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Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a
Dutch Golden Age painter Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republi ...
,
printmaker Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand proce ...
and draughtsman. An innovative and prolific
master Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master ...
in three
media Media may refer to: Communication * Media (communication), tools used to deliver information or data ** Advertising media, various media, content, buying and placement for advertising ** Broadcast media, communications delivered over mass e ...
, he is generally considered one of the greatest
visual artists The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textil ...
in the
history of art The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetics, ae ...
and the most important in Dutch art history.Gombrich, p. 420. Unlike most
Dutch masters Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Repub ...
of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from
portraits A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For thi ...
and self-portraits to landscapes,
genre scenes Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, ...
, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the
Dutch Golden Age The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and art and ...
, when Dutch art (especially
Dutch painting Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a community in the United States * Pennsylvania Dutch Country People ...
), whilst antithetical to the
Baroque style The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires includin ...
that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such as
Jan Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
, Rembrandt was an avid
art collector A private collection is a privately owned collection of works (usually artworks) or valuable items. In a museum or art gallery context, the term signifies that a certain work is not owned by that institution, but is on loan from an individual ...
and
dealer Dealer may refer to: Film and TV * ''Dealers'' (film), a 1989 British film * ''Dealers'' (TV series), a reality television series where five art and antique dealers bid on items * ''The Dealer'' (film), filmed in 2008 and released in 2010 * ...
. Rembrandt never went abroad, but was considerably influenced by the work of the
Italian masters Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan ar ...
and Netherlandish artists who had studied in Italy, like Pieter Lastman, the
Utrecht Caravaggists Utrecht Caravaggism ( nl, Utrechtse caravaggisten) refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly infl ...
, Flemish Baroque, and
Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradit ...
. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form an intimate autobiography. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into an
art form The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both ...
. His reputation as the greatest
etcher Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
in the history of the medium was established in his lifetime. Few of his paintings left the
Dutch Republic The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands ( Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiograph ...
while he lived, but his
prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserved ...
were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works, he exhibited knowledge of classical
iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...
. A depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of
Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban ar ...
's
Jewish population As of 2020, the world's "core" Jewish population (those identifying as Jews above all else) was estimated at 15 million, 0.2% of the 8 billion worldwide population. This number rises to 18 million with the addition of the "connected" Jewish pop ...
. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization". The French sculptor
Auguste Rodin François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a uniqu ...
said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!" Rodin, Auguste: ''Art: Conversations with Paul Gsell''. Translated from the French by Jacques de Caso and Patricia B. Sanders. (Berkeley, CA: University of California Press, 1984) , p. 85. Originally published as ''Auguste Rodin, L'Art: Entretiens réunis par Paul Gsell'' (Paris: Bernard Grasset, 1911). Auguste Rodin: "Me comparer à Rembrandt, quel sacrilège! À Rembrandt, le colosse de l'Art! Y pensez-vous, mon ami! Rembrandt, prosternons-nous et ne mettons jamais personne à côté de lui!” (original in French)


Life

Rembrandt Harmenszoon van Rijn was born on 15 July, 1606 in
Leiden Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration w ...
, in the
Dutch Republic The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands ( Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiograph ...
, now the
Netherlands ) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherl ...
. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. His family was quite well-to-do; his father was a
miller A miller is a person who operates a mill, a machine to grind a grain (for example corn or wheat) to make flour. Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalent ...
and his mother was a baker's daughter. Religion is a central theme in Rembrandt's works and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was
Catholic The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
, and his father belonged to the
Dutch Reformed Church The Dutch Reformed Church (, abbreviated NHK) was the largest Christian denomination in the Netherlands from the onset of the Protestant Reformation in the 16th century until 1930. It was the original denomination of the Dutch Royal Family and ...
. While his work reveals deep Christian faith, there is no evidence that Rembrandt formally belonged to any church. Some scholars, such as
Hendrik Willem van Loon Hendrik Willem van Loon (January 14, 1882 – March 11, 1944) was a Dutch-American historian, journalist, and children's book author. Life He was born in Rotterdam, Netherlands, the son of Hendrik Willem van Loon and Elisabeth Johanna Hanken. ...
, suggest he may have been
Mennonite Mennonites are groups of Anabaptist Christian church communities of denominations. The name is derived from the founder of the movement, Menno Simons (1496–1561) of Friesland. Through his writings about Reformed Christianity during the R ...
. Five of his children were christened in Dutch Reformed churches in Amsterdam: four in the Oude Kerk (Old Church) and one, Titus, in the Zuiderkerk (Southern Church). As a boy, he attended
Latin Latin (, or , ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through ...
school. At the age of 13, he was enrolled at the
University of Leiden Leiden University (abbreviated as ''LEI''; nl, Universiteit Leiden) is a public research university in Leiden, Netherlands. The university was founded as a Protestant university in 1575 by William, Prince of Orange, as a reward to the city of Le ...
, although according to a contemporary he had a greater inclination towards painting; he was soon apprenticed to a Leiden
history painter History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible ...
,
Jacob van Swanenburg Jacob Isaacszoon van Swanenburg (; 1571, Leiden – 1638, Utrecht) was a Dutch painter, draftsman and art dealer. He was known for his city views, history paintings, Christian religious scenes and portraits. He spent a substantial part of hi ...
, with whom he spent three years.Rembrandt biography
in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by
Arnold Houbraken Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters. Life Houbraken was sent first to learn ''threadtwisting'' (Twyndraat) ...
, courtesy of the
Digital library for Dutch literature The Digital Library for Dutch Literature (Dutch: Digitale Bibliotheek voor de Nederlandse Letteren or DBNL) is a website (showing the abbreviation as dbnl) about Dutch language and Dutch literature. It contains thousands of literary texts, secon ...
After a brief but important apprenticeship of six months with the painter Pieter Lastman in Amsterdam, Rembrandt stayed a few months with
Jacob Pynas Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jac ...
and then started his own workshop, though Simon van Leeuwen claimed that
Joris van Schooten Joris van Schooten (1587–1651) was a Dutch Golden Age painter and the uncle of the Leiden mathematician Frans van Schooten. Biography According to Houbraken he was born in Leiden with a talent for drawing, and his teachers were upset that he ...
taught Rembrandt in Leiden. Unlike many of his contemporaries who traveled to Italy as part of their artistic training, Rembrandt never left the Dutch Republic during his lifetime. He opened a studio in Leiden in 1624 or 1625, which he shared with friend and colleague Jan Lievens. In 1627, Rembrandt began to accept students, which included
Gerrit Dou Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ...
in 1628. In 1629, Rembrandt was discovered by the statesman
Constantijn Huygens Sir Constantijn Huygens, Lord of Zuilichem ( , , ; 4 September 159628 March 1687), was a Dutch Golden Age poet and composer. He was also secretary to two Princes of Orange: Frederick Henry and William II, and the father of the scientist Ch ...
(father of the Dutch mathematician and physicist
Christiaan Huygens Christiaan Huygens, Lord of Zeelhem, ( , , ; also spelled Huyghens; la, Hugenius; 14 April 1629 – 8 July 1695) was a Dutch mathematician, physicist, engineer, astronomer, and inventor, who is regarded as one of the greatest scientists o ...
), who procured for Rembrandt important commissions from the court of The Hague. As a result of this connection, Prince
Frederik Hendrik Frederick Henry ( nl, Frederik Hendrik; 29 January 1584 – 14 March 1647) was the sovereign prince of Orange and stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel in the Dutch Republic from 1625 until his death in 1647. In the last ...
continued to purchase paintings from Rembrandt until 1646. At the end of 1631, Rembrandt moved to Amsterdam, a city rapidly expanding as the new business capital of the Netherlands. He began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer,
Hendrick van Uylenburgh Hendrick Gerritszoon van Uylenburgh (c. 1587 – 1661) was an influential Dutch Golden Age art dealer who helped launch the careers of Rembrandt, Govert Flinck, Ferdinand Bol and other painters. Biography Van Uylenburgh came from a Frisian f ...
, and in 1634, married Hendrick's cousin, Saskia van Uylenburgh. Saskia came from a good family: her father had been a lawyer and the ''burgemeester'' (mayor) of
Leeuwarden Leeuwarden (; fy, Ljouwert, longname=yes /; Town Frisian: ''Liwwadden''; Leeuwarder dialect: ''Leewarden'') is a city and municipality in Friesland, Netherlands, with a population of 123,107 (2019). It is the provincial capital and seat of th ...
. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. Rembrandt and Saskia were married in the local church of St. Annaparochie without the presence of Rembrandt's relatives. In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck.Bull, et al., p. 28 In 1635, Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat with a view on the Amstel river. In 1639 they moved to a prominent newly built house (now the Rembrandt House Museum) in the upscale 'Breestraat' (eng.: 'Broadway'), today known as Jodenbreestraat in what was becoming the Jewish quarter; then a young up-and-coming neighborhood. The
mortgage A mortgage loan or simply mortgage (), in civil law jurisdicions known also as a hypothec loan, is a loan used either by purchasers of real property to raise funds to buy real estate, or by existing property owners to raise funds for any ...
to finance the 13,000
guilder Guilder is the English translation of the Dutch and German ''gulden'', originally shortened from Middle High German ''guldin pfenninc'' " gold penny". This was the term that became current in the southern and western parts of the Holy Roman Emp ...
purchase would be a primary cause for later financial difficulties. Rembrandt should easily have been able to pay the house off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments. It was there that Rembrandt frequently sought his Jewish neighbors to model for his
Old Testament The Old Testament (often abbreviated OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible or Tanakh, a collection of ancient religious Hebrew writings by the Israelites. The ...
scenes. Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1635 and their daughter Cornelia died at just three weeks of age in 1638. In 1640, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child,
Titus Titus Caesar Vespasianus ( ; 30 December 39 – 13 September 81 AD) was Roman emperor from 79 to 81. A member of the Flavian dynasty, Titus succeeded his father Vespasian upon his death. Before becoming emperor, Titus gained renown as a mili ...
, who was born in 1641, survived into adulthood. Saskia died in 1642 soon after Titus's birth, probably from
tuberculosis Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, ...
. Rembrandt's drawings of her on her sick and death bed are among his most moving works.Slive, p. 71 During Saskia's illness, Geertje Dircx was hired as Titus' caretaker and nurse and also became Rembrandt's lover. She would later charge Rembrandt with
breach of promise Breach of promise is a common law tort, abolished in many jurisdictions. It was also called breach of contract to marry,N.Y. Civil Rights Act article 8, §§ 80-A to 84. and the remedy awarded was known as heart balm. From at least the Middle ...
(a euphemism for seduction under
reached ''Reached'' is a 2012 young adult dystopian novel by Allyson Braithwaite Condie and is the final novel in the ''Matched Trilogy,'' preceded by '' Matched'' and '' Crossed''. The novel was published on November 13, 2012, by Dutton Juvenile and wa ...
promise to marry) and was awarded alimony of 200 guilders a year. Rembrandt worked to have her committed to an asylum or poorhouse (called a "bridewell") at Gouda, after learning she had pawned jewelry he had given her that once belonged to Saskia. In the late 1640s Rembrandt began a relationship with the much younger
Hendrickje Stoffels Hendrickje Stoffels (1626 – 21 July 1663) was the longtime partner of Rembrandt. The couple were unable to marry because of the financial settlement linked to the will of Rembrandt's deceased wife Saskia, but they remained together until Hendr ...
, who had initially been his maid. In 1654 they had a daughter, Cornelia, bringing Hendrickje a summons from the
Reformed Church Calvinism (also called the Reformed Tradition, Reformed Protestantism, Reformed Christianity, or simply Reformed) is a major branch of Protestantism that follows the theological tradition and forms of Christian practice set down by John Cal ...
to answer the charge "that she had committed the acts of a whore with Rembrandt the painter". She admitted this and was banned from receiving communion. Rembrandt was not summoned to appear for the Church council because he was not a member of the Reformed Church. The two were considered legally wed under common law, but Rembrandt had not married Hendrickje. Had he remarried he would have lost access to a trust set up for Titus in Saskia's will. Rembrandt lived beyond his means, buying art (including bidding up his own work), prints (often used in his paintings) and rarities, which probably caused a court arrangement ( cessio bonorum) to avoid his bankruptcy in 1656, by selling most of his paintings and large collection of antiquities, but was allowed to keep his tools. The sale list survives and gives a good insight into Rembrandt's collections, which, apart from
Old Master In art history, "Old Master" (or "old master")Old Masters De ...
paintings and drawings, included busts of the Roman emperors, suits of Japanese armor among many objects from Asia, and collections of natural history and minerals. But the prices realized in the sales in 1657 and 1658 were disappointing. Rembrandt was forced to sell his house and his printing-press and move to more modest accommodation on the
Rozengracht The Rozengracht is a street in the Jordaan neighbourhood of Amsterdam. It runs between the Prinsengracht at the Westermarkt and the Singel canal at De Clercqstraat. The name means "Rose canal". The Rozengracht is one of the six former canals in ...
in 1660. The authorities and his creditors were generally accommodating to him, except for the Amsterdam painters' guild, which introduced a new rule that no one in Rembrandt's circumstances could trade as a painter. To get around this, Hendrickje and Titus set up a
dummy corporation A dummy corporation, dummy company, or false company is an entity created to serve as a front or cover for one or more companies. It can have the appearance of being real (logo, website, and sometimes employing actual staff), but lacks the capacity ...
as art dealers in 1660, with Rembrandt as an employee. In 1661 Rembrandt (or rather the new business) was contracted to complete work for the newly built city hall, but only after Govert Flinck, the artist previously commissioned, died without beginning to paint. The resulting work, ''
The Conspiracy of Claudius Civilis ''The Conspiracy of Claudius Civilis'' ( nl, De samenzwering van de Bataven onder Claudius Civilis; sv, Batavernas trohetsed till Claudius Civilis) is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the larges ...
'', was rejected and returned to the painter; the surviving fragment is only a fraction of the whole work. It was around this time that Rembrandt took on his last apprentice, Aert de Gelder. In 1662 he was still fulfilling major commissions for portraits and other works. In 1662 one of Rembrandt's creditors went to the High Court (
Hof van Holland The Hof van Holland, Zeeland en West-Friesland (; usually shortened to Hof van Holland in the literature, and translated in English literature as "(High) Court of Holland") was the High Court of the provinces of Holland, West Friesland and Zeeland ...
) to contest that Titus had to be paid first. Isaac van Hertsbeeck lost twice and had to pay the money he had already received to Titus, which he did in 1668. When Cosimo III de' Medici, Grand Duke of Tuscany came to Amsterdam in 1667, he visited Rembrandt at his house. Rembrandt outlived both Hendrickje, who died in 1663, and Titus, who died in 1668, leaving a baby daughter. He died within a year of his son, on 4 October 1669 in Amsterdam, and was buried as a supposedly rich man as the heirs paid in burial taxes a substantial amount of money, ''f'' 15. but in a paupers grave in the Westerkerk. It was in a numbered 'kerkgraf' (grave owned by the church) somewhere under a tombstone in the church. After twenty years, his remains were taken away and destroyed, as was customary.


Works

In a letter to Huygens, Rembrandt offered the only surviving explanation of what he sought to achieve through his art: ''the greatest and most natural movement'', translated from ''de meeste en de natuurlijkste beweegelijkheid''. The word "beweegelijkheid" is also argued to mean "emotion" or "motive". Whether this refers to objectives, material or otherwise, is open to interpretation; either way, critics have drawn particular attention to the way Rembrandt seamlessly melded the earthly and spiritual. Earlier-20th-century connoisseurs claimed Rembrandt had produced well over 600 paintings, nearly 400
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s and 2,000 drawings. More recent scholarship, from the 1960s to the present day (led by the Rembrandt Research Project), often controversially, has winnowed his oeuvre to nearer 300 paintings. His
prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserved ...
, traditionally all called
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s, although many are produced in whole or part by
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
and sometimes
drypoint Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The ...
, have a much more stable total of slightly under 300. It is likely Rembrandt made many more drawings in his lifetime than 2,000, but those extant are more rare than presumed. Two experts claim that the number of drawings whose autograph status can be regarded as effectively "certain" is no higher than about 75, although this is disputed. The list was to be unveiled at a scholarly meeting in February 2010. At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one etchings, which include many of the most remarkable images of the group. Some show him posing in quasi-historical fancy dress, or pulling faces at himself. His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face. In his portraits and self-portraits, he angles the sitter's face in such a way that the ridge of the nose nearly always forms the line of demarcation between brightly illuminated and shadowy areas. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the riddle of halftones, serves to focus the viewer's attention upon, and to dramatize, the division between a flood of light—an overwhelming clarity—and a brooding duskiness. In a number of biblical works, including ''The Raising of the Cross'', ''Joseph Telling His Dreams'' and ''
The Stoning of Saint Stephen ''The Stoning of Saint Stephen'' is the first signed painting by Dutch artist Rembrandt, made in 1625 at the age of 19. one of his earlier works is an oil painting on a wood panel and currently exhibited at the Musée des Beaux-Arts de Lyon. Th ...
'', Rembrandt painted himself as a character in the crowd. Durham suggests that this was because the Bible was for Rembrandt "a kind of diary, an account of moments in his own life". Among the more prominent characteristics of Rembrandt's work are his use of
chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
, the theatrical employment of light and shadow derived from
Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of h ...
, or, more likely, from the Dutch
Caravaggisti The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never establish ...
, but adapted for very personal means. Also notable are his dramatic and lively presentation of subjects, devoid of the rigid formality that his contemporaries often displayed, and a deeply felt compassion for mankind, irrespective of wealth and age. His immediate family—his wife Saskia, his son Titus and his common-law wife Hendrickje—often figured prominently in his paintings, many of which had
mythical Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrati ...
, biblical or historical themes.


Periods, themes and styles

Throughout his career Rembrandt took as his primary subjects the themes of portraiture, landscape and narrative painting. For the last, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention to detail. Stylistically, his paintings progressed from the early "smooth" manner, characterized by fine technique in the portrayal of illusionistic form, to the late "rough" treatment of richly variegated paint surfaces, which allowed for an illusionism of form suggested by the tactile quality of the paint itself. A parallel development may be seen in Rembrandt's skill as a printmaker. In the etchings of his maturity, particularly from the late 1640s onward, the freedom and breadth of his drawings and paintings found expression in the print medium as well. The works encompass a wide range of subject matter and technique, sometimes leaving large areas of white paper to suggest space, at other times employing complex webs of line to produce rich dark tones. It was during Rembrandt's Leiden period (1625–1631) that Lastman's influence was most prominent. It is also likely that at this time Lievens had a strong impact on his work as well.van de Wetering, p. 284. Paintings were rather small, but rich in details (for example, in costumes and jewelry). Religious and
allegorical As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory t ...
themes were favored, as were tronies. In 1626 Rembrandt produced his first etchings, the wide dissemination of which would largely account for his international fame. In 1629 he completed ''
Judas Repentant, Returning the Pieces of Silver ''Judas Returning the Thirty Pieces of Silver'' is a painting by Rembrandt, now in Mulgrave Castle in Lythe, North Yorkshire. It depicts the story of Matthew 27:3: "Then Judas, which had betrayed him, when he saw that he was condemned, repented h ...
'' and '' The Artist in His Studio'', works that evidence his interest in the handling of light and variety of paint application, and constitute the first major progress in his development as a painter. During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format ('' The Blinding of Samson'', 1636, '' Belshazzar's Feast'', c. 1635 ''
Danaë In Greek mythology, Danaë (, ; ; , ) was an Argive princess and mother of the hero Perseus by Zeus. She was credited with founding the city of Ardea in Latium during the Bronze Age. Family Danae was the daughter and only child of King Acris ...
'', 1636 but reworked later), seeking to emulate the baroque style of
Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
. With the occasional help of assistants in Uylenburgh's workshop, he painted numerous portrait commissions both small ( ''Jacob de Gheyn III'') and large (''Portrait of the Shipbuilder Jan Rijcksen and his Wife'', 1633, ''
Anatomy Lesson of Dr. Nicolaes Tulp ''The Anatomy Lesson of Dr. Nicolaes Tulp'' is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. The painting is regarded as one of Rembrandt's early masterpieces. In the work, Nicolaes Tu ...
'', 1632). By the late 1630s Rembrandt had produced a few paintings and many etchings of
landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies (''Cottages before a Stormy Sky'', c. 1641; ''The Three Trees'', 1643). From 1640 his work became less exuberant and more sober in tone, possibly reflecting personal tragedy. Biblical scenes were now derived more often from the
New Testament The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Chris ...
than the
Old Testament The Old Testament (often abbreviated OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible or Tanakh, a collection of ancient religious Hebrew writings by the Israelites. The ...
, as had been the case before. In 1642 he painted ''
The Night Watch ''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), i ...
'', the most substantial of the important group portrait commissions which he received in this period, and through which he sought to find solutions to compositional and narrative problems that had been attempted in previous works. In the decade following the ''Night Watch'', Rembrandt's paintings varied greatly in size, subject, and style. The previous tendency to create dramatic effects primarily by strong contrasts of light and shadow gave way to the use of frontal lighting and larger and more saturated areas of color. Simultaneously, figures came to be placed parallel to the picture plane. These changes can be seen as a move toward a classical mode of composition and, considering the more expressive use of brushwork as well, may indicate a familiarity with Venetian art (''Susanna and the Elders'', 1637–47). At the same time, there was a marked decrease in painted works in favor of etchings and drawings of landscapes. In these graphic works natural drama eventually made way for quiet Dutch rural scenes. In the 1650s, Rembrandt's style changed again. Colors became richer and brush strokes more pronounced. With these changes, Rembrandt distanced himself from earlier work and current fashion, which increasingly inclined toward fine, detailed works. His use of light becomes more jagged and harsh, and shine becomes almost nonexistent. His singular approach to paint application may have been suggested in part by familiarity with the work of
Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ...
, and could be seen in the context of the then current discussion of 'finish' and surface quality of paintings. Contemporary accounts sometimes remark disapprovingly of the coarseness of Rembrandt's brushwork, and the artist himself was said to have dissuaded visitors from looking too closely at his paintings. The tactile manipulation of paint may hearken to medieval procedures, when mimetic effects of rendering informed a painting's surface. The result is a richly varied handling of paint, deeply layered and often apparently haphazard, which suggests form and space in both an illusory and highly individual manner. In later years biblical themes were still depicted often, but emphasis shifted from dramatic group scenes to intimate portrait-like figures (''James the Apostle'', 1661). In his last years, Rembrandt painted his most deeply reflective self-portraits (from 1652 to 1669 he painted fifteen), and several moving images of both men and women (''
The Jewish Bride ''The Jewish Bride'' ( nl, Het Joodse bruidje) is a painting by Rembrandt, painted around 1665‒1669. The painting gained its current name in the early 19th century, when an Amsterdam art collector identified the subject as that of a Jewish fath ...
'', c. 1666)—in love, in life, and before God.


Graphic works

Rembrandt produced
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Only the troubled year of 1649 produced no dated work. He took easily to etching and, though he also learned to use a burin and partly
engraved Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an i ...
many plates, the freedom of etching technique was fundamental to his work. He was very closely involved in the whole process of printmaking, and must have printed at least early examples of his etchings himself. At first he used a style based on drawing, but soon moved to one based on painting, using a mass of lines and numerous bitings with the acid to achieve different strengths of line. Towards the end of the 1630s, he reacted against this manner and moved to a simpler style, with fewer bitings. He worked on the so-called ''
Hundred Guilder Print The ''Hundred Guilder Print'' is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called ''Christ healing the sick'', ''Christ with the Sick around Him, Receiv ...
'' in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. Although the print only survives in two states, the first very rare, evidence of much reworking can be seen underneath the final print and many drawings survive for elements of it. In the mature works of the 1650s, Rembrandt was more ready to improvise on the plate and large prints typically survive in several states, up to eleven, often radically changed. He now used
hatching Hatching (french: hachure) is an artistic technique used to create tonal or shading Shading refers to the depiction of depth perception in 3D models (within the field of 3D computer graphics) or illustrations (in visual art) by varying ...
to create his dark areas, which often take up much of the plate. He also experimented with the effects of printing on different kinds of paper, including Japanese paper, which he used frequently, and on
vellum Vellum is prepared animal skin or membrane, typically used as writing material. Parchment is another term for this material, from which vellum is sometimes distinguished, when it is made from calfskin, as opposed to that made from other anim ...
. He began to use "
surface tone In printmaking, surface tone, or surface-tone, is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking m ...
," leaving a thin film of ink on parts of the plate instead of wiping it completely clean to print each impression. He made more use of
drypoint Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The ...
, exploiting, especially in landscapes, the rich fuzzy burr that this technique gives to the first few impressions. His prints have similar subjects to his paintings, although the twenty-seven self-portraits are relatively more common, and portraits of other people less so. There are forty-six landscapes, mostly small, which largely set the course for the graphic treatment of landscape until the end of the 19th century. One third of his etchings are of religious subjects, many treated with a homely simplicity, whilst others are his most monumental prints. A few erotic, or just obscene, compositions have no equivalent in his paintings. He owned, until forced to sell it, a magnificent collection of prints by other artists, and many borrowings and influences in his work can be traced to artists as diverse as Mantegna,
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
,
Hercules Seghers Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...
, and
Giovanni Benedetto Castiglione Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monoty ...
. Drawings by Rembrandt and his pupils/followers have been extensively studied by many artists and scholars through the centuries. His original draughtsmanship has been described as an individualistic art style that was very similar to East Asian old masters, most notably Chinese masters:Mendelowitz, Daniel Marcus: ''Drawing''. (New York: Holt, Rinehart & Winston, Inc., 1967), p. 305. As Mendelowitz (1967) noted: "Probably no one has combined to as great a degree as Rembrandt a disciplined exposition of what his eye saw and a love of line as a beautiful thing in itself. His "Winter Landscape" displays the virtuosity of performance of an Oriental master, yet unlike the Oriental calligraphy, it is not based on an established convention of brush performance. It is as personal as handwriting." a "combination of formal clarity and
calligraphic Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as ...
vitality in the movement of pen or brush that is closer to
Chinese painting Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western style ...
in technique and feeling than to anything in European art before the twentieth century".Sullivan, Michael: ''The Meeting of Eastern and Western Art''. (Berkeley/Los Angeles: University of California Press, 1989), p. 91


Oriental inspiration

Rembrandt was interested in Mughal miniatures, especially around the 1650s. He drew versions of some 23 Mughal paintings, and may have owned an album of them. These miniatures include paintings of
Shah Jahan Shihab-ud-Din Muhammad Khurram (5 January 1592 – 22 January 1666), better known by his regnal name Shah Jahan I (; ), was the fifth emperor of the Mughal Empire, reigning from January 1628 until July 1658. Under his emperorship, the Mugha ...
,
Akbar Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Hum ...
,
Jahangir Nur-ud-Din Muhammad Salim (30 August 1569 – 28 October 1627), known by his imperial name Jahangir (; ), was the fourth Mughal Emperor, who ruled from 1605 until he died in 1627. He was named after the Indian Sufi saint, Salim Chishti. Ear ...
and
Dara Shikoh Dara Shikoh ( fa, ), also known as Dara Shukoh, (20 March 1615 – 30 August 1659) was the eldest son and heir-apparent of the Mughal emperor Shah Jahan. Dara was designated with the title ''Padshahzada-i-Buzurg Martaba'' ("Prince of High Rank ...
. They may also have influenced the costumes and other aspects of his works.


''The Night Watch''

Rembrandt painted the large painting ''The Militia Company of Captain Frans Banning Cocq'' between 1640 and 1642. This picture was called ''De Nachtwacht'' by the Dutch and ''The Night Watch'' by Sir
Joshua Reynolds Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depend ...
because by the 18th century the picture was so dimmed and defaced that it was almost indistinguishable, and it looked quite like a night scene. After it was cleaned, it was discovered to represent broad day—a party of
musketeer A musketeer (french: mousquetaire) was a type of soldier equipped with a musket. Musketeers were an important part of early modern warfare particularly in Europe as they normally comprised the majority of their infantry. The musketeer was a pr ...
s stepping from a gloomy courtyard into the blinding sunlight. The piece was commissioned for the new hall of the '' Kloveniersdoelen'', the musketeer branch of the civic militia. Rembrandt departed from convention, which ordered that such genre pieces should be stately and formal, rather a line-up than an action scene. Instead he showed the militia readying themselves to embark on a mission (what kind of mission, an ordinary patrol or some special event, is a matter of debate). Contrary to what is often said, the work was hailed as a success from the beginning. Parts of the canvas were cut off (approximately 20% from the left hand side was removed) to make the painting fit its new position when it was moved to Amsterdam town hall in 1715; the Rijksmuseum has a smaller copy of what is thought to be the full original composition; the four figures in the front are at the centre of the canvas. The painting is now in the
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the ...
.


Expert assessments

In 1968 the Rembrandt Research Project began under the sponsorship of the Netherlands Organization for the Advancement of Scientific Research; it was initially expected to last a highly optimistic ten years. Art historians teamed up with experts from other fields to reassess the authenticity of works attributed to Rembrandt, using all methods available, including state-of-the-art technical diagnostics, and to compile a complete new
catalogue raisonné A ''catalogue raisonné'' (or critical catalogue) is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified ...
of his paintings. As a result of their findings, many paintings that were previously attributed to Rembrandt have been removed from their list, although others have been added back. Many of those removed are now thought to be the work of his students. One example of activity is '' The Polish Rider'', in New York's
Frick Collection The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the Frick Madison) features Old Master paintings and European fine and decorative arts, including works by ...
. Rembrandt's authorship had been questioned by at least one scholar, Alfred von Wurzbach, at the beginning of the twentieth century, but for many decades later most scholars, including the foremost authority writing in English,
Julius S. Held Julius Samuel Held (1905–2002) was an art historian, collector, and expert on Dutch painters Peter Paul Rubens, Anthony van Dyck, and Rembrandt. He published several monographs and was a professor of art history at Barnard College, Columbia ...
, agreed that it was indeed by the master. In the 1980s, however, Dr. Josua Bruyn of the Foundation Rembrandt Research Project cautiously and tentatively attributed the painting to one of Rembrandt's closest and most talented pupils,
Willem Drost Willem Drost (baptized 19 April 1633 – buried 25 February 1659) was a Dutch Golden Age painter and printmaker of history paintings and portraits. Biography He is a mysterious figure, closely associated with Rembrandt, with very few painti ...
, about whom little is known. But Bruyn's remained a minority opinion, the suggestion of Drost's authorship is now generally rejected, and the Frick itself never changed its own attribution, the label still reading "Rembrandt" and not "attributed to" or "school of". More recent opinion has shifted even more decisively in favor of the Frick, with
Simon Schama Sir Simon Michael Schama (; born 13 February 1945) is an English historian specialising in art history, Dutch history, Jewish history, and French history. He is a University Professor of History and Art History at Columbia University. He fi ...
(in his 1999 book ''Rembrandt's Eyes'') and the Rembrandt Project scholar Ernst van de Wetering (Melbourne Symposium, 1997) both arguing for attribution to the master. Those few scholars who still question Rembrandt's authorship feel that the execution is uneven, and favour different attributions for different parts of the work. A similar issue was raised by Simon Schama in his book ''Rembrandt's Eyes'' concerning the verification of titles associated with the subject matter depicted in Rembrandt's works. For example, the exact subject being portrayed in ''
Aristotle with a Bust of Homer ''Aristotle with a Bust of Homer'' ( nl, Aristoteles bij de buste van Homerus), also known as ''Aristotle Contemplating a Bust of Homer'', is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a s ...
'' (recently retitled by curators at the Metropolitan Museum) has been directly challenged by Schama applying the scholarship of Paul Crenshaw. Schama presents a substantial argument that it was the famous ancient Greek painter
Apelles Apelles of Kos (; grc-gre, Ἀπελλῆς; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed ('' Naturalis Historia'' 35.36.79–97 and ''passim' ...
who is depicted in contemplation by Rembrandt and not Aristotle. Another painting, ''Pilate Washing His Hands'', is also of questionable attribution. Critical opinion of this picture has varied since 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. Scholars have since dated the painting to the 1660s and assigned it to an anonymous pupil, possibly Aert de Gelder. The composition bears superficial resemblance to mature works by Rembrandt but lacks the master's command of illumination and modeling. The attribution and re-attribution work is ongoing. In 2005 four oil paintings previously attributed to Rembrandt's students were reclassified as the work of Rembrandt himself: ''Study of an Old Man in Profile'' and ''Study of an Old Man with a Beard'' from a US private collection, '' Study of a Weeping Woman'', owned by the
Detroit Institute of Arts The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers with a major renovation and expansion project comple ...
, and ''Portrait of an Elderly Woman in a White Bonnet'', painted in 1640. The ''Old Man Sitting in a Chair'' is a further example: in 2014, Professor
Ernst van de Wetering Ernst van de Wetering (9 March 1938 – 11 August 2021) was a Dutch art historian and an expert on Rembrandt and his work. Background Ernst van de Wetering was born in Hengelo. He was first trained as an artist at the Royal Academy of Fine Arts ...
offered his view to ''
The Guardian ''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers '' The Observer'' and '' The Guardian Weekly'', ''The Guardian'' is part of the ...
'' that the demotion of the 1652 painting ''Old Man Sitting in a Chair'' "was a vast mistake...it is a most important painting. The painting needs to be seen in terms of Rembrandt's experimentation". This was highlighted much earlier by
Nigel Konstam Nigel Konstam (8 December 1932 – 19 July 2022) was a British sculptor and art historian who has researched the history of art and lectured internationally on art historical subjects. He specialised in exploring the development of Man's ability ...
who studied Rembrandt throughout his career. Rembrandt's own studio practice is a major factor in the difficulty of attribution, since, like many masters before him, he encouraged his students to copy his paintings, sometimes finishing or retouching them to be sold as originals, and sometimes selling them as authorized copies. Additionally, his style proved easy enough for his most talented students to emulate. Further complicating matters is the uneven quality of some of Rembrandt's own work, and his frequent stylistic evolutions and experiments. As well, there were later imitations of his work, and restorations which so seriously damaged the original works that they are no longer recognizable. It is highly likely that there will never be universal agreement as to what does and what does not constitute a genuine Rembrandt.


Painting materials

Technical investigation of Rembrandt's paintings in the possession of the
Gemäldegalerie Alte Meister The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
and in the Gemäldegalerie Alte Meister (Kassel) was conducted by Hermann Kühn in 1977. The pigment analyses of some thirty paintings have shown that Rembrandt's palette consisted of the following pigments:
lead white White lead is the basic lead carbonate 2PbCO3·Pb(OH)2. It is a complex salt, containing both carbonate and hydroxide ions. White lead occurs naturally as a mineral, in which context it is known as hydrocerussite, a hydrate of cerussite. It was ...
, various
ochres Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced ...
, Vandyke brown, Bone Black (pigment), bone black, charcoal black, lamp black, vermilion, madder lake, azurite, ultramarine, yellow lake and lead-tin-yellow. One painting (Saskia van Uylenburgh as Flora) reportedly contains gamboge. Rembrandt very rarely used pure blue or green colors, the most pronounced exception being Belshazzar's Feast (Rembrandt), ''Belshazzar's Feast''Bomford, D. et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006 in the National Gallery in London. The book by Bomford describes more recent technical investigations and pigment analyses of Rembrandt's paintings predominantly in the National Gallery in London. The entire array of pigments employed by Rembrandt can be found at ColourLex. The best source for technical information on Rembrandt's paintings on the web is the Rembrandt Database containing all works of Rembrandt with detailed investigative reports, infrared and radiography images and other scientific details.


Name and signature

"Rembrandt" is a modification of the spelling of the artist's first name that he introduced in 1633. "Harmenszoon" indicates that his father's name is Harmen. "van Rijn" indicates that his family lived near the Rhine. Roughly speaking, his earliest signatures (c. 1625) consisted of an initial "R", or the monogram "RH" (for Rembrant Harmenszoon), and starting in 1629, "RHL" (the "L" stood, presumably, for Leiden). In 1632, he used this monogram early in the year, then added his family name to it, "RHL-van Rijn", but replaced this form in that same year and began using his first name alone with its original spelling, "Rembrant". In 1633 he added a "d", and maintained this form consistently from then on, proving that this minor change had a meaning for him (whatever it might have been). This change is purely visual; it does not change the way his name is pronounced. Curiously enough, despite the large number of paintings and etchings signed with this modified first name, most of the documents that mentioned him during his lifetime retained the original "Rembrant" spelling. (Note: the rough chronology of signature forms above applies to the paintings, and to a lesser degree to the etchings; from 1632, presumably, there is only one etching signed "RHL-v. Rijn," the large-format "Raising of Lazarus," B 73). His practice of signing his work with his first name, later followed by Vincent van Gogh, was probably inspired by
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
, Leonardo da Vinci and Michelangelo who, then as now, were referred to by their first names alone.


Workshop

Rembrandt ran a large workshop and had many pupils. The list of Rembrandt pupils from his period in Leiden as well as his time in Amsterdam is quite long, mostly because his influence on painters around him was so great that it is difficult to tell whether someone worked for him in his studio or just copied his style for patrons eager to acquire a Rembrandt. A partial list should include Ferdinand Bol, Adriaen Brouwer,
Gerrit Dou Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ...
,
Willem Drost Willem Drost (baptized 19 April 1633 – buried 25 February 1659) was a Dutch Golden Age painter and printmaker of history paintings and portraits. Biography He is a mysterious figure, closely associated with Rembrandt, with very few painti ...
, Heiman Dullaart, Gerbrand van den Eeckhout, Carel Fabritius, Govert Flinck, Hendrick Fromantiou, Aert de Gelder, Samuel Dirksz van Hoogstraten, Abraham Janssens, Godfrey Kneller, Philip de Koninck, Jacob Levecq, Nicolaes Maes, Jürgen Ovens, Christopher Paudiß, Willem de Poorter, Jan Victors, and Willem van der Vliet.


Museum collections

The most notable collections of Rembrandt's work are at Amsterdam's Rijksmuseum Amsterdam, Rijksmuseum, including ''
The Night Watch ''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), i ...
'' and ''
The Jewish Bride ''The Jewish Bride'' ( nl, Het Joodse bruidje) is a painting by Rembrandt, painted around 1665‒1669. The painting gained its current name in the early 19th century, when an Amsterdam art collector identified the subject as that of a Jewish fath ...
'', the Mauritshuis in The Hague, the Hermitage Museum in Saint Petersburg, St. Petersburg, the National Gallery in London, Gemäldegalerie, Berlin, Gemäldegalerie in Berlin,
Gemäldegalerie Alte Meister The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
in Dresden, The Louvre, Nationalmuseum, Stockholm, and Schloss Wilhelmshöhe in Kassel. The Royal Castle, Warsaw, Royal Castle in Warsaw displays two paintings by Rembrandt. Notable collections of Rembrandt's paintings in the United States are housed in the Metropolitan Museum of Art and
Frick Collection The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the Frick Madison) features Old Master paintings and European fine and decorative arts, including works by ...
in New York City, the National Gallery of Art in Washington, D.C., Museum of Fine Arts, Boston, Museum of Fine Arts in Boston, and J. Paul Getty Museum in Los Angeles. The Rembrandt House Museum in central Amsterdam in the house he bought at the height of his success, has furnishings that are mostly not original, but period pieces comparable to those Rembrandt might have had, and paintings reflecting Rembrandt's use of the house for art dealing. His printmaking studio has been set up with a printing press, where replica prints are printed. The museum has a few Rembrandt paintings, many loaned, but an important collection of his prints, a good selection of which are on rotating display. All major print rooms have large collections of Rembrandt prints, although as some exist in only a single impression, no collection is complete. The degree to which these collections are displayed to the public, or can easily be viewed by them in the print room, varies greatly.


Influence and recognition

Rembrandt is List of things named after Rembrandt van Rijn, one of the most famous and List of works about Rembrandt, the best expertly researched visual artists in history.Seymour Slive, Slive, Seymour: ''Rembrandt and his Critics, 1630–1730''. (The Hague: Martinus Nijhoff, 1953) His life and art have long attracted the attention of interdisciplinary scholarship such as art history, socio-political history, cultural history, education, humanities, philosophy and aesthetics, psychology, sociology, literary studies, anatomy, medicine, religious studies, theology, Jewish studies, Oriental studies (Asian studies), global studies, and art market, art market research. He has been the subject of a vast amount of literature List of works about Rembrandt, in genres of both fiction and nonfiction. Research and scholarship related to Rembrandt is an academic field in its own right with many notable List of Rembrandt connoisseurs and scholars, connoisseurs and scholars and has been very dynamic since the Dutch Golden Age. According to art historian and Rembrandt scholar Stephanie Dickey:
[Rembrandt] earned international renown as a painter, printmaker, teacher, and art collector while never leaving the Dutch Republic. In his home city of Leiden and in Amsterdam, where he worked for nearly forty years, he mentored generations of other painters and produced a body of work that has never ceased to attract admiration, critique, and interpretation. (...) Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from Rembrandt toothpaste, toothpaste to self-help advice.Franits, Wayne (ed.): ''The Ashgate Research Companion to Dutch Art of the Seventeenth Century''. (Burlington, VT: Ashgate, 2016)
Francisco Goya, often considered to be among the last of the Old Masters, said, "I have had three masters: Nature, Diego Velázquez, Velázquez, and Rembrandt." ("Yo no he tenido otros maestros que la Naturaleza, Velázquez y Rembrandt.") In the history of the reception and interpretation of Rembrandt's art, it was the significant Rembrandt-inspired 'revivals' or 'rediscoveries' in 18th–19th century France, Germany, and Britain that decisively helped in establishing his lasting fame in subsequent centuries. When a critic referred to
Auguste Rodin François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a uniqu ...
's busts in the same vein as Rembrandt's portraits, the French sculptor responded: "Compare me with Rembrandt? What sacrilege! With Rembrandt, the colossus of Art! What are you thinking of, my friend! We should prostrate ourselves before Rembrandt and never compare anyone with him!” Vincent van Gogh wrote to Theo van Gogh (art dealer), his brother Theo (1885), "Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language. It is with justice that they call Rembrandt—magician—that's no easy occupation."


Rembrandt and the Jewish world

Although Rembrandt was not Jewish, he has had a considerable influence on many modern Jewish artists, writers and scholars (art critics and art historians in particular). The German-Jewish painter Max Liebermann said, "Whenever I see a Frans Hals, I feel like painting; whenever I see a Rembrandt, I feel like giving up." Marc Chagall wrote in 1922, "Neither Imperial Russia, nor the Russia of the Soviets needs me. They don't understand me. I am a stranger to them," and he added, "I'm certain Rembrandt loves me."


Criticism of Rembrandt

Rembrandt has also been one of the most controversial (visual) artists in history. Several of Rembrandt's notable critics include
Constantijn Huygens Sir Constantijn Huygens, Lord of Zuilichem ( , , ; 4 September 159628 March 1687), was a Dutch Golden Age poet and composer. He was also secretary to two Princes of Orange: Frederick Henry and William II, and the father of the scientist Ch ...
, Joachim von Sandrart, :nl:Andries Pels (1631-1681), Andries Pels (who called Rembrandt "the first heretic in the art of painting"), Samuel van Hoogstraten,
Arnold Houbraken Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters. Life Houbraken was sent first to learn ''threadtwisting'' (Twyndraat) ...
,Joachim von Sandrart, Von Sandrart, Joachim; Filippo Baldinucci, Baldinucci, Filippo; Arnold Houbraken, Houbraken, Arnold: ''Lives of Rembrandt'' [Lives of the Artists]. Introduced by Charles Ford. (Los Angeles, CA: J. Paul Getty Museum, 2018) Filippo Baldinucci, Gerard de Lairesse, Roger de Piles, John Ruskin,Nichols, Aidan: ''All Great Art is Praise: Art and Religion in John Ruskin''. (Washington, D.C.: The Catholic University of America Press, 2016), p. 454. In John Ruskin, Ruskin' words, "It is the aim of the best painters to paint the noblest things they can see by sunlight. It was the aim of Rembrandt to paint the foulest things he could see – by rushlight." and Eugène Fromentin.


In popular culture

While shooting ''The Warrens of Virginia'' (1915), Cecil B. DeMille had experimented with lighting instruments borrowed from a Los Angeles opera house. When business partner Sam Goldwyn saw a scene in which only half an actor's face was illuminated, he feared the exhibitors would pay only half the price for the picture. DeMille remonstrated that it was Rembrandt lighting. "Sam's reply was jubilant with relief," recalled DeMille. "For Rembrandt lighting the exhibitors would pay double!"


Works about Rembrandt


Literary works (e.g. poetry and fiction)

* ''To the Picture of Rembrandt'' (Russian-language poem by Mikhail Lermontov, 1830) * ''Gaspard de la Nuit (poetry collection), Gaspard de la nuit: Fantaisies à la manière de Rembrandt et de Callot'' (French-language prose poems by Aloysius Bertrand, 1842) * ''Picture This (novel), Picture This'' (1988 novel by Joseph Heller) * ''Moi, la Putain de Rembrandt'' (French-language novel by Sylvie Matton, 1998) * ''Van Rijn'' (2006 novel by Sarah Emily Miano) * ''I Am Rembrandt's Daughter'' (2007 novel by Lynn Cullen) * ''The Rembrandt Affair'' (2011 novel by Daniel Silva (novelist), Daniel Silva) * ''The Anatomy Lesson'' (2014 novel by Nina Siegal) * ''Rembrandt's Mirror'' (2015 novel by Kim Devereux)


Films

* ''The Stolen Rembrandt'' (1914 film directed by Leo D. Maloney and J.P. McGowan) * ''The Tragedy of a Great'' / ''Die Tragödie eines Großen'' (1920 film directed by Arthur Günsburg) * ''The Missing Rembrandt'' (1932 film directed by Leslie S. Hiscott) * ''Rembrandt (1936 film), Rembrandt'' (1936 film directed by Alexander Korda) * ''Rembrandt (1940 film), Rembrandt'' (1940 film) * ''Rembrandt in de schuilkelder'' / ''Rembrandt in the Bunker'' (1941 film directed by Gerard Rutten) * ''Rembrandt (1942 film), Rembrandt'' (1942 film directed by Hans Steinhoff) * ''Rembrandt: A Self-Portrait'' (1954 documentary film by Morrie Roizman) * ''Rembrandt, schilder van de mens'' / ''Rembrandt, Painter of Man'' (1957 film directed by Bert Haanstra) * ''Rembrandt fecit 1669'' (1977 film directed by Jos Stelling) * ''Rembrandt: The Public Eye and the Private Gaze'' (1992 documentary film by
Simon Schama Sir Simon Michael Schama (; born 13 February 1945) is an English historian specialising in art history, Dutch history, Jewish history, and French history. He is a University Professor of History and Art History at Columbia University. He fi ...
) * ''Rembrandt (1999 film), Rembrandt'' (1999 film directed by Charles Matton) * '':it:Rembrandt: Fathers & Sons, Rembrandt: Fathers & Sons'' (1999 film directed by David Devine) * ''Stealing Rembrandt'' (2003 film directed by Jannik Johansen and Anders Thomas Jensen) * ''Simon Schama's Power of Art: Rembrandt'' (2006 BBC documentary film series by Simon Schama) * ''Nightwatching'' (2007 film directed by Peter Greenaway) * ''Rembrandt's J'Accuse'' (2008 documentary film by Peter Greenaway) * '':nl:Rembrandt en ik, Rembrandt en ik'' (2011 film directed by Marleen Gorris) * ''Schama on Rembrandt: Masterpieces of the Late Years'' (2014 documentary film by Simon Schama) * ''Rembrandt: From the National Gallery, London and Rijksmuseum, Amsterdam'' (2014 documentary film by Exhibition on Screen)


Selected works

* ''
The Stoning of Saint Stephen ''The Stoning of Saint Stephen'' is the first signed painting by Dutch artist Rembrandt, made in 1625 at the age of 19. one of his earlier works is an oil painting on a wood panel and currently exhibited at the Musée des Beaux-Arts de Lyon. Th ...
'' (1625) – Museum of Fine Arts of Lyon, Musée des Beaux-Arts, Lyon * ''Andromeda Chained to the Rocks'' (1630) – Mauritshuis, The Hague * ''Jacob de Gheyn III'' (1632) – Dulwich Picture Gallery, London * ''Philosopher in Meditation'' (1632) – The Louvre, Paris * ''The Anatomy Lesson of Dr. Nicolaes Tulp'' (1632) – Mauritshuis, The Hague * ''Artemisia (Rembrandt), Artemisia'' (1634) – oil on canvas, 142 × 152 cm, Museo del Prado, Madrid * ''The Descent from the Cross (Rembrandt, 1634), Descent from the Cross'' (1634) – oil on canvas, 158 × 117 cm, looted from the Landgrave of Landgraviate of Hesse-Kassel, Hesse-Kassel (or Hesse-Cassel), Germany in 1806, currently Hermitage Museum, St. Petersburg * '' Belshazzar's Feast'' (1635) – National Gallery, London * ''The Prodigal Son in the Tavern'' (c. 1635) – oil on canvas, 161 × 131 cm
Gemäldegalerie Alte Meister The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
, Dresden
* ''Danaë (Rembrandt painting), Danaë'' (1636 – c. 1643) – Hermitage Museum, St. Petersburg * ''The Scholar at the Lectern'' (1641) – Royal Castle in Warsaw, Warsaw * ''The Girl in a Picture Frame'' (1641) – Royal Castle, Warsaw * ''
The Night Watch ''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), i ...
'', formally ''The Militia Company of Captain Frans Banning Cocq'' (1642) –
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the ...
, Amsterdam
* ''Christ Healing the Sick'' (
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
c. 1643, also known as the ''
Hundred Guilder Print The ''Hundred Guilder Print'' is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called ''Christ healing the sick'', ''Christ with the Sick around Him, Receiv ...
''), nicknamed for the huge sum paid for it * ''Boaz and Ruth (paintings), Boaz and Ruth'' (1643) aka ''The Old Rabbi'' or ''Old Man'' – Woburn Abbey/Gemaldegalerie, Berlin * ''The Mill (Rembrandt), The Mill'' (1645/48) – National Gallery of Art, Washington, D.C. * ''Old Man with a Gold Chain'' ("''Old Man with a Black Hat and Gorget''") (c. 1631) Art Institute of Chicago * ''Susanna and the Elders (Rembrandt), Susanna and the Elders'' (1647) – oil on panel, 76 × 91 cm, Gemäldegalerie, Berlin * ''Head of Christ'' (c. 1648–56) – The Philadelphia Museum of Art * ''Aristotle Contemplating a Bust of Homer'' (1653) – Metropolitan Museum of Art, New York * ''Bathsheba at Her Bath (Rembrandt), Bathsheba at Her Bath'' (1654) – The Louvre, Paris * ''Christ Presented to the People (Ecce Homo)'' (1655) – Drypoint, Birmingham Museum of Art * ''Selfportrait'' (1658) –
Frick Collection The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the Frick Madison) features Old Master paintings and European fine and decorative arts, including works by ...
, New York
* ''The Three Crosses'' (1660) Etching, fourth state * ''Ahasuerus and Haman at the Feast of Esther'' (1660) – Pushkin Museum, Moscow * ''
The Conspiracy of Claudius Civilis ''The Conspiracy of Claudius Civilis'' ( nl, De samenzwering van de Bataven onder Claudius Civilis; sv, Batavernas trohetsed till Claudius Civilis) is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the larges ...
'' (1661) – Nationalmuseum, Stockholm (Gaius Julius Civilis, Claudius Civilis led a Dutch revolt against the Ancient Rome, Romans) (most of the cut up painting is lost, only the central part still exists) * ''Portrait of Dirck van Os'' (1662) – Joslyn Art Museum, Omaha, Nebraska * ''Syndics of the Drapers' Guild'' (Dutch ''De Staalmeesters'', 1662) – Rijksmuseum, Amsterdam * ''
The Jewish Bride ''The Jewish Bride'' ( nl, Het Joodse bruidje) is a painting by Rembrandt, painted around 1665‒1669. The painting gained its current name in the early 19th century, when an Amsterdam art collector identified the subject as that of a Jewish fath ...
'' (1665) – Rijksmuseum, Amsterdam * ''Haman before Esther'' (1665) – National Museum of Art of Romania, Bucharest * ''The Entombment Sketch'' (c. 1639, reworked c. 1654) – oil on oak panel, Hunterian Museum and Art Gallery, Glasgow * ''Saul and David'' (c. 1660–1665) – Mauritshuis, The Hague * ''Portrait of an Old Man'' (1645) – Calouste Gulbenkian Museum, Lisbon * ''Pallas Athena'' (c.1657) – Calouste Gulbenkian Museum, Lisbon


Exhibitions

* Sept–Oct 1898: ''Rembrandt Tentoonstelling'' (''Rembrandt Exhibition''), Stedelijk Museum, Amsterdam, The Netherlands. * Jan–Feb 1899: ''Rembrandt Tentoonstelling'' (''Rembrandt Exhibition''), Royal Academy, London, England. * 21 April 2011 – 18 July 2011: ''Rembrandt and the Face of Jesus'', Musée du Louvre. * 16 September 2013 – 14 November 2013: ''Rembrandt: The Consummate Etcher'', Syracuse University Art Galleries. * 19 May 2014 – 27 June 2014: ''From Rembrandt to Rosenquist: Works on Paper from the NAC's Permanent Collection'', National Arts Club. * 19 October 2014 – 4 January 2015: ''Rembrandt, Rubens, Gainsborough and the Golden Age of Painting in Europe'', Jule Collins Smith Museum of Art. * 15 October 2014 – 18 January 2015: ''Rembrandt: The Late Works'', The National Gallery, London. * 12 February 2015 – 17 May 2015: ''Late Rembrandt'', The Rijksmuseum, Amsterdam. * 16 September 2018 – 6 January 2019: ''Rembrandt – Painter as Printmaker'', Denver Art Museum, Denver. * 24 Aug 2019 – 1 December 2019: ''Leiden circa 1630: Rembrandt Emerges'', Agnes Etherington Art Centre, Kingston, Ontario. * 4 October 2019 – 2 February 2020: ''Rembrandt's Light'', Dulwich Picture Gallery, London. * 18 February 2020 – 30 August 2020: ''Rembrandt and Amsterdam portraiture, 1590–1670 '', Museo Nacional Thyssen-Bornemisza, Madrid. * 10 August 2020 – 1 November 2020: ''Young Rembrandt'', Ashmolean Museum, Oxford.


Paintings


Self-portraits

File:Self-portrait_(1628-1629),_by_Rembrandt.jpg, ''A young Rembrandt'', c. 1628, when he was 22. Partly an exercise in
chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
.
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the ...
File:Rembrandt van Rijn 184.jpg, ''Self-Portrait in a Gorget'', c. 1629; Germanisches Nationalmuseum, Nuremberg File:Selfportrait_(Rembrandt_Harmensz._van_Rijn)_-_Nationalmuseum_-_22374.tif, ''Self-portrait'', 1630, Nationalmuseum, Stockholm File:Rembrandt - Self-Portrait with Velvet Beret - Google Art Project.jpg, ''Self-Portrait with Velvet Beret and Furred Mantle'' 1634 File:Rembrandt1640.png, ''Self-portrait at the age of 34'', 1640, National Gallery London, National Gallery, London File:Rembrandt Harmenszoon van Rijn - Large Self-Portrait - Google Art Project.jpg, ''Self-Portrait (Rembrandt, Vienna), Self-Portrait'', oil on canvas, 1652. Kunsthistorisches Museum, Vienna File:Rembrandt Harmensz. van Rijn 132.jpg, ''Self-portrait'', Vienna c. 1655, oil on walnut, cut down in size. Kunsthistorisches Museum, Vienna File:Rembrant Self-Portrait, 1660.jpg, ''Self-portraits by Rembrandt, Self-Portrait'', 1660 File:Rembrandt Harmensz. van Rijn 142.jpg, ''Self-Portrait as Zeuxis Laughing, Self Portrait as Zeuxis'', c. 1662. One of 2 painted self-portraits in which Rembrandt is turned to the left.White, 200 Wallraf-Richartz Museum, Cologne File:Rembrandt Self-portrait (Kenwood).jpg, ''Self-Portrait with Two Circles'', c.1665–1669. Kenwood House, London File:Rembrandt Harmensz. van Rijn 134.jpg, ''Self-portrait'', 1669. File:Rembrandt Harmensz. van Rijn 135.jpg, ''Self-portrait at the age of 63'', dated 1669, the year he died. National Gallery, London


Other paintings

File:Rembrandt-Lapidation-Saint-Étienne-MBA-Lyon.jpg, ''
The Stoning of Saint Stephen ''The Stoning of Saint Stephen'' is the first signed painting by Dutch artist Rembrandt, made in 1625 at the age of 19. one of his earlier works is an oil painting on a wood panel and currently exhibited at the Musée des Beaux-Arts de Lyon. Th ...
'', 1625, The first painting by Rembrandt, painted at the age of 19. It is currently kept in the Musée des Beaux-Arts de Lyon. File:Rembrandt The Artist in his studio.jpg, ''Artist in His Studio'', 1628, Museum of Fine Arts, Boston File:Rembrandt Buste van oude man met bontmuts. 1630.jpg, ''Bust of an old man with a fur hat'', the artist's father, 1630 File:Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg, ''Jeremiah Lamenting the Destruction of Jerusalem,'' c. 1630 File:Rembrandt Harmensz. van Rijn 011.jpg, ''Andromeda Chained to the Rocks, Andromeda'', Circa 1630 File:Rembrandt - The Philosopher in Meditation.jpg, ''The Philosopher in Meditation'', 1632 File:Rembrandt - The Anatomy Lesson of Dr Nicolaes Tulp.jpg, ''
Anatomy Lesson of Dr. Nicolaes Tulp ''The Anatomy Lesson of Dr. Nicolaes Tulp'' is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. The painting is regarded as one of Rembrandt's early masterpieces. In the work, Nicolaes Tu ...
'', 1632 File:Aeltje Uylenburgh, by Rembrandt.jpg, ''Portrait of Aeltje Uylenburgh'', 1632, Museum of Fine Arts, Boston File:Rembrandt, Portrait of Saskia van Uylenburgh (1612–1642), circa 1633–1634, Gemäldegalerie Alte Meister, Kassel.jpg, ''Portrait of Saskia van Uylenburgh'', c. 1633–1634 File:Rembrandt Abraham en Isaac, 1634.jpg, ''The Sacrifice of Isaac (Rembrandt), Sacrifice of Isaac'', 1635 File:The Blinding of Samson (SM 1383).png, '' The Blinding of Samson'', 1636, which Rembrandt gave to Huyghens File:Rembrandt Harmensz. van Rijn 151.jpg, ''Susanna'', 1636 File:Rembrandt - Belshazzar's Feast - WGA19123.jpg, ''Belshazzar's Feast (Rembrandt), Belshassar's Feast'', 1636-1638 File:Rembrandt Harmensz. van Rijn 026.jpg, ''Danaë (Rembrandt painting), Danaë'', 1636 - c. 1643, Hermitage Museum File:Rembrandt De aartsengel verlaat Tobias en zijn gezin. 1637.jpg, ''The Archangel Raphael Leaving Tobias' Family'', 1637, Louvre File:Landscape with the Good Samaritan - Rembrandt.jpg, ''Landscape with the Good Samaritan, The Landscape with Good Samaritan'', 1638, Czartoryski Museum, Kraków File:Rembrandt Scholar at the Lectern.jpg, ''The Scholar at the Lectern, Scholar at his Writing Table'', 1641, Royal Castle, Warsaw File:Rembrandt van Rijn 195.jpg, ''Joseph's Dream (Rembrandt, 1645), Joseph's Dream'', c. 1645 File:Rembrandt - Susanna and the Elders - WGA19104.jpg, ''Susanna and the Elders (Rembrandt), Susanna and the Elders'', 1647 File:Rembrandt van Rijn - The Mill - Google Art Project.jpg, ''The Mill (Rembrandt), The Mill'', 1648 File:Rembrandt Harmenszoon van Rijn - An Old Man in Red.JPG, ''An Old Man in Red'', 1652–1654 File:Rembrandt Harmensz. van Rijn 013.jpg, ''
Aristotle with a Bust of Homer ''Aristotle with a Bust of Homer'' ( nl, Aristoteles bij de buste van Homerus), also known as ''Aristotle Contemplating a Bust of Homer'', is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a s ...
'', 1653, Metropolitan Museum of Art in New York File:The Kitchen Maid (Rembrandt Harmensz. van Rijn) - Nationalmuseum - 17587.tif, ''The Kitchen Maid (Rembrandt), Young Girl at the Window'', 1654, Nationalmuseum, Stockholm File:JanSix.jpg, ''Portrait of Jan Six'', a wealthy friend of Rembrandt, 1654 File:Rembrandt Harmensz. van Rijn 016.jpg, ''Bathsheba at Her Bath (Rembrandt), Bathsheba at Her Bath'', modelled by Hendrickje, 1654 File:A Woman Bathing in a Stream by Rembrandt.jpg, ''A Woman Bathing in a Stream'', modelled by Hendrickje, 1654 File:Pallas Athena by Rembrandt Museu Calouste Gulbenkian 1488.jpg, ''Pallas Athene (painting), Pallas Athene'', c.1655 File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg, ''The Anatomy Lesson of Dr. Deijman'', 1656 File:Rembrandt Harmensz. van Rijn 062.jpg, ''Jacob Blessing the Sons of Joseph (Rembrandt), Jacob Blessing the Sons of Joseph'', 1656 File:Rembrandt - Portrait of Hendrickje Stoffels - Google Art Project.jpg, ''Woman in a Doorway'', 1657–1658 File:Rembrandt Harmensz van Rijn - Ahasuerus, Haman and Esther - Google Art Project.jpg, ''Ahasuerus and Haman at the Feast of Esther'', 1660 File:Rembrandt Harmensz. van Rijn (Dutch - St. Bartholomew) - Google Art Project.jpg, ''Saint Bartholomew'', 1661, J. Paul Getty Museum File:Netherlands-4183 - The Syndics, Rembrandt.jpg, ''The Syndics of the Drapers' Guild'', 1662 File:The Conspiracy of the Batavians under Claudius Civilis (Rembrandt Harmensz. van Rijn) - Nationalmuseum - 17581.tif, ''
The Conspiracy of Claudius Civilis ''The Conspiracy of Claudius Civilis'' ( nl, De samenzwering van de Bataven onder Claudius Civilis; sv, Batavernas trohetsed till Claudius Civilis) is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the larges ...
'' (cut-down), 1661–62 File:Rembrandt Harmensz. van Rijn - Lucretia - 34.19 - Minneapolis Institute of Arts.jpg, ''Lucretia (Rembrandt, 1666), Lucretia'', 1666 (Minneapolis Institute of Art) File:Rembrandt Harmensz van Rijn - Return of the Prodigal Son - Google Art Project.jpg, ''The Return of the Prodigal Son (Rembrandt), The Return of the Prodigal Son'', detail, c. 1669 – Hermitage Museum, St. Petersburg File:Koerperstrafe- MA Birkenrute.png, Medieval schoolboy birched on the bare buttocks File:Rembrandt - The Abduction of Ganymede - Google Art Project - cropped.jpg, frameless, upcenter, , The Abduction of Ganymede, , 1635, , Oil on canvas, , 177 x 130, , Staatliche Kunstsammlungen Dresden, , 137, ,


Drawings and etchings

File:Rembrandt van Rijn - Zelfportret.jpg, ''Self-portrait'', c. 1628–29, pen and brush and ink on paper File:B320 Rembrandt.jpg, ''Self-portrait in a cap, with eyes wide open'', 1630,
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
and burin File:Rembrandt Seated Old Man.jpg, ''Seated Old Man'' (c.1630), red and black chalk on paper, Nationalmuseum, Nationalmuseum, Stockholm File:Rembrandt Susanna Zeichnung.jpg, ''Suzannah and the Elders'', 1634, drawing in Sanguine on paper, Kupferstichkabinett Berlin File:Self-portrait with Saskia.jpg, ''Self-portrait with Saskia'', 1636, etching,
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the ...
File:Rembrandt Harmenszoon van Rijn - An Elephant, 1637 - Google Art Project.jpg, ''An elephant'', 1637, drawing in black chalk on paper, Albertina, Austria File:Self portrait leaning on si 373x470.jpg, ''Self-portrait leaning on a Sill'', 1639, etching, National Gallery of Art File:Jesus und Ehebrecherin.jpg, ''Christ and the woman taken in adultery'', c. 1639–41, drawing in ink, Louvre File:Rembrandt Beggars I.jpg, ''Beggars I.'', c. 1640–42, ink on paper, Warsaw University Library File:Rembrandt - The windmill - Google Art Project.jpg, ''The Windmill'', 1641, etching File:Rembrandt 254.jpg, ''The Diemerdijk at Houtewael'' (near Amsterdam), 1648–49, pen and brown ink, brown wash, Museum Boijmans Van Beuningen File:Rembrandt Harmensz. van Rijn - Christ Crucified Between the Two Thieves ("The Three Crosses") - Google Art Project.jpg, ''Rembrandt's The Three Crosses, The Three Crosses'', 1653, drypoint etching, State (printmaking), state III of V, Museum of Fine Arts, Boston File:Virgin and child with cat.jpg, ''Virgin and Child with a Cat'', 1654, original copper etching plate above (the original copper plate), in Victoria and Albert Museum, example of the print below File:Rembrandt Christus aan het volk getoond.jpg, ''Christ presented to the People'',
drypoint Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The ...
etching, 1655, state I of VIII,
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the ...
File:Rembrandt Two Jews in Discussion, Walking.jpg, ''Two Old Men in Conversation /Two Jews in Discussion, Walking'', year unknown, black chalk and brown ink on paper, Teylers Museum File:Rembrandt A Child Being Taught to Walk.jpg, A child being taught to walk (c. 1635). David Hockney said: "I think it's the greatest drawing ever done... It's a magnificent drawing, magnificent." File:Amsterdam - Late Rembrandt Exposition 2015 - Young Woman Sleeping 1654 B (cropped).jpg, ''A young woman sleeping'' (c. 1654). Shows Rembrandt's calligraphic-style draughtsmanship.


Notes


References


Works cited

* Ackley, Clifford, et al., ''Rembrandt's Journey'', Museum of Fine Arts, Boston, 2004. * * Bomford, D. et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006 * Bull, Duncan, et al., ''Rembrandt-Caravaggio'', Rijksmuseum, 2006. * Buvelot, Quentin, White, Christopher (eds), ''Rembrandt by himself'', 1999, National Gallery * * Kenneth Clark, Clark, Kenneth, ''An Introduction to Rembrandt'', 1978, London, John Murray/Readers Union, 1978 * * Driessen, Christoph, ''Rembrandts vrouwen'', Bert Bakker, Amsterdam, 2012. * * Ernst Gombrich, Gombrich, E.H., ''The Story of Art'', Phaidon, 1995. * * ''The Complete Etchings of Rembrandt Reproduced in Original Size'', Gary Schwartz (editor). New York: Dover, 1988. * Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995, * Ernst van de Wetering, van de Wetering, Ernst in ''Rembrandt by himself'', 1999 National Gallery, London/Mauritshuis, The Hague, * Ernst van de Wetering, van de Wetering, Ernst, ''Rembrandt: The Painter at Work'', Amsterdam University Press, 2000. * White, Christopher, ''The Late Etchings of Rembrandt'', 1999, British Museum/Lund Humphries, London


Further reading

* Catalogue raisonné: Stichting Foundation Rembrandt Research Project: ** ''A Corpus of Rembrandt Paintings – Volume I'', which deals with works from Rembrandt's early years in Leiden (1629–1631), 1982 ** ''A Corpus of Rembrandt Paintings – Volume II: 1631–1634''. Bruyn, J., Haak, B. (et al.), Band 2, 1986, ** ''A Corpus of Rembrandt Paintings – Volume III, 1635–1642''. Bruyn, J., Haak, B., Levie, S.H., Pieter J.J. van Thiel, van Thiel, P.J.J., van de Wetering, E. (Ed. Hrsg.), Band 3, 1990, ** ''A Corpus of Rembrandt Paintings – Volume IV''.
Ernst van de Wetering Ernst van de Wetering (9 March 1938 – 11 August 2021) was a Dutch art historian and an expert on Rembrandt and his work. Background Ernst van de Wetering was born in Hengelo. He was first trained as an artist at the Royal Academy of Fine Arts ...
, Karin Groen et al. Springer, Dordrecht, the Netherlands. . p. 692. (Self-Portraits) * ''Rembrandt. Images and metaphors'', Christian Tümpel, Christian and Astrid Tümpel (editors), Haus Books London 2006 *


External links


A biography of the artist Rembrandt Harmensz. van Rijn from the National Gallery, London

Works and literature on Rembrandt from Pubhist.com

The Drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné by Martin Royalton-Kisch (in progress)

Rembrandt's house in Amsterdam
Site of the Rembrandt House Museum in Amsterdam, with images of many of his etchings * *
Rembrandt van Rijn, General Resources

Gary Schwartz The transparent connoisseur 3: the 30 million pound question



The Rembrandt Database
research data on the paintings, including the full contents of the first volumes of ''A Corpus of Rembrandt Paintings'' by the Rembrandt Research Project {{good article Rembrandt, 1606 births 1669 deaths Art collectors from Amsterdam Artists from Leiden Dutch art dealers Dutch Christians Dutch draughtsmen Dutch etchers Dutch Golden Age painters Dutch Golden Age printmakers Dutch male painters Dutch portrait painters Dutch printmakers Engravers from Amsterdam Leiden University alumni Painters from Amsterdam People celebrated in the Lutheran liturgical calendar