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Hipponax
Hipponax ( grc, Ἱππῶναξ; ''gen''. Ἱππώνακτος; fl. late 6th century BC), of Ephesus and later Clazomenae, was an Ancient Greek iambic poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit (especially for his attacks on some contemporary sculptors, Bupalus and Athenis), and he was reputed to be physically deformed (a reputation that might have been inspired by the nature of his poetry). Life Ancient authorities record the barest details about his life (sometimes contradicting each other) and his extant poetry is too fragmentary to support autobiographical interpretation (a hazardous exercise even at the best of times). The Marmor Parium, only partially preserved in the relevant place, dates him to 541/40 BC, a date supported by Pliny The Elder in this comment on the theme of sculpture: Archeological corroboration for these dates is found on the pedestal of a statue in Delos, ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipponax Of Ephesus
Hipponax ( grc, Ἱππῶναξ; ''gen''. Ἱππώνακτος; fl. late 6th century BC), of Ephesus and later Clazomenae, was an Ancient Greek Iambus (genre), iambic Greek lyric, poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit (especially for his attacks on some contemporary sculptors, Bupalus and Athenis), and he was reputed to be deformity, physically deformed (a reputation that might have been inspired by the nature of his poetry). Life Ancient authorities record the barest details about his life (sometimes contradicting each other) and his extant poetry is too fragmentary to support autobiographical interpretation (a hazardous exercise even at the best of times). The Marmor Parium, only partially preserved in the relevant place, dates him to 541/40 BC, a date supported by Pliny The Elder in this comment on the theme of sculpture: Archeological corroboration for these dates is found on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambus (genre)
Iambus or iambic poetry was a genre of ancient Greek poetry that included but was not restricted to the iambic meter and whose origins modern scholars have traced to the cults of Demeter and Dionysus. The genre featured insulting and obscene language and sometimes it is referred to as "blame poetry". For Alexandrian editors, however, iambus signified any poetry of an informal kind that was intended to entertain, and it seems to have been performed on similar occasions as elegy even though lacking elegy's decorum. The Archaic Greek poets Archilochus, Semonides and Hipponax were among the most famous of its early exponents. The Alexandrian poet Callimachus composed "iambic" poems against contemporary scholars, which were collected in an edition of about a thousand lines, of which fragments of thirteen poems survive. He in turn influenced Roman poets such as Catullus, who composed satirical epigrams that popularized Hipponax's choliamb. Horace's '' Epodes'' on the other hand were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epodes (Horace)
The ''Epodes'' ( la, Epodi or ''Epodon liber''; also called ''Iambi'') are a collection of iambic poems written by the Roman poet Horace. They were published in 30 BC and form part of his early work alongside the ''Satires''. Following the model of the Greek poets Archilochus and Hipponax, the ''Epodes'' largely fall into the genre of blame poetry, which seeks to discredit and humiliate its targets. The 17 poems of the ''Epodes'' cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's socio-political ills in a time of great upheaval. Due to their recurring coarseness and explicit treatment of sexuality, the ''Epodes'' have traditionally been Horace's least regarded work. However, the last quarter of the 20th century saw a resurgence in scholarly interest in the collection. Names The modern standard name for the collection is ''Epodes' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bupalus
Bupalus ( el, Βούπαλος) and Athenis ( el, Ἄθηνις), were sons of Archermus, and members of the celebrated school of sculpture in marble which flourished in Chios in the 6th century BC. They were contemporaries of the poet Hipponax, whom they were said to have caricatured. Their works consisted almost entirely of draped female figures, Artemis, Fortune, The Graces, when the Chian school has been well called a school of Madonnas. Augustus brought many of the works of Bupalus and Athenis to Rome, and placed them on the gable of the temple of Apollo Palatinus. Bupalus supposedly committed suicide out of shame after Hipponax wrote caustic satirical poetry about him to revenge himself on Bupalus for his refusal to let Hipponax marry his daughter and for his caricature of Hipponax. Aristophanes refers to Bupalus in the ''Lysistrata''. When the Chorus of Men encounter the Chorus of Women near the north-western edge of the Acropolis they ridicule the women, "I warrant, now, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archilochus
Archilochus (; grc-gre, Ἀρχίλοχος ''Arkhilokhos''; c. 680 – c. 645 BC) was a Greek lyric poet of the Archaic period from the island of Paros. He is celebrated for his versatile and innovative use of poetic meters, and is the earliest known Greek author to compose almost entirely on the theme of his own emotions and experiences. Biography A considerable amount of information about the life of Archilochus has come down to the modern age via his surviving work, the testimony of other authors, and inscriptions on monuments, yet it all needs to be viewed with caution – the biographical tradition is generally unreliable and the fragmentary nature of the poems does not really support inferences about his personal history. The vivid language and intimate details of the poems often look autobiographical yet it is known, on the authority of Aristotle, that Archilochus sometimes role-played. The philosopher quoted two fragments as examples of an author speaking in somebo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ephesus
Ephesus (; grc-gre, Ἔφεσος, Éphesos; tr, Efes; may ultimately derive from hit, 𒀀𒉺𒊭, Apaša) was a city in ancient Greece on the coast of Ionia, southwest of present-day Selçuk in İzmir Province, Turkey. It was built in the 10th century BC on the site of Apasa, the former Arzawan capital, by Attica, Attic and Ionians, Ionian Greek colonists. During the Classical Greece, Classical Greek era, it was one of twelve cities that were members of the Ionian League. The city came under the control of the Roman Republic in 129 BC. The city was famous in its day for the nearby Temple of Artemis (completed around 550 BC), which has been designated one of the Seven Wonders of the Ancient World. Its many monumental buildings included the Library of Celsus and a theatre capable of holding 24,000 spectators. Ephesus was recipient city of one of the Pauline epistles; one of the seven churches of Asia addressed in the Book of Revelation; the Gospel of John may have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choliamb
Choliambic verse ( grc, χωλίαμβος), also known as limping iambs or scazons or halting iambic,. is a form of meter in poetry. It is found in both Greek and Latin poetry in the classical period. Choliambic verse is sometimes called ''scazon'', or "lame iambic", because it brings the reader down on the wrong "foot" by reversing the stresses of the last few beats. It was originally pioneered by the Greek lyric poet Hipponax, who wrote "lame trochaics" as well as "lame iambics". The basic structure is much like iambic trimeter, except that the last cretic is made heavy by the insertion of a longum instead of a breve. Also, the third anceps of the iambic trimeter line must be short in limping iambs. In other words, the line scans as follows (where — is a long syllable, u is a short syllable, and x is an anceps): :x — u — , x — u — , u — — — As in all classical verse forms, the phenomenon of brevis in longo is observed, so the last syllable can actually be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Poetry of Sappho, Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the "Ode to Aphrodite" is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers; Charaxos (Χάραξος), Larichos ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diphilus
Diphilus (Greek: Δίφιλος), of Sinope, was a poet of the new Attic comedy and a contemporary of Menander (342–291 BC). He is frequently listed together with Menander and Philemon, considered the three greatest poets of New Comedy. He was victorious at least three times at the Lenaia, placing him third before Philemon and Menander. Although most of his plays were written and acted at Athens he died at Smyrna. His body was returned and buried in Athens. According to Athenaeus, he was on intimate terms with the famous courtesan Gnathaena. Athenaeus quotes the comic poet Machon in support of this claim. Machon is also the source for the claim that Diphilus acted in his own plays. An anonymous essay on comedy from antiquity reports that Diphilus wrote 100 plays. Of these 100 plays, 59 titles, and 137 fragments (or quotations) survive. From the extant fragments, Diphilus' plays seem to have featured many of the stock characters now primarily associated with the comedies of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demetrius Of Phalerum
Demetrius of Phalerum (also Demetrius of Phaleron or Demetrius Phalereus; grc-gre, Δημήτριος ὁ Φαληρεύς; c. 350 – c. 280 BC) was an Athenian orator originally from Phalerum, an ancient port of Athens. A student of Theophrastus, and perhaps of Aristotle, he was one of the first members of the Peripatetic school of philosophy. Demetrius had been a distinguished statesman who was appointed by Cassander, the King of Macedon, to govern Athens, where Demetrius ruled as sole ruler for ten years. During this time, he introduced important reforms of the legal system, while also maintaining pro-Cassander oligarchic rule. Demetrius was exiled by his enemies in 307 BC. He first went to Thebes, and then, after 297 BC, went to the court of Alexandria. He wrote extensively on the subjects of history, rhetoric, and literary criticism. He is not to be confused with his grandson, also called Demetrius of Phaleron, who probably served as regent of Athens between 262 and 255, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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