Richard Burton

Richard Burton (; born Richard Walter Jenkins Jr.; 10 November 1925 – 5 August 1984) was a Welsh actor. Noted for his baritone voice, Burton established himself as a formidable Shakespearean actor in the 1950s, and he gave a memorable performance of Hamlet in 1964. He was called "the natural successor to Olivier" by critic Kenneth Tynan. A heavy drinker, Burton's perceived failure to live up to those expectations disappointed some critics and colleagues and added to his image as a great performer who had wasted his talent. Nevertheless, he is widely regarded as one of the most acclaimed actors of his generation.

Burton was nominated for an Academy Award seven times, but never won an Oscar. He was a recipient of BAFTAs, Golden Globes, and Tony Awards for Best Actor. In the mid-1960s, Burton ascended into the ranks of the top box office stars. By the late 1960s, Burton was one of the highest-paid actors in the world, receiving fees of $1 million or more plus a share of the gross receipts. Burton remained closely associated in the public consciousness with his second wife, actress Elizabeth Taylor. The couple's turbulent relationship, in which they were married twice and divorced twice, was rarely out of the news.

Early life

Childhood

Burton was born Richard Walter Jenkins Jr. on 10 November 1925 in a house at 2 Dan-y-bont in Pontrhydyfen, Glamorgan, Wales. He was the twelfth of thirteen children born into the Welsh-speaking family of Richard Walter Jenkins Sr. (1876–1957), and Edith Maude Jenkins (née Thomas; 1883–1927). Jenkins Sr., called Daddy Ni by the family, was a coal miner, while his mother worked as a barmaid at a pub called the Miner's Arms in the village of Pontrhydyfen, where she met and married her husband. According to biographer Melvyn Bragg, Richard is quoted saying that Daddy Ni was a "twelve-pints-a-day man" who sometimes went off on drinking and gambling sprees for weeks, and that "he looked very much like me". He remembered his mother to be "a very strong woman" and "a religious soul with fair hair and a beautiful face".

Richard was barely two years old when his mother died on 31 October, six days after the birth of Graham, the family's thirteenth child. Edith's death was a result of postpartum infections; Richard believed it occurred because of "hygiene neglect". According to biographer Michael Munn, Edith "was fastidiously clean", but that her exposure to the dust from the coal mines resulted in her death. Following Edith's death, Richard's elder sister Cecilia, whom he affectionately addressed as "Cis", and her husband Elfed James, also a miner, took him under their care. Richard lived with Cis, Elfed and their two daughters, Marian and Rhianon, in their three bedroom terraced cottage on 73 Caradoc Street, Taibach, a suburban district in Port Talbot, which Bragg describes as "a tough steel town, English-speaking, grind and grime".

Richard remained forever grateful and loving to Cis throughout his life, later going on to say: "When my mother died she, my sister, had become my mother, and more mother to me than any mother could ever have been ... I was immensely proud of her ... she felt all tragedies except her own". Daddy Ni would occasionally visit the homes of his grown daughters but was otherwise absent. Another important figure in Richard's early life was Ifor, his brother, 19 years his senior. A miner and rugby union player, Ifor "ruled the household with the proverbial firm hand". He was also responsible for nurturing a passion for rugby in young Richard. Although Richard also played cricket, tennis, and table tennis, biographer Bragg notes rugby union football to be his greatest interest. On rugby, Richard said he "would rather have played for Wales at Cardiff Arms Park than Hamlet at The Old Vic". The Welsh rugby union centre, Bleddyn Williams believed Richard "had distinct possibilities as a player".

From the age of five to eight, Richard was educated at the Eastern Primary School while he attended the Boys' segment of the same school from eight to twelve years old. He took a scholarship exam for admission into Port Talbot Secondary School in March 1937 and passed it. Biographer Hollis Alpert notes that both Daddy Ni and Ifor considered Richard's education to be "of paramount importance" and planned to send him to the University of Oxford. Richard became the first member of his family to go to secondary school. He displayed an excellent speaking and singing voice since childhood, even winning an eisteddfod prize as a boy soprano. During his tenure at Port Talbot Secondary School, Richard also showed immense interest in reading poetry as well as English and Welsh literature. He earned pocket money by running messages, hauling horse manure, and delivering newspapers.

Philip Burton years

Richard was bolstered by winning the Eisteddfod Prize and wanted to repeat his success. He chose to sing Sir Arthur Sullivan's "Orpheus with his Lute" (1866), which biographer Alpert thought "a difficult composition". He requested the help of his schoolmaster, Philip Burton, but his voice cracked during their practice sessions. This incident marked the beginning of his association with Philip. Philip later recalled, "His voice was tough to begin with but with constant practice it became memorably beautiful." Richard made his first foray into theatre with a minor role in his school's production of the Irish playwright George Bernard Shaw's ''The Apple Cart''. He decided to leave school by the end of 1941 and work as a miner as Elfed was not fit, owing to illness. He worked for the local wartime Co-operative committee, handing out supplies in exchange for war-time ration-coupons. He also simultaneously considered other professions for his future, including boxing, religion and singing. It was also during this period that Richard took up smoking and drinking despite being underage.

When he joined the Port Talbot Squadron 499 of the Air Training Corps section of the Royal Air Force (RAF) as a cadet, he re-encountered Philip, who was the squadron commander. He also joined the Taibach Youth Centre, a youth drama group founded by Meredith Jones and led by Leo Lloyd, a steel worker and avid amateur thespian, who taught him the fundamentals of acting. Richard played the role of an escaped convict in Lloyd's play, ''The Bishop's Candlesticks'', an adaptation of a section of Victor Hugo's ''Les Misérables''. The entire play did not have any dialogues, but Alpert noted that Richard "mimed his role". Philip gave him a part in a radio documentary/adaptation of his play for BBC Radio, ''Youth at the Helm'' (1942). Seeing the talent Richard possessed, both Jones and Philip re-admitted him to school on 5 October 1942. Philip tutored his charge intensely in school subjects, and also worked at developing the youth's acting voice, including outdoor voice drills which improved his projection. Richard called the experience "the most hardworking and painful period" in his life. Philip called Richard "my son to all intents and purposes. I was committed to him", while Burton later wrote of Philip, "I owe him everything".

In autumn of 1943, Philip planned to adopt Richard, but was not able to do so as he was 20 days too young to be 21 years older than his ward, a legal requirement. As a result, Richard became Philip's legal ward and changed his surname to "Richard Burton", after Philip's own surname, by means of deed poll, which Richard's father accepted. It was also in 1943 that Richard qualified for admission into a university after excelling in the School Certificate Examination. Philip requested Richard to study at Exeter College, Oxford as a part of a six-month scholarship programme offered by the RAF for qualified cadets prior to active service.

Career

Early career and service in the RAF (1943–1947)

In 1943, Burton played Professor Henry Higgins in a school production of another Shaw play directed by Philip, '' Pygmalion''. The role won him favourable reviews and caught the attention of the dramatist, Emlyn Williams, who offered Burton a small role of the lead character's elder brother, Glan, in his play ''The Druid's Rest''. The play debuted at the Royal Court Theatre, Liverpool on 22 November 1943, and later premiered in St Martin's Theatre, London in January 1944. Burton thought the role was "a nothing part" and that he "hardly spoke at all". He was paid ten pounds a week for playing the role (), which was "three times what the miners got". Alpert states that the play garnered mixed critical reviews, but James Redfern of the ''New Statesman'' took notice of Burton's performance and wrote: "In a wretched part, Richard Burton showed exceptional ability." Burton noted that single sentence from Redfern changed his life.

During his tenure at Exeter College of Oxford University, Burton featured as "the complicated sex-driven puritan" Angelo in the Oxford University Dramatic Society's 1944 production of William Shakespeare's '' Measure for Measure''. The play was directed by Burton's English literature professor, Nevill Coghill, and was performed at the college in the presence of additional contributors to West End theatre including John Gielgud, Terence Rattigan and Binkie Beaumont. On Burton's performance, fellow actor and friend, Robert Hardy recalled, "There were moments when he totally commanded the audience by this stillness. And the voice which would sing like a violin and with a bass that could shake the floor." Gielgud appreciated Burton's performance and Beaumont, who knew about Burton's work in ''The Druid's Rest'', suggested that he "look him up" after completing his service in the RAF if he still wanted to pursue acting as a profession.

In late 1944, Burton successfully completed his six-month scholarship at Exeter College, Oxford, and went to the RAF classification examinations held in Torquay to train as a pilot. He was disqualified for pilot training because his eyesight was below par, and was classified as a navigator trainee. He served the RAF as navigator for three years, during which he performed an assignment as Aircraftman 1st Class in a Wiltshire-based RAF Hospital and was posted to the RAF base in Carberry, Manitoba, Canada to work as an instructor. Burton's habits of drinking and smoking increased during this period; he was involved in a brief casual affair with actress Eleanor Summerfield. Burton was cast in an uncredited and unnamed role of a bombing officer by BBC Third Programme in a 1946 radio adaptation of '' In Parenthesis'', an epic poem of the First World War by David Jones. Burton was discharged from the RAF on 16 December 1947.

Rise through the ranks and film debut (1948–1951)

In 1948, Burton moved to London to make contact with H. M. Tennent Ltd., where he again met Beaumont, who put him under a contract of £500 per year (£10 a week). Daphne Rye, the casting director for H. M. Tennent Ltd., offered Burton rooms on the top floor of her house in Pelham Crescent, London as a place for him to stay. Rye cast Burton in a minor role as a young officer, Mr. Hicks, in ''Castle Anna'' (1948), a drama set in Ireland.

While touring with the cast and crew members of Wynyard Browne's ''Dark Summer'', Burton was called by Emlyn Williams for a screen test for his film, '' The Last Days of Dolwyn'' (1949). Burton performed the screen test for the role of Gareth, which Williams wrote especially for him, and was subsequently selected when Williams sent him a telegram that quoted a line from ''The Corn Is Green'' "You have won the scholarship." This led to Burton making his mainstream film debut. Filming took place during the summer and early autumn months of 1948. It was on the sets of this film that Burton was introduced by Williams to Sybil Williams, whom he married on 5 February 1949 at a register office in Kensington. ''The Last Days of Dolwyn'' opened to generally positive critical reviews. Burton was praised for his "acting fire, manly bearing and good looks" and film critic Philip French of ''The Guardian'' called it an "impressive movie debut". After marrying Sybil, Burton moved to his new address at 6 Lyndhurst Road, Hampstead NW3, where he lived from 1949 to 1956.

Pleased with the feedback Burton received for his performance in ''The Last Days of Dolwyn'', the film's co-producer Alexander Korda

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