Petrarca Nuoto

Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists.

Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca.

Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissance
''Journal of the History of Ideas'', Vol. 4, No. 1. (Jan. 1943), pp. 69–74; Theodore E. Mommsen, "Petrarch's Conception of the 'Dark Ages'" ''Speculum'' 17.2 (April 1942: 226–242); JSTOR link to a collection of several letters in the same issue.

Biography

Youth and early career

Petrarch was born in the Tuscan city of Arezzo on 20 July 1304. He was the son of Ser Petracco and his wife Eletta Canigiani. His given name was ''Francesco Petracco,'' which was Latinized to ''Petrarca.'' Petrarch's younger brother was born in Incisa in Val d'Arno in 1307. Dante Alighieri was a friend of his father.J.H. Plumb, ''The Italian Renaissance'', 1961; Chapter XI by Morris Bishop "Petrarch", pp. 161–175; New York, American Heritage Publishing,

Petrarch spent his early childhood in the village of Incisa, near Florence. He spent much of his early life at Avignon and nearby Carpentras, where his family moved to follow Pope Clement V, who moved there in 1309 to begin the Avignon Papacy. Petrarch studied law at the University of Montpellier (1316–20) and Bologna (1320–23) with a lifelong friend and schoolmate, Guido Sette, future archbishop of Genoa. Because his father was in the legal profession (a notary), he insisted that Petrarch and his brother also study law. Petrarch, however, was primarily interested in writing and Latin literature and considered these seven years wasted. Additionally, he proclaimed that through legal manipulation his guardians robbed him of his small property inheritance in Florence, which only reinforced his dislike for the legal system. He protested, "I couldn't face making a merchandise of my mind", since he viewed the legal system as the art of selling justice.

Petrarch was a prolific letter writer and counted Boccaccio among his notable friends to whom he wrote often. After the death of their parents, Petrarch and his brother Gherardo went back to Avignon in 1326, where he worked in numerous clerical offices. This work gave him much time to devote to his writing. With his first large-scale work, '' Africa'', an epic in Latin about the great Roman general Scipio Africanus, Petrarch emerged as a European celebrity. On 8 April 1341, he became the second poet laureate since classical antiquity and was crowned by Roman ''Senatori'' Giordano Orsini and Orso dell'Anguillara on the holy grounds of Rome's Capitol.Pietrangeli (1981), p. 32

He traveled widely in Europe, served as an ambassador, and, because he traveled for pleasure, as with his ascent of Mont Ventoux, has been called "the first tourist".
During his travels, he collected crumbling Latin manuscripts and was a prime mover in the recovery of knowledge from writers of Rome and Greece. He encouraged and advised Leontius Pilatus's translation of Homer from a manuscript purchased by Boccaccio, although he was severely critical of the result. Petrarch had acquired a copy, which he did not entrust to Leontius, but he knew no Greek; Petrarch said of himself, "Homer was dumb to him, while he was deaf to Homer". In 1345 he personally discovered a collection of Cicero's letters not previously known to have existed, the collection '' Epistulae ad Atticum'', in the Chapter Library (''Biblioteca Capitolare'') of Verona Cathedral.

Disdaining what he believed to be the ignorance of the era in which he lived, Petrarch is credited with creating the concept of a historical " Dark Ages", which most modern scholars now find inaccurate and misleading.; Same volume, Freedman, Paul
"Medieval Studies"
pp. 383–389.

Mount Ventoux

Petrarch recounts that on 26 April 1336, with his brother and two servants, he climbed to the top of Mont Ventoux (), a feat which he undertook for recreation rather than necessity. The exploit is described in a celebrated letter addressed to his friend and confessor, the monk Dionigi di Borgo San Sepolcro, composed some time after the fact. In it, Petrarch claimed to have been inspired by Philip V of Macedon's ascent of Mount Haemo and that an aged peasant had told him that nobody had ascended Ventoux before or after himself, 50 years earlier, and warned him against attempting to do so. The nineteenth-century Swiss historian Jacob Burckhardt noted that Jean Buridan had climbed the same mountain a few years before, and ascents accomplished during the Middle Ages have been recorded, including that of Anno II, Archbishop of Cologne.

Scholars note that Petrarch's letterFamiliares 4.1
translated by Morris Bishop, quoted in Plumb. to Dionigi displays a strikingly "modern" attitude of aesthetic gratification in the grandeur of the scenery and is still often cited in books and journals devoted to the sport of mountaineering. In Petrarch, this attitude is coupled with an aspiration for a virtuous Christian life, and on reaching the summit, he took from his pocket a volume by his beloved mentor, Saint Augustine, that he always carried with him.

For pleasure alone he climbed Mont Ventoux, which rises to more than six thousand feet, beyond Vaucluse. It was no great feat, of course; but he was the first recorded Alpinist of modern times, the first to climb a mountain merely for the delight of looking from its top. (Or almost the first; for in a high pasture he met an old shepherd, who said that fifty years before he had attained the summit, and had got nothing from it save toil and repentance and torn clothing.) Petrarch was dazed and stirred by the view of the Alps, the mountains around Lyons, the Rhone, the Bay of Marseilles. He took Augustine's '' Confessions'' from his pocket and reflected that his climb was merely an allegory of aspiration toward a better life.

As the book fell open, Petrarch's eyes were immediately drawn to the following words:

Petrarch's response was to turn from the outer world of nature to the inner world of "soul":

James Hillman argues that this rediscovery of the inner world is the real significance of the Ventoux event. The Renaissance begins not with the ascent of Mont Ventoux but with the subsequent descent—the "return ..to the valley of soul", as Hillman puts it.

Arguing against such a singular and hyperbolic periodization, Paul James suggests a different reading:

Later years

Petrarch spent the later part of his life journeying through northern Italy as an international scholar and poet-diplomat. His career in the Church did not allow him to marry, but he is believed to have fathered two children by a woman or women unknown to posterity. A son, Giovanni, was born in 1337, and a daughter, Francesca, was born in 1343. He later legitimized both.

Giovanni died of the plague in 1361. In the same year Petrarch was named canon in Monselice near Padua. Francesca married Francescuolo da Brossano (who was later named executor of Petrarch's will) that same year. In 1362, shortly after the birth of a daughter, Eletta (the same name as Petrarch's mother), they joined Petrarch in Venice to flee the plague then ravaging parts of Europe. A second grandchild, Francesco, was born in 1366, but died before his second birthday. Francesca and her family lived with Petrarch in Venice for five years from 1362 to 1367 at Palazzo Molina; although Petrarch continued to travel in those years. Between 1361 and 1369 the younger Boccaccio paid the older Petrarch two visits. The first was in Venice, the second was in Padua.

About 1368 Petrarch and Francesca (with her family) moved to the small town of Arquà in the Euganean Hills near Padua, where he passed his remaining years in religious contemplation. He died in his house in Arquà on 18/19 July 1374. The house hosts now a permanent exhibition of Petrarchian works and curiosities, including the famous tomb of an embalmed cat long believed to be Petrarch's (although there is no evidence Petrarch actually had a cat). On the marble slab, there is a Latin inscription written by Antonio Quarenghi:

Petrarch's will (dated 4 April 1370) leaves 50 florins to Boccaccio "to buy a warm winter dressing gown"; various legacies (a horse, a silver cup, a lute, a Madonna) to his brother and his friends; his house in Vaucluse to its caretaker; for his soul, and for the poor; and the bulk of his estate to his son-in-law, Francescuolo da Brossano, who is to give half of it to "the person to whom, as he knows, I wish it to go"; presumably his daughter, Francesca, Brossano's wife. The will mentions neither the property in Arquà nor his library; Petrarch's library of notable manuscripts was already promised to Venice, in exchange for the Palazzo Molina. This arrangement was probably cancelled when he moved to Padua, the enemy of Venice, in 1368. The library was seized by the lords of Padua, and his books and manuscripts are now widely scattered over Europe. Nevertheless, the Biblioteca Marciana traditionally claimed this bequest as its founding, although it was in fact founded by Cardinal Bessarion in 1468.

Works

Petrarch is best known for his Italian poetry, notably the '' Rerum vulgarium fragmenta'' ("Fragments of Vernacular Matters"), a collection of 366 lyric poems in various genres also known as 'canzoniere' ('songbook'), and ''I trionfi'' ("The Triumphs"), a six-part narrative poem of Dantean inspiration. However, Petrarch was an enthusiastic Latin scholar and did most of his writing in this language. His Latin writings include scholarly works, introspective essays, letters, and more poetry. Among them are ''Secretum'' ("My Secret Book"), an intensely personal, imaginary dialogue with a figure inspired by Augustine of Hippo; ''De Viris Illustribus'' ("On Famous Men"), a series of moral biographies; ''Rerum Memorandarum Libri'', an incomplete treatise on the cardinal virtues; ''De Otio Religiosorum'' ("On Religious Leisure") and ''De vita solitaria'' ("On the Solitary Life"), which praise the contemplative life; ''De Remediis Utriusque Fortunae'' ("Remedies for Fortune Fair and Foul"), a self-help book which remained popular for hundreds of years; '' Itinerarium'' ("Petrarch's Guide to the Holy Land"); invectives against opponents such as doctors, scholastics, and the French; the ''Carmen Bucolicum'', a collection of 12 pastoral poems; and the unfinished epic '' Africa''. He translated seven psalms, a collection known as the '' Penitential Psalms''.

Petrarch also published many volumes of his letters, including a few written to his long-dead friends from history such as Cicero and Virgil. Cicero, Virgil, and Seneca were his literary models. Most of his Latin writings are difficult to find today, but several of his works are available in English translations. Several of his Latin works are scheduled to appear in the Harvard University Press series ''I Tatti''. It is difficult to assign any precise dates to his writings because he tended to revise them throughout his life.

Petrarch collected his letters into two major sets of books called ''Rerum familiarum liber''
Letters on Familiar Matters
) and '' Seniles''
Letters of Old Age
), both of which are available in English translation. The plan for his letters was suggested to him by knowledge of Cicero's letters. These were published "without names" to protect the recipients, all of whom had close relationships to Petrarch. The recipients of these letters included Philippe de Cabassoles, bishop of Cavaillon; Ildebrandino Conti, bishop of Padua

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