São Paulo Art Biennial
The São Paulo Art Biennial (Portuguese: ''Bienal de São Paulo'') was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale (in existence since 1895), which serves as its role model. History The Biennial was founded by the Italian-Brazilian industrialist Ciccillo Matarazzo (1898–1977). Since 1957, the São Paulo Biennial has been held in the Ciccillo Matarazzo pavilion in the Parque do Ibirapuera. The three-story pavilion was designed by a team led by architects Oscar Niemeyer and Hélio Uchôa, and provides an exhibition space of 30,000 m2. The São Paulo Bienal features both Brazilian and international contemporary art and is considered to be one of the most important large-scale art exhibitions in Brazil and South America. After completing the 6th Bienal, the Fundação Bienal de São Paulo was created to take the exhibition forward, which until then had been organized (with great success) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Filename
A filename or file name is a name used to uniquely identify a computer file in a directory structure. Different file systems impose different restrictions on filename lengths. A filename may (depending on the file system) include: * name – base name of the file * extension (format or extension) – indicates the content of the file (e.g. .txt, .exe, .html, .COM, .c~ etc.) The components required to identify a file by utilities and applications varies across operating systems, as does the syntax and format for a valid filename. Filenames may contain any arbitrary bytes the user chooses. This may include things like a revision or generation number of the file such as computer code, a numerical sequence number (widely used by digital cameras through the ''DCF'' standard), a date and time (widely used by smartphone camera software and for screenshots), and/or a comment such as the name of a subject or a location or any other text to facilitate the searching the files. In f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yolanda Mohalyi
Yolanda Léderer Mohalyi (1909 – August 23, 1978) was a painter and designer who worked with woodcuts, mosaics, stained glass and murals as well as more usual materials. Her early work was figurative, but she increasingly moved towards abstract expressionism. With artists such as and , she opened the way for abstraction in Latin American art. Her work appeared in group shows during the 1930s, and her first solo exhibition occurred in 1945. In 1963, she was awarded the prize for best painter from Brazil at the 7th São Paulo Art Biennial. In 1965, her work was featured in a solo show at the 8th São Paulo Art Biennial. Mohalyi had solo exhibitions in Europe, Japan and the United States as well as Latin America. Her first major retrospective show was held at the Museu de Arte Moderna de São Paulo (MAM) in 1976. Since her death on August 23, 1978, her work has been shown in solo exhibitions including those of 1979, 1982, 1984, 2008, 2009, 2014 and 2015. Her works are incl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aldemir Martins
Aldemir Martins (born in Ceará on November 8, 1922; died in São Paulo on February 6, 2006) was a Brazilian artist. He is noted for paintings, drawings, and illustrations which depicted the flora and fauna of his native state. ''Bird'' (1957) is held by the Museum of Modern Art. Awards *1959 Prêmio Jabuti The Prêmio Jabuti (the "Tortoise Prize") is the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL). It was conceived by Edgard Cavalheiro in 1959 when he presided over the CBL, with the interest of rewarding autho ... References People from Ceará 1922 births 2006 deaths 20th-century Brazilian painters 20th-century Brazilian male artists {{Brazil-painter-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vilém Flusser
Vilém Flusser (May 12, 1920 – November 27, 1991) was a Brazilian Czech-born philosopher, writer and journalist. He lived for a long period in São Paulo (where he became a Brazilian citizen) and later in France, and his works are written in many different languages. His early work was marked by discussion of the thought of Martin Heidegger, and by the influence of existentialism and phenomenology. Phenomenology would play a major role in the transition to the later phase of his work, in which he turned his attention to the philosophy of communication and of artistic production. He contributed to the dichotomy in history: the period of image worship, and period of text worship, with deviations consequently into idolatry and "textolatry". Life Flusser was born in 1920 in Prague, Czechoslovakia into a family of Jewish intellectuals. His father, Gustav Flusser, studied mathematics and physics (under Albert Einstein among others). Flusser attended German and Czech primary ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sérgio Ferro
Sérgio Ferro (born 25 July 1938) is a Brazilian painter, architect and professor. Ferro was born in Curitiba, Paraná. He graduated from the University of São Paulo with a degree in architecture in 1962 and completed his post-graduate studies in 1965. Exile Exile is primarily penal expulsion from one's native country, and secondarily expatriation or prolonged absence from one's homeland under either the compulsion of circumstance or the rigors of some high purpose. Usually persons and peoples suf ...d for political reasons from his own country for 30 years, Ferro taught at the Grenoble School of Architecture from 1982 to 1997. He resides with his wife, Ediane, in São Paulo, Brazil, and Grignan, France. Sérgio Ferro's paintings can be found in museums worldwide, especially in Brazil and France. References Brazilian painters 1938 births Living people Brazilian architects People from Curitiba Brazilian expatriates in France {{Brazil-architect-s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Waldemar Cordeiro
Waldemar Cordeiro (April 12, 1924 – June 30, 1973) was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America. Early life and education Cordeiro was born in Rome, Italy to a Brazilian father and an Italian mother. He had dual citizenship. Cordeiro studied at the Accademia di Belle Arti in Rome. At Accademia di Belle Arti, Cordeiro painted in the figurative and expressive art styles. During this time, he began to study the work of Antonio Gramsci, who was deeply influential to his career. Career From 1946 through 1948, when he was in his mid-20s, Cordeiro traveled back and forth from Rome and São Paulo, Brazil, before settling permanently in Brazil in 1948. In Brazil, Cordeiro worked as a painter, art critic, and journalist, notably at ''Folha da Manhã'' in São Paulo. Through this work at ''Folha da Manhã,'' Cordeiro was th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mário Pedrosa
Mário Xavier de Andrade Pedrosa (25 April 1900 – 5 November 1981) was a Brazilian art and literary critic, journalist and political activist. Biography He was born in to the family of Pedro da Cunha Pedrosa, who was a senator. Initially affiliated with the Brazilian Communist Party, he was expelled in 1929 because of his relationship with the Trotskyist movement. On January 21, 1931, together with Lívio Xavier, Fúlvio Abramo, Aristides Lobo and Benjamin Péret he founded the Communist League related to the International Left Opposition. On September 3, 1938, in Périgny , France , he represented several Latin American workers' parties at the Founding Congress of the Fourth International , under the pseudonym Lebrun, where he was elected to the International Executive Committee (IEC) of the Fourth International. Pedrosa was a regular critic for Correio da Manhã (1945–1951) and later for Jornal do Brasil (1957). Pedrosa lived mostly in exile during the military dictat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sérgio Milliet
Sérgio Milliet da Costa e Silva, generally known as Sérgio Milliet (São Paulo November 20, 1898 – São Paulo November 9, 1966) was a Brazilian writer, painter, poet, essayist, literary and art critic, and sociologist. See also * List of Brazilian painters This is a list of notable Brazilian painters. A–E * Abigail de Andrade * Francisco Pedro do Amaral * Tarsila do Amaral * Pedro Américo * Rodolfo Amoedo * Constantine Andreou * Félix Bernardelli * Romero Britto * João Câmara * ... External links Milliet, Sérgio''in'Encyclopaedia Itaú Cultural of Visual Arts 1898 births 1966 deaths Modern artists Brazilian literary critics 20th-century Brazilian painters 20th-century Brazilian male artists {{brazil-writer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ciccillo Matarazzo
Francisco Antonio Paulo Matarazzo Sobrinho (February 20, 1898 – April 16, 1977), known as Ciccillo Matarazzo, was a Brazilian industrialist, founder of São Paulo Museum of Modern Art and São Paulo Art Biennial. Early life and family Matarazzo was born in São Paulo. He was the son of millionaire Andrea Matarazzo, one of the brothers of Count Francesco Matarazzo. Matarazzo was cousin of Earl Francisco Matarazzo II, Ciccillo. He interrupted his engineering course in Europe at the outbreak of the First World War. Career The creator of the São Paulo Art Biennial and entrepreneur, Matarazzo became the main engine of modern art in Brazil. His name was present in all the events that streamlined the state capital in the 1950s, as the Brazilian Comedy Theater and Film Company Vera Cruz. In 1948, he founded São Paulo Museum of Modern Art and, in 1951, created the Biennial, in a style similar to that of Venice Biennale, which he visited several times. With the help of his first wife, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brazilian Art
The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization. Pre-Columbian traditions The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. One of the most sophisticated kinds of Pre-Columbian artifact found in Brazil is the sophisticated Marajoara pottery (c. 800–1400 AD), from cultures flourishing on Marajó Island and around the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Western Europe
Western Europe is the western region of Europe. The region's countries and territories vary depending on context. The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the ancient Mediterranean world, the Roman Empire (Western Roman Empire and Eastern Roman Empire), and medieval "Christendom" (Western Christianity and Eastern Christianity). Beginning with the Renaissance and the Age of Discovery, roughly from the 15th century, the concept of ''Europe'' as "the West" slowly became distinguished from and eventually replaced the dominant use of "Christendom" as the preferred endonym within the region. By the Age of Enlightenment and the Industrial Revolution, the concepts of "Eastern Europe" and "Western Europe" were more regularly used. Historical divisions Classical antiquity and medieval origins Prior to the Roman conquest, a large part of Western Europe had adopted the newly developed La Tène culture. As the Roman domain ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |