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Concert Aria
A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. Apart from only denoting arias for singer and orchestra, the term is also used to indicate arias which were specifically composed as insertion arias for already-existing operas, either as additions to the score or as substitutions for other arias. These are sometimes performed in concerts because they are no longer required for their original purpose, though they were not, strictly speaking, composed for performance in concert. The concert arias which are most commonly performed today were written by Wolfgang Amadeus Mozart, but there are many examples by other composers, such as: *"Son qual nave ch'agitata" by Riccardo Broschi (written f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Altissimo
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC Classics
ABC are the first three letters of the Latin script known as the alphabet. ABC or abc may also refer to: Arts, entertainment, and media Broadcasting * American Broadcasting Company, a commercial U.S. TV broadcaster ** Disney–ABC Television Group, the former name of the parent organization of ABC * Australian Broadcasting Corporation, one of the national publicly funded broadcasters of Australia ** ABC Television (Australian TV network), the national television network of the Australian Broadcasting Corporation ***ABC TV (Australian TV channel), the flagship TV station of the Australian Broadcasting Corporation *** ABC Canberra (TV station), Canberra, and other ABC TV local stations in state capitals *** ABC Australia (Southeast Asian TV channel), an international pay TV channel * ABC Radio (other), various radio stations including the American and Australian ABCs * Associated Broadcasting Corporation, one of the former names of TV5 Network, Inc., a Philippine tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Per Questa Bella Mano
"", Köchel catalogue, K. 612, is a concert aria by Wolfgang Amadeus Mozart for solo Bass (voice type), bass with an obbligato double bass. Composed in Vienna, it is dated 8 March 1791 in Mozart's own catalogue. It is well known by players of the double bass, with difficult scale work and double stops. It may have been composed as an interlude in a performance of an opera buffa, written by another composer. The aria remains a popular and often performed concert piece today. (''URL usurped'') Description The piece is in two sections; a slow 6/8 Andante (tempo), andante, finishing with an allegro in common time. The text is a romantic declaration of love. The aria is in the Key (music), key of D major. History The original singer was Franz Xaver Gerl, who notably sung the roles of Don Giovanni, The Marriage of Figaro, Figaro and The Magic Flute, Sarastro. The original double bass player was . Instrumentation The work calls for one Concert flute, flute, two oboes, two bassoons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josepha Duschek
Josepha Duschek (née Hambacher) (1754–1824) was an outstanding soprano of the Classical era. She was a friend of Wolfgang Amadeus Mozart, who wrote a few works for her to sing. Her name is most often given in its German version as above. In Czech her name was Josefína Dušková or (with Germanized spelling) Josepha Duschkova. Life She was born Josepha Hambacher in Prague, then a provincial capital of the Austrian Empire, on 6 March 1754, and lived in Prague all of her life. Her father was a prosperous apothecary, Anton Adalbert Hambacher (also "Hampacher") and her mother was Maria Domenica Colomba, who came from Salzburg. Her father’s pharmacy was in the house called "Zum weissen Einhorn" ("The White Unicorn"). Built in the Baroque style, it was situated in the Old Town Square where the pharmaceutical business flourished until the 20th century. In her youth Josepha studied music with František Xaver Dušek, whom she married on 21 October 1776. Josefa’s husband alrea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bella Mia Fiamma, Addio
"Bella mia fiamma, addio", K. 528, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Prague in 1787. The text of this aria is taken from the 1772 opera ''Cerere placata'', composed by Niccolò Jommelli with text by . The aria was published by Breitkopf & Härtel in 1881. Description Sung by the character Titano, the aria is marked andante, then allegro, and consists of 196 bars in the key of C major. The vocal range reaches from D to A with a tessitura of D to G. A typical performance lasts for around ten minutes. The aria contains bravura writing with difficult chromatic passages. The aria part of the work calls for a flute, two oboes, two bassoons, two French horns and strings. The time signature for the introduction is common time , then for the aria proper triple metre. History Composed in Prague, dated 3 November 1787, the aria was dedicated to its original singer, Josepha Duschek, for whom Mozart previously wrote the aria " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorrei Spiegarvi, Oh Dio!
"" ( K. 418) is a soprano aria by Wolfgang Amadeus Mozart. History Mozart entered the aria into his catalogue on 20 June 1783 Vienna. It was performed in the Burgtheater, Vienna, on 30 June 1783, as an insertion aria for a performance of Pasquale Anfossi's opera '' Il curioso indiscreto'' which had premiered with great success in 1777 in Rome. Mozart wrote two other insertion arias for that occasion, "No, che non sei capace" (I. 7) (K. 419) and "Per pietà, non ricercate" (II. 4) (K. 420); K. 418 and K. 419 were written for Mozart's sister-in-law Aloysia Weber, K. 420 for Valentin Adamberger, but that aria was not performed because of some intrigue initiated by Salieri.'' Neue Mozart-Ausgabe'', Series II "Stage Works", group 7: Arias, Scenes, Ensembles and Choirs with Orchestra, vol. 3, p. XI The aria is part of the 1991 pasticcio opera ''The Jewel Box''. Music "" was written as a draft for this work just a few days before; it resembles more a piano reduction than a genuine work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Storace
Anna (or Ann) Selina Storace (; 27 October 176524 August 1817), known professionally as Nancy Storace, was an English operatic soprano. The role of Susanna in Mozart's ''Le nozze di Figaro'' was written for and first performed by her. Born in London, her singing career as a child prodigy began in England by the age of 12. This led to further study in Italy and to a successful singing career there during the late 1770s. While in Monza (or shortly before in Milan) in 1782,Pesqué 2017, p. 56-57 quotes a letter dated November 1785 from Poet Giovanni Battista Casti who informs his correspondent that Storace and Benucci have been already recruited for Vienna. she was recruited to form part of Emperor Joseph II's new Italian opera company in Vienna, where the assembled singers who joined her "created in the two years leading up to the premiere of ''The Marriage of Figaro'', were welded into the finest buffa ensemble anywhere." In Vienna, she befriended both Mozart and Joseph Hayd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ch'io Mi Scordi Di Te?
"" (Will I forget you? ... Fear not, beloved), K. 505, is a concert aria by Wolfgang Amadeus Mozart for soprano, piano obbligato and orchestra, composed in December 1786 in Vienna. It is often considered to be one of his greatest compositions in this genre. History Earlier in 1786, Mozart had produced a previous (musically only distantly related) score based on the same text, as an insertion aria for the character Idamante in a revised version of his 1781 opera ''Idomeneo,'' made for a private performance in Prince Auersperg's palace in Vienna. For that revival, Mozart reworked the role of Idamante (originally a castrato) for the tenor voice, and the substitution of this scena (recitative and rondò "", KV 490) for that of 1781 was only one of many changes that resulted from this recasting. The K. 505 setting was written for Nancy Storace, probably for her farewell concert from Vienna on 23 February 1787 at the Theater am Kärntnertor. Mozart himself very likely playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aloysia Weber
''Aloysia'' is a genus of flowering plants in the verbena family, Verbenaceae. They are known generally as beebrushes.''Aloysia''. Integrated Taxonomic Information System (ITIS). They are native to the Americas, where they are distributed in temperate climates, as well as in subtropical and desert climates.Siedo, S. J. (2012) Four new specie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
