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St. Andrew’s Church ( nl, Sint-Andrieskerk) is a
Catholic The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
church in
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
built in the 16th century. Its exterior is mainly characterised by a
late-Gothic Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It ...
style while its interior is predominantly executed in
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
style. It is the
parish church A parish church (or parochial church) in Christianity is the church which acts as the religious centre of a parish. In many parts of the world, especially in rural areas, the parish church may play a significant role in community activities, ...
of the Parish of St. Andrew’s. During the nineteenth century the St. Andrew's Parish was known as ''the parish of misery'' as it was by then mainly populated by poor people.


History

Construction of the church commenced in the 16th century by Augustine friars who had built a
convent A convent is a community of monks, nuns, religious brothers or, sisters or priests. Alternatively, ''convent'' means the building used by the community. The word is particularly used in the Catholic Church, Lutheran churches, and the Angl ...
with a chapel at the same location in 1513. Johannes van Mechelen of Osbach initiated 1508 the foundation of the monastery. The Augustinians decided to build a church there in 1514 but when they were accused of
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched ...
sympathies the grounds were taken from them. In 1527 the site was parceled to finance the building of the church.Rudi Mannaerts, Antwerpen, Sint-Andrieskerk - Geschiedenis & Beschrijving
The former convent chapel was expanded and then consecrated as a parish church in 1529. The church was later expanded with a tower in the west and a transept. In 1549, city politician and ecclesiastic Nicolaas Beukelaer endowed the church with a
prebendary A prebendary is a member of the Roman Catholic or Anglican clergy, a form of canon with a role in the administration of a cathedral or collegiate church. When attending services, prebendaries sit in particular seats, usually at the back of th ...
to assist with the administration of the church. During the
Beeldenstorm ''Beeldenstorm'' () in Dutch and ''Bildersturm'' in German (roughly translatable from both languages as 'attack on the images or statues') are terms used for outbreaks of destruction of religious images that occurred in Europe in the 16th centu ...
of 1566 the church interior was destroyed. The church was divided up between Catholics and Calvinists in 1568. In 1579 the division was made permanent through the construction of a dividing wall. In 1581 the Calvinists denied the Catholics access to the church and demolished the part of the church that was assigned to the Catholics. After the
Fall of Antwerp The Fall of Antwerp on 17 August 1585 took place during the Eighty Years' War, after a siege lasting over a year from July 1584 until August 1585. The city of Antwerp was the focal point of the Protestant-dominated Dutch Revolt, but was force ...
in 1585 and the defeat of the Calvinists, the church was returned to the Catholics. The church was decorated with new altar pieces by leading Antwerp artists such as
Otto van Veen Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius (1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for ...
,
Maerten de Vos Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532 – 4 December 1603)Maerten de Vos
at the
and one of the many members of the
Francken The Francken family was a family of artists the members of which were mainly active in Antwerp in the 16th and 17th centuries. Many of the members over three generations had the same first names Frans, Hieronymus and Ambrosius. While this may at ...
family who lived nearby. In the middle of the 17th century a large construction campaign was started. First an arch was built over the nave and the transept destroyed by the Calvinists was rebuilt and expanded. In subsequent years, the church was further expanded with a choir with two bays and later with two chapels. In 1755 the tower of the church collapsed and a new Baroque tower designed by Engelbert Baets was constructed inside the western bay of the nave. During the French revolutionary occupation starting in 1794, the church was saved by the decision of the priest Jan-Michiel Timmermans to swear allegiance to the French regime. The church lost some of its silver, the triptych by Marten de Vos and the statue of St. Peter by Artus Quellinus I to confiscation by the French. After the
Concordat of 1801 The Concordat of 1801 was an agreement between Napoleon Bonaparte and Pope Pius VII, signed on 15 July 1801 in Paris. It remained in effect until 1905, except in Alsace-Lorraine, where it remains in force. It sought national reconciliation ...
between Napoleon and the Pope, the church became again the parish church of the Parish of St. Andrew’s in 1802 and the confiscated St. Peter statue was returned. It would take longer to recover the Marten de Vos triptych which finally ended up in the
Museum of Fine Arts, Antwerp The Royal Museum of Fine Arts Antwerp ( Dutch: ''Koninklijk Museum voor Schone Kunsten Antwerpen'', ''KMSKA'') is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteen ...
. In the early 19th century, more Baroque furniture and paintings, mainly retrieved from churches and monasteries destroyed or closed during the French occupation, were added to the church. The church suffered major damage during the Dutch bombardment of Antwerp in 1830 and burnt down partially.De Inventaris van het Bouwkundig Erfgoed, Parochiekerk Sint-Andries (ID: 6299)
From 1863 the church was fitted out with new stained glass windows in
Gothic Revival Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly ...
style. The stained glass windows on the north side were destroyed on 2 January 1945 through the explosion of a German
V-1 flying bomb The V-1 flying bomb (german: Vergeltungswaffe 1 "Vengeance Weapon 1") was an early cruise missile. Its official Reich Aviation Ministry () designation was Fi 103. It was also known to the Allies as the buzz bomb or doodlebug and in Germany ...
. These were later replaced by windows designed by Jan Huet.


Church art

The church contains many valuable artefacts and art works. It holds a monument erected by Barbara Mowbray in memory of
Mary, Queen of Scots Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of S ...
, by Robert and Jan De Nole (1620) with a portrait painted on copper by
Frans Pourbus the Younger Frans Pourbus the Younger (1569–1622) was a Flemish painter, son of Frans Pourbus the Elder and grandson of Pieter Pourbus. He was born in Antwerp and died in Paris. He is also referred to as "Frans II". Pourbus worked for many of the highl ...
(1569-1622). There are many paintings by Antwerp's leading painters such as
Ambrosius Francken Ambrosius Francken I (1544–1618) was a Flemish painter known for his religious works and historical allegories painted in a late Mannerist style. He was a prominent member of the Francken family of artists, which played a very important rol ...
(1544-1618), Otto van Veen (1560-1629),
Hendrick van Balen Hendrick van Balen or Hendrick van Balen I (c. 1573–1575 in Antwerp – 17 July 1632 in Antwerp) was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper ...
(1575-1632),
Maarten Pepyn Marten Pepijn (21 February 1575, Antwerp – 1643, Antwerp) was a Flemish painter who was mainly known for his large-scale history paintings and to a lesser extent for his smaller genre scenes.Frans Francken the Younger Frans Francken the Younger (1581 in Antwerp, 1581 – 6 May 1642, in Antwerp) was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, m ...
(1581-1642), the workshop of
Anthony van Dyck Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh ...
(1599-1641),
Erasmus Quellinus the Younger Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a ...
(1607-78),
Theodoor Boeyermans Theodoor Boeyermans, Theodor Boeyermans or Theodor Boeijermans (10 November 1620 – January 1678) was a Flemish painter active in Antwerp who painted Baroque history paintings and group portraits informed by the tradition of Peter Paul Rubens ...
and Karel Verlat (1845–57). Many of the church's furnishings are distinctly in the Baroque style, as earlier pieces had been destroyed during the 16th century Beeldenstorm. The church furniture is made by some of the leading sculptors of their time. The High Altar was originally from the former St. Bernard Abbey. The
predella In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but oft ...
is the work of
Pieter Verbrugghen I Pieter Verbrugghen I (alternative spellings: ''Pieter Verbruggen I'', ''Peter van der Brugghen I'', ''Pieter van der Brugghen I'', ''Peter Verbrugghen I'', ''Peeter Verbrugghen I'') (1615, Antwerp – 1686, Antwerp) was a Flemish sculptor from the ...
(1665) and the high altar itself the work of Willem Ignatius Kerricx (1729). The choir stalls was originally made for the convent of the Augustinian friars by Pieter Verbrugghen I. The sacrament altar and confessional in the Our Lady's Chapel are by
Lodewijk Willemsens Lodewijk Willemsens or Ludovicus Willemsens (1630–1702) was a Flemish sculptor from Antwerp. His works comprise mostly sculptured church furniture, and to a lesser extent individual sculptures, both portrait busts as well as statues of saints f ...
(1630-1703). The Holy Cross Altar is by Cornelis van Mildert (1664), the St. Anna Shrine is by Jan van den Cruyce (1674), while the Our Lady Altar was made by Peeter Vervoort, Willem Kerricx and his son Willem Ignatius Kerricx (1729). The pulpit is by Jan Baptist Van Hool and Jan Frans van Geel (1821). The organ case is the work of Engelbert Baets (1779). Many of the church's features were restored in the 1970s. In 2001, the church's statue of the
Virgin Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of ...
dated 1585 (referred to as ''Our Lady of Succour and Victory'') was dressed in modern clothes designed by local fashion designer
Ann Demeulemeester Ann Verhelst (born 29 December 1959), known professionally as Ann Demeulemeester, is a Belgian fashion designer whose label, Ann Demeulemeester, is mainly showcased at the annual Paris Fashion Week. She is known as one of the Antwerp Six in the ...
to commemorate Antwerp's "Fashion Year".''Early Modern Women in the Low Countries: Feminizing Sources and Interpretations of the Past''
by Susan Broomhall & Jennifer Spinks (
Ashgate Publishing Ashgate Publishing was an academic book and journal publisher based in Farnham (Surrey, United Kingdom). It was established in 1967 and specialised in the social sciences, arts, humanities and professional practice. It had an American office i ...
, 2011)


See also

*
List of Catholic churches in Belgium This is a list of Catholic churches in Belgium. Cathedrals See: List of Catholic cathedrals in Belgium *Cathedral of Our Lady (Antwerp) * St. Salvator's Cathedral, Bruges * Cathedral of St. Michael and St. Gudula, Brussels *St Bavo's Cathedr ...


References


External links

* {{Coord, 51.2164, N, 4.3981, E, source:wikidata-and-enwiki-cat-tree_region:BE, display=title
And or AND may refer to: Logic, grammar, and computing * Conjunction (grammar), connecting two words, phrases, or clauses * Logical conjunction in mathematical logic, notated as "∧", "⋅", "&", or simple juxtaposition * Bitwise AND, a boolea ...
And or AND may refer to: Logic, grammar, and computing * Conjunction (grammar), connecting two words, phrases, or clauses * Logical conjunction in mathematical logic, notated as "∧", "⋅", "&", or simple juxtaposition * Bitwise AND, a boolea ...