History
In the late 70's and all of the 80's, many small PBM firms have opened their doors and better than 90% of them have failed. Although PBM is an easy industry to get into, staying in business is another thing entirely. Literally hundreds of PBM companies have come and gone, most of them taking the money of would-be-customers with them.Townsend emphasized the risks for the PBM industry in that "The new PBM company has such a small chance of surviving that no insurance company would write a policy to cover them. Skydivers are a better risk." By the late 1980s, of the more than one hundred play-by-mail companies operating, the majority were hobbies, not run as businesses to make money.#Tow12, Townsend 1988. p. 19. Townsend estimated that, in 1988, there were about a dozen profitable PBM companies in the United States—with an additional few in the United Kingdom and the same in Australia. Sam Roads of Harlequin Games similarly assessed the state of the PBM industry in its early days while also noting the existence of few non-English companies. In a 2002 listing of 182 primarily European PBM game publishers and Zine, Zines, ''Flagship'' listed ten non-United Kingdom, UK entries, to include one each from Austria and France, six from Germany, one from Greece, and one from the Netherlands. The proliferation of PBM companies in the 1980s supported the publication of a number of newsletters from individual play-by-mail companies as well as independent publications which focused solely on the play-by-mail gaming industry such as the relatively short-lived ''The Nuts & Bolts of PBM'' and ''Gaming Universal''. The PBM genre's two preeminent magazines of the period were Flagship Magazine, ''Flagship'' and ''Paper Mayhem''. Also in the mid-1980s, general gaming magazines began carrying articles on PBM and ran PBM advertisements, while the Origins Awards began a "Best PBM Game" category. PBM games up to the 1980s came from multiple sources: some were adapted from existing games and others were designed solely for postal play. In 1985, Pete Tamlyn stated that most popular games had already been attempted in postal play, noting that none had succeeded as well as ''Diplomacy (game), Diplomacy''.#Tam85, Tamlyn 19853. p. 33. Tamlyn added that there was significant experimentation in adapting games to postal play at the time and that most games could be played by mail. These adapted games were typically run by a gamemaster using a fanzine to publish turn results. The 1980s were also noteworthy in that PBM games designed and published in this decade were written specifically for the genre versus adapted from other existing games.#Cro85, Croft 1985. p. 41. Thus they tended to be more complicated and gravitated toward requiring computer assistance. The 1990s brought changes to the PBM world. In the early 1990s, email became an option to transmit turn orders and results. These are called play-by-email (PBEM) games. Turn around time ranges for modern PBM games are now wide enough that PBM magazine editors now use the term "turn-based games". ''Flagship'' stated in 2005 that "play-by-mail games are often called turn-based games now that most of them are played via the internet". In the early 1990s, the PBM industry still maintained some of the player momentum from the 1980s. For example, in 1993, ''Flagship'' listed 185 active play-by-mail games. And in 1993, the ''Journal of the PBM Gamer'' stated that "For the past several years, PBM gaming has increased in popularity." However, in 1994, David Webber, ''Paper Mayhem's'' editor in chief expressed concern about disappointing growth in the PBM community and a reduction in play by established gamers. At the same time, he noted that his analysis indicated that more PBM gamers were playing less, giving the example of an average drop from 5–6 games per player to 2–3 games, suggesting it could be due to financial reasons. In early 1997, David Webber, stated that multiple PBM game moderators had noted a drop in players over the previous year. By the end of the 1990s, the number of PBM publications had also declined. ''Gaming Universal's'' final publication run ended in 1988. ''Paper Mayhem'' ceased publication unexpectedly in 1998 after Webber's death. ''Flagship'' also later ceased publication. The Internet, Internet affected the PBM world in various ways. Rick Loomis stated in 1999 that, "With the growth of the Internet, [PBM] seems to have shrunk and a lot of companies dropped out of the business in the last 4 or 5 years." Shannon Appelcline agreed, noting in 2014 that, "The advent of the Internet knocked most PBM publishers out of business." The Internet also enabled PBM to globalize between the 1990s and 2000s. Early PBM professional gaming typically occurred within single countries. In the 1990s, the largest PBM games were licensed globally, with "each country having its own licensee". By the 2000s, a few major PBM firms began operating globally, bringing about "The Globalisation of PBM" according to Sam Roads of Harlequin Games.#Roa03, Roads 2003. p. 40. By 2014 the PBM community had shrunk compared to previous decades. A single PBM magazine exists—''Suspense and Decision''—which began publication in November 2013. The PBM genre has also morphed from its original postal mail format with the onset of the digital age. In 2010, Carol Mulholland—the editor of ''Flagship''—stated that "most turn-based games are now available by email and online". The online Suspense & Decision Games Index, as of June 2021, listed 72 active PBM, PBEM, and turn-based games. In a multiple-article examination of various online turn-based games in 2004 titled "Turning Digital", Colin Forbes concluded that "the number and diversity of these games has been enough to convince me that turn-based gaming is far from dead".
Advantages and disadvantages of PBM gaming
Judith Proctor noted that play-by-mail games have a number of advantages. These include (1) plenty of time—potentially days—to plan a move, (2) never lacking players to face who have "new tactics and ideas", (3) the ability to play an "incredibly complex" game against live opponents, (4) meeting diverse gamers from far-away locations, and (5) relatively low costs. In 2019, Rick McDowell, designer of ''Alamaze'', compared PBM costs favorably with the high cost of board games at Barnes & Noble, with many of the latter going for about $70, and a top-rated game, ''Nemesis (boardgame), Nemesis'', costing $189. Andrew Greenberg pointed to the high number of players possible in a PBM game, comparing it to his past failure at attempting once to host a live eleven-player ''Dungeons and Dragons'' Game.#Gre93, Greenberg 1993. p. 8–9. ''Flagship'' noted in 2005 that "It's normal to play these ... games with international firms and a global player base. Games have been designed that can involve large numbers of players – much larger than can gather for face-to-face gaming." Finally, some PBM games can be played for years, if desired. Greenberg identified a number of drawbacks for play-by-mail games. He stated that the clearest was the cost, because most games require a setup cost and a fee per turn, and some games can become expensive. Another drawback is the lack of face-to-face interaction inherent in play-by-mail games. Finally, game complexity in some cases and occasional turn processing delays can be negatives in the genre.Description
Jim Townsend identifies the two key figures in PBM games as the players and the moderators, the latter of which are companies that charge "turn fees" to players—the cost for each game turn. In 1993, ''Paper Mayhem''—a magazine for play-by-mail gamers—described play-by-mail games thusly:PBM Games vary in the size of the games, turn around time, length of time a game lasts, and prices. An average PBM game has 10–20 players in it, but there are also games that have hundreds of players. Turn around time is the length of time it takes to get your turn back from a company. ... Some games never end. They can go on virtually forever or until you decide to drop. Many games have victory conditions that can be achieved within a year or two. Prices vary for the different PBM games, but the average price per turn is about $5.00.#Fro93, Paper Mayhem Jan/Feb 1993. p. 1.The earliest PBM games were played using the postal services of the respective countries. In 1990, the average turn-around time for a turn was 2–3 weeks. However, in the 1990s, email was introduced to PBM games. This was known as play-by-email (PBEM). Some games used email solely, while others, such as ''Hyborian War'', used email as options for a portion of turn transmittal, with postal service for the remainder. Other games use digital media or web applications to allow players to make turns at speeds faster than postal mail. Given these changes, the term "turn-based games" is now being used by some commentators.
Mechanics
Complexity
Jim Townsend stated in a 1990 issue of ''White Wolf Magazine'' that the complexity of PBM games is much higher than other types on the average. He noted that PBM games at the extreme high end can have a thousand or more players as well as thousands of units to manage, while turn printouts can range from a simple one-page result to hundreds of pages (with three to seven as the average).#Tow90, Townsend 1990 pp. 18–19. According to John Kevin Loth, "Novices should appreciate that some games are best played by veterans." In 1986, he highlighted the complexity of ''Midguard'' with its 100-page instruction manual and 255 possible orders. Reviewer Jim Townsend asserted that ''Empyrean Challenge'' was "the most complex game system on Earth". Other games, like ''Galactic Prisoners'' began simply and gradually increased in complexity. As of August 2021, Rick Loomis PBM Games' had four difficulty levels: easy, moderate, hard, and difficult, with games such as ''Nuclear Destruction'' and ''Heroic Fantasy'' on the easy end and ''Battleplan''—a military strategy game—rated as difficult.Diplomacy
According to ''Paper Mayhem'' assistant editor Jim Townsend, "The most important aspect of PBM games is the diplomacy. If you don't communicate with the other players you will be labeled a 'loner', 'mute', or just plain 'dead meat'. You must talk with the others to survive". The editors of ''Paper Mayhem'' add that "The interaction with other players is what makes PBM enjoyable." Commentator Rob Chapman in a 1983 ''Flagship'' article echoed this advice, recommending that players get to know their opponents.#Cha83, Chapman 1983. p. 12. He also recommended asking direct questions of opponents on their future intentions, as their responses, true or false, provide useful information. However, he advises players to be truthful in PBM diplomacy, as a reputation for honesty is useful in the long-term. Chapman notes that "everything is negotiable" and advises players to "Keep your plans flexible, your options open – don't commit yourself, or your forces, to any long term strategy". Eric Stehle, owner and operator of Empire Games in 1997, stated that some games cannot be won alone and require diplomacy.#Ste97, Stehle 1997. p. 7. He suggested considering the following diplomatic points during gameplay: (1) "Know Your Neighbors", (2) "Make Sure Potential Allies Share Your Goals", (3) "Be A Good Ally", (4) "Coordinate Carefully With Your Allies", (5) "Be A Vicious Enemy", and (6) "Fight One Enemy At A Time".Game types and player roles
Jim Townsend noted in 1990 that hundreds of PBM games were available, ranging from "all science fiction and fantasy themes to such exotics as war simulations (generally more complex world war games than those which wargamers play), duelling games, humorous games, sports simulations, etc".#Tow90, Townsend 1990 p. 19. Play-by-mail games also provide a wide array of possible Role-playing game, roles to play. These include "trader, fighter, explorer, [and] diplomat". Roles range from pirates to space characters to "previously unknown creatures".#Lot86, John Kevin Loth III 1986. p. 42. In the game ''Monster Island (play-by-mail game), Monster Island'', players assume the role of a monster which explores a massive island (see image). And the title of the PBM game ''You're An Amoeba, GO!'' indicates an unusual role as players struggle "in a 3D pool of primordial ooze [directing] the evolution of a legion of micro-organisms". Loth advises that closer identification with a role increases enjoyment, but prioritizing this aspect requires more time searching for the right PBM game.Closed versus open ended
According to John Kevin Loth III, open-ended games do not end and there is no final objective or way to win the game. Jim Townsend adds that, "players come and go, powers grow and diminish, alliances form and dissolve and so forth". Since surviving, rather than winning is primary, this type of game tends to attract players more interested in role playing, and Townsend echoes that open-ended games are similar to long-term RPG campaigns. A drawback of this type is that mature games have powerful groups that can pose an unmanageable problem for the beginner—although some may see this situation as a challenge of sorts. Examples of open ended games are ''Heroic Fantasy'', ''Monster Island'', and ''SuperNova: Rise of the Empire''. Townsend noted in 1990 that some open-ended games had been in play for up to a decade. Townsend states that "closed-ended games are like Risk (game), Risk or Monopoly (game), Monopoly – once they're over, they're over". Loth notes that most players in closed end games start equally and the games are "faster paced, usually more intense...presenting frequent player confrontation; [and] the game terminates when a player or alliance of players has achieved specific conditions or eliminated all opposition". Townsend stated in 1990 that closed end games can have as few as ten and as many as eighty turns. Examples of closed end games are ''Hyborian War'', ''It's a Crime (play-by-mail game), It's a Crime'', and ''Starweb''. Companies in the early 1990s also offered games with both open and closed ended versions. Additionally, games could have elements of both versions; for example, in ''Kingdom'', an open-ended PBM game published by Graaf Simulations, a player could win by accumulating 50,000 points.Computer versus human moderated
In the 1980s, play-by-mail gaming companies began using computers to moderate games. This was partially an economic decision, as computers allowed the processing of more turns than humans, but with less of a human touch in the prose of a turn result. According to John Kevin Loth III, one hundred percent computer moderated games would also kill a player's character or empire emotionlessly, regardless of effort invested. Alternatively, Loth noted that those preferring exquisite pages of prose would gravitate toward one hundred percent human moderation. Loth provided ''Beyond the Quadra Zone'' and ''Earthwood'' as popular computer moderated examples in 1986 and ''Silverdawn'' and ''Sword Lords'' as one hundred percent human moderated examples of the period. In 1990, the editors of ''Paper Mayhem'' noted that there were games with a mix of computer and hand moderation, where games "would have the numbers run by the computer and special actions in the game would receive attention from the game master".Cost and turn processing time
Loth noted that, in 1986, $3–5 per turn was the most prevalent cost.#Lot86a, John Kevin Loth III 1986. p. 43. At the time, some games were free, while others cost as much as $100 per turn. Play-by-mail magazine ''Paper Mayhem'' stated that the average turn processing time in 1987 was two weeks, and Loth noted that this was also the most common. In 1986, play-by-email was a nascent service only being offered by the largest PBM companies. In the 21st century, many games of this genre are called ''turn-based games'' and are played via the Internet.Information sources
Fiction
Besides articles and reviews on PBM games, authors have also published PBM fiction articles according to Shannon Muir. An early example called "Scapegoat" by Mike Horn appeared in the May–June 1984 issue of ''Paper Mayhem'' magazine. Examples include "A Loaf of Bread" by Suzanna Y. Snow about the game ''A Duel of a Different Color'', "Dark Beginnings" by Dave Bennett about ''Darkness of Silverfall'', and Chris Harvey's "It Was the Only Thing He Could Do...", about a conglomeration of PBM games. Simon Williams, the gamemaster of the PBM game ''Chaos Trail'' in 2004, also wrote an article in ''Flagship'' about the possibility of writing a PBM fiction novel.#Wil04, Williams 2004. p. 39.See also
* List of play-by-mail games * Play-by-post role-playing game * Turn-based, Turn-based gameNotes
References
Bibliography
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Interview with John C. Muir, long-time PBM author. * * * * * * 1984 article on the prospects of PBEM with assembled evidence from PBM figures such as Rick Loomis. * * * * * * * * * * * * * * * * * * * * * * * * * * * * Magazine date: December–January 2003/2004. * *External links
* * {{cite web , url= http://www.talisman-games.com/about_turns, title= About Turn-Based Games, author= Talisman Games , publisher= Talisman Games , date= 2021, access-date= November 22, 2021 Correspondence chess Game terminology Play-by-email video games, Play-by-mail games,