Oscar Pereira Da Silva
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Oscar Pereira da Silva (August 29, 1867 – January 17, 1939) was a Brazilian painter, draftsman, designer, and instructor. He was active from the end of the 19th to the mid-20th century. He is noted for his depictions of historical events in Brazil, but also completed numerous portraits, religious works, genre scenes, still lifes, and landscapes. He "paid no attention to Brazilian folk tradition" and painted in an "antique style." After a period of study in France, he pursued a lucrative career in São Paulo, where his works are displayed at the
Pinacoteca do Estado de São Paulo The ''Pinacoteca do Estado de São Paulo'' (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is one of the most important art museums in Brazil. History The museum is housed in a 1900 building in Jardim da Luz, Downto ...
and the Museu do Ipiranga.


Early career

Pereira da Silva was born in
São Fidélis São Fidélis () is a municipality located in the Brazilian state of Rio de Janeiro Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, an ...
. He showed an early interest in drawing and painting. He enrolled at the Imperial Academy of Fine Arts in 1882 and studied with
Eliseu Visconti Eliseu Visconti, born Eliseo d'Angelo Visconti (30 July 1866, Giffoni Valle Piana, ItalyEliseu V ...
, Eduardo Sá, and João Batista da Costa. He became a student of Zeferino da Costa,
Victor Meirelles Victor Meirelles de Lima (18 August 1832 – 22 February 1903) was a Brazilian painter and teacher who is best known for his works relating to his nation's culture and history. From humble origins, his talent was soon recognized, being admitted as ...
, Chaves Pinheiro, and José Maria de Medeiros. He assisted Zeferino da Costa assistant in the interior painting of the Candelária Church (Igreja da Candelária), Rio de Janeiro, in 1887. Based on this experience, he completed paintings of the interior of the Church of Santa Cecília São Paulo. Numerous churches and chapels of the colonial period were replaced by Gothic Revival or neo-colonial buildings in the early 20th century. This movement provided Da Silva and contemporaries such as
Benedito Calixto Benedito Calixto de Jesus (14 October 1853 – 31 May 1927) was a Brazilian painter. His works usually depicted figures from Brazil and Brazilian culture, including a famous portrait of the '' bandeirante'' Domingos Jorge Velho in 1923, and scene ...
commissions to work in religious buildings. In addition to the Church of Santa Cecília, both worked in the Church of Santa Ifigênia, the Church of Our Lady of Consolação and the Church of Our Lady of the Rosary. Pereira da Silva also carried out decorative works for the Church of Our Lady of the Conception.


Study in France

Pereira da Silva won the last prize for study abroad granted by the emperor Pedro II of Brazil. He moved to Paris in 1889, and was a student at the
École des Beaux Arts École may refer to: * an elementary school in the French educational stages normally followed by secondary education establishments (collège and lycée) * École (river), a tributary of the Seine flowing in région Île-de-France * École, Savoi ...
and studied under
Jean-Léon Gérôme Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The ra ...
and
Léon Bonnat Léon Joseph Florentin Bonnat (20 June 1833 – 8 September 1922) was a French painter, Grand Officer of the Légion d'honneur and professor at the Ecole des Beaux Arts. Early life Bonnat was born in Bayonne, but from 1846 to 1853 he lived in M ...
. He rejected the artistic movements of the Paris school, but produced several studies and paintings.


Later career

Pereira da Silva returned to Brazil in 1896. He held a solo exhibition in the hall of the
Escola de Belas Artes Escola de Belas Artes (School of Fine Arts) is one of the centers of the Federal University of Rio de Janeiro and dates back to colonial times. A royal letter of Nov 20 1800 by John VI of Portugal established the ''Aula Prática de Desenho e Fig ...
(School of Fine Arts) in Rio de Janeiro, where 33 of his work completed in Europe were presented. In the same year, he moved to São Paulo and taught at the
São Paulo School of Arts and Crafts The School of Arts and Crafts of São Paulo ( pt, Liceu de Artes e Ofícios) (LAOSP) is a Brazilian private civil society, whose main activities are involved with technical education. The institution also acts on cultural and industrial production ...
(LAOSP) and at the State Gymnasium of São Paulo. In addition, he taught private classes in his studio and completed portraits of the elite of the city. In 1897, he founded the Núcleo Artístico, which later became the School of Fine Arts. He completed three murals between 1903 and 1911 for the
Municipal Theater of São Paulo A municipality is usually a single administrative division having corporate status and powers of self-government or jurisdiction as granted by national and regional laws to which it is subordinate. The term ''municipality'' may also mean the go ...
: ''O Teatro na Grécia Antiga'' ("Theater in Ancient Greece"), ''A Dança'' ("Dance"), and ''A Música'' ("Music"). Da Silva's main works located in the city of São Paulo. They include ''Escrava Romana'' ("The Roman Slave", 1894) and ''Infância de Giotto'' ("The Childhood of Giotto", 1895). He turned to historical paintings in response to nationalist trends in Brazil at the beginning of the 20th century. This initially resulted in ''O Desembarque de Cabral em Porto Seguro'' ("
The Landing of Cabral at Porto Seguro ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the ...
", 1900), and soon the ''Fundação de São Paulo'' (" The Foundation of São Paulo", 1909). Da Silva, like numerous artists and architects of Brazil, was influenced by the Modern Art Week in 1922; his artistic production was further transformed by a trip to Paris in 1930. His daughter, the artist Helena Pereira da Silva (1895–1966), observed that Da Silva's work became more carefree in this period; he used a lighter palette than his earlier works. However, the importance of drawing as a basic and fundamental structure of his compositions never ceased to exist in the execution of his paintings.


Death

Oscar Pereira da Silva died of cardiac arrest while working in his home studio in São Paulo on January 17, 1939. Many of his works are preserved and displayed at the
Pinacoteca do Estado de São Paulo The ''Pinacoteca do Estado de São Paulo'' (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is one of the most important art museums in Brazil. History The museum is housed in a 1900 building in Jardim da Luz, Downto ...
and the Museu do Ipiranga of the
University of São Paulo The University of São Paulo ( pt, Universidade de São Paulo, USP) is a public university in the Brazilian state of São Paulo. It is the largest Brazilian public university and the country's most prestigious educational institution, the bes ...
.


References

{{DEFAULTSORT:Pereira da Silva, Oscar 1867 births 1939 deaths 19th-century Brazilian painters 19th-century Brazilian male artists 20th-century Brazilian painters 20th-century Brazilian male artists Orientalist painters People from São Fidélis