Ovilu Tunnillie
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Ovilu (Oviloo) Tunnillie (December 20, 1949 – June 12, 2014) was born at Kangia,
Baffin Island Baffin Island (formerly Baffin Land), in the Canadian territory of Nunavut, is the largest island in Canada and the fifth-largest island in the world. Its area is , slightly larger than Spain; its population was 13,039 as of the 2021 Canadia ...
,
Northwest Territories The Northwest Territories (abbreviated ''NT'' or ''NWT''; french: Territoires du Nord-Ouest, formerly ''North-Western Territory'' and ''North-West Territories'' and namely shortened as ''Northwest Territory'') is a federal territory of Canada. ...
(now
Nunavut Nunavut ( , ; iu, ᓄᓇᕗᑦ , ; ) is the largest and northernmost Provinces and territories of Canada#Territories, territory of Canada. It was separated officially from the Northwest Territories on April 1, 1999, via the ''Nunavut Act'' ...
) and was an Inuit sculptor. Her carvings served as her commentary on both traditional and changing contemporary Inuit culture. She was one of the first Inuit artists to work with an autobiographical theme. At a young age, Oviloo's family was disrupted by the government's forced removal of tuberculosis patients to sanitariums in southern Canada. She was taken to Clearwater Lake Indian Hospital in Manitoba, where she spent two year-long stays. The experience of dehumanization and alienation by white officials remained a major theme in her art. Tunnillie came from a noted artistic family. Her parents, Sheojuke Toonoo (1928–2012) and Toonoo (1920–1969) were noted artists and her grandmother, Mary Qayuaryuk (1908–1982), (also known as Kudjuakjuk) was also a sculptor, who inspired her to become a sculptor. However as an eldest daughter, Ovilu's interest in sculpture was unaligned with typical social roles, and she often faced pressure from family to abandon her practice at a young age.


Career

Tunnillie carved her first work,
Mother and Child
', in 1966 when she was 17 years old. Tunnillie's works are rendered in the distinctive serpentinite rock that is common to South Baffin. Her style is distinctive, employing an architectural quality. Themes in her work range from alcohol abuse and sexual assault to memories of her time in a southern TB clinic freely depicting the inter-cultural reality of the contemporary Inuk woman. Ovilu quickly became the primary breadwinner for her family, and exhibited in early exhibitions with what would become the West Baffin Ekismo Cooperative. She began exploring materials and practices such as metalworking, and switched to electric carving tools following surgery on her arm in this period. Tunnillie had her first solo exhibition in June of 1981 at the Canadian Guild of Crafts in Montreal, after which she was represented by Dorset Fine Arts (DFA) in Toronto. In the following years she exhibited internationally including in West Germany in 1988 and the United States in 1993. Her work is featured in several private and public collections including the Canadian Guild of Crafts Quebec, the Canadian Museum of Civilization, the National Gallery of Canada, the Winnipeg Art Gallery, and the Hermitage Museum, Leningrad. Her work is also featured in ''Keeping our Stories Alive: The Sculpture of Canada's Inuit'' along with the work of Lucy Meeko and Uriash Puqiqnak. She was elected to the
Royal Canadian Academy The Royal Canadian Academy of Arts (RCA) is a Canadian arts-related organization that was founded in 1880. History 1880 to 1890 The title of Royal Canadian Academy of Arts was received from Queen Victoria on 16 July 1880. The Governor General ...
in 2003. Though she was active in the contemporary art world, she faield to generate the sales she needed to support her family living in Toronto and Ottawa. Her contemporaries remember the financial stress placing a strain on Oviloo's work, transforming her more conceptual pieces to 'pedestrian' decorative works. Oviloo spent the early 2000's between Montreal and Vancouver, before returning permanently to Cape Dorset in 2006. She died of ovarian cancer in 2014.


Exhibitions

* ''Debut - Cape Dorset Jewellery'', Canadian Guild of Crafts Quebec (1976) * ''Oviloo Toonoo,'' Canadian Guild of Crafts Quebec, Montreal (1981) * ''Arctic Vision: Art of the Canadian Inuit,'' travelling exhibition put on by the Department of Indian Affairs and Northern Development and
Canadian Arctic Producers Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source o ...
, Ottawa (1984–1986) * ''Building on Strengths: New Inuit Art from the Collection'', Winnipeg Art Gallery (1988) * ''Hermitage - 89: New Exhibits'', Hermitage Museum, Leningrad, Soviet Union * ''Oviloo Tunnillie: A Woman’s History in Stone'', Winnipeg Art Gallery (2016)


Further reading

* Coward Wight, Darlene.
Oviloo Tunnillie: Life & Work
'. Toronto: Art Canada Institute, 2019.


References


External links

Hessel, Ingo (2006)
''Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum''
Douglas & McIntyre,
"Sandra Dyck, on Shuvinai Ashoona and Ovilu Tunnillie (Dorset Seen)."
(2013). YouTube Video. Posted by Carleton University Art Gallery. {{DEFAULTSORT:Tunnillie, Ovilu Artists from the Northwest Territories Artists from Nunavut 1949 births 2014 deaths Inuit artists Canadian Inuit women Inuit from the Northwest Territories Inuit from Nunavut People from Kinngait 20th-century Canadian women artists 21st-century Canadian women artists Members of the Royal Canadian Academy of Arts