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''Size Isn't Everything'' is the twentieth studio album by the
Bee Gees The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in ...
, released in the UK on 13 September 1993, and the US on 2 November of the same year. The brothers abandoned the contemporary dance feel of the previous album ''
High Civilization ''High Civilization'' is the nineteenth studio album by British pop group the Bee Gees, released on 25 March 1991 in the U.K., and 14 May 1991 in the U.S. It was their last album recorded for Warner Bros. Records, after a four-year contract (t ...
'' and went for what they would describe as "A return to our sound before ''
Saturday Night Fever ''Saturday Night Fever'' is a 1977 American dance drama film directed by John Badham and produced by Robert Stigwood. It stars John Travolta as Tony Manero, a young Italian-American man from the Brooklyn borough of New York. Manero spends his ...
''".


Recording

The album marked the Bee Gees's return to Polydor Records after their three-album contract with Warner Bros. Records. The album was recorded following a time of considerable strain for the Gibb brothers. Maurice had only recently managed to overcome his long-term struggle with alcoholism and Barry Gibb's wife and prematurely newborn daughter both suffered ill health. Barry himself was also scheduled to have back surgery. Subsequently, on 6 March 1992, the brothers' father, Hugh Gibb, died, the day after the birthday of their late brother
Andy Andy may refer to: People *Andy (given name), including a list of people and fictional characters *Horace Andy (born 1951), Jamaican roots reggae songwriter and singer born Horace Hinds *Katja Andy (1907–2013), German-American pianist and piano ...
, who had died in 1988. The album was dedicated to Hugh. Work on the album began in 1992.


Content

The first track "
Paying the Price of Love "Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, '' Size Isn't Everything'' (1993). The song reached the top 10 in Belgium and Portugal and the top 40 in Austria, Germany, the Netherlands, Switzerland, and the ...
" has numerous "alternate mixes" available in different releases. "Kiss of Life" is an energetic rock/dance hybrid with an impressively complex vocal line involving distinctive Robin and Barry's solo vocals as well as the group's vocals. "Omega Man" and "Above and Beyond" feature lead vocals by Maurice Gibb. On "Haunted House", Barry commented in an interview with '' Q'' magazine, "I guess you could say the song's about divorce". According to Robin, "Heart Like Mine" was inspired by Enya's moody songs, and he gets some of the slow dreamy feel of her music. "Blue Island" was dedicated to the children of the former Yugoslavia and according to Barry that the song was the nicest track they had ever written. " For Whom the Bell Tolls" became the biggest hit on ''Size Isn't Everything''. The last track, "Decadance" was a new remix of the classic No. 1 hit " You Should Be Dancing", which was included only on the European version of the album. The unison scream of the line ("My baby moves at midnight") by Barry at 2:20 was first sung to the public back in 1989, towards the end of the
One for All Tour ''One for All Tour'' is a concert video from The Bee Gees recorded live at the National Tennis Centre in Melbourne, Australia in November 1989. Melbourne was the third final stop on their 1989 One for All World Tour, which included the Unit ...
in Melbourne.


Critical reception

On 9 August 1993, the album's first single, "
Paying the Price of Love "Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, '' Size Isn't Everything'' (1993). The song reached the top 10 in Belgium and Portugal and the top 40 in Austria, Germany, the Netherlands, Switzerland, and the ...
", was released in the UK and peaked at No. 23. The album peaked at No. 33 in the UK in late September. It then disappeared from the charts, only to return in December 1993 when the album's second single, " For Whom the Bell Tolls", became a UK top five hit. The album again peaked at No. 23. In all, the album spent sixteen weeks inside the UK Top 100 and was certified gold by the BPI for sales of over 100,000 copies. A third single, the ballad " How to Fall in Love, Part 1", was released on 4 April 1994 in the UK, peaking at No. 30. This made ''Size Isn't Everything'' the first Bee Gees album to contain three UK top 30 hits since 1979's '' Spirits Having Flown'' and many consider this album their strongest post-disco album. Reaction to the album in the US was less successful, where the album peaked at No. 153 and spent only three weeks inside the whole ''Billboard'' 200. The single "Paying the Price of Love" only reached No. 74 in the US during the fall of 1993, presumably because by 1993, The Bee Gees were an adult contemporary group and this single was too heavy for AC stations with its hip-hop influenced percussion. The European hit single, "For Whom the Bell Tolls", bubbled under on ''Billboards Hot 100 at No. 109. Reception of the album was mixed around the world, though it is notable that it was one of the most successful Bee Gees albums in Argentina, peaking at No. 1 due to the big success of "For Whom the Bell Tolls" there. Worldwide sales of the album are estimated to be over 700,000 copies. According to Barry, when asked on American breakfast shows why the album was called ''Size Isn't Everything'', he explained that the Bee Gees have never been hyped and that they have always had to prove themselves musically, so the title came from that idea.


Track listing

All tracks were written and composed by Barry, Robin & Maurice Gibb.


Personnel

* Barry Gibb – lead, harmony and backing vocals,
rhythm guitar In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar ...
*
Robin Gibb Robin Hugh Gibb (22 December 1949 – 20 May 2012) was a British singer and songwriter. He gained worldwide fame as a member of the Bee Gees pop group with elder brother Barry and fraternal twin brother Maurice. Robin Gibb also had his o ...
– lead, harmony and backing vocals * Maurice Gibb – backing and harmony vocals, keyboards,
synthesizer A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and ...
, guitars; lead vocals ("Omega Man" and "Above and Beyond") Additional personnel * Alan Kendall – lead guitar * Tim Cansfield – lead guitar *
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– guitar (uncredited) * Steve Howe – acoustic guitar ("Haunted House"; uncredited)"All My Yesterdays", by Steve Howe, Omnibus Press, 2020, p. 190 *
George "Chocolate" Perry George Wesly Perry (born 1953), known professionally as "Chocolate Perry" is an American bassist, songwriter and producer. Perry has worked with the Bee Gees, John Cougar, Jon Secada, Stephen Stills, Crosby, Stills, Nash & Young, Al Kooper, Dion ...
– bass guitar * Tim Moore – keyboards, synthesizer,
programmer A computer programmer, sometimes referred to as a software developer, a software engineer, a programmer or a coder, is a person who creates computer programs — often for larger computer software. A programmer is someone who writes/creates ...
* Trevor Murrell – drums * Ed Calle – saxophone * Luis Jardimpercussion * Gustav Lezcano –
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica inclu ...
("Blue Island")


Charts


Certifications and sales


References

{{Authority control Bee Gees albums 1993 albums Polydor Records albums Albums produced by Barry Gibb Albums produced by Robin Gibb Albums produced by Maurice Gibb