Sticky Fingers (2009 Film)

''Sticky Fingers'' is the ninth studio album by the English rock band the Rolling Stones. It was released on 23 April 1971 on the Rolling Stones' new label, Rolling Stones Records.

The Rolling Stones had been contracted by Decca Records and London Records in the UK and the US since 1963. On this album, Mick Taylor made his second full-length appearance on a Rolling Stones album (after the live album '' Get Yer Ya-Ya's Out!''). It was the first studio album without Brian Jones, who had died two years earlier. The original Grammy-nominated cover artwork, conceived and photographed by Andy Warhol, showed a picture of a man in tight jeans, and had a working zip that opened to reveal underwear fabric. The cover was expensive to produce and damaged the vinyl record, so the size of the zipper adjustment was made by John Kosh at ABKCO Records. Later re-issues featured just the outer photograph of the jeans.

The album featured a return to basics for the Rolling Stones. The unusual instrumentation introduced several albums prior was absent, with most songs featuring drums, guitar, bass, and percussion as provided by the key members: Mick Jagger (lead vocals, various percussion and rhythm guitar), Keith Richards (guitar and backing vocals), Mick Taylor (guitar), Bill Wyman (bass guitar), and Charlie Watts (drums). Additional contributions were made by long-time Stones collaborators including saxophonist Bobby Keys and keyboardists Billy Preston, Jack Nitzsche, Ian Stewart, and Nicky Hopkins. As with the other albums of the Rolling Stones late 1960s/early 1970s period, it was produced by Jimmy Miller.

''Sticky Fingers'' is widely regarded as one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. "Brown Sugar" topped the ''Billboard'' Hot 100 in 1971. ''Sticky Fingers'' was voted the second best album of the year in ''The Village Voice''s annual Pazz & Jop critics poll for 1971, based on American critics' votes. The album was inducted into the Grammy Hall of Fame and included in ''Rolling Stone'' magazine's "The 500 Greatest Albums of All Time" list.

Background

With the end of their Decca/London association at hand, the Rolling Stones were finally free to release their albums (including cover art) as they pleased. However, their departing manager Allen Klein dealt the group a major blow when they discovered that they had inadvertently signed over their entire 1960s American copyrights to Klein and his company ABKCO, which is how all of their material from 1963's " Come On" to ''Get Yer Ya-Ya's Out! The Rolling Stones in Concert'' has since been released solely in America by ABKCO Records. The band later sued for their return but without success, settling in 1984. The band would remain incensed with Klein for decades for that act. Klein died in 2009.

When Decca informed the Rolling Stones that they were owed one more single, the band submitted a track called "Cocksucker Blues", correctly assuming that this would be refused. Instead, Decca released the two-year-old ''Beggars Banquet'' track " Street Fighting Man" while Klein retained dual copyright ownership in conjunction with the Rolling Stones of "Brown Sugar" and " Wild Horses".

Recording

Although sessions for ''Sticky Fingers'' began in earnest in March 1970, the Rolling Stones had been recording at Muscle Shoals Sound Studio in Alabama in December 1969, where they cut " You Gotta Move", "Brown Sugar" and " Wild Horses". " Sister Morphine", cut during ''Let It Bleeds sessions earlier in March of that year, had been held over from that release. Much of the recording for ''Sticky Fingers'' was made with the Rolling Stones' mobile studio in Stargroves during the summer and autumn of 1970. Early versions of songs that would eventually appear on '' Exile on Main St.'' were also rehearsed during these sessions.

Music and lyrics

''Sticky Fingers'' originally included 10 tracks. The music has been characterised by commentators as hard rock, roots rock and rock and roll. According to ''Rolling Stone'' magazine, it is "the Stones' most downbeat, druggy album, with new guitarist Mick Taylor stretching into jazz and country".

Artwork

Standard version

The artwork emphasized the innuendo of the ''Sticky Fingers'' title, showing a close-up of a jeans-clad male crotch with the visible outline of a penis. The cover of the original vinyl LP featured a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of white briefs. The vinyl release displayed the band's name and album title along the belt; behind the zipper, the underpants were seemingly rubber stamped in gold with the stylized name of American pop artist Andy Warhol, below which read "THIS PHOTOGRAPH MAY NOT BE—ETC." The artwork was conceived and photographed by Warhol, and the design by Craig Braun. Billy Name is sometimes accredited as the photographer, however, Braun believes Warhol shot the Polaroid photos for the album, and the Factory associates who were involved in the photo shoot have claimed that Warhol took the photos. Braun and his team suggested wrapping the album in rolling paper – a concept later used by Cheech & Chong in '' Big Bambu'' – but Jagger was enthused by Warhol's concept. Warhol duly sent Braun Polaroid pictures of a model in tight jeans.

Fans assumed the cover photo of the crotch to be Jagger, but he revealed that it was one of Warhol's "protégés." Jagger said it was Jay Johnson, but the general consensus is that Warhol used his lover Jed Johnson as the model for the cover. It remains uncertain exactly who appears on the cover because Warhol photographed several men and never publicly revealed which photos he used. Braum thought it was Jed Johnson on the cover, but he later said Warhol's business manager Fred Hughes told him it was makeup artist Corey Tippin. Tippin is convinced that it's him and said, "I know my anatomy." Warhol superstar Joe Dallesandro also claimed that he's the model on the cover, but Braum is sure it was not him.

Former ''Interview'' magazine editor Bob Colacello said, "When the album came out, Glenn 'Breinwas certain that it was he on the inside and Jay Johnson on the outside, but Andy would never say exactly whose crotch he had immortalized." O'Brien, who was an editor for Warhol's ''Interview'' magazine, was "100 percent certain" he was the underwear model: "I knew it was me because it was my underwear!" O'Brien initially stated that Jed Johnson was the model for the cover, but he later claimed that it was Tippin. He added that Warhol might not even have known who he selected. "He probably took these Polaroids, put them on the table, and picked ones he liked. I don't think it mattered to him ho it was" said O'Brien.

For the initial vinyl release, the album title and band name is smaller and at the top on the American release. For the UK release, the title and band name are in bigger letters and on the left. Reportedly, when retailers complained that the zipper damaged the vinyl (from stacked shipments), the zipper was "unzipped" slightly to the middle of the record, where damage would be minimized.

''Sticky Fingers'' earned a Grammy nomination for Best Album Cover at the 14th Annual Grammy Awards in 1972.

The album introduced the tongue and lips logo of Rolling Stones Records, designed by John Pasche in 1970. Jagger suggested to Pasche that he copy the out-stuck tongue of the Hindu goddess Kali. Pasche felt that would date the image to the Indian culture craze of the 1960s, but seeing Kali changed his mind. Before the end of that year, his basic version was faxed to Craig Braun by Marshall Chess. The black and white copy was modified by Braun and his team, resulting in the popular red version: the slim one with the two white stripes on the tongue.

Critic Sean Egan wrote: "Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own… It quickly and deservedly became the most famous logo in the history of popular music." The tongue and lips design was part of a package that, in 2003, VH1 named the "No. 1 Greatest Album Cover" of all time.

Alternative version and covers

In Spain, the original cover was censored by the Franco regime and replaced with a "Can of fingers" cover, designed by John Pasche and Phil Jude, and "Sister Morphine" was replaced by a live version of Chuck Berry's " Let It Rock". This track was later included on the CD compilation '' Rarities 1971–2003'' in 2005.

In 1992, the LP release of the album in Russia featured a similar treatment as the original cover; but with Cyrillic lettering for the band name and album name, a colourised photograph of blue jeans with a zipper, and a Soviet Army uniform belt buckle that shows a hammer and sickle inscribed in a star. The model appears to be female.

Release and reception

''Sticky Fingers'' was released on 23 April 1971 and reached number one on the UK Albums Chart in May 1971, remaining there for four weeks before returning at number one for a further week in mid June. In the US, the album hit number one within days of release, and stayed there for four weeks. The album spent a total of 69 weeks on the ''Billboard'' 200. According to ''Billboard''s Top 200 list, it was one of the albums that topped the German chart that year.

In a contemporary review for the ''Los Angeles Times'', music critic Robert Hilburn said that although ''Sticky Fingers'' is one of the best rock albums of the year, it is only "modest" by the Rolling Stones' standards and succeeds on the strength of songs such as "Bitch" and "Dead Flowers", which recall the band's previously uninhibited, furious style. Jon Landau, writing in ''Rolling Stone'', felt that it lacks the spirit and spontaneity of the Rolling Stones' previous two albums and, apart from "Moonlight Mile", is full of "forced attempts at style and control" in which the band sounds disinterested, particularly on formally correct songs such as "Brown Sugar". Writing for ''Rolling Stone'' in 2015, David Fricke called it "an eclectic affirmation of maturing depth" and the band's "sayonara to a messy 1969". In a positive review, Lynn Van Matre of the ''Chicago Tribune'' viewed the album as the band "at their raunchy best" and wrote that, although it is "hardly innovative," it is consistent enough to be one of the year's best albums. Writing for ''Slate'', Jack Hamilton praised the album in a retrospective review, stating that it was "one of the greatest albums in rock 'n' roll history."

''Sticky Fingers'' was voted the second best album of the year in ''The Village Voice''s annual Pazz & Jop critics poll for 1971. Lester Bangs voted it number one in the poll and said that it was his most played album of the year. Robert Christgau, the poll's creator, ranked the album 17th on his own year-end list. In a 1975 article for ''The Village Voice'', Christgau suggested that the release was "triffling with decadence", but might be the Rolling Stones' best album, approached only by '' Exile on Main St.'' (1972). In '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981), he wrote that it reflected how unapologetic the band was after the Altamont Free Concert and that, despite the concession to sincerity with "Wild Horses", songs such as "Can't You Hear Me Knocking" and "I Got the Blues" are as "soulful" as "Good Times", and their cover of "You Gotta Move" is on-par with their previous covers of "Prodigal Son" and "Love in Vain".

Re-releases

In 1994, ''Sticky Fingers'' was remastered and reissued by Virgin Records. This remaster was initially released in a Collector's Edition CD, which replicated in miniature many elements of the original vinyl album packaging, including the zipper. ''Sticky Fingers'' was remastered again in 2009 by Universal Music Enterprises and in 2011 by Universal Music Enterprises in a Japanese-only SHM- SACD version; the latter was also used in 2013 for SHM-CD and Platinum SHM-CD, and then again in 2020 for another Japanese-only (standard) SHM-CD version.

In June 2015, the Rolling Stones reissued ''Sticky Fingers'' in its 2009 remastering in a variety of formats to coincide with a concert tour, the Zip Code Tour. The Deluxe and Super Deluxe versions of the reissue featured previously unreleased bonus material (depending on the format): alternative takes of some songs, live tracks recorded on 14 March 1971 at the Roundhouse in London and the complete 13 March 1971 show at Leeds University. It re-entered the UK Albums chart at number 7, extending their UK Top 10 album chart span beyond 51 years and 2 months since their self-titled debuted at number 7 on 23 April 1964. It also re-entered the US Albums chart at number 5, extending their US Top 10 album chart span beyond 50 years and 6 months since ''12 x 5'' on 14 December 1964.

Legacy

''Sticky Fingers'' was ranked number ten in the 1994 first edition of Colin Larkin's ''All Time Top 1000 Albums''. He stated, "Dirty rock like this has still to be bettered, and there is still no rival in sight." In a retrospective review, '' Q'' magazine said that the album was "the Stones at their assured, showboating peak ... A magic formula of heavy soul, junkie blues and macho rock." ''NME'' wrote that it "captures the Stones bluesy swagger" in a "dark-land where few dare to tread." ''Record Collector'' magazine said that it showcases Jagger and Richards as they "delve even further back to the primitive blues that first inspired them and step up their investigations into another great American form, country." In his review for '' Goldmine'' magazine, Dave Thompson wrote that the album still is superior to "most of The Rolling Stones' catalog." In a 2018 retrospective review, ''The Guardian'''s Alexis Petridis ranked it the best album the band had ever produced, stating "their claim to be The Greatest Rock’n’Roll Band in the World has no more compelling evidence than the flawless 46 minutes of music here."

David Hepworth wrote in his 2016 book ''Never a Dull Moment'' that the contributions of guest performers such as Keys, Jim Dickinson, and Preston gave the album "more musical range than any other Rolling Stones album," including "Dickinson's honky-tonk piano on 'Wild Horses'" and "Preston's churchy organ solo on 'I Got the Blues. Hepworth also suggested that Taylor's "Latin-flavored guitar solo" on "Can't You Hear Me Knocking" was influenced by Santana's 1970 album ''Abraxas''.

''Sticky Fingers'' was inducted into the Grammy Hall of Fame in 1999. It was listed as No. 63 on ''Rolling Stone'' magazine's 2003 list of The 500 Greatest Albums of All Time, No. 64 in a 2012 revised list, and No. 104 in a 2020 reboot of the list.

Track listing

Deluxe edition (2015)

Super Deluxe edition (2015)

Personnel

* Track credits are noted in parentheses and based on CD numbering where the titles of the second side are numbered from 6 to 10.''Sticky Fingers'' CD
The Rolling Stones
* Mick Jaggerlead vocals , acoustic guitar , castanets , maracas , electric guitar
* Keith Richardselectric guitar , acoustic guitar , backing vocals
* Mick Taylorelectric guitar , acoustic guitar
* Bill Wymanbass guitar , electric piano
* Charlie Wattsdrums

Additional personnel
* Paul Buckmasterstring arrangement
* Ry Cooderslide guitar
* Jim Dickinsonpiano
* Rocky Dijoncongas
* Nicky Hopkinspiano
* Bobby Keys (credited as Bobby Keyes) tenor saxophone
* Jimmy Millerpercussion
* Jack Nitzschepiano
* Billy Prestonorgan
* Jim Pricetrumpet , piano
* Ian Stewartpiano

Technical
* Jimmy Miller producer
* Glyn Johnsengineer
* Andy Johnsengineer
* Chris Kimseyengineer
* Jimmy Johnsonengineer
* Doug Saxmastering engineer
* Andy Warhol cover concept/photography
* John Paschecover concept (Spanish issue)
* Phil Jude photography (Spanish issue)

Charts

Weekly charts

Year-end charts

Certifications

See also

* Album era
* List of Canadian number-one albums of 1971
* List of number-one albums in Australia during the 1970s
* List of number-one albums from the 1970s (UK)

References

Further reading

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External links

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{{Authority control

1971 albums
The Rolling Stones albums
Rolling Stones Records albums
Albums produced by Jimmy Miller
Albums recorded at Olympic Sound Studios
Albums recorded at Muscle Shoals Sound Studio
Albums recorded at Trident Studios
Albums recorded in a home studio
Albums arranged by Paul Buckmaster
Albums with cover art by Andy Warhol
Atlantic Records albums
Virgin Records albums
Roots rock albums
Grammy Hall of Fame Award recipients