Maria Montoya Martinez (1887,
San Ildefonso Pueblo
San Ildefonso Pueblo (Tewa: Pʼohwhogeh Ówîngeh ’òhxʷógè ʔówîŋgè"where the water cuts through"
) is a census-designated place (CDP) in Santa Fe County, New Mexico, United States, and a federally recognized tribe, established c. 130 ...
,
New Mexico
)
, population_demonym = New Mexican ( es, Neomexicano, Neomejicano, Nuevo Mexicano)
, seat = Santa Fe
, LargestCity = Albuquerque
, LargestMetro = Tiguex
, OfficialLang = None
, Languages = English, Spanish ( New Mexican), Navajo, Ker ...
– July 20, 1980, San Ildefonso Pueblo) was a
Native American artist who created internationally known
pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and por ...
.
Martinez (born Maria Poveka Montoya), her husband
Julian, and other family members, including her son
Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the
Pueblo
In the Southwestern United States, Pueblo (capitalized) refers to the Native tribes of Puebloans having fixed-location communities with permanent buildings which also are called pueblos (lowercased). The Spanish explorers of northern New Spain ...
people's legacy of fine artwork and crafts. The works of Maria Martinez, and especially her black ware pottery, survive in many museums, including the Smithsonian, the
Metropolitan Museum of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, the
Denver Art Museum
The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and world, the DAM is one of the largest art museums between t ...
, and more. The
Penn Museum
The University of Pennsylvania Museum of Archaeology and Anthropology—commonly known as the Penn Museum—is an archaeology and anthropology museum at the University of Pennsylvania. It is located on Penn's campus in the University City neighb ...
in Philadelphia holds eight vessels – three plates and five jars – signed either "Marie" or "Marie & Julian".
Maria Martinez was from the San Ildefonso Pueblo, a community located 20 miles northwest of
Santa Fe, New Mexico
Santa Fe ( ; , Spanish for 'Holy Faith'; tew, Oghá P'o'oge, Tewa for 'white shell water place'; tiw, Hulp'ó'ona, label=Tiwa language, Northern Tiwa; nv, Yootó, Navajo for 'bead + water place') is the capital of the U.S. state of New Mexico. ...
. At an early age, she learned pottery skills from her aunt and recalls this "learning by seeing" starting at age eleven, as she watched her aunt, grandmother, and father's cousin work on their pottery during the 1890s.
During this time,
Spanish
Spanish might refer to:
* Items from or related to Spain:
**Spaniards are a nation and ethnic group indigenous to Spain
**Spanish language, spoken in Spain and many Latin American countries
**Spanish cuisine
Other places
* Spanish, Ontario, Cana ...
tinware
Tinware is any item made of prefabricated tinplate. Usually tinware refers to kitchenware made of tinplate, often crafted by tinsmiths. Many cans used for canned food are tinware as well. Something that is tinned after being shaped and fabricated i ...
and
Anglo
Anglo is a prefix indicating a relation to, or descent from, the Angles, England, English culture, the English people or the English language, such as in the term '' Anglosphere''. It is often used alone, somewhat loosely, to refer to people ...
enamelware had become readily available in the Southwest, making the creation of traditional cooking and serving pots less necessary. Traditional pottery making techniques were being lost, but Martinez and her family experimented with different techniques and helped preserve the cultural art.
Early life
Born to Tomas and Reyes Pena Montoya, Maria had four sisters: Maximiliana (Ana), Juanita, Desideria, and Clara. Maria was the middle child. Her aunt, Nicolasa, taught her clay work. Maria and all four of her sisters made pottery, and some examples of her sisters' pottery can be seen in exhibits. She told people that she saw an alien on a mountain at eight.
History
![Maria Martinez pot](https://upload.wikimedia.org/wikipedia/commons/9/94/Maria_Martinez_pot.jpg)
During an excavation in 1908 led by
Edgar Lee Hewett
Edgar Lee Hewett (November 23, 1865 – December 31, 1946) was an American archaeologist and anthropologist whose focus was the Native American communities of New Mexico and the southwestern United States. He is best known for his role in ...
, a professor of archaeology and the founder and director of the
Museum of New Mexico The Museum of New Mexico is a collection of museums, historic sites, and archaeological services governed by the State of New Mexico. It currently consists of six divisions : the Palace of the Governors state history museum, the New Mexico Museum of ...
in Santa Fe, examples of black-on-white
biscuit ware pottery were discovered. While searching through the sandy dirt and red clay of the New Mexico desert terrain, broken pieces of biscuit ware were uncovered.
It is a common misconception that, "during the end of the 18th century, the use of plant pigments and finely powdered mineral substances became the preferred technique of painting and slowly caused the extinction of glazed pottery".
In reality, the nearby inhabitants of
Santa Clara Pueblo
Santa Clara Pueblo (in Tewa: Khaʼpʼoe Ówîngeh ɑ̀ʔp’òː ʔówîŋgè ″Singing Water Village″, also known as ″Village of Wild Roses″ is a census-designated place (CDP) in Rio Arriba County, New Mexico, United States and a federal ...
, had produced the highly
burnished black pottery, since the 1600s.
Hewett sought a skilled pueblo potter who could re-create biscuit ware. His intention was to place re-created pots in museums and thus preserve the ancient art form. Maria Martinez was known in the
Tewa
The Tewa are a linguistic group of Pueblo Native Americans who speak the Tewa language and share the Pueblo culture. Their homelands are on or near the Rio Grande in New Mexico north of Santa Fe. They comprise the following communities:
* ...
pueblo of San Ildefonso, New Mexico for making the thinnest pots in the least time; therefore, Hewett saw her as the perfect Pueblo potter to bring his idea to life.
This work was distinct from, but invariably confused with (in the popular narrative) the matte black on polished blackware that Maria and her husband experimented with and perfected on their own and for which there was no prior precedent,
contrary to popular myth.
Challenges and experiments
![Maria-Popovi Avanyu plate MRM](https://upload.wikimedia.org/wikipedia/commons/a/a8/Maria-Popovi_Avanyu_plate_MRM.jpeg)
A long process of experimentation and overcoming challenges was required to successfully recreate the black-on-black pottery style to meet Maria’s exacting standards. "As almost all clay found in the hills is not jet black, one specific challenge was to figure out a way to make the clay turn the desired color. Maria discovered, from observing the Tafoya family of Santa Clara Pueblo, who still practiced traditional pottery techniques, that smothering the fire surrounding the pottery during the outdoor firing process caused the smoke to be trapped and is deposited into the clay, creating various shades of black to gunmetal color."
[Roller, Ryan A. - Santa Clara Pueblo. Great-grandson of Margaret Tafoya. Seventh generation traditional potter.] She experimented with the idea that an "unfired polished red vessel which was painted with a red slip on top of the polish and then fired in a smudging fire at a relatively cool temperature would result in a deep glossy black background with dull black decoration."
Shards and sheep and horse manure placed around the outside and inside of the outdoor
kiva
A kiva is a space used by Puebloans for rites and political meetings, many of them associated with the kachina belief system. Among the modern Hopi and most other Pueblo peoples, "kiva" means a large room that is circular and underground, ...
-style
adobe
Adobe ( ; ) is a building material made from earth and organic materials. is Spanish for ''mudbrick''. In some English-speaking regions of Spanish heritage, such as the Southwestern United States, the term is used to refer to any kind of e ...
oven would give the pot a slicker matte finished appearance.
After much trial and error, Maria successfully produced a black ware pot. The first pots for a museum were fired around 1913. These pots were undecorated, unsigned, and of a generally rough quality.
The earliest record of this pottery was in a July 1920 exhibition held at the
New Mexico Museum of Art
The New Mexico Museum of Art is an art museum in Santa Fe governed by the state of New Mexico. It is one of four state-run museums in Santa Fe that are part of the Museum of New Mexico. It is located at 107 West Palace Avenue, one block off the ...
.
Embarrassed that she could not create high quality black pots in the style of the ancient Pueblo peoples, Martinez hid her pots away from the world.
A few years later, Hewett and his guests visited the little Tewa Pueblo. These guests asked to purchase black ware pottery, similar to Martinez's pots housed in a museum. She was greatly encouraged by this interest and resolutely began trying to perfect the art of black ware pottery. Her skill advanced with each pot, and her art began to cause quite a stir among collectors and developed into a business for the black ware pottery. In addition, Martinez began experimenting with various techniques to produce other shapes and colorful forms of pottery.
Description of black ware pottery
![Maria and julian martinez wedding vase](https://upload.wikimedia.org/wikipedia/commons/6/6d/Maria_and_julian_martinez_wedding_vase.jpg)
An
olla
An olla is a ceramic jar, often unglazed, used for cooking stews or soups, for the storage of water or dry foods, or for other purposes like the irrigation of olive trees. ''Ollas'' have short wide necks and wider bellies, resembling beanpots o ...
jar has a slightly flattened rim and a marked angle at the shoulder. The one created by Maria and Julian Martinez is characteristic of this type, which is "decorated on the rims only, i.e. above the angle of the shoulder."
Light is reflected off of the shiny, smooth surface. The jet black ceramic product's finish appears unblemished in any way. A band of a lighter black decoration stands out against a solid black matte background. This type of pot “depends for decorative effect on the manipulation of surface finish alone” to appear as though the decorations are scratched into the pot's surface.
The band wraps directly below the narrow neck of the pot. A wide-eyed
avanyu
Avanyu (also Awanyu), is a Tewa deity, the guardian of water. Represented as a horned or plumed serpent with curves suggestive of flowing water or the zig-zag of lightning, Awanyu appears on the walls of caves located high above canyon rivers in ...
, or
horned serpent, encircles the pot and slithers inside the band. The serpent's tongue almost touches the tip of his tail. The snake's body movements seem alive; a tribute to the appreciation the Pueblo peoples have for nature and life. The decorations on the pot give the pot a personality and unique individualized look.
Process
Creating black ware pottery is a long process that consists of many steps requiring patience and skill. Six distinct processes occur before the pot is finished. According to Susan Peterson in ''The Living Tradition of Maria Martinez'', these steps include, “finding and collecting the clay, forming a pot, scraping and sanding the pot to remove surface irregularities, applying the iron-bearing slip and burnishing it to a high sheen with a smooth stone, decorating the pot with another slip, and firing the pot."
The first step is to gather the clay, which is done once a year, usually in October when it is dry. The clay is then stored in an adobe structure where the temperature remains constant.
The next step is to begin molding the clay to form a pot; the right amount of clay is brought into the house from the storage structure. The clay is placed on a table covered with a cloth. A fist-sized hole is made in the clay and equal amounts of gray-pink and blue sand is placed in the depression. A smaller hole is made in the blue sand and water is poured into the hole. The substances are then kneaded together. The mixture is then wrapped in the cloth, washed, and covered with a towel to prevent moisture from escaping. The clay is allowed to a day or two to dry slightly and stabilize. The ''pukis'' or "supporting mold, a dry or fired clay shape where a round bottom of a new piece may be formed" allows the potter to build the base of the pot into a pancake-like form.
After squeezing the clay together with one's fingers, a 1" high wall is pinched up from the pancake-like base. A gourd rib is used in criss-cross motions to smooth out the wall, making it thick and even. Long coils of clay are laid on the top of the clay wall. These are then smoothed out with the gourd, allowing the potter to increase the height of the pot. Any air holes are patched with clay and sealed with the gourd rib.
After drying, the pot is scraped, sanded, and polished with stones. This is the most time consuming part of the process. A small round stone is applied to the side of the pot in consistent, horizontal, rhythmic motions. The pot is burnished by rubbing the stone parallel with the side of the pot to produce a shiny, evenly-polished surface.
The pot is then ready to fire after a secondary slip is applied. The slip is painted onto the burnished surface in various traditional designs.
Firing
![María and Julián Martinez pit firing blackware pottery (c](https://upload.wikimedia.org/wikipedia/commons/f/fe/Mar%C3%ADa_and_Juli%C3%A1n_Martinez_pit_firing_blackware_pottery_%28c.1920%29.jpg)
Maria Martinez used a firing technique called "reduction firing". A
reducing atmosphere
A reducing atmosphere is an atmospheric condition in which oxidation is prevented by removal of oxygen and other oxidizing gases or vapours, and which may contain actively reducing gases such as hydrogen, carbon monoxide, and gases such as hydro ...
occurs when the air surrounding the pots does not contain enough oxygen to feed the flames. This causes a chemical reaction that darkens the clay body.
The firing process would take many hours in addition to the weeks of preparation beforehand. She often was assisted by her husband or children. The firing occurred early in the morning on a clear, calm day when wind would not hinder the process.
First, the pots were placed in the firing pit, and carefully covered with broken pieces of pottery and aluminum sheets or scrap metal. In order to allow ventilation to keep the fire burning, small spaces were left uncovered. The pit-kiln assembly was then surrounded with cow chips - very dry cow dung - as fuel. The chips were placed carefully in order to leave the vents free. The goal was to prevent any flame from actually touching the pots, hence the protective metal sheets. After covering the
kiln
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay int ...
with more cow chips, they lit the kindling on all sides to ensure an even distribution of heat. They continued to feed the fire with dry cedar wood until it reached the desired temperature of around 1,200 to 1,400 degrees Fahrenheit, depending on the desired look they intended for the batch of pots. If the fire continued to burn, the pottery would achieve a red-brown color. But in order to make the blackware pottery that Maria was famous for, the fire was smothered with dry, powdered horse dung. By doing this, the amount of oxygen within the kiln was greatly reduced, therefore creating a reduction atmosphere that caused the color of the pots to turn black. After several hours, Martinez shifted the horse dung to extinguish the fire and bury the pots so they could cool slowly. After the pit kiln was cool enough to unload, they carefully removed the pots using a stick if the pots were still hot, or by hand if the pots were cool enough to touch.
Decorations
Julian Martinez, Maria's husband, began decorating Maria's pots after many trials and errors. "To create his designs, a slurry of clay and water known as slip is created and applied to the already burnished, but yet unfired surface. You cannot polish a design into a matte background, as the stone is not as precise as a brush is."
He discovered that painting designs with a
guaco
Guaco, huaco, vejuco and bejuco are terms applied to various vine-like Central American, South American, and West Indian climbing plants, reputed to have curative powers. Several species in the genus ''Mikania'' are among those referred to as gua ...
juice and clay mixture provided a matte-on-shiny decorative effect. The process involved polishing the background, then matte-painting the designs before firing.
In 1918, Julian finished the first of Maria's blackware pots with a matte background and a polished
Avanyu
Avanyu (also Awanyu), is a Tewa deity, the guardian of water. Represented as a horned or plumed serpent with curves suggestive of flowing water or the zig-zag of lightning, Awanyu appears on the walls of caves located high above canyon rivers in ...
design.
Many of Julian's decorations were patterns adopted from ancient vessels of the Pueblos. These patterns included birds,
road runner tracks, rain, feathers, clouds, mountains, and zigzags or
kiva
A kiva is a space used by Puebloans for rites and political meetings, many of them associated with the kachina belief system. Among the modern Hopi and most other Pueblo peoples, "kiva" means a large room that is circular and underground, ...
steps.
Signatures
Maria used variations of her signature on her pots throughout her lifetime. These signatures help date the pieces of art. Maria and Julian's oldest works were all unsigned. The two had no idea that their art would become popular and did not feel it was necessary to claim authorship of their work. The unsigned pieces were most likely made between the years of 1918 and 1923. Once Maria gained success with her pottery she began signing her work as "Marie." She thought that the name "Marie" was more popular among the non-Indian public than the name "Maria" and would influence the purchasers more. The pieces signed as "Marie" were made between 1923 and 1925.
Even though Julian decorated the pots, only Maria claimed the work since pottery was still considered a woman's job in the Pueblo.
Maria left Julian's signature off the pieces to respect the Pueblo culture until 1925. After that, “Marie + Julian” remained the official signature on all of the pottery until Julian's death in 1943. Maria's family began helping with the pottery business after Julian's death. From 1943 to 1954 Maria's son, Adam, and his wife Santana, collected clay, coiled, polished, decorated, and fired pottery with Maria. Adam took over his father's job of collecting clay and painting the decorations. “Marie + Santana” became the new signature on the pots. For about thirty years Maria signed her name as “Marie.” Once her son,
Popovi Da, began working alongside his mother, Maria began referring to herself as “Maria” on the pottery. They began co-signing their pieces around 1956 as “Maria+Poveka” and “Maria/Popovi."
She won many awards and presented her pottery at several world fairs and received the initial grant for the
National Endowment for the Arts
The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created in 1965 as an independent agency of the federal ...
to fund a Martinez pottery workshop in 1973.
Martinez passed on her knowledge and skill to many others including her family, other women in the pueblo, and students in the outside world. When she was a young girl she had learned how to become a potter by watching her aunt Nicolasa make pottery. During the time that she developed what we now know as the San Ildefonso style of traditional pottery, she learned much from Sarafina Tafoya, the pottery matriarch of neighboring Santa Clara Pueblo. When in 1932 she was asked to teach by the government Indian school in Santa Fe, Martinez refused to do so: "I come and I work and they can watch," she stated. Her family members had not taught her, and she would not do it herself either - "nobody teaches."
Honors
Martinez received honorary doctorates during her lifetime from the
University of Colorado
The University of Colorado (CU) is a system of public universities in Colorado. It consists of four institutions: University of Colorado Boulder, University of Colorado Colorado Springs, University of Colorado Denver, and the University of Co ...
and the
University of New Mexico
The University of New Mexico (UNM; es, Universidad de Nuevo México) is a public research university in Albuquerque, New Mexico. Founded in 1889, it is the state's flagship academic institution and the largest by enrollment, with over 25,400 ...
.
Her portrait was created by
Malvina Hoffman
Malvina Cornell Hoffman (June 15, 1885July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and ...
, a notable American sculptor.
In 1978 Martinez had a major solo exhibition at the
Renwick Gallery
The Renwick Gallery is a branch of the Smithsonian American Art Museum located in Washington, D.C. that displays American craft and decorative arts from the 19th to 21st century. The gallery is housed in a National Historic Landmark building that ...
of the
Smithsonian Institution
The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Founded ...
.
Collections
*
Brooklyn Museum
The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At , the museum is New York City's second largest and contains an art collection with around 1.5 million objects. Located near the Prospect Heights, Crown H ...
*
Cincinnati Art Museum
The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of ov ...
*
Cleveland Museum of Art
The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, located in the Wade Park District, in the University Circle neighborhood on the city's east side. Internationally renowned for its substantial holdings of Asian and Egyptian ...
*
Crocker Art Museum
The Crocker Art Museum is the oldest art museum in the Western United States, located in Sacramento, California. Founded in 1885, the museum holds one of the premier collections of Californian art. The collection includes American works dating f ...
*
Denver Art Museum
The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and world, the DAM is one of the largest art museums between t ...
*
Everson Museum of Art Everson may refer to:
People with the surname
* Ben Everson (born 1987), English footballer
* Bill Everson (1906–1966), Welsh international rugby union player
* Cliff Everson, a New Zealand car designer and manufacturer
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*
Gilcrease Museum
Gilcrease Museum, also known as the Thomas Gilcrease Institute of American History and Art, is a museum northwest of downtown Tulsa, Oklahoma housing the world's largest, most comprehensive collection of art of the American West, as well as a gro ...
*
Institute of Texan Cultures
The University of Texas at San Antonio (UTSA) Institute of Texan Cultures (ITC) is a museum and library located in the Texas Pavilion at HemisFair Park in Downtown San Antonio, Texas. The building which houses the institute a striking example of Br ...
*
Jesse Peter Multicultural Museum
*
Millicent Rogers Museum
The Millicent Rogers Museum is an art museum in Taos, New Mexico, founded in 1956 by the family of Millicent Rogers. Initially the artworks were from the multi-cultural collections of Millicent Rogers and her mother, Mary B. Rogers, who donated ...
*
Minneapolis Institute of Art
The Minneapolis Institute of Art (Mia) is an arts museum located in Minneapolis, Minnesota, United States. Home to more than 90,000 works of art representing 5,000 years of world history, Mia is one of the largest art museums in the United State ...
*
Museum of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works ...
*
Museum of Fine Arts, St. Petersburg
*
Museum of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.
It plays a major role in developing and collecting modern art, and is often identified as one of ...
*
National Museum of the American Indian
The National Museum of the American Indian is a museum in the United States devoted to the culture of the indigenous peoples of the Americas. It is part of the Smithsonian Institution group of museums and research centers.
The museum has three ...
*
National Museum of Women in the Arts
The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since openin ...
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Portland Art Museum
The Portland Art Museum in Portland, Oregon, United States, was founded in 1892, making it one of the oldest art museums on the West Coast and seventh oldest in the US. Upon completion of the most recent renovations, the Portland Art Museum becam ...
*
Smithsonian American Art Museum
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds o ...
*
Toledo Museum of Art
The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio. It houses a collection of more than 30,000 objects. With 45 galleries, it covers 280,000 square feet and is currently in th ...
*
University of Michigan Museum of Art
The University of Michigan Museum of Art in Ann Arbor, Michigan with is one of the largest university art museums in the United States. Built as a war memorial in 1909 for the university's fallen alumni from the Civil War, Alumni Memorial Hall ori ...
See also
*
List of indigenous artists of the Americas
This is a list of visual artists who are Indigenous peoples of the Americas, categorized by primary media. Mestizo and Métis artists whose indigenous descent is integral to their art are included, as are Siberian Yup'ik artists due to their c ...
*
List of Native American artists
This is a list of visual artists who are Native Americans in the United States. The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual ...
*
Native American pottery
Native American pottery is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, ...
*
American Museum of Ceramic Art Her artworks has been exhibited and are a part of the Permanent Collection
*
San Ildefonso Self-Taught Group
*
Black-on-black ware
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other arti ...
References
Further reading
*
External links
Fact sheet on Maria Martinez
*
{{DEFAULTSORT:Martinez, Maria
1887 births
1980 deaths
Native American potters
Artists from New Mexico
American women ceramists
American ceramists
Pueblo artists
Puebloan peoples
20th-century American women artists
Native American women artists
Women potters
Cowgirl Hall of Fame inductees
People from San Ildefonso Pueblo, New Mexico
20th-century ceramists
20th-century Native Americans
20th-century Native American women
Tewa