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Erasmus Quellinus II
Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history painting, history, portrait, allegorical, military art, battle and animal paintings. He was a pupil of Peter Paul Rubens and one of the closest collaborators of Rubens in the 1630s. Following Rubens' death in 1640 he became one of the most successful painters in Flanders. He was a prolific draughtsman who made designs for decorative programmes in the context of official celebrations, for publications by the local publishers and for tapestries and sculptures realised by the local workshops. His work reveals the Classicist trend in the Baroque.Matthias Depoorter, ''Erasmus Quellinus II'' at Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus Quellinus - Self-portrait With His Wife Catherina De Hemelaer And Son Jan Erasmus Quellinus
Desiderius Erasmus Roterodamus (; ; English: Erasmus of Rotterdam or Erasmus;''Erasmus'' was his baptismal name, given after St. Erasmus of Formiae. ''Desiderius'' was an adopted additional name, which he used from 1496. The ''Roterodamus'' was a scholarly name meaning "from Rotterdam", though the Latin genitive would be . 28 October 1466 – 12 July 1536) was a Dutch philosopher and Catholic theologian who is considered one of the greatest scholars of the northern Renaissance.Gleason, John B. "The Birth Dates of John Colet and Erasmus of Rotterdam: Fresh Documentary Evidence", Renaissance Quarterly, The University of Chicago Press on behalf of the Renaissance Society of America, Vol. 32, No. 1 (Spring, 1979), pp. 73–76www.jstor.org/ref> As a Catholic priest, he was an important figure in classical scholarship who wrote in a pure Latin style. Among humanists he was given the sobriquet "Prince of the Humanists", and has been called "the crowning glory of the Christian humani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Het Gulden Cabinet
''Het Gulden Cabinet vande Edel Vry Schilder-Const'' or ''The Golden Cabinet of the Noble Liberal Art of Painting'' is a book by the 17th-century Flemish notary and ''rederijker'' Cornelis de Bie published in Antwerp. Written in the Dutch language, it contains artist biographies and panegyrics with engraved portraits of 16th- and 17th-century artists, predominantly from the Habsburg Netherlands. The work is a very important source of information on the artists it describes. It formed the principal source of information for later art historians such as Arnold Houbraken and Jacob Campo Weyerman. It was published in 1662, although the work also mentions 1661 as date of publication. Background ''Het Gulden Cabinet'' stands in a long tradition of artist biographies. This tradition goes back to Pliny and was revived during the Renaissance. In 1550, the Italian Giorgio Vasari published his ''Vite'' on the lives of famous artists. Karel van Mander was the first author to introd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace Of Amsterdam
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Westphalia
The Peace of Westphalia (german: Westfälischer Friede, ) is the collective name for two peace treaties signed in October 1648 in the Westphalian cities of Osnabrück and Münster. They ended the Thirty Years' War (1618–1648) and brought peace to the Holy Roman Empire, closing a calamitous period of European history that killed approximately eight million people. Holy Roman Emperor Ferdinand III, the kingdoms of France and Sweden, and their respective allies among the princes of the Holy Roman Empire participated in these treaties.Clodfelter, Micheal (2017). ''Warfare and Armed Conflicts: A Statistical Encyclopedia of Casualty and Other Figures, 1492–2015.'' McFarland. p. 40. . The negotiation process was lengthy and complex. Talks took place in two cities, because each side wanted to meet on territory under its own control. A total of 109 delegations arrived to represent the belligerent states, but not all delegations were present at the same time. Two treaties were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archduke Leopold Wilhelm
Archduke Leopold Wilhelm of Austria (5 January 1614 – 20 November 1662), younger brother of Emperor Ferdinand III, was an Austrian soldier, administrator and patron of the arts. He held a number of military commands, with limited success, and served as Governor of the Spanish Netherlands, before returning to Vienna in 1656. Despite being nominated as Holy Roman Emperor after Ferdinand's death in 1657, he stood aside in favour of his nephew Leopold I. His main interest was in art, and he patronised artists including David Teniers the Younger, Frans Snyders, Peter Snayers, Daniel Seghers, Peter Franchoys, Frans Wouters, Jan van den Hoecke and Pieter Thijs. His collection of 17th century Venetian and Dutch paintings are now held by the Kunsthistorisches Museum in Vienna. Life Born at Wiener Neustadt on 5 January, 1614, he was the sixth of seven children born to Emperor Ferdinand II (1578-1637) and his first wife, Maria Anna of Bavaria (1574–1616). His elder broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Duquesnoy
François Duquesnoy or Frans Duquesnoy (12 January 1597 – 18 July 1643) was a Flemish Baroque sculptor who was active in Rome for most of his career. His idealized representations are often contrasted with the more emotional character of Bernini's works, while his style shows a great affinity to Algardi's sculptures. Early years Duquesnoy was born in Brussels. Having come from Flanders, Duquesnoy was called ''Il Fiammingo'' by the Italians and ''François Flamand'' by the French. His father, Jerôme Duquesnoy the Elder, sculptor of the ''Manneken Pis'' fountain in Brussels (1619), was the court sculptor to Archduchess Isabella and Archduke Albert, governor of the Low Countries. Sculptor Jerôme Duquesnoy, the younger was his brother. Some of Francois' early work in Brussels attracted the notice of the Archduke, who gave him the wherewithal to study in Rome, where he would spend his whole career. According to early biographers, when Duquesnoy arrived in Rome in 1618, he st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus Quellinus (II) - Artemisia (1607–1678), Flemish painter
{{Hndis, name=Quellinus, Erasmus ...
Erasmus Quellinus can refer to: * Erasmus Quellinus the Elder (1584–1640), Flemish sculptor * Erasmus Quellinus the Younger Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plantin Press
The Plantin Press at Antwerp was one of the focal centers of the fine printed book in the 16th century. History Christophe Plantin (c. 1520–1589) of Touraine was trained as a bookbinder. He fled from Paris where at least one printer had recently been burned at the stake for heresy, and went to Antwerp. There he bound books, became a citizen, and by 1555 began to print books, at first for distribution by other publishers. The city was already an established center of printing woodcuts, engravings and books. Plantin took on an assistant, Jan Moretus (Moerentorf), who read Latin and Greek and could write correspondence in several modern languages. He became Plantin's business manager, son-in-law and eventually his successor in the Plantin printing press. For over two hundred years the Plantin press had a monopoly, granted by the papacy, for the printing of liturgical formularies, including in Spain. In 1562, suspected of heresy, Plantin fled to France for two years. At an auct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prado Museum
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip IV Of Spain
Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War. By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometers (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. Personal life Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III and his wife, Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France. Although the relationship does not appear to have been close, some have suggested that Olivares, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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