San Gregorio Armeno ("St. Gregory the
Armenian") is a church and a monastery in
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's admin ...
,
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
. It is one of the most important
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
complexes in Naples. The church is located on a street of the same name just south of
Via dei Tribunali and a few blocks south of the church of
San Paolo Maggiore, Naples
History
In the 8th century, the
iconoclast
Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, label=none)From grc, εἰκών + κλάω, lit=image-breaking. ''Iconoclasm'' may also be conside ...
decrees in Greece caused a number of religious orders to flee the Byzantine empire and seek refuge elsewhere. San Gregorio Armeno in Naples was built in the 16th century over the remains of a Roman temple dedicated to
Ceres, by a group of nuns escaping from the Byzantine Empire with the relics of
St. Gregory, bishop of Armenia. During the
Norman
Norman or Normans may refer to:
Ethnic and cultural identity
* The Normans, a people partly descended from Norse Vikings who settled in the territory of Normandy in France in the 10th and 11th centuries
** People or things connected with the Norm ...
domination the monastery was united to that of the Salvatore and San Pantaleone, assuming the
Benedictine
, image = Medalla San Benito.PNG
, caption = Design on the obverse side of the Saint Benedict Medal
, abbreviation = OSB
, formation =
, motto = (English: 'Pray and Work')
, found ...
rule.
The construction of the church was begun in 1574, using designs by
Giovanni Battista Cavagni, and consecrated five years later. A later consecration dates to 1674, and refurbishment to 1762.
Le chiese di Napoli
Volume 1, by Luigi Catalani, Naples (1845): page 99. The façade has three arcades surmounted by four pilaster strips in Tuscan order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with u ...
. The interior has a single nave with five side arcades: the decoration, with the exception of the five chapels, was finished by Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain.
Earl ...
(also author of the ''Saints'' over the windows of the dome) in 1679. Bernardino Lama, likely the son of Giovanni Bernardo Lama, was author of the altarpiece. The interior houses also the famous Holy Staircase, used by the nuns during their penitences.
The cupola was painted with a ''Glory of San Gregorio'' by Luca Giordano. The ceiling ''cassettoni'' or framed canvases depict the ''Life of the St Gregorio Armeno'' and were commissioned by the abbess Beatrice Carafa from the Flemish Teodoro d'Errico. On the right, the altarpieces include an ''Annunciation of Mary'' by Pacecco De Rosa, a ''Virgin of the Rosary'' by Nicola Malinconico, and frescoes by Francesco Di Maria. On the left, is a ''St. Benedict'' altarpiece by Spagnoletto. The main altar was designed by Dionisio Lazzari, and has an altarpiece depicting the ''Resurrection'' by Giovanni Bernardo Lama.
The Idria Chapel houses eighteen paintings by Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter.
Biography
He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained w ...
, portraying the ''Life of Mary''. Over the chapel's high altar is a medieval icon, in Byzantine style, of the ''Madonna dell'Idria''.
The main attraction is the cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against ...
(1580). In the centre is a marble fountain, decorated with dolphins and other marine creatures, with the statues of "Christ and the Samaritan Woman", by Matteo Bottiglieri.
Bibliography
*
References
External links
{{Authority control
Roman Catholic churches completed in 1579
Religious buildings and structures completed in 1687
Gregorio Armeno
1579 establishments in Italy
Religious organizations established in the 1570s
Christian monasteries established in the 16th century
Baroque architecture in Naples
16th-century Roman Catholic church buildings in Italy
1687 establishments in Italy