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Sam Hague (1828 – 7 January 1901) was a
British British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, ...
blackface Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereo ...
minstrel A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who ...
dancer Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoi ...
and troupe owner. He was a pioneering white owner of a minstrel troupe composed of black members, and the success he saw with this troupe inspired many other white minstrel managers to tour with black companies. Hague was born in
Sheffield, England Sheffield is a city in South Yorkshire, England, whose name derives from the River Sheaf which runs through it. The city serves as the administrative centre of the City of Sheffield. It is historically part of the West Riding of Yorkshire and ...
in 1828 and in his youth launched a career as a
clog Clogs are a type of footwear made in part or completely from wood. Used in many parts of the world, their forms can vary by culture, but often remained unchanged for centuries within a culture. Traditional clogs remain in use as protective f ...
dancer. In 1850, he moved with his brothers Tom and William to America, where they toured as the Brothers Hague Concert Party. He went on to partner two other renowned cloggers, Dublin-born Tim Hayes and fellow Yorkshireman Dick Sands, in the leading minstrel and variety theaters. He co-managed Wagner and Hague's Pontoon Minstrels, touring the western states, then briefly retired from show business in 1866, opening the Champion Shades bar with his brother Tom opposite the Mechanics Hall theater in
Utica, New York Utica () is a Administrative divisions of New York, city in the Mohawk Valley and the county seat of Oneida County, New York, United States. The List of cities in New York, tenth-most-populous city in New York State, its population was 65,283 ...
. A visit to Utica by W.H. Lee's Slave Troupe of Georgia Minstrels, a company made up of genuinely black minstrels, inspired Hague to purchase the group and launch a tour of England. Hague's troupe, which included variety star Japanese Tommie, debuted at the Theatre Royal, Liverpool. The troupe was initially a failure in both Liverpool and on tour, but business picked up when Hague added white singers and instrumentalists, retaining only a few "colored" specialty performers. The successful combination began an 18-year career based at St. James's Hall, Liverpool. Sam Hague's Slave Troupe of Georgia Minstrels included both white and black performers, though at each venue they put on separate all-white and all-black performances. In England, Hague eventually counted stars such as
Bob Height Bob Height was an American 19th century African-American blackface minstrel performer. He was a standout talent in the companies with which he performed, although frustrations eventually drove him to pursue a career in Europe. Later writers have co ...
and Charles Hicks among his troupers. Hague's overseas success lent black minstrelsy a new credibility in the United States, although at least one critic maintained their rise had damaged minstrelsy, and that white blackface minstrels were better at representing black Americans than black Americans were themselves.''New York Times'', May 9, 1897, 'THE OLD TIME MINSTREL: He Has Gone Out of Vogue, but the Public Recollects Him with Pleasure:..."The black man has tried minstrelsy himself, but has never been so successful as the white man. In England and the British colonies, where the people were ignorant of the idiosyncrasies of the race, Sam Hague's and Callender's minstrels found some acceptance. But in the United States the white man, beginning with
T. D. Rice Thomas Dartmouth Rice (May 20, 1808 – September 19, 1860) was an American performer and playwright who performed in blackface and used African-American Vernacular English, African American vernacular speech, song and dance to become one of ...
, has been the only recognized delineator of negro humor."
By the mid-1870s, most successful American black troupes had been bought by white owners who had followed Hague's lead. When the Slave Troupe returned to the United States, Charles Callender purchased the company. Five years after Hague sold the troupe, on an expedition to the Minstrel Troupe Owners Symposium in October 1879, he was introduced to his future wife, Clare Thiele. By 1881, Hague owned a white minstrel troupe composed of British players, Sam Hague's Operatic British Minstrels. The British had a reputation in America for not being as apt at portraying
caricature A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, a ...
d black roles or performing
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
bits. In response, Sam Hague's British Minstrels stressed their musical abilities and their refined costumes and sets. Only the endmen wore blackface, and the troupe did no base comedy. George Primrose and William H. West adopted Hague's idea and sparked a new trend in minstrelsy. The twice-married Hague died January 7, 1901 at home in Liverpool, leaving a wife and adopted daughter.


Notes


References

*Toll, Robert C. (1974). ''Blacking Up: The Minstrel Show in Nineteenth-century America''. New York: Oxford University Press. *Watkins, Mel (1994). ''On the Real Side: Laughing, Lying, and Signifying—The Underground Tradition of African-American Humor that Transformed American Culture, from Slavery to Richard Pryor''. New York: Simon & Schuster. {{DEFAULTSORT:Hague, Sam Blackface minstrel managers and producers Blackface minstrel performers 1828 births 1901 deaths 19th-century American businesspeople