Postmodern art
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Postmodern art is a body of art movements that sought to contradict some aspects of
modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
or some aspects that emerged or developed in its aftermath. In general, movements such as
intermedia Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe various interdisciplinarity art activities that occur between genres, beginning in the 1960s. It was also used by John Brockman to refer to work ...
,
installation art Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called ...
,
conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
and
multimedia Multimedia is a form of communication that uses a combination of different content forms such as text, audio, images, animations, or video into a single interactive presentation, in contrast to tradition ...
, particularly involving video are described as
postmodern Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
. There are several characteristics which lend art to being postmodern; these include
bricolage In the arts, ''bricolage'' ( French for "DIY" or "do-it-yourself projects") is the construction or creation of a work from a diverse range of things that happen to be available, or a work constructed using mixed media. The term ''bricolage'' ...
, the use of text prominently as the central artistic element,
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
, simplification, appropriation,
performance art Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...
, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between
fine Fine may refer to: Characters * Sylvia Fine (''The Nanny''), Fran's mother on ''The Nanny'' * Officer Fine, a character in ''Tales from the Crypt'', played by Vincent Spano Legal terms * Fine (penalty), money to be paid as punishment for an offe ...
and high arts and
low art In sociology, the term Low culture identifies the forms of popular culture that have Commoner, mass appeal, which is in contrast to High culture, which has a limited appeal to a smaller proportion of the populace. Culture theory proposes that b ...
and
popular culture Popular culture (also called mass culture or pop culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as, popular art or mass art) and objects that are dominant or prevalent in a ...
.


Use of the term

The predominant term for art produced since the 1950s is "
contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist and late modernist traditions, as well as artists who reject postmodernism for other reasons.
Arthur Danto Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University. He was best known for having been a long-time art critic for ''The Nation'' and for his work in philosophi ...
argues "contemporary" is the broader term, and postmodern objects represent a "subsector" of the contemporary movement. Some postmodern artists have made more distinctive breaks from the ideas of modern art and there is no consensus as to what is "late-modern" and what is "post-modern." Ideas rejected by the modern aesthetic have been re-established. In painting, postmodernism reintroduced representation. Some critics argue much of the current "postmodern" art, the latest avant-gardism, should still classify as modern art. As well as describing certain tendencies of contemporary art, postmodern has also been used to denote a phase of
modern art Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the tradi ...
. Defenders of modernism, such as
Clement Greenberg Clement Greenberg () (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formal ...
, as well as radical opponents of modernism, such as
Félix Guattari Pierre-Félix Guattari ( , ; 30 April 1930 – 29 August 1992) was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and ecosophy with Arne Næss, ...
, who calls it modernism's "last gasp,Félix Guattari, ''the Postmodern Impasse'' in ''The Guattari Reader'', Blackwell Publishing, 1996, pp109-113. " have adopted this position. The neo-conservative
Hilton Kramer Hilton Kramer (March 25, 1928 – March 27, 2012) was an American art critic and essayist. Biography Early life Kramer was born in Gloucester, Massachusetts, and was educated at Syracuse University, receiving a bachelor's degree in English; Col ...
describes postmodernism as "a creation of modernism at the end of its tether."
Jean-François Lyotard Jean-François Lyotard (; ; ; 10 August 1924 – 21 April 1998) was a French philosopher, sociologist, and literary theorist. His interdisciplinary discourse spans such topics as epistemology and communication, the human body, modern art and ...
, in
Fredric Jameson Fredric Jameson (born April 14, 1934) is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. James ...
's analysis, does not hold there is a postmodern stage radically different from the period of
high modernism High modernism (also known as high modernity) is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world. The high modernist movement was particularly prevalent duri ...
; instead, postmodern discontent with this or that high modernist style is part of the experimentation of high modernism, giving birth to new modernisms. In the context of
aesthetics Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed thr ...
and
art Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of wha ...
,
Jean-François Lyotard Jean-François Lyotard (; ; ; 10 August 1924 – 21 April 1998) was a French philosopher, sociologist, and literary theorist. His interdisciplinary discourse spans such topics as epistemology and communication, the human body, modern art and ...
is a major philosopher of postmodernism. Many critics hold postmodern art emerges from modern art. Suggested dates for the shift from modern to postmodern include 1914 in Europe, and 1962 or 1968 in America. James Elkins, commenting on discussions about the exact date of the transition from modernism to postmodernism, compares it to the discussion in the 1960s about the exact span of
Mannerism Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, ...
and whether it should begin directly after the
High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...
or later in the century. He makes the point these debates go on all the time with respect to art movements and periods, which is not to say they are not important.James Elkins, ''Stories of Art'', Routledge, 2002, p16. The close of the period of postmodern art has been dated to the end of the 1980s, when the word postmodernism lost much of its critical resonance, and art practices began to address the impact of
globalization Globalization, or globalisation (Commonwealth English; see spelling differences), is the process of interaction and integration among people, companies, and governments worldwide. The term ''globalization'' first appeared in the early 20t ...
and
new media New media describes communication technologies that enable or enhance interaction between users as well as interaction between users and content. In the middle of the 1990s, the phrase "new media" became widely used as part of a sales pitch for ...
.
Jean Baudrillard Jean Baudrillard ( , , ; 27 July 1929 – 6 March 2007) was a French sociologist, philosopher and poet with interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as w ...
has had a significant influence on postmodern-inspired art and emphasised the possibilities of new forms of creativity. The artist
Peter Halley Peter Halley (born 1953) is an American artist and a central figure in the Neo-Conceptualist movement of the 1980s. Known for his Day-Glo geometric paintings, Halley is also a writer, the former publisher of ''index Magazine'', and a teacher; he ...
describes his day-glo colours as "hyperrealization of real color", and acknowledges Baudrillard as an influence.Gary Genosko, ''Baudrillard and Signs: Signification Ablaze'', Routledge, 1994, p154. Baudrillard himself, since 1984, was fairly consistent in his view contemporary art, and postmodern art in particular, was inferior to the modernist art of the post World War II period, while Jean-François Lyotard praised Contemporary painting and remarked on its evolution from Modern art. Major
Women artists The absence of women from the canon of Western culture, Western Art history, art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?, Why ...
in the Twentieth Century are associated with postmodern art since much theoretical articulation of their work emerged from French psychoanalysis and
Feminist Theory Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist ...
that is strongly related to post modern philosophy. American Marxist philosopher
Fredric Jameson Fredric Jameson (born April 14, 1934) is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. James ...
argues the condition of life and production will be reflected in all activity, including the making of art. As with all uses of the term postmodern there are critics of its application.
Kirk Varnedoe John Kirk Train Varnedoe (January 18, 1946 – August 14, 2003) was an American art historian, the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, Professor of the History of Art at the Institute for Advance ...
, for instance, stated that there is no such thing as postmodernism, and that the possibilities of modernism have not yet been exhausted. Though the usage of the term as a kind of shorthand to designate the work of certain Post-war "schools" employing relatively specific material and generic techniques has become conventional since the mid-1980s, the theoretical underpinnings of Postmodernism as an epochal or epistemic division are still very much in controversy.


Defining postmodern art

Postmodernism describes movements which both arise from, and react against or reject, trends in
modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
. General citations for specific trends of modernism are formal purity,
medium specificity Medium specificity is a consideration in aesthetics and art criticism. It is most closely associated with modernism, but it predates it. Overview According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the u ...
,
art for art's sake Art for art's sake—the usual English rendering of ''l'art pour l'art'' (), a French slogan from the latter part of the 19th century—is a phrase that expresses the philosophy that the intrinsic value of art, and the only 'true' art, is divorce ...
,
authenticity Authenticity or authentic may refer to: * Authentication, the act of confirming the truth of an attribute Arts and entertainment * Authenticity in art, ways in which a work of art or an artistic performance may be considered authentic Music * A ...
, universality,
originality Originality is the aspect of created or invented works that distinguish them from replica, reproductions, clones, forgery, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romantici ...
and revolutionary or reactionary tendency, i.e. the
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
. However, paradox is probably the most important modernist idea against which postmodernism reacts. Paradox was central to the modernist enterprise, which
Manet A wireless ad hoc network (WANET) or mobile ad hoc network (MANET) is a decentralized type of wireless network. The network is ad hoc because it does not rely on a pre-existing infrastructure, such as routers in wired networks or access points ...
introduced. Manet's various violations of representational art brought to prominence the supposed mutual exclusiveness of reality and representation, design and representation, abstraction and reality, and so on. The incorporation of paradox was highly stimulating from Manet to the conceptualists. The status of the avant-garde is controversial: many institutions argue being visionary, forward-looking, cutting-edge, and progressive are crucial to the mission of art in the present, and therefore postmodern art contradicts the value of "art of our times". Postmodernism rejects the notion of advancement or progress in art per se, and thus aims to overturn the "myth of the
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
".
Rosalind Krauss Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic ...
was one of the important enunciators of the view that avant-gardism was over, and the new artistic era is post-liberal and post-progress.
Griselda Pollock Griselda Frances Sinclair Pollock''The International Who's Who of Women''; 3rd ed.; ed. Elizabeth Sleeman, Europa Publications, 2002, p. 453 (born 11 March 1949) is an art historian and cultural analyst of international, postcolonial feminist stud ...
studied and confronted the avant-garde and modern art in a series of groundbreaking books, reviewing modern art at the same time as redefining postmodern art. One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. The use of low forms of art were a part of modernist experimentation as well, as documented in
Kirk Varnedoe John Kirk Train Varnedoe (January 18, 1946 – August 14, 2003) was an American art historian, the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, Professor of the History of Art at the Institute for Advance ...
and
Adam Gopnik Adam Gopnik (born August 24, 1956) is an American writer and essayist. He is best known as a staff writer for ''The New Yorker,'' to which he has contributed non-fiction, fiction, memoir, and criticism since 1986. He is the author of nine books ...
's 1990–91 show ''High and Low: Popular Culture and Modern Art'' at New York's
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of ...
, an exhibition that was universally panned at the time as the only event that could bring
Douglas Crimp John Douglas Crimp (August 19, 1944 July 5, 2019) was an American art historian, critic, curator, and AIDS activist. He was known for his scholarly contributions to the fields of postmodern theories and art, institutional critique, dance, fi ...
and
Hilton Kramer Hilton Kramer (March 25, 1928 – March 27, 2012) was an American art critic and essayist. Biography Early life Kramer was born in Gloucester, Massachusetts, and was educated at Syracuse University, receiving a bachelor's degree in English; Col ...
together in a chorus of scorn. Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kitsch art.General Introduction to Postmodernism
Cla.purdue.edu. Retrieved on 2013-08-02.
While this concept of "blurring" or "fusing" high art with low art had been experimented during modernism, it only ever became fully endorsed after the advent of the postmodern era. Postmodernism introduced elements of commercialism, kitsch and a general
camp Camp may refer to: Outdoor accommodation and recreation * Campsite or campground, a recreational outdoor sleeping and eating site * a temporary settlement for nomads * Camp, a term used in New England, Northern Ontario and New Brunswick to descri ...
aesthetic within its artistic context; postmodernism takes styles from past periods, such as
Gothicism Gothicism or Gothism ( sv, Göticism ; la, Gothicismus) was a cultural movement in Sweden, centered on the belief in the glory of the Swedish Geats, who were identified with the Goths. The founders of the movement were Nicolaus Ragvaldi and th ...
, the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
and the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
, and mixes them so as to ignore their original use in their corresponding artistic movement. Such elements are common characteristics of what defines postmodern art.
Fredric Jameson Fredric Jameson (born April 14, 1934) is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. James ...
suggests postmodern works abjure any claim to spontaneity and directness of expression, making use instead of pastiche and discontinuity. Against this definition, Art and Language's Charles Harrison and Paul Wood maintained pastiche and discontinuity are endemic to modernist art, and are deployed effectively by modern artists such as Manet and
Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
.Charles Harrison and Paul Wood, ''Art in Theory, 1900–2000: An Anthology of Changing Ideas'', Blackwell Publishing, 1992, p1014. One compact definition is postmodernism rejects modernism's grand narratives of artistic direction, eradicating the boundaries between high and low forms of art, and disrupting genre's conventions with collision, collage, and fragmentation. Postmodern art holds all stances are unstable and insincere, and therefore
irony Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into ...
,
parody A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subj ...
, and
humor Humour (English in the Commonwealth of Nations, Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humorism, humoral medicine of the ancient Gre ...
are the only positions
critique Critique is a method of disciplined, systematic study of a written or oral discourse. Although critique is commonly understood as fault finding and negative judgment,Rodolphe Gasché (2007''The honor of thinking: critique, theory, philosophy''p ...
or
revision Revision is the process of revising. More specifically, it may refer to: * Update, a modification of software or a database * Revision control, the management of changes to sets of computer files * ''ReVisions'', a 2004 anthology of alternate hi ...
cannot overturn. "Pluralism and diversity" are other defining features.


Avant-garde precursors

Radical movements and trends regarded as influential and potentially as precursors to postmodernism emerged around
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
and particularly in its aftermath. With the introduction of the use of industrial artifacts in art and techniques such as
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
,
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
movements such as
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
,
Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...
and
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
questioned the nature and value of art. New artforms, such as cinema and the rise of
reproduction Reproduction (or procreation or breeding) is the biological process by which new individual organisms – "offspring" – are produced from their "parent" or parents. Reproduction is a fundamental feature of all known life; each individual or ...
, influenced these movements as a means of creating artworks. The ignition point for the definition of modernism,
Clement Greenberg Clement Greenberg () (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formal ...
's essay, ''
Avant-Garde and Kitsch "Avant-Garde and Kitsch" is the title of a 1939 essay by Clement Greenberg, first published in the ''Partisan Review'', in which he claimed that avant-garde and modernist art was a means to resist the "dumbing down" of culture caused by consumeris ...
'', first published in ''
Partisan Review ''Partisan Review'' (''PR'') was a small-circulation quarterly "little magazine" dealing with literature, politics, and cultural commentary published in New York City. The magazine was launched in 1934 by the Communist Party USA–affiliated John ...
'' in 1939, defends the avant-garde in the face of popular culture. Later, Peter Bürger would make a distinction between the historical avant-garde and modernism, and critics such as Krauss, Huyssen, and Douglas Crimp, following Bürger, identified the historical avant-garde as a precursor to postmodernism. Krauss, for example, describes
Pablo Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
's use of collage as an avant-garde practice anticipating postmodern art with its emphasis on language at the expense of autobiography. Another point of view is avant-garde and modernist artists used similar strategies and postmodernism repudiates both.


Dada

In the early 20th century
Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...
exhibited a urinal as a sculpture. His point was to have people look at the urinal as if it were a work of art just because he said it was a work of art.Gavin Parkinson, ''The Duchamp Book: Tate Essential Artists Series''
Harry N. Abrams, 2008, p. 61,
Dalia Judovitz, ''Unpacking Duchamp: Art in Transit''
University of California Press, 1998, pp. 124, 133,
He referred to his work as " Readymades".Tomkins: ''Duchamp: A Biography'', page 158. The ''
Fountain A fountain, from the Latin "fons" (genitive "fontis"), meaning source or Spring (hydrology), spring, is a decorative reservoir used for discharging water. It is also a structure that jets water into the air for a decorative or dramatic effect. ...
'' was a urinal signed with the pseudonym R. Mutt, which shocked the art world in 1917. This and Duchamp's other works are generally labelled as
Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...
. Duchamp can be seen as a precursor to
conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
. Some critics question calling Duchamp—whose obsession with
paradox A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically u ...
is well known—postmodernist on the grounds he eschews any specific medium, since paradox is not medium-specific, although it arose first in Manet's paintings.
Dadaism Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris ...
can be viewed as part of the modernist propensity to challenge established styles and forms, along with
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
,
Futurism Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such ...
and Abstract Expressionism. From a chronological point of view, Dada is located solidly within modernism, however a number of critics hold it anticipates postmodernism, while others, such as
Ihab Hassan Ihab Habib Hassan (October 17, 1925 – September 10, 2015) was an Egypt-born American literary theorist and writer. Biography Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946. He was Emeritus Vilas Research Pro ...
and Steven Connor, consider it a possible changeover point between modernism and postmodernism. For example, according to McEvilly, postmodernism begins with realizing one no longer believes in the myth of progress, and Duchamp sensed this in 1914 when he changed from a modernist practice to a postmodernist one, "abjuring aesthetic delectation, transcendent ambition, and tour de force demonstrations of formal agility in favor of aesthetic indifference, acknowledgement of the ordinary world, and the found object or readymade."Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King, ''Beauty Is Nowhere: Ethical Issues in Art and Design'', Routledge, 1998. p27.


Radical movements in modern art

In general, Pop Art and
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
began as modernist movements: a
paradigm shift A paradigm shift, a concept brought into the common lexicon by the American physicist and philosopher Thomas Kuhn, is a fundamental change in the basic concepts and experimental practices of a scientific discipline. Even though Kuhn restricted t ...
and philosophical split between
formalism Formalism may refer to: * Form (disambiguation) * Formal (disambiguation) * Legal formalism, legal positivist view that the substantive justice of a law is a question for the legislature rather than the judiciary * Formalism (linguistics) * Scie ...
and anti-formalism in the early 1970s caused those movements to be viewed by some as precursors or transitional postmodern art. Other modern movements cited as influential to postmodern art are
conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
and the use of techniques such as assemblage,
montage Montage may refer to: Arts and entertainment Filmmaking and films * Montage (filmmaking), a technique in film editing * ''Montage'' (2013 film), a South Korean film Music * Montage (music), or sound collage * ''Montage'' (Block B EP), 201 ...
,
bricolage In the arts, ''bricolage'' ( French for "DIY" or "do-it-yourself projects") is the construction or creation of a work from a diverse range of things that happen to be available, or a work constructed using mixed media. The term ''bricolage'' ...
, and appropriation.


Jackson Pollock and abstract expressionism

During the late 1940s and early 1950s,
Pollock Pollock or pollack (pronounced ) is the common name used for either of the two species of North Atlantic marine fish in the genus ''Pollachius''. ''Pollachius pollachius'' is referred to as pollock in North America, Ireland and the United Kingd ...
's radical approach to painting revolutionized the potential for all
Contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
following him. Pollock realized the journey toward making a work of art was as important as the work of art itself. Like
Pablo Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
's innovative reinventions of painting and sculpture near the turn of the century via
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
and constructed sculpture, Pollock redefined artmaking during the mid-century. Pollock's move from easel painting and conventionality liberated his contemporaneous artists and following artists. They realized Pollock's process — working on the floor, unstretched raw canvas, from all four sides, using artist materials, industrial materials, imagery, non-imagery, throwing linear skeins of paint, dripping, drawing, staining, brushing - blasted artmaking beyond prior boundaries.
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
expanded and developed the definitions and possibilities artists had available for the creation of new works of art. In a sense, the innovations of Jackson Pollock,
Willem de Kooning Willem de Kooning (; ; April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter El ...
,
Franz Kline Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Mothe ...
,
Mark Rothko Mark Rothko (), born Markus Yakovlevich Rothkowitz (russian: Ма́ркус Я́ковлевич Ротко́вич, link=no, lv, Markuss Rotkovičs, link=no; name not Anglicized until 1940; September 25, 1903 – February 25, 1970), was a Latv ...
,
Philip Guston Philip Guston (born Phillip Goldstein, June 27, 1913 – June 7, 1980), was a Canadian American painter, printmaker, muralist and draftsman. Early in his five decade career, muralist David Siquieros described him as one of "the most promising ...
, Hans Hofmann,
Clyfford Still Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately follo ...
,
Barnett Newman Barnett Newman (January 29, 1905 – July 4, 1970) was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense o ...
,
Ad Reinhardt Adolph Dietrich Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement center ...
and others, opened the floodgates to the diversity and scope of following artworks.


After abstract expressionism

In
abstract painting Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th ...
during the 1950s and 1960s several new directions like
Hard-edge painting Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and C ...
and other forms of
Geometric abstraction Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popu ...
like the work of
Frank Stella Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. Biography Frank Stella was born in M ...
popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
circles.
Clement Greenberg Clement Greenberg () (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formal ...
became the voice of ''Post-painterly abstraction;'' by curating an influential exhibition of new painting touring important art museums throughout the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
in 1964. Color field painting,
Hard-edge painting Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and C ...
and
Lyrical Abstraction Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered ...
emerged as radical new directions. By the late 1960s,
Postminimalism Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. ...
, Process Art and Arte Povera''Movers and Shakers, New York'', "Leaving C&M", by Sarah Douglas, Art and Auction, March 2007, V.XXXNo7. also emerged as revolutionary concepts and movements encompassing painting and sculpture, via
Lyrical Abstraction Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered ...
and the
Postminimalist Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. ...
movement, and in early
Conceptual Art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
. Process art as inspired by Pollock enabled artists to experiment with and make use of a diverse encyclopedia of style, content, material, placement, sense of time, and plastic and real space.
Nancy Graves Nancy Graves (December 23, 1939 – October 21, 1995, in Massachusetts) was an American sculptor, painter, printmaker, and sometime-filmmaker known for her focus on natural phenomena like camels or maps of the Moon. Her works are included in ...
,
Ronald Davis Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics ...
,
Howard Hodgkin Sir Gordon Howard Eliott Hodgkin (6 August 1932 – 9 March 2017) was a British Painting, painter and printmaker. His work is most often associated with Abstract art, abstraction. Early life Gordon Howard Eliot Hodgkin was born on 6 August 1 ...
,
Larry Poons Lawrence M. "Larry" Poons (born October 1, 1937) is an American abstract painter. Poons was born in Tokyo, Japan, and studied from 1955 to 1957 at the New England Conservatory of Music, with the intent of becoming a professional musician. After ...
,
Jannis Kounellis Jannis Kounellis ( el, Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome. Life and work K ...
,
Brice Marden Brice Marden (born October 15, 1938) is an American artist generally described as Minimalist, although his work may be hard to categorize. He lives and works in New York City; Tivoli, New York; Hydra, Greece; and Eagles Mere, Pennsylvania. Lif ...
,
Bruce Nauman Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico. Life and work ...
, Richard Tuttle, Alan Saret, Walter Darby Bannard, Lynda Benglis, Dan Christensen, Larry Zox, Ronnie Landfield, Eva Hesse, Keith Sonnier, Richard Serra, Sam Gilliam, Mario Merz, Peter Reginato, Lee Lozano, were some of the younger artists emerging during the era of Late Modernism, late modernism spawning the heyday of the art of the late 1960s.


Performance art and happenings

During the late 1950s and 1960s, artists with a wide range of interests began pushing the boundaries of
Contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
. Yves Klein in France, and Carolee Schneemann, Yayoi Kusama, Charlotte Moorman, and Yoko Ono in New York City were pioneers of performance based works of art. Groups like The Living Theater with Julian Beck and Judith Malina collaborated with sculptors and painters creating environments; radically changing the relationship between audience and performer especially in their piece ''Paradise Now''. The Judson Dance Theater located at the Judson Memorial Church, New York City, New York, and the Judson dancers, notably Yvonne Rainer, Trisha Brown, Elaine Summers, Sally Gross (choreographer), Sally Gross, Simonne Forti, Deborah Hay, Lucinda Childs, Steve Paxton and others collaborated with artists Robert Morris (artist), Robert Morris, Robert Whitman, John Cage, Robert Rauschenberg, and engineers like Billy Klüver. These performances were often designed to be the creation of a new art form, combining sculpture, dance, and music or sound, often with audience participation. The reductive philosophies of minimalism, spontaneous improvisation, and expressivity of
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
characterized the works. During the same period — the late 1950s through the mid-1960s - various
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
artists created Happenings. Happenings were mysterious and often spontaneous and unscripted gatherings of artists and their friends and relatives in varied specified locations. Often incorporating exercises in absurdity, physical exercise, costumes, spontaneous nudity, and various random and seemingly disconnected acts. Allan Kaprow, Joseph Beuys, Nam June Paik, Wolf Vostell, Claes Oldenburg, Jim Dine, Red Grooms, and Robert Whitman among others were notable creators of Happenings.


Assemblage art

Related to
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
was the emergence of combined manufactured items — with artist materials, moving away from previous conventions of painting and sculpture. The work of Robert Rauschenberg, whose "combines" in the 1950s were forerunners of Pop Art and Installation art, and made use of the assemblage of large physical objects, including stuffed animals, birds and commercial photography, exemplified this art trend. Leo Steinberg uses the term postmodernism in 1969 to describe Rauschenberg's "flatbed" picture plane, containing a range of cultural images and artifacts that had not been compatible with the pictorial field of premodernist and modernist painting. Craig Owens (critic), Craig Owens goes further, identifying the significance of Rauschenberg's work not as a representation of, in Steinberg's view, "the shift from nature to culture", but as a demonstration of the impossibility of accepting their opposition. Steven Best and Douglas Kellner identify Rauschenberg and Jasper Johns as part of the transitional phase, influenced by
Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...
, between modernism and postmodernism. These artists used images of ordinary objects, or the objects themselves, in their work, while retaining the abstraction and painterly gestures of high modernism. Anselm Kiefer also uses elements of assemblage in his works, and on one occasion, featured the bow of a fishing boat in a painting.


Pop art

Lawrence Alloway used the term "Pop art" to describe paintings celebrating consumerism of the post World War II era. This movement rejected
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
and its focus on the hermeneutic and psychological interior, in favor of art which depicted, and often celebrated, material consumer culture, advertising, and iconography of the mass production age. The early works of David Hockney and the works of Richard Hamilton (artist), Richard Hamilton, John McHale (artist), John McHale, and Eduardo Paolozzi were considered seminal examples in the movement. While later American examples include the bulk of the careers of Andy Warhol and Roy Lichtenstein and his use of Benday dots, a technique used in commercial reproduction. There is a clear connection between the radical works of Duchamp, the rebellious
Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...
ist — with a sense of humor; and Pop Artists like Claes Oldenburg, Andy Warhol, Roy Lichtenstein and the others. Thomas McEvilly, agreeing with Dave Hickey, says U.S postmodernism in the visual arts began with the first exhibitions of Pop art in 1962, "though it took about twenty years before postmodernism became a dominant attitude in the visual arts."Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King, ''Beauty Is Nowhere: Ethical Issues in Art and Design'', Routledge, 1998. p29.
Fredric Jameson Fredric Jameson (born April 14, 1934) is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. James ...
, too, considers pop art to be postmodern. One way Pop art is postmodern is it breaks down what Andreas Huyssen calls the "Great Divide" between high art and popular culture. Postmodernism emerges from a "generational refusal of the categorical certainties of high modernism."


Fluxus

Fluxus was named and loosely organized in 1962 by George Maciunas (1931–78), a Lithuanian-born American artist. Fluxus traces its beginnings to John Cage's 1957 to 1959 Experimental Composition classes at the New School for Social Research in New York City. Many of his students were artists working in other media with little or no background in music. Cage's students included Fluxus founding members Jackson Mac Low, Al Hansen, George Brecht and Dick Higgins. In 1962 in Germany Fluxus started with the: FLUXUS Internationale Festspiele Neuester Musik in Wiesbaden with, George Maciunas, Joseph Beuys, Wolf Vostell, Nam June Paik and others. And in 1963 with the: Festum Fluxorum Fluxus in Düsseldorf with George Maciunas, Wolf Vostell, Joseph Beuys, Dick Higgins, Nam June Paik, Ben Patterson, Emmett Williams and others. Fluxus encouraged a do it yourself aesthetic, and valued simplicity over complexity. Like
Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...
before it, Fluxus included a strong current of anti-commercialism and an anti-art sensibility, disparaging the conventional market-driven art world in favor of an artist-centered creative practice. Fluxus artists preferred to work with whatever materials were at hand, and either created their own work or collaborated in the creation process with their colleagues. Fluxus can be viewed as part of the first phase of postmodernism, along with Rauschenberg, Johns, Warhol and the Situationist International. Andreas Huyssen criticises attempts to claim Fluxus for postmodernism as, "either the master-code of postmodernism or the ultimately unrepresentable art movement – as it were, postmodernism's sublime." Instead he sees Fluxus as a major Neo-Dadaist phenomena within the avant-garde tradition. It did not represent a major advance in the development of artistic strategies, though it did express a rebellion against, "the administered culture of the 1950s, in which a moderate, domesticated modernism served as ideological prop to the Cold War."


Minimalism

By the early 1960s
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
emerged as an abstract movement in art (with roots in geometric abstraction via Kazimir Malevich, Malevich, the Bauhaus and Piet Mondrian, Mondrian) which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
argued extreme simplicity could capture the sublime representation art requires. Associated with painters such as
Frank Stella Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. Biography Frank Stella was born in M ...
, minimalism in painting, as opposed to other areas, is a modernist movement and depending on the context can be construed as a precursor to the postmodern movement. Hal Foster (art critic), Hal Foster, in his essay ''The Crux of Minimalism'', examines the extent to which Donald Judd and Robert Morris (artist), Robert Morris both acknowledge and exceed Greenbergian modernism in their published definitions of minimalism. He argues minimalism is not a "dead end" of modernism, but a "paradigm shift toward postmodern practices that continue to be elaborated today."


Postminimalism

Robert Pincus-Witten coined the term Post-minimalism in 1977 to describe minimalist derived art which had content and contextual overtones minimalism rejected. His use of the term covered the period 1966 – 1976 and applied to the work of Eva Hesse, Keith Sonnier, Richard Serra and new work by former minimalists Robert Smithson, Robert Morris (artist), Robert Morris, Sol LeWitt, and Barry Le Va, and others. Process art and anti-form art are other terms describing this work, which the space it occupies and the process by which it is made determines.
Rosalind Krauss Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic ...
argues by 1968 artists such as Morris, LeWitt, Smithson and Serra had "entered a situation the logical conditions of which can no longer be described as modernist."The Originality of the Avant Garde and Other Modernist Myths Rosalind E. Krauss, Publisher: The MIT Press; Reprint edition (July 9, 1986), ''Sculpture in the Expanded Field'' pp.287 The expansion of the category of sculpture to include land art and architecture, "brought about the shift into postmodernism." Minimalists like Donald Judd, Dan Flavin, Carl Andre, Agnes Martin, John McCracken (artist), John McCracken and others continued to produce their late modernist paintings and sculpture for the remainder of their careers.


Movements in postmodern art


Conceptual art

Conceptual art is sometimes labelled as postmodern because it is expressly involved in deconstruction of what makes a work of art, "art". Conceptual art, because it is often designed to confront, wikt:offend, offend or attack notions held by many of the people who view it, is regarded with particular controversy. Precursors to conceptual art include the work of Duchamp, John Cage's 4' 33", in which the music is said to be "the sounds of the environment that the listeners' hear while it is performed," and Rauschenberg's ''Erased De Kooning Drawing''. Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself. Thus, because ''
Fountain A fountain, from the Latin "fons" (genitive "fontis"), meaning source or Spring (hydrology), spring, is a decorative reservoir used for discharging water. It is also a structure that jets water into the air for a decorative or dramatic effect. ...
'' was exhibited, it was a sculpture.


Installation art

An important series of movements in art which have consistently been described as postmodern involved
installation art Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called ...
and creation of artifacts that are conceptual in nature. One example being the signs of Jenny Holzer which use the devices of art to convey specific messages, such as "Protect Me From What I Want". Installation Art has been important in determining the spaces selected for museums of contemporary art in order to be able to hold the large works which are composed of vast collages of manufactured and found objects. These installations and
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
s are often electrified, with moving parts and lights. They are often designed to create environmental effects, as Christo and Jeanne-Claude's ''Iron Curtain, Wall of 240 Oil Barrels, Blocking Rue Visconti, Paris, June 1962'' which was a poetic response to the Berlin Wall built in 1961.


Lowbrow art

Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music, Hot rod, hot-rod street culture, and other California subcultures. It is also often known by the name pop surrealism. Lowbrow art highlights a central theme in postmodernism in that the distinction between "high" and "low" art are no longer recognized.


Performance art


Digital art

Digital art is a general term for a range of artistic works and practices that use digital technology as an essential part of the creative and/or presentation process. The impact of digital technology has transformed activities such as painting, drawing, sculpture and music/sound art, while new forms, such as net art, digital
installation art Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called ...
, and virtual reality, have become recognized artistic practices. Leading art theorists and historians in this field include Christiane Paul, Frank Popper, Christine Buci-Glucksmann, Dominique Moulon, Robert C. Morgan, Roy Ascott, Catherine Perret, Margot Lovejoy, Edmond Couchot, Fred Forest and Edward A. Shanken.


Intermedia and multi-media

Another trend in art which has been associated with the term postmodern is the use of a number of different media together. Intermedia, a term coined by Dick Higgins and meant to convey new artforms along the lines of Fluxus, Concrete Poetry, Found objects, Performance art, and Computer art. Higgins was the publisher of the Something Else Press, a Concrete poet, married to artist Alison Knowles and an admirer of
Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...
.
Ihab Hassan Ihab Habib Hassan (October 17, 1925 – September 10, 2015) was an Egypt-born American literary theorist and writer. Biography Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946. He was Emeritus Vilas Research Pro ...
includes, "Intermedia, the fusion of forms, the confusion of realms," in his list of the characteristics of postmodern art. One of the most common forms of "multi-media art" is the use of video-tape and CRT monitors, termed Video art. While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with
performance art Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...
, where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action. Higgin's conception of Intermedia is connected to the growth of
multimedia Multimedia is a form of communication that uses a combination of different content forms such as text, audio, images, animations, or video into a single interactive presentation, in contrast to tradition ...
digital practice such as immersive virtual reality, digital art and computer art.


Telematic Art

Telematic art is a descriptive of art projects using computer mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters. Roy Ascott sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time, organizing different collaborative online projects.


Appropriation art and neo-conceptual art

In his 1980 essay ''The Allegorical Impulse: Toward a Theory of Postmodernism,'' Craig Owens (critic), Craig Owens identifies the re-emergence of an allegorical impulse as characteristic of postmodern art. This impulse can be seen in the appropriation art of artists such as Sherrie Levine and Robert Longo because, "Allegorical imagery is appropriated imagery." Appropriation art debunks modernist notions of artistic genius and originality and is more ambivalent and contradictory than modern art, simultaneously installing and subverting ideologies, "being both critical and complicit."


Neo-expressionism and painting

The return to the traditional art forms of sculpture and painting in the late 1970s and early 1980s seen in the work of Neo-expressionism, Neo-expressionist artists such as Georg Baselitz and Julian Schnabel has been described as a postmodern tendency, and one of the first coherent movements to emerge in the postmodern era. Its strong links with the commercial art market has raised questions, however, both about its status as a postmodern movement and the definition of postmodernism itself. Hal Foster states that neo-expressionism was complicit with the conservative cultural politics of the Reagan-Bush era in the U.S.Hal Foster, ''The Return of the Real: The Avant-garde at the End of the Century'', MIT Press, 1996, p36.
Félix Guattari Pierre-Félix Guattari ( , ; 30 April 1930 – 29 August 1992) was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and ecosophy with Arne Næss, ...
disregards the "large promotional operations dubbed 'neo-expressionism' in Germany," (an example of a "fad that maintains itself by means of publicity") as a too easy way for him "to demonstrate that postmodernism is nothing but the last gasp of modernism." These critiques of neo-expressionism reveal that money and public relations really sustained contemporary art world credibility in America during the same period that conceptual artists, and practices of women artists including painters and feminist theorists like
Griselda Pollock Griselda Frances Sinclair Pollock''The International Who's Who of Women''; 3rd ed.; ed. Elizabeth Sleeman, Europa Publications, 2002, p. 453 (born 11 March 1949) is an art historian and cultural analyst of international, postcolonial feminist stud ...
, were systematically reevaluating modern art. Brian Massumi claims that Deleuze and Guattari open the horizon of new definitions of Beauty in postmodern art. For Jean-François Lyotard, it was painting of the artists Valerio Adami, Daniel Buren,
Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...
, Bracha Ettinger, and
Barnett Newman Barnett Newman (January 29, 1905 – July 4, 1970) was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense o ...
that, after the avant-garde's time and the painting of Paul Cézanne and Wassily Kandinsky, was the vehicle for new ideas of the wikt:sublime, sublime in contemporary art.Lyotard, Jean-François, "L'anamnese". In: ''Doctor and Patient: Memory and Amnesia''. Porin Taidemuseo,1996. . Reprinted as: Lyotard, Jean-François, "Anamnesis: Of the Visible." In: ''Theory, Culture and Society, Vol. 21(1)'', 2004. 0263–2764


Institutional critique

Critiques on the institutions of art (principally museums and galleries) are made in the work of Michael Asher (artist), Michael Asher, Marcel Broodthaers, Daniel Buren and Hans Haacke.


See also

* Anti-art * Anti-anti-art * Classificatory disputes about art * Cyborg art * Electronic art * Experiments in Art and Technology * Gaze * Late Modernism * Modern art * Modernist project * Neo-minimalism * Net.art * New European Painting * New Media art * Post-conceptual * Superflat * Superstroke * Remodernism * Irving Sandler * Virtual art


Sources

* ''The Triumph of Modernism'': The Art World, 1985–2005,
Hilton Kramer Hilton Kramer (March 25, 1928 – March 27, 2012) was an American art critic and essayist. Biography Early life Kramer was born in Gloucester, Massachusetts, and was educated at Syracuse University, receiving a bachelor's degree in English; Col ...
, 2006, * ''Pictures of Nothing: Abstract Art since Pollock'' (A.W. Mellon Lectures in the Fine Arts),
Kirk Varnedoe John Kirk Train Varnedoe (January 18, 1946 – August 14, 2003) was an American art historian, the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, Professor of the History of Art at the Institute for Advance ...
, 2003 * ''Art of the Postmodern Era'': From the Late 1960s to the Early 1990s, Irving Sandler * ''Postmodernism (Movements in Modern Art)'' Eleanor Heartney * ''Sculpture in the Age of Doubt'' Thomas McEvilley 1999


References


External links

* {{Western art movements Postmodern art, Postmodern works, Art Contemporary art movements Art by period of creation