A pharmakós ( el, φαρμακός, plural ''pharmakoi'') in
Ancient Greek religion was the ritualistic sacrifice or exile of a human
scapegoat or victim.
Ritual
A slave, a cripple, or a criminal was chosen and expelled from the community at times of disaster (famine, invasion or plague) or at times of calendrical crisis. It was believed that this would bring about purification. On the first day of the
Thargelia
Thargelia ( grc, Θαργήλια) was one of the chief Athenian festivals in honour of the Delian Apollo and Artemis, held on their birthdays, the 6th and 7th of the month Thargelion (about May 24 and May 25).
Essentially an agricultural festiv ...
, a festival of
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label ...
at Athens, two men, the ''pharmakoi'', were led out as if to be sacrificed as an expiation.
Some
scholia
Scholia (singular scholium or scholion, from grc, σχόλιον, "comment, interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of t ...
state that ''pharmakoi'' were actually sacrificed (thrown from a cliff or burned), but many modern scholars reject this, arguing that the earliest source for the ''pharmakos'' (the iambic satirist
Hipponax) shows the ''pharmakoi'' being beaten and stoned, but not executed. A more plausible explanation would be that sometimes they were executed and sometimes not, depending on the attitude of the victim. For instance, a deliberate unrepentant murderer would most likely be put to death.
In ''Aesop in Delphi'' (1961), Anton Wiechers discussed the parallels between the legendary biography of
Aesop
Aesop ( or ; , ; c. 620–564 BCE) was a Greek fabulist and storyteller credited with a number of fables now collectively known as ''Aesop's Fables''. Although his existence remains unclear and no writings by him survive, numerous tales c ...
(in which he is unjustly tried and executed by the Delphians) and the ''pharmakos'' ritual. For example, Aesop is grotesquely deformed, as was the ''pharmakos'' in some traditions; and Aesop was thrown from a cliff, as was the pharmakos in some traditions.
Gregory Nagy, in ''Best of the Achaeans'' (1979), compared Aesop's ''pharmakos'' death to the "worst" of the Achaeans in the ''
Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the '' Odys ...
'',
Thersites
In Greek mythology, Thersites (; Ancient Greek: Θερσίτης) was a soldier of the Greek army during the Trojan War.
Family
The ''Iliad'' does not mention his father's name, which may suggest that he should be viewed as a commoner rathe ...
. More recently, both Daniel Ogden, ''The Crooked Kings of Ancient Greece'' (1997) and
Todd Compton
Todd Merlin Compton (born 1952) is an American historian in the fields of Mormon history and classics. Compton is a respected authority on the plural wives of the LDS Church founder, Joseph Smith.
Biographical background
Compton is a member of ...
, ''Victim of the Muses: Poet as Scapegoat, Warrior and Hero'' (2006) examine poet ''pharmakoi''. Compton surveys important poets who were exiled, executed or suffered unjust trials, either in history, legend or Greek or
Indo-European myth.
Modern interpretations
Walter Burkert
Walter Burkert (; 2 February 1931 – 11 March 2015) was a German scholar of Greek mythology and cult.
A professor of classics at the University of Zurich, Switzerland, he taught in the UK and the US. He has influenced generations of studen ...
and
René Girard
René Noël Théophile Girard (; ; 25 December 1923 – 4 November 2015) was a French polymath, historian, literary critic, and philosopher of social science whose work belongs to the tradition of philosophical anthropology. Girard was the aut ...
have written influential modern interpretations of the ''pharmakos'' rite. Burkert shows that humans were sacrificed or expelled after being fed well, and, according to some sources, their ashes were scattered to the ocean. This was a purification ritual, a form of societal
catharsis
Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
. Girard likewise discusses the connection between catharsis, sacrifice, and purification. Some scholars have connected the practice of
ostracism
Ostracism ( el, ὀστρακισμός, ''ostrakismos'') was an Athenian democratic procedure in which any citizen could be expelled from the city-state of Athens for ten years. While some instances clearly expressed popular anger at the ci ...
, in which a prominent politician was exiled from Athens after a vote using pottery pieces, with the ''pharmakos'' custom. However, the ostracism exile was only for a fixed time, as opposed to the finality of the ''pharmakos'' execution or expulsion.
Pharmakos is also used as a vital term in Derridean
deconstruction. In his essay "Plato's Pharmacy",
[''Dissemination'', translated by Barbara Johnson, Chicago, University of Chicago Press, 1981] Jacques Derrida deconstructs several texts by
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
, such as ''
Phaedrus'', and reveals the inter-connection between the word chain ''pharmakeia–pharmakon–pharmakeus'' and the notably absent word ''pharmakos''. In doing so, he attacks the boundary between inside and outside, declaring that the outside (pharmakos, never uttered by Plato) is always-already present right behind the inside (''pharmakeia–pharmakon–pharmakeus''). As a concept, Pharmakos can be said to be related to other Derridian terms such as "
Trace
Trace may refer to:
Arts and entertainment Music
* ''Trace'' (Son Volt album), 1995
* ''Trace'' (Died Pretty album), 1993
* Trace (band), a Dutch progressive rock band
* ''The Trace'' (album)
Other uses in arts and entertainment
* ''Trace'' ...
".
See also
*
Etymology of ''pharmacy''
*
Modes of persuasion
The modes of persuasion, modes of appeal or rhetorical appeals (Greek: ''pisteis'') are strategies of rhetoric that classify a speaker's or writer's appeal to their audience. These include ethos, pathos, and logos, all three of which appear in Ar ...
, which include
ethos
Ethos ( or ) is a Greek word meaning "character" that is used to describe the guiding beliefs or ideals that characterize a community, nation, or ideology; and the balance between caution, and passion. The Greeks also used this word to refer to ...
,
pathos,
logos
''Logos'' (, ; grc, λόγος, lógos, lit=word, discourse, or reason) is a term used in Western philosophy, psychology and rhetoric and refers to the appeal to reason that relies on logic or reason, inductive and deductive reasoning. Ari ...
and
kairos
Notes
{{reflist
References
Bremmer, Jan N."Scapegoat Rituals in Ancient Greece" ''Harvard Studies in Classical Philology'', Vol. 87. (1983), pp. 299–320.
*Burkert, Walter, ''Greek Religion'', Cambridge, MA: Harvard University Press, 1985.
*Burkert, Walter, ''Structure and History in Greek Mythology''. Berkeley: University of California Press, 1979, 59-77.
*Calcagnetti, Daniel J., "Neuropharmacology: From Cellular Receptors and Neurotransmitter Synthesis to Neuropathology & Drug Addiction", First Edition, 2006.
*
Compton, Todd“The Pharmakos Ritual: Testimonia.”*Compton, Todd, ''Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History''. Washington, D.C.: Center for Hellenic Studies/Harvard University Press, 2006.
*Derrida, Jacques, "Dissemination", translated by Barbara Johnson, Chicago, University of Chicago Press, 1981.
*Fiore, Robert L.
"Alarcon's El dueno de las estrellas: Hero and Pharmakos" ''Hispanic Review'', Vol. 61, No. 2, Earle Homage Issue (Spring, 1993), pp. 185–199.
*Frazer, James. ''The Golden Bough. Part VI. The Scapegoat'', pp. 252ff.
*Girard, René. ''The Scapegoat.'' Trans. Y. Freccero. Baltimore, 1986.
*Harrison, Jane Ellen, ''Epilegomena to the Study of Greek Religion'', 1921.
*Harrison, Jane Ellen, ''Prolegomena to the Study of Greek Religion'', 1908.
*Harrison, Jane Ellen, ''Themis: a Study of the Social Origin of Greek Religion'', 1921.
*Hirayama, Koji
XLIX(2001), Classical Society of Japan,
Kyoto University.
*Hughes, Dennis, ''Human Sacrifice in Ancient Greece'', London 1991, pp. 139–165.
*Nagy, Gregory
''The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry.''The Johns Hopkins University Press, 1979, pp. 280–90 in print edition.
*Nilsson, Martin P.
1940. See the discussion of the Thargelia in the chapter “Rural Customs and Festivals.”
*Ogden, Daniel, ''The Crooked Kings of Ancient Greece'' London 1997, pp. 15–46.
*Parker, Robert, ''Miasma, Pollution and Purification in Early Greek Religion.'' Oxford: Oxford University Press, 1983, pp. 24–26, 257-280.
*Rinella, Michael A., ''Pharmakon: Plato, Drug Culture, and Identity in Ancient Athens''. Lanham, MD: Lexington Books, 2010, 73-74.
* Whibley, Leonard, MA, ''A Companion to Greek Studies''. Cambridge University Press.
*Wiechers, A. ''Aesop in Delphi''. Meisenheim am Glan 1961.
Injustice
Ancient Greek religion