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Pinacoteca Do Estado De São Paulo
The ''Pinacoteca do Estado de São Paulo'' (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is one of the most important art museums in Brazil. History The museum is housed in a 1900 building in Jardim da Luz, Downtown São Paulo, designed by Ramos de Azevedo and Domiziano Rossi to be the headquarters of the Lyceum of Arts and Crafts. It is the oldest art museum in São Paulo, founded on December 24, 1905, and established as a state museum since 1911. After passing through a renovation conducted by Paulo Mendes da Rocha in the 1990s, the museum became one of the most dynamic cultural institutions of the country, lining up with the international circuit of exhibitions, hosting cultural events and keeping an active bibliographic production. Pinacoteca also maintains a branch in Bom Retiro district, called ''Estação Pinacoteca'', where it holds temporary exhibitions and the institution's documentation center. 2008 heist On June 12, 2008, three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marca Da Pinacoteca De São Paulo
Marca may refer to: Places * Marca, Sălaj, a commune in Sălaj County, Romania * Marca, a tributary of the Barcău in Sălaj County, Romania * an alternative name for Merca, Somalia * Marca District, in the province Recuay, Peru * Marçà, a village of about 600 near Falset, Tarragona, Catalonia, Spain * Eparchy of Marča, historical Orthodox bishopric in Croatia Regions (marches) * Marca is the Latin term for border regions known as a Marks or Marches * Marca Aleramica, created in 961 in western Liguria and named after Aleramo * Marca Anconetana, created in 1198 and centred on Macerata in eastern central Italy * Marca di Ancona, the March of Ancona, an alternative name for the Marca Anconetana * Marca Arduinica, or march of Turin, founded in 941 and named after Arduin Glaber * Marca Geronis, a tenth-century march in Saxony, centred on Merseburg * Marca Hispanica, or Spanish March, or March of Barcelona, created in 795 * Marca Januensis, centred on Genoa, an alternative name for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bom Retiro (São Paulo)
Bom Retiro (literally meaning "good retreat") may refer to: * Bom Retiro, São Paulo, a district of São Paulo, Brazil *Bom Retiro, Santa Catarina Bom Retiro, Santa Catarina is a municipality in the state of Santa Catarina in the South region of Brazil. As of the 2020 estimate, Bom Retiro had a population of 10,060. Notable people * Dário Berger, politician See also *List of municipalit ..., a Brazilian city in the state Santa Catarina * Bom Retiro do Sul, a municipality Rio Grande do Sul, Brazil * Bom Retiro River, Brazil {{geodis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pereira Da Silva
Oscar Pereira da Silva (August 29, 1867 – January 17, 1939) was a Brazilian painter, draftsman, designer, and instructor. He was active from the end of the 19th to the mid-20th century. He is noted for his depictions of historical events in Brazil, but also completed numerous portraits, religious works, genre scenes, still lifes, and landscapes. He "paid no attention to Brazilian folk tradition" and painted in an "antique style." After a period of study in France, he pursued a lucrative career in São Paulo, where his works are displayed at the Pinacoteca do Estado de São Paulo and the Museu do Ipiranga. Early career Pereira da Silva was born in São Fidélis. He showed an early interest in drawing and painting. He enrolled at the Imperial Academy of Fine Arts in 1882 and studied with Eliseu Visconti, Eduardo Sá, and João Batista da Costa. He became a student of Zeferino da Costa, Victor Meirelles, Chaves Pinheiro, and José Maria de Medeiros. He assisted Zeferino da Cos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Parreiras
Antônio Diogo da Silva Parreiras (20 January 1860, Niterói – 17 October 1937, Niterói) was a Brazilian painter, designer and illustrator. Biography He was one of nine children and his father was a goldsmith. In 1882, he enrolled at the Academia Imperial de Belas Artes in Rio de Janeiro,Biography and critical commentary @ the Enciclopédia Itaú Cultural but left two years later to attend the free painting classes being offered by the German immigrant artist .Biography and appreciation @ Pitoresco. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Ferraz De Almeida Júnior
José Ferraz de Almeida Júnior (8 May 1850 – 13 November 1899), commonly known as Almeida Júnior, was a Brazilian artist and designer; one of the first there to paint in the Realistic tradition of Gustave Courbet and Jean-François Millet. The "Dia do Artista Plástico" (Day of Fine Artists in Brazil) is celebrated on his birthday. Early life and education He was born in Itu. His art career began while he was working as a bell-ringer at the Church of Our Lady of Candelária in his native town. Some small works Júnior created on religious themes impressed the head priest enough to hold a fundraiser for him so he could go to Rio de Janeiro for formal art lessons.Brief biography @ Pitoresco. In 1869, he enrolled at the |
Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Art
The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Columbian Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization. Pre-Columbian traditions The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. One of the most sophisticated kinds of Pre-Columbian artifact found in Brazil is the sophisticated Marajoara pottery (c. 800–1400 AD), from cultures flourishing on Marajó Island and around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lasar Segall
Lasar Segall (July 21, 1889 – August 2, 1957) was a Lithuanian Jewish and Brazilian painter, engraver and sculptor. Segall's work is derived from impressionism, expressionism and modernism. His most significant themes were depictions of human suffering, war, persecution and prostitution. Early life and education Segall was born in Vilnius, Lithuania, the son of a Torah scribe. Segall moved to Berlin at the age of 15 and studied first at Berlin Königliche Akademie der Künste from 1906 to 1910. At the end of 1910 he moved to Dresden to continue his studies at the Kunstakademie Dresden as a "Meisterschüler". Career Expressionist Forum Segall published a book of five etchings in Dresden, '' Sovenirs of Vilna'' in 1919, and two books illustrated with lithographs titled '' Bubu and die Sanfte''.Stanton, L. Catlin. ''Art of Latin America Since Independence''. University of Texas: October House, February 1966. He then began to express himself more freely and develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emiliano Di Cavalcanti
Emiliano Augusto Cavalcanti de Albuquerque Melo (September 6, 1897 – October 26, 1976), known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s. Early years (1897-1922) Born in Rio de Janeiro in 1897, Di Cavalcanti was influenced by the intellectuals he met at his home of his maternal uncle, a figure of the abolitionist movement. This would provide the basis for a lifelong politically driven artistic career, which would start by the production of a drawing published by the magazine fon-fon. He engaged in a pursuit for a law degree in São Paulo but did not manage to complete this pursuit. Di Cavalcanti moved to São Paulo in 1917. At this time he held his first exhibition at the Editora do Livro (o livro bookstore) in São Paulo. This first exhibition would only include caricatures with very v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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