SF-A2 Miki
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is a female Vocaloid character produced by AH-Software Co. Ltd for
Vocaloid 2 Vocaloid 2 is a singing voice synthesizer and the successor to the Vocaloid voice synthesizer application by Yamaha. Unlike the first engine, Vocaloid 2 based its output on vocal samples, rather than voice analysis. The synthesis engine and the u ...
. Her voice is sampled from the Japanese female singer-songwriter,
Miki Furukawa (born February 19, 1979) is a Japanese musician. From 1995 to 2005 she was the bass player and vocalist of the indie rock band Supercar. She released her first solo record in 2006. Biography Originating from Aomori Prefecture, Miki Furukawa ...
.


Development

SF-A2 was released on the same day as
Kaai Yuki is a child vocaloid character produced by AH-Software Co. Ltd and released originally for Vocaloid 2. Development Her voice is taken from recordings of an actual elementary school student, though the student is unknown. AH-Software also announ ...
and
Hiyama Kiyoteru is a masculine vocaloid character produced by AH-Software Co. Ltd and released originally for Vocaloid 2. His voice is provided by Japanese male singer Kiyoshi Hiyama. Development He was released on the same day as Kaai Yuki and SF-A2 Miki w ...
as the 3rd Ah Software Vocaloid. SF-A2 miki's direction is very different from Kaai Yuki and Hiyama Kiyoteru as she was a professional vocal artist. Much of her planning and development was handled by HEARTFAST.


Additional software

Silhouettes for SF-A2 miki, along with the other Vocaloid vocals by AHS, were revealed on a poster on November 6, 2014. However, at the time, it remained unconfirmed as to what they were being used for. On November 20, it was confirmed in the livestream for
Vocaloid 4 Vocaloid 4 is a singing voice synthesizer and successor to Vocaloid 3 in the Vocaloid series. History In October 2014, the first Vocaloid confirmed for the Vocaloid 4 engine was the English vocal Ruby. Its release was delayed so it could be re ...
that they all, with the exception of Tohoku Zunko, will be receiving VOCALOID4 voicebanks. SF-A2 miki's update contains an update of her Vocaloid 2 vocal called "SF-A2 miki - natural". When interviewed, Tomohide Ogata mentioned he had a feeling SF-A2 Miki was very popular overseas. In another interview, Tomohide Ogata expressed a desire to produce English versions of their Vocals, however, the project is too complex. He went on to explain that because all of their providers are Japanese, they would rather seek English speakers of a similar voice to the Japanese versions from the United States and United Kingdom.


Characteristics

Her design was unique among the VOCALOIDs. She had no references to YAMAHA based musical instruments like other VOCALOIDs and was designed to look cybernetic, giving her a more sci-fi look than most other Vocaloids at the time. According to information that came from the 2012 redesign, Miki was designed to look like she was made out of an inorganic material and was conceptualized as an android. Her body is designed to look like that of a child, but also give her the overall appearance of a young teenage female. Though she is an android, she is covered in muscles made from various materials such as carbon nanotubes, but were made loose to give a mild deformed look about them. Having an immature-looking body allowed her to appear younger than she looks, similar to how
Hatsune Miku , also called Miku Hatsune, and officially code-named CV01, is a Vocaloid software voicebank developed by Crypton Future Media and its official moe anthropomorphism, anthropomorphic mascot character, a 16-year-old girl with long, turquoise bu ...
and Kagamine Rin could do the same.


See also

*
List of Vocaloid products The following is a list of products released for the Vocaloid is a singing voice synthesizer software product. Its signal processing part was developed through a joint research project led by Kenmochi Hideki at the Pompeu Fabra University in ...


References

{{Vocaloid Vocaloids introduced in 2009 Fictional singers Japanese idols Japanese popular culture