Tang Tuck Kan
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Tang Tuck Kan (, 1934-2012) is a
Malaysian Malaysian may refer to: * Something from or related to Malaysia, a country in Southeast Asia * Malaysian Malay, a dialect of Malay language spoken mainly in Malaysia * Malaysian people, people who are identified with the country of Malaysia regar ...
artist. Tang was known in the late 60's and 70's for his abstract expressionism, "Hard Edge" space identity in Malaysian Art World. His iconic masterpiece, "49 Squares" is the permanent collection at the National Art Gallery of Malaysia in Kuala Lumpur. Towards his later year, he fused his "Hard Edge" concept with the Chinese
I-Ching The ''I Ching'' or ''Yi Jing'' (, ), usually translated ''Book of Changes'' or ''Classic of Changes'', is an ancient Chinese divination text that is among the oldest of the Chinese classics. Originally a divination manual in the Western Zhou ...
philosophy, created a modern art masterpieces inspired by his own cultural root. In the early years, Tang pursued his Fine Arts education in UK after he was granted the British Commonwealth Fulbright Scholarship. In 1966, Tang graduated from the prestigious Saint Martin's School of Art in London, UK, which is the Central Saint Martins Arts and Design College under the University of Arts in London. At his later age of life, he created new landscape paintings that married the western composition and watercolor technique to ordinary Chinese painting composition. His landscape paintings quickly became popular in the 80's and 90's. Comfortable as a realist, figurative, portraiture and modern artist, he excelled in all given medium as his artistic presentation. As an Academician, he was once a senior art teacher at St. Johns Institution, Kuala Lumpur; a lecturer at Institut Teknologi MARA (ITM), which later becomes the Universiti Teknologi Mara (UiTM). Among well-known Malaysian artists who once were his students include Ismail Latiff and Anuar Rashid. Throughout his career, he co-founded Malaysian Institute of Art (MIA) and Kuala Lumpur College of Art (KLCA) with a group of Malaysian Chinese artists. Tang had solo exhibitions in 1971, 1976 and 1977. He was invited to commission an artwork for the 10th
São Paulo Art Biennial The São Paulo Art Biennial (Portuguese: ''Bienal de São Paulo'') was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale (in existence since 1895), which serves as ...
in Brazil, 1969, Brazil, Expo '70 in Osaka, Japan and several exhibitions in Canada, Australia and New Zealand.


References


External links

* Muliyadi Mahamood,
Modern Malaysian Art: From the Pioneering Era to the Pluralist Era, 1930s-1990s
', Utusan Publications, 2007 pp17 * T. K. Sabapathy, Redza Piyadasa,
Modern Artists of Malaysia
', Dewan Bahasa dan Pustaka, Ministry of Education Malaysia, 1983 pp20, pp38, pp135 *
Vision and Idea: Relooking Modern Malaysian Art, 12 October-12 December 1994 : Exhibition Catalogue
', National Art Gallery, 1994 pp36 {{DEFAULTSORT:Tang Tuck Kan 1934 births 2012 deaths People from Ipoh Malaysian artists 20th-century Malaysian artists Alumni of Saint Martin's School of Art *Cantonese Malaysian people of Cantonese descent Malaysian people of Hakka descent