Charles Callender
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Charles Callender
Charles Callender was the owner of blackface minstrel troupes that featured African American performers. Although a tavern owner by trade, he entered show business in 1872 when he purchased Sam Hague's Slave Troupe of Georgia Minstrels. Renaming them Callender's Original Georgia Minstrels, he and his business manager, Charles Hicks, followed the lead of other showmen such as J.H. Haverly and advertised the troupe far and wide. Callender's Minstrels played to packed houses and positive reviews in the Midwest and Northeast. Over time, the Callender name came to signify "black minstrelsy",Toll 203. and when rival troupes tried to appropriate it, Callender persuaded ''The Clipper'' to refrain from writing about them. Despite the revenues brought in by his star performers, including such talents as Bob Height, Billy Kersands, and Pete Devonear, Callender ignored their demands for more pay and better recognition. Some of them quit to form their own company, an action Callender claime ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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Charles Frohman
Charles Frohman (July 15, 1856 – May 7, 1915) was an American theater manager and producer, who discovered and promoted many stars of the American stage. Notably, he produced ''Peter Pan'', both in London and the US, the latter production starring Maude Adams who would be strongly identified with the part. In 1896, Frohman co-founded the Theatrical Syndicate, a nationwide chain of theaters that dominated the American touring company business, until the Shubert brothers grew strong enough to end its virtual monopoly. He partnered with English producers, including Seymour Hicks, with whom he produced a string of London hits prior to 1910, such as '' Quality Street'', ''The Admirable Crichton'', ''The Catch of the Season'', ''The Beauty of Bath'', and ''A Waltz Dream''. Frohman produced over 700 shows. At the height of his fame, Frohman died in the 1915 sinking of the RMS ''Lusitania''. Life and career Charles Frohman was born to a Jewish family in Sandusky, Ohio, the youn ...
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Place Of Birth Missing
Place may refer to: Geography * Place (United States Census Bureau), defined as any concentration of population ** Census-designated place, a populated area lacking its own municipal government * "Place", a type of street or road name ** Often implies a dead end (street) or cul-de-sac * Place, based on the Cornish word "plas" meaning mansion * Place, a populated place, an area of human settlement ** Incorporated place (see municipal corporation), a populated area with its own municipal government * Location (geography), an area with definite or indefinite boundaries or a portion of space which has a name in an area Placenames * Placé, a commune in Pays de la Loire, Paris, France * Plače, a small settlement in Slovenia * Place (Mysia), a town of ancient Mysia, Anatolia, now in Turkey * Place, New Hampshire, a location in the United States * Place House, a 16th-century mansion largely remodelled in the 19th century, in Fowey, Cornwall * Place House, a 19th-century mansion on ...
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Year Of Birth Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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Drinking Establishment Owners
Drinking is the act of ingesting water or other liquids into the body through the mouth, proboscis, or elsewhere. Humans drink by swallowing, completed by peristalsis in the esophagus. The physiological processes of drinking vary widely among other animals. Most animals drink water to maintain bodily hydration, although many can survive on the water gained from their food. Water is required for many physiological processes. Both inadequate and (less commonly) excessive water intake are associated with health problems. Methods of drinking In humans When a liquid enters a human mouth, the swallowing process is completed by peristalsis which delivers the liquid through the esophagus to the stomach; much of the activity is abetted by gravity. The liquid may be poured from the hands or drinkware may be used as vessels. Drinking can also be performed by acts of inhalation, typically when imbibing hot liquids or drinking from a spoon. Infants employ a method of suction wherein ...
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Blackface Minstrel Managers And Producers
Blackface is a form of theatrical makeup used predominantly by non-Black people, Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of Ethnic stereotype, racial stereotypes such as the "happy-go-lucky List of ethnic slurs#D, darky on the plantation" or the "dandy, dandified List of ethnic slurs#Coon, coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly of ...
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Uncle Tom's Cabin
''Uncle Tom's Cabin; or, Life Among the Lowly'' is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the mericanCivil War". Stowe, a Connecticut-born woman of English descent, was part of the religious Beecher family and an active abolitionist. She wrote the sentimental novel to depict the reality of slavery while also asserting that Christian love could overcome slavery. The novel focuses on the character of Uncle Tom, a long-suffering black slave around whom the stories of the other characters revolve. In the United States, ''Uncle Tom's Cabin'' was the best-selling novel and the second best-selling book of the 19th century, following the Bible. It is credited with helping fuel the abolitionist cause in the 1850s. The influence attributed to the book was so great that a likely ...
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Gustave Frohman
Gustave Frohman (c. 1854 – August 16, 1930) was a theatre producer and advance man. He was one of three Frohman brothers who entered show business and he worked for most of his career alongside his brother, Charles Frohman. These two financed a number of theatre productions, often featuring African American actors. For instance, in 1878, they starred Sam Lucas in the first serious stage production of ''Uncle Tom's Cabin'' with a black man in the lead role. Biography Frohman was born to a Jewish family in Sandusky, Ohio. He saw his greatest success in blackface minstrelsy. In 1881, he and his brother bought Callender's Consolidated Colored Minstrels, a small African-American troupe, from Charles Callender. They kept the valuable Callender's name but focused on ornamenting their sets and costumes; the troupe eventually became the most lavishly produced black troupe in the world. Their success was so great that by 1882 the Frohmans were able to buy J. H. Haverly's Genuine Colo ...
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Billy Kersands
Billy Kersands (c. 1842 in Baton Rouge, Louisianaa – 30 June 1915 in Artesia, New Mexico) was an African-American comedian and dancer. He was the most popular black comedian of his day, best known for his work in blackface minstrelsy. In addition to his skillful acrobatics, dancing, singing, and instrument playing, Kersands was renowned for his comic routines involving his large mouth, which he could contort comically or fill with objects such as billiard balls or saucers. His stage persona was that of the dim-witted black man of the type that had been popularized in white minstrel shows. Modern commentators such as Mel Watkins cite him as one of the earliest black entertainers to have faced the dilemma of striking a balance between social satire and the reinforcement of negative stereotypes. Career Kersands began performing with traveling minstrel troupes in the early 1860s. As black minstrelsy gained popularity, Kersands became its biggest star. In 1879, he earned about $15 a ...
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

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Bob Height
Bob Height was an American 19th century African-American blackface minstrel performer. He was a standout talent in the companies with which he performed, although frustrations eventually drove him to pursue a career in Europe. Later writers have compared him to his contemporary, Bert Williams.Toll 203. Height joined with Charles Hicks in the late 1860s to form Hicks and Height's Georgia Minstrels. This company proved quite popular among African Americans, particularly in the Washington, D.C. area. Eventually, both Hicks and Height joined Sam Hague's Slave Troupe of Georgia Minstrels. Height became a featured talent and accompanied the troupe on a European tour in the early 1870s. Upon the troupe's return to the US in 1872, Charles Callender purchased it and changed the name to Callender's Original Georgia Minstrels. The new owner helped lead the company to great success, and Height enjoyed high billing alongside Billy Kersands and Pete Devonear Pete or Petes or ''variation'', m ...
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New York Clipper
The ''New York Clipper'', also known as ''The Clipper'', was a weekly entertainment newspaper published in New York City from 1853 to 1924. It covered many topics, including circuses, dance, music, the outdoors, sports, and theatre. It had a circulation of about 25,000. The publishers also produced the yearly ''New York Clipper Annual''. In 1924, ''The Clipper'' was absorbed into the entertainment journal ''Variety''. History Frank Queen began publishing the ''New York Clipper'' in 1853, making it the first American paper devoted entirely to entertainment; the paper eventually shortened its name to ''The Clipper''. The paper was one of the earliest publications in the United States to regularly cover sports, and it played an important role in popularizing baseball in the country. In addition to more popular sporting events, the ''New York Clipper'' also wrote about billiards, bowling, even chess. It began covering American football in 1880. In 1894, however, ''The Clipper'' d ...
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