania Mouraud", Zondagkraut April 3, 1994

Klei Duimpje in borstzak generaal Martin Peiterse De Gelderlander April 1, 1994, Nimègue

"Tania Mouraud... " Yvonne Jansen Apeldoornse Courant April 30, 1994, Arnhem

"Met een gasmasker... " Marianne Vermeijden, NCR, March 25, 1994, Amsterdam
* 1993 :
«Tania Mouraud", catalogue de l'exposition Fait main, Tourcoing, ERSEP, texte de Guy Tortosa, entretien avec Anne Tronche

"Public & Privé", catalogue de l'exposition, Édimbourg, 1993, p 66

"Infi nito Silenzio", catalogue de l'exposition, CRAC FRAC Alsace, Françoise Ducros, p. n°30

"I have a dream" p. 46, Evelyne Durand p. 80, BLOC-NOTES n°2 printemps 93

"Woman Is Beautiful", Wassingue n°3, Lille

"Tania Mouraud, l'Art est public", Guy Tortosa, Unité Tania Mouraud Yves Aupetitallot, Omnibus,

Gazette trimestrielle sur l'Art contemporain, n°6, juin 1993

"La Donation Vicky Remy", catalogue de l'exposition, Saint-Étienne, p. 56

"Tania Mouraud : Ni ceci, ni cela", Sans Titre n°20, La Madeleine
* 1992 :
«Génériques", Art Press n° 175, Paris

"Information Dienst", Kunstlerhauss, Stuttgart

"Tania Mouraud, Mots de formes", Élisabeth Lebovici, ''Libération'' 19/11/92

«Tania Mouraud, Fait Main", Art Presence n1, Pléneuf-Val-André

"The News" Brigitte Cornaud, Galerie Magazine International Édition, p. 9

"Tania Mouraud", catalogue de l'exposition, The Power Plant, Toronto, texte de Louise Dompierre, interview avec Ian Wallace

Dictionnaire de l'Art moderne et contemporain de Gérard Durozoi (Hazan)

"Tania Mouraud May celebrate the Power Plant " Artline

"Tania Mouraud : Apologie des Amateurs", entretien avec Vanina Costa, Kanal Europe

Contemporain n°2, avril-mai 1992

"Portraits d'une capitale de Daguerre à William Klein", collections photographiques du musée Carnavalet

Mois de la photo à Paris, Collections photographiques du musée Carnavalet, p. 199
* 1991 :
«Portrait d'Artiste : Tania Mouraud", La Gazette des Historiens d'art, dossier l'Art et les Femmes, nov.-déc 91 n°7, Camille Morineau

"La Photographie dans les Collections de la Maison de la Culture", catalogue de l'exposition, Amiens
* 1989 :
«Report from Paris I...", Tony Godfrey Art in America n°10, New York

"Tania Mouraud, Black Power", Catherine Kempeneers Opus International n°115, Paris

"Tania Mouraud, Au-delà de l'image", Mo Gourmelon le carreres, Arte Factum n°30, 1989, Anvers

"Tania Mouraud in De Lege Ruimte", Pro, Bruges

"There is no French Art", Nadine Descendre, Le Magasin PUBLIC n°4, Grenoble

"Tania Mouraud, Black Power, Ici, Là", Alain Leduc, ''Artension'' n°8, Rouen

"Tania Mouraud" Catherine Grout, art press, n°134, Paris
* 1983 :
«Le lèche-vitrines de Tania Mouraud", Christian Caujolle Libération, November 2, 1983, Paris

"De l'avant-garde à l'avenir", Gilles de Bure, Vogue Hommes, octobre 1983 n°63, Paris

"Garden Shooting", Plages n°21, Paris

"Tania Mouraud", Anne Dagbert, Part Press n°76, Paris

"Vitrines", catalogue de l'exposition Les bénéfices d'un inventaire, Jean-François Chevrier, maison du Temps libre, Marne-la-Vallée

"Textographies", catalogue de l'exposition, centre culturel communal du Plessis-Robinson

"Tania Mouraud et Pierre Petit", Gérard Durozoy, Canalmanach, avril 1983, Paris

"Tania Mouraud..." Bernard Delage, Diagonal n°46, Paris

"Tania Mouraud", Dominique Carré, '' Les Nouvelles littéraires'' n°2880, Paris

"FRAC Poitou-Charentes, Premières Acquisitions", catalogue de la collection, Poitiers

"ARC 1973 1983", catalogue de l'exposition, musée d'art moderne de la ville de Paris, Paris

"Overlay", Lucy R. Lippard Pantheon Books, New York
* 1982 :
«Traces d'elles", catalogue, maison de la Culture, Aulnay-sous-Bois
* 1981 :
«Images Fabriquées", Elizabeth Couturier, art press, janvier 1981, Paris

"Typish Frau", Catalogue Bonner Kunstverein, Bonn
* 1980 :
«Mouvements/Corps", '' France Photographie'', Paris

"Mouvements/Corps", Catalogue Viviane Esders, Paris

"Images Fabriquées", Catalogue Viviane Esders, Paris

"Onze artistes européens et Lyon", Jacqueline Rozier, Le Journal, June 23, 1980, Lyon

"Lyon, Carrefour européen", Michel Nuridsany, Le Figaro July 18, 1980, Paris

"Europe 80", Catalogue ELAC, Lyon 1980

"Tania Mouraud ", Performance dans la ville", Xavier Girard, Cahiers de l'École sociologique interrogative n°1, 1980, Paris

"Paysage sonore urbain", Bernard Delage, Plan Construction, 1980, Paris
* 1979 :
«estuale", le parole e le immagini", Flavio Caroli, Gabriele Mazzotta ed., Milano

"Words", Catalogue Bochum Museum, Bochum

"Les Femmes et l'Art contemporain", Christine Maurice, Encyclopedia Universalis, Paris

"Artitudes", François Pluchart, Catalogue Galerie d'Art contemporain des musées de Nice, Nice

"Words", Catalogue Palazzo Ducale, Gênes, 1979

"03 23 03", Catalogue Galeries nationales d'Art contemporain, Montréal

"Art actuel n°5", Skira Annuel, Weber S.A. éd., Genève

La Pratica Politica", Catalogue Galleria Civica, Modena
* 1978 :
«City performance n°1", Bernard Blistène, Flash Art 80/81, Milan

"Occupation textuelle de Tania Mouraud", Le Monde, January 25, 1978, Paris

"Les "Ni" de Tania Mouraud", Nathalie Mei, Libération, Paris

"Ni", Georgina Oliver, The Paris Metro, 18/01/78, Paris

"Le Ni de Tania", Hélène Mathieu, Marie-Claire, Paris

"Ni, le cri de Tania dans la ville", Pierre Cabane, Le Matin, January 11, 1978, Paris

"Les affi ches en jeu", Xavier Girard, 34–44, université de Paris-VI, Paris

"City performance n°1", Xavier Girard, l'Humidité n°25, Paris

"Arte e communicazione diversa", Tra 4/5, Parme

"Arte e Pratica Politica", éd. Tra, Parma

"Focus", Catalogue Centre culturel du Marais, Paris

"Tania Mouraud", Arts plastiques enseignement, Paris

"From the Center, Feminist essays on women's art", Lucy R. Lippard, Ed. Dutton & Co, New York
* 1977 :
Trans, + – 0, n°17, Genval-Lac

Ghislain Mollet-Viéville, Trans, + – 0, n°16, Genval-Lac

"Tania Mouraud", Flash Art, mai-juin 77, Milan

Trans, Info artitudes, janv. 77, Paris

Ghislain Mollet-Viéville, Vogue, avril 77, New York

Trans, Maïten bouisset, Quotidien de Paris, 15/16.1.77, Paris

Trans, J.J. Levêque, Quotidien de Paris, 13/1/77, Paris

"Tania Mouraud at PS1", John Perreault, The SoHo Weekly News ">SoHo_Weekly_News.html" ;"title="The SoHo Weekly News">The SoHo Weekly News , 22/9/77, New York

"Contemporary Artists", Colyn Naylor, Hilmarton Manor Press, Calne (UK)

"Spaces, Heresies", New York
* 1976 :
«The Pains and Pleasures of Rebirth : Women's body art", Lucy R. Lippard, Lucy Lippard, Art in america n°3

"Ambiente/Arte", Germano Celant, Édition de la biennale de Venezia, Venezia

"Aspects de la photographie dans l'art contemporain", Carole Naggar, Zoom n°38, Paris

"Art spaces", Germano Celant, Studio International, septembre-octobre 1976, Londres
* 1975 :
«Art, Action, Participation", Franck Popper, Studio Vista, Londres

"Les voyages de Tania Mouraud", Aline Dallier, Opus n°56, Paris
* 1974 :
«Tania Mouraud", Liza Bear, Avalanche, New York
* 1973 :
«Tania Mouraud : l'impuissance n'est pas mon fort", J.P. Ribes, ''Actuel'', Paris

"Tania Mouraud à l'ARC", Geneviève Breerette, Le Monde, Paris
* 1972 :
«Is name given to a form ?", François Pluchart, Artitudes, Paris
* 1971 :
«Iniziazioni", Tomaso Trini, domus n°497, Milan

"L'expérience spirituelle", Bernard Borgeaud, Pariscope, n°146, Paris

"Tania Mouraud", Catherine Millet, Lettres françaises, Paris

"Les méditations de Mouraud", François Pluchart, ''Combat'', Paris

"Là-haut sur la colline", Daniel Habrekorn, ''Actuel'' n°8, Paris

"Mouraud, Tania Mouraud", catalogue publié par LP220, Turin
* 1970 :
«Tania Mouraud", Tomaso Trini, Flash Art, Rome

"L'Implicazione Negativa di Tania Mouraud ", Michele Perfetti, Corriere del Giorno, Milano

"Blanc jusqu'au vertige", Bernard Borgeaud, Pariscope n°95, Paris

"Tania Mouraud : Gagner sa mort", Paule Gauthier, Lettres françaises, Paris

"One more night...", Pierre Restany, Galerie des Arts n°85, Paris

References

External links

*

Tania Mouraud. A Retrospective at the Centre Pompidou-Metz

Ad-Nauseam at the Mac/Val

Modern Art Museum of Saint-Etienne

Slought Foundation



ArtDaily website

{{DEFAULTSORT:Mouraud, Tania
1942 births
Living people
20th-century French women artists
21st-century French women artists
Artists from Paris
French conceptual artists
French people of Romanian descent
Women conceptual artists