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"" ( K. 316/300b) is a
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
and
aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
for
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
and orchestra that
Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
wrote for Aloysia Weber. It is famous for including two occurrences of a G6, i.e. the G above high C, or 1568  Hz by modern
concert pitch Concert pitch is the pitch (music), pitch reference to which a group of musical instruments are musical tuning, tuned for a performance. Concert pitch may vary from musical ensemble, ensemble to ensemble, and has varied widely over music history. ...
– according to the ''
Guinness Book of Records ''Guinness World Records'', known from its inception in 1955 until 1999 as ''The Guinness Book of Records'' and in previous United States editions as ''The Guinness Book of World Records'', is a reference book published annually, listing world ...
'', the highest musical note ever scored for the human voice. (However, an A6 is scored in Ignaz Umlauf's ''Das Irrlicht'', also sung by Aloysia Weber.)


History

Mozart completed this recitative and aria in Munich on 8 January 1779, as an
insertion aria An insertion aria (' in Italian, also known as suitcase aria, interpolated aria, or trunk aria) is an aria sung in an opera for which it was not composed. It was a practice that began in the seventeenth century and continued actively through the ...
for the opera '' Alceste'' by
Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
. It was written specifically to showcase the superlative vocal skills of Mozart's future sister-in-law, Aloysia Weber, who was only 18 at the time. However, sopranos who are able to cope with the aria's demands have been few and far between, and hence the aria is usually omitted from performances of ''Alceste''. It has been therefore redesignated a
concert aria A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particula ...
, to be presented in concerts by such rare singers as are able to deliver its fiendishly difficult coloratura.


Music

The aria is scored for solo
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...
, solo
bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...
, 2
horns Horns or The Horns may refer to: * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...
in C, and
strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...
. The opening recitative is 47 bars long and is in
C minor C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Cha ...
with a time signature of , with the detailed
tempo In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often ...
direction ''Andantino sostenuto e languido''. The following aria is 192 bars long and in
C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...
. The aria is divided into two parts: the first part with a time signature of and tempo ''Andantino sostenuto e cantabile'', ends in bar 85; the second part then begins, and the tempo then accelerates to ''Allegro assai'' to the words of the final four lines. The aria has a
vocal range Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of stud ...
of two
octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...
s and a
major second In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more deta ...
(or 2500 cents), from F4 to G6; the latter note occurs only twice (in bars 165 and 172 of the aria): : \relative c'' \addlyrics


Libretto

The text of the aria is from the opera ''Alceste'', and was written by
Ranieri de' Calzabigi Ranieri de' Calzabigi (; 23 December 1714 – July 1795) was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his "reform" operas. Born in Livorno, Calzabigi spent the 1750s in Paris ...
. It is inserted at act 1, scene 2. Popoli di Tessaglia, ah mai più giusto fu il vostro pianto; a voi non men che a questi innocenti fanciulli Admeto è padre. Io perdo il caro sposo, e voi l'amato re. La nostra sola speranza, il nostro amor c'invola questo fato crudel, né so chi prima in sì grave sciagura a compianger m'appigli del regno, di me stessa, o de' miei figli. La pietà degli dei sola ci resta d'implorare, d'ottener. Verrò compagna alle vostre preghiere, a' vostri sacrifizi avanti all'are una misera madre, due bambini infelici, tutto un popolo in pianto presenterò così. Forse con questo spettacolo funesto, in cui dolente gli affetti, i voti suoi dichiara un regno, placato alfin sarà del ciel lo sdegno. Io non chiedo, eterni dei tutto il ciel per me sereno. Ma il mio duol consoli almeno, qualche raggio di pietà. Non comprende mali miei né il terror che m’empie il petto, chi di moglie il vivo affetto, chi di madre il cor non ha. Peoples of Thessaly, ah, your tears were never more just; to you no less than to these innocent children Admetus is a father. I lose the dear husband, and you the beloved king. Our only hope, our love this cruel fate takes us away, nor do I know who before in such a grave disaster to feel sorry for me of the kingdom, of myself, or of my children. The mercy of the gods alone it remains for us to beg, to obtain. I will come as a companion to your prayers, to your sacrifices before the are a miserable mother, two unhappy children, I will present a whole people in tears like this. Perhaps with this fatal sight, in which painful the affections, his vows declare a kingdom, at last, there will be indignation from heaven. I don't ask, eternal gods all the sky for me is clear. But my grief consoles at least, some ray of pity. He does not understand my ills nor the terror that fills my chest, who of a wife the keen affection, who does not have the heart of a mother.


References


External links

* * * * , Ayako Tanaka {{Authority control, state=collapsed Arias by Wolfgang Amadeus Mozart Opera excerpts 1779 compositions Compositions in C minor Compositions in C major Soprano arias Arias in Italian