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Opera is a form of
theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ...
in which
music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
is a fundamental component and dramatic roles are taken by
singers
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without ...
. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a
composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music.
Etymology and Defi ...
and a
librettist
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
and incorporates a number of the
performing arts
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Perform ...
, such as
acting
Acting is an activity in which a story is told by means of its enactment by an actor or actress who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.
Acting involves a broad r ...
,
scenery
Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or ...
,
costume
Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people.
The term also was tradition ...
, and sometimes
dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoir ...
or
ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
. The performance is typically given in an
opera house
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets.
While some venues are constructed specifically for o ...
, accompanied by an
orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families.
There are typically four main sections of instruments:
* bowed string instruments, such as the violin, viola, c ...
or smaller
musical ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, ...
, which since the early 19th century has been led by a
conductor. Although
musical theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ...
is closely related to opera, the two are considered to be distinct from one another.
Opera is a key part of the
Western
Western may refer to:
Places
*Western, Nebraska, a village in the US
*Western, New York, a town in the US
*Western Creek, Tasmania, a locality in Australia
*Western Junction, Tasmania, a locality in Australia
*Western world, countries that id ...
classical music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...
tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include
numerous genres, including some that include spoken dialogue such as ''
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like ...
'' and ''
Opéra comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
''. In traditional
number opera A number opera (; ) is an opera consisting of individual pieces of music ('numbers') which can be easily extracted from the larger work."Number opera" in ''New Grove''. They may be numbered consecutively in the score, and may be interspersed with r ...
, singers employ two styles of singing:
recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
, a speech-inflected style,
and self-contained
aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
s. The 19th century saw the rise of the continuous
music drama
is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas.
Usage
Mundt formulated his definition explicitly ...
.
Opera originated in Italy at the end of the 16th century (with
Jacopo Peri
Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the ...
's mostly
lost
Lost may refer to getting lost, or to:
Geography
*Lost, Aberdeenshire, a hamlet in Scotland
* Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US
History
*Abbreviation of lost work, any work which is known to have bee ...
''
Dafne
''Dafne'' is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly lost music was completed by Jacopo Peri, but at least two of the six surviving fragment ...
'', produced in
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...
in 1598) especially from works by
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...
, notably ''
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'', and soon spread through the rest of Europe:
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He ...
in Germany,
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
in France, and
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer.
Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
.
Opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
was the most prestigious form of Italian opera, until
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
, who began with opera seria but is most famous for his Italian
comic opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue.
Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
s, especially ''
The Marriage of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'' (''Le nozze di Figaro''), ''
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...
'', and ''
Così fan tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte w ...
'', as well as ''
Die Entführung aus dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die ...
'' (''The Abduction from the Seraglio''), and ''
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
'' (''Die Zauberflöte''), landmarks in the German tradition.
The first third of the 19th century saw the high point of the
bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing.
The phrase was not associat ...
style, with
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
,
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
and
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania".
Many years later, in 1898, Giu ...
all creating signature works of that style. It also saw the advent of
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
typified by the works of
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire.
Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when ...
and
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...
as well as
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his opera ...
's introduction of German
Romantische Oper
''Romantische Oper'' () was a genre of early nineteenth-century German opera, developed not from the German Singspiel of the eighteenth-century but from the opéras comiques of the French Revolution. It offered opportunities for an increasingly i ...
(German Romantic Opera). The mid-to-late 19th century was a golden age of opera, led and dominated by
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
in Italy and
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
in Germany. The popularity of opera continued through the
verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
''Verismo'' as an ...
era in Italy and contemporary
French opera
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part i ...
through to
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li ...
and
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in
Russia
Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the ...
and
Bohemia
Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
. The 20th century saw many experiments with modern styles, such as
atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a s ...
and
serialism
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, thou ...
(
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
),
neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was ...
(
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
), and
minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
(
Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up fr ...
and
John Adams
John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
). With the rise of
recording technology, singers such as
Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...
and
Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...
became known to much wider audiences that went beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these media. Beginning in 2006, a number of major opera houses began to present live
high-definition video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (No ...
transmissions of their performances in
cinemas
A movie theater (American English), cinema (British English), or cinema hall (Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a ...
all over the world. Since 2009, complete performances can be downloaded and are
live streamed
Livestreaming is streaming media simultaneously recorded and broadcast in real-time over the internet. It is often referred to simply as streaming. Non-live media such as video-on-demand, vlogs, and YouTube videos are technically streamed, but ...
.
Operatic terminology
The words of an opera are known as the
libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
(meaning "small book"). Some composers, notably Wagner, have written their own libretti; others have worked in close collaboration with their librettists, e.g. Mozart with
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
. Traditional opera, often referred to as "
number opera A number opera (; ) is an opera consisting of individual pieces of music ('numbers') which can be easily extracted from the larger work."Number opera" in ''New Grove''. They may be numbered consecutively in the score, and may be interspersed with r ...
", consists of two modes of singing:
recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech,
and
aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
(an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action. In some forms of opera, such as
singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like ...
,
opéra comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
,
operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
, and
semi-opera
The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manne ...
, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, recitative, are also referred to as
arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th cen ...
. The terminology of the various kinds of operatic voices is described in detail
below
Below may refer to:
*Earth
*Ground (disambiguation)
*Soil
*Floor
*Bottom (disambiguation)
Bottom may refer to:
Anatomy and sex
* Bottom (BDSM), the partner in a BDSM who takes the passive, receiving, or obedient role, to that of the top or ...
. During both the
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
and
Classical periods, recitative could appear in two basic forms, each of which was accompanied by a different instrumental ensemble: ''secco'' (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by ''
basso continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
'', which was usually a
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
and a cello; or ''accompagnato'' (also known as ''strumentato'') in which the orchestra provided accompaniment. Over the 18th century, arias were increasingly accompanied by the orchestra. By the 19th century, ''accompagnato'' had gained the upper hand, the orchestra played a much bigger role, and Wagner revolutionized opera by abolishing almost all distinction between aria and recitative in his quest for what Wagner termed "endless melody". Subsequent composers have tended to follow
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's example, though some, such as Stravinsky in his ''
The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progres ...
'' have bucked the trend. The changing role of the orchestra in opera is described in more detail
below
Below may refer to:
*Earth
*Ground (disambiguation)
*Soil
*Floor
*Bottom (disambiguation)
Bottom may refer to:
Anatomy and sex
* Bottom (BDSM), the partner in a BDSM who takes the passive, receiving, or obedient role, to that of the top or ...
.
History
Origins
![Claudio Monteverdi](https://upload.wikimedia.org/wikipedia/commons/4/44/Claudio_Monteverdi.jpg)
The Italian word ''opera'' means "work", both in the sense of the labour done and the result produced. The Italian word derives from the Latin word ''
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
'', a singular noun meaning "work" and also the plural of the noun ''
opus
''Opus'' (pl. ''opera'') is a Latin word meaning "work". Italian equivalents are ''opera'' (singular) and ''opere'' (pl.).
Opus or OPUS may refer to:
Arts and entertainment Music
* Opus number, (abbr. Op.) specifying order of (usually) publicatio ...
''. According to the
Oxford English Dictionary
The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a com ...
, the Italian word was first used in the sense "composition in which poetry, dance, and music are combined" in 1639; the first recorded English usage in this sense dates to 1648.
''
Dafne
''Dafne'' is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly lost music was completed by Jacopo Peri, but at least two of the six surviving fragment ...
'' by
Jacopo Peri
Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the ...
was the earliest composition considered opera, as understood today. It was written around 1597, largely under the inspiration of an elite circle of literate
Florentine humanists
Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry.
The meaning of the term "humanis ...
who gathered as the "
Camerata de' Bardi". Significantly, ''Dafne'' was an attempt to revive the classical
Greek drama
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
, part of the wider revival of antiquity characteristic of the
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
. The members of the Camerata considered that the "chorus" parts of Greek dramas were originally sung, and possibly even the entire text of all roles; opera was thus conceived as a way of "restoring" this situation. ''Dafne,'' however, is lost. A later work by Peri, ''
Euridice'', dating from 1600, is the first opera score to have survived until the present day. However, the honour of being the first opera still to be regularly performed goes to
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...
's ''
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'', composed for the court of
Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name.
In 2016, Mantua was designated as the Italian Capital of Culture ...
in 1607. The Mantua court of the
Gonzagas, employers of Monteverdi, played a significant role in the origin of opera employing not only court singers of the
concerto delle donne
The ''concerto delle donne'' (; also ''concerto di donne'' or ''concerto delle (or di) dame'') was a group of professional female singers in the late Italian Renaissance, primarily in the court of Ferrara, Italy. Renowned for their technical an ...
(till 1598), but also one of the first actual "opera singers",
Madama Europa
Madama Europa was the nickname of Europa Rossi (fl. 1600), an opera singer, the first Jewish opera singer to achieve widespread fame outside of the Jewish community.
She was the sister of the Jewish violinist and composer Salamone Rossi who is k ...
.
Italian opera
Baroque era
![Pannini, Giovanni Paolo - Musical Fête - 1747](https://upload.wikimedia.org/wikipedia/commons/e/e5/Pannini%2C_Giovanni_Paolo_-_Musical_F%C3%AAte_-_1747.png)
Opera did not remain confined to court audiences for long. In 1637, the idea of a "season" (often during the
carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typi ...
) of publicly attended operas supported by ticket sales emerged in
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
. Monteverdi had moved to the city from Mantua and composed his last operas, ''
Il ritorno d'Ulisse in patria
''Il ritorno d'Ulisse in patria'' (Stattkus-Verzeichnis, SV 325, ''The Return of Ulysses to his Homeland'') is an List of operas by Claudio Monteverdi, opera consisting of a prologue and five acts (later revised to three), set by Claudio Montever ...
'' and ''
L'incoronazione di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...
'', for the Venetian theatre in the 1640s. His most important follower
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverd ...
helped spread opera throughout Italy. In these early Baroque operas, broad comedy was blended with tragic elements in a mix that jarred some educated sensibilities, sparking the first of opera's many reform movements, sponsored by the
Arcadian Academy
The Accademia degli Arcadi or Accademia dell'Arcadia, "Academy of Arcadia" or "Academy of the Arcadians", was an Italian literary academy founded in Rome in 1690. The full Italian official name was Pontificia Accademia degli Arcadi.
History
F ...
, which came to be associated with the poet
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti.
Early life
Me ...
, whose
libretti
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
helped crystallize the genre of
opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
, which became the leading form of Italian opera until the end of the 18th century. Once the Metastasian ideal had been firmly established, comedy in Baroque-era opera was reserved for what came to be called
opera buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...
. Before such elements were forced out of opera seria, many libretti had featured a separately unfolding comic plot as sort of an "opera-within-an-opera". One reason for this was an attempt to attract members of the growing merchant class, newly wealthy, but still not as cultured as the nobility, to the public
opera house
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets.
While some venues are constructed specifically for o ...
s. These separate plots were almost immediately resurrected in a separately developing tradition that partly derived from the
commedia dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Charact ...
, a long-flourishing improvisatory stage tradition of Italy. Just as intermedi had once been performed in between the acts of stage plays, operas in the new comic genre of
''intermezzi'', which developed largely in
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
in the 1710s and 1720s, were initially staged during the intermissions of opera seria. They became so popular, however, that they were soon being offered as separate productions.
Opera seria was elevated in tone and highly stylised in form, usually consisting of ''secco'' recitative interspersed with long ''da capo'' arias. These afforded great opportunity for virtuosic singing and during the golden age of ''opera seria'' the singer really became the star. The role of the hero was usually written for the high-pitched male
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
voice, which was produced by
castration
Castration is any action, surgical, chemical, or otherwise, by which an individual loses use of the testicles: the male gonad. Surgical castration is bilateral orchiectomy (excision of both testicles), while chemical castration uses pharmaceut ...
of the singer before
puberty
Puberty is the process of physical changes through which a child's body matures into an adult body capable of sexual reproduction. It is initiated by hormonal signals from the brain to the gonads: the ovaries in a girl, the testes in a boy. ...
, which prevented a boy's
larynx
The larynx (), commonly called the voice box, is an organ in the top of the neck involved in breathing, producing sound and protecting the trachea against food aspiration. The opening of larynx into pharynx known as the laryngeal inlet is about ...
from being transformed at puberty. Castrati such as
Farinelli
Farinelli (; 24 January 1705 – 16 September 1782) was the stage name of Carlo Maria Michelangelo Nicola Broschi (), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli h ...
and
Senesino
Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel ...
, as well as female
soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...
s such as
Faustina Bordoni
Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano.
In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni.
Early career
She was born in Venice and brought up unde ...
, became in great demand throughout Europe as ''opera seria'' ruled the stage in every country except France. Farinelli was one of the most famous singers of the 18th century. Italian opera set the Baroque standard. Italian libretti were the norm, even when a German composer like
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
found himself composing the likes of ''
Rinaldo
Rinaldo may refer to:
*Renaud de Montauban (also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalbaen, German: Reinhold von Montalban), a legendary knight in the medieval Matter of France
* Rinaldo (''Jerusalem Lib ...
'' and ''
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...
'' for London audiences. Italian
libretti
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
remained dominant in the
classical period as well, for example in the operas of
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
, who wrote in
Vienna
en, Viennese
, iso_code = AT-9
, registration_plate = W
, postal_code_type = Postal code
, postal_code =
, timezone = CET
, utc_offset = +1
, timezone_DST ...
near the century's close. Leading Italian-born composers of opera seria include
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
...
,
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
and
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included compose ...
.
Gluck's reforms and Mozart
![Gluck's Orphée - title page illustration (lightened and cropped)](https://upload.wikimedia.org/wikipedia/commons/5/56/Gluck%27s_Orph%C3%A9e_-_title_page_illustration_%28lightened_and_cropped%29.jpg)
Opera seria had its weaknesses and critics. The taste for embellishment on behalf of the superbly trained singers, and the use of spectacle as a replacement for dramatic purity and unity drew attacks.
Francesco Algarotti
Count Francesco Algarotti (11 December 1712 – 3 May 1764) was an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He wa ...
's ''Essay on the Opera'' (1755) proved to be an inspiration for
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
's reforms. He advocated that ''opera seria'' had to return to basics and that all the various elements—music (both instrumental and vocal),
ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
, and staging—must be subservient to the overriding drama. In 1765
Melchior Grimm
Friedrich Melchior, Baron von Grimm (26 September 172319 December 1807) was a German-born French-language journalist, art critic, diplomat and contributor to the ''Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers'' ...
published "", an influential article for the
Encyclopédie
''Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'' (English: ''Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts''), better known as ''Encyclopédie'', was a general encyclopedia publis ...
on
lyric and opera
libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
s. Several composers of the period, including
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including redu ...
and
Tommaso Traetta
Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic ref ...
, attempted to put these ideals into practice. The first to succeed however, was Gluck.
Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
strove to achieve a "beautiful simplicity". This is evident in his first reform opera, ''
Orfeo ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', mea ...
'', where his non-virtuosic vocal melodies are supported by simple harmonies and a richer orchestra presence throughout.
Gluck's reforms have had resonance throughout operatic history. Weber, Mozart, and Wagner, in particular, were influenced by his ideals. Mozart, in many ways Gluck's successor, combined a superb sense of drama, harmony, melody, and counterpoint to write a series of comic operas with libretti by
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marr ...
, notably ''
Le nozze di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'', ''
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...
'', and ''
Così fan tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte w ...
'', which remain among the most-loved, popular and well-known operas. But Mozart's contribution to ''opera seria'' was more mixed; by his time it was dying away, and in spite of such fine works as ''
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French ...
'' and ''
La clemenza di Tito
' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of ...
'', he would not succeed in bringing the art form back to life again.
Bel canto, Verdi and verismo
![Giuseppe Verdi by Giovanni Boldini](https://upload.wikimedia.org/wikipedia/commons/5/55/Giuseppe_Verdi_by_Giovanni_Boldini.jpg)
The
bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing.
The phrase was not associat ...
opera movement flourished in the early 19th century and is exemplified by the operas of
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
,
Bellini,
Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
,
Pacini,
Mercadante and many others. Literally "beautiful singing", ''bel canto'' opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control. Examples of famous operas in the bel canto style include Rossini's ''
Il barbiere di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...
'' and ''
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' ...
'', as well as Bellini's ''
Norma Norma may refer to:
* Norma (given name), a given name (including a list of people with the name)
Astronomy
*Norma (constellation)
* 555 Norma, a minor asteroid
*Cygnus Arm or Norma Arm, a spiral arm in the Milky Way galaxy
Geography
*Norma, Lazi ...
'', ''
La sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eug ...
'' and ''
I puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto ...
'' and Donizetti's ''
Lucia di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''.
...
'', ''
L'elisir d'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiere ...
'' and ''
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's ...
''.
Following the bel canto era, a more direct, forceful style was rapidly popularized by
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
, beginning with his biblical opera ''
Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
''. This opera, and the ones that would follow in Verdi's career, revolutionized Italian opera, changing it from merely a display of vocal fireworks, with Rossini's and Donizetti's works, to dramatic story-telling. Verdi's operas resonated with the growing spirit of
Italian nationalism
Italian nationalism is a movement which believes that the Italians are a nation with a single homogeneous identity, and therefrom seeks to promote the cultural unity of Italy as a country. From an Italian nationalist perspective, Italianness is ...
in the post-
Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
ic era, and he quickly became an icon of the patriotic movement for a unified Italy. In the early 1850s, Verdi produced his three most popular operas: ''
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
'', ''
Il trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...
'' and ''
La traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
''. The first of these, ''Rigoletto'', proved the most daring and revolutionary. In it, Verdi blurs the distinction between the aria and recitative as it never before was, leading the opera to be "an unending string of duets". ''La traviata'' was also novel. It tells the story of courtesan, and is often cited as one of the first "realistic" operas, because rather than featuring great kings and figures from literature, it focuses on the tragedies of ordinary life and society. After these, he continued to develop his style, composing perhaps the greatest French
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
, ''
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'', and ending his career with two
Shakespeare-inspired works, ''
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887.
Th ...
'' and ''
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
'', which reveal how far Italian opera had grown in sophistication since the early 19th century. These final two works showed Verdi at his most masterfully orchestrated, and are both incredibly influential, and modern. In ''Falstaff'', Verdi sets the preeminent standard for the form and style that would dominate opera throughout the twentieth century. Rather than long, suspended melodies, ''Falstaff'' contains many little motifs and mottos, that, rather than being expanded upon, are introduced and subsequently dropped, only to be brought up again later. These motifs never are expanded upon, and just as the audience expects a character to launch into a long melody, a new character speaks, introducing a new phrase. This fashion of opera directed opera from Verdi, onward, exercising tremendous influence on his successors
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li ...
,
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
, and
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
.
After Verdi, the sentimental "realistic" melodrama of
verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
''Verismo'' as an ...
appeared in Italy. This was a style introduced by
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ' ...
's ''
Cavalleria rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play b ...
'' and
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained hi ...
's ''
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who m ...
'' that came to dominate the world's opera stages with such popular works as
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li ...
's ''
La bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'', ''
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'', and ''
Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa.
It is based on the short story "Madame Butterfly" (1898) by John Luther ...
''. Later Italian composers, such as
Berio and
Nono
Nono may refer to:
Places
* Nono, Argentina, a municipality in the Province of Córdoba
* Nono, Ecuador, a parish in the municipality of Quito in the province of Pichincha
* Nono, Illubabor, Oromia (woreda), Ethiopia, or Nono Sele
** Nono, Illub ...
, have experimented with
modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
.
German-language opera
The first German opera was ''
Dafne
''Dafne'' is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly lost music was completed by Jacopo Peri, but at least two of the six surviving fragment ...
'', composed by
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He ...
in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this influence. In 1644,
Sigmund Staden produced the first ''
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like ...
'', ''
Seelewig
''Seelewig'' or ''Das geistliche Waldgedicht oder Freudenspiel genant Seelewig'' (''The Sacred Forest Poem or Play of Rejoicing called Seelewig'') is an opera in a prologue, three acts and an epilogue by the German composer Sigmund Theophil Staden ...
'', a popular form of German-language opera in which singing alternates with spoken dialogue. In the late 17th century and early 18th century, the Theater am Gänsemarkt in
Hamburg
(male), (female) en, Hamburger(s),
Hamburgian(s)
, timezone1 = Central (CET)
, utc_offset1 = +1
, timezone1_DST = Central (CEST)
, utc_offset1_DST = +2
, postal ...
presented German operas by
Keiser,
Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
and
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
. Yet most of the major German composers of the time, including Handel himself, as well as
Graun,
Hasse and later
Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
, chose to write most of their operas in foreign languages, especially Italian. In contrast to Italian opera, which was generally composed for the aristocratic class, German opera was generally composed for the masses and tended to feature simple folk-like melodies, and it was not until the arrival of Mozart that German opera was able to match its Italian counterpart in musical sophistication. The theatre company of
Abel Seyler
Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the deve ...
pioneered serious German-language opera in the 1770s, marking a break with the previous simpler musical entertainment.
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
's ''Singspiele'', ''
Die Entführung aus dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die ...
'' (1782) and ''
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that includ ...
'' (1791) were an important breakthrough in achieving international recognition for German opera. The tradition was developed in the 19th century by
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
with his ''
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with ...
'' (1805), inspired by the climate of the
French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considere ...
.
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his opera ...
established
German Romantic opera in opposition to the dominance of Italian
bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing.
The phrase was not associat ...
. His ''
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 181 ...
'' (1821) shows his genius for creating a supernatural atmosphere. Other opera composers of the time include
Marschner
Heinrich August Marschner (16 August 1795 – 14 December 1861) was the most important composer of German opera between Carl Maria von Weber, Weber and Richard Wagner, Wagner.[Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wor ...]
and
Lortzing
Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French ''opéra comique'', which ...
, but the most significant figure was undoubtedly
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
.
![Siegfried and the Twilight of the Gods p 180](https://upload.wikimedia.org/wikipedia/commons/2/2f/Siegfried_and_the_Twilight_of_the_Gods_p_180.jpg)
Wagner was one of the most revolutionary and controversial composers in musical history. Starting under the influence of
Weber
Weber (, or ; German: ) is a surname of German origin, derived from the noun meaning " weaver". In some cases, following migration to English-speaking countries, it has been anglicised to the English surname 'Webber' or even 'Weaver'.
Notable pe ...
and
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...
, he gradually evolved a new concept of opera as a ''
Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
'' (a "complete work of art"), a fusion of music, poetry and painting. He greatly increased the role and power of the orchestra, creating scores with a complex web of
leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s, recurring
themes often associated with the characters and concepts of the drama, of which prototypes can be heard in his earlier operas such as ''
Der fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843.
Wagner claim ...
'', ''
Tannhäuser
Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1 ...
'' and ''
Lohengrin
Lohengrin () is a character in Germany, German Arthurian literature. The son of Percival, Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story, which fi ...
''; and he was prepared to violate accepted musical conventions, such as
tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is call ...
, in his quest for greater expressivity. In his mature music dramas, ''
Tristan und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was compose ...
'', ''
Die Meistersinger von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditio ...
'', ''
Der Ring des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...
'' and ''
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' ...
'', he abolished the distinction between aria and recitative in favour of a seamless flow of "endless melody". Wagner also brought a new philosophical dimension to opera in his works, which were usually based on stories from
Germanic or
Arthurian
King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a Legend, legendary king of Great Britain, Britain, and a central figure in the medieval literary tradition known as the Matter of Britain.
In the earliest tradition ...
legend. Finally, Wagner built
his own opera house at
Bayreuth
Bayreuth (, ; bar, Bareid) is a town in northern Bavaria, Germany, on the Red Main river in a valley between the Franconian Jura and the Fichtelgebirge Mountains. The town's roots date back to 1194. In the 21st century, it is the capital of U ...
with part of the patronage from
Ludwig II of Bavaria
Ludwig II (Ludwig Otto Friedrich Wilhelm; 25 August 1845 – 13 June 1886) was King of Bavaria from 1864 until his death in 1886. He is sometimes called the Swan King or ('the Fairy Tale King'). He also held the titles of Count Palatine of the ...
, exclusively dedicated to performing his own works in the style he wanted.
Opera would never be the same after Wagner and for many composers his legacy proved a heavy burden. On the other hand,
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
accepted Wagnerian ideas but took them in wholly new directions, along with incorporating the new form introduced by Verdi. He first won fame with the scandalous ''
Salome
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, an ...
'' and the dark tragedy ''
Elektra'', in which tonality was pushed to the limits. Then Strauss changed tack in his greatest success, ''
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' ...
'', where Mozart and Viennese
waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position.
History
There are many references to a sliding or gliding dance that would evolve into the wa ...
es became as important an influence as Wagner. Strauss continued to produce a highly varied body of operatic works, often with libretti by the poet
Hugo von Hofmannsthal
Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist.
Early life
Hofmannsthal was born in Landstraße, Vienna, the son of an upper-class ...
. Other composers who made individual contributions to German opera in the early 20th century include
Alexander von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher.
Biography
Early life
Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton S ...
,
Erich Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and compo ...
,
Franz Schreker
Franz Schreker (originally ''Schrecker''; 23 March 1878 – 21 March 1934) was an Austrian composer, conductor, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic plurality (a mixture ...
,
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne ...
,
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fru ...
and the Italian-born
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary ...
. The operatic innovations of
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and his successors are discussed in the section on
modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
.
During the late 19th century, the Austrian composer
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed ov ...
, an admirer of the
French-language
operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
s composed by
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' ...
, composed several German-language operettas, the most famous of which was ''
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874.
Background
The original ...
''. Nevertheless, rather than copying the style of Offenbach, the operettas of Strauss II had distinctly
Viennese Viennese may refer to:
* Vienna, the capital of Austria
* Viennese people, List of people from Vienna
* Viennese German, the German dialect spoken in Vienna
* Music of Vienna, musical styles in the city
* Viennese Waltz, genre of ballroom dance
* V ...
flavor to them.
French opera
![Armide Lully by Saint-Aubin](https://upload.wikimedia.org/wikipedia/commons/f/f6/Armide_Lully_by_Saint-Aubin.jpg)
In rivalry with imported Italian opera productions, a separate French tradition was founded by the Italian-born French composer
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
at the court of
King Louis XIV
Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was List of French monarchs, King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the Li ...
. Despite his foreign birthplace, Lully established an
Academy of Music and monopolised French opera from 1672. Starting with ''
Cadmus et Hermione
''Cadmus et Hermione'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovid's ''Metamorphoses''. It was first performed on 27 April 1673 by the Paris Op ...
'', Lully and his librettist
Quinault Quinault may refer to:
* Quinault people, an Indigenous people of the Pacific Northwest Coast
**Quinault Indian Nation, a federally recognized tribe
**Quinault language, their language
People
* Quinault family of actors, including
* Jean-Baptis ...
created ''
tragédie en musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in t ...
'', a form in which dance music and choral writing were particularly prominent. Lully's operas also show a concern for expressive
recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
which matched the contours of the French language. In the 18th century, Lully's most important successor was
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of Fr ...
, who composed five ''tragédies en musique'' as well as numerous works in other genres such as ''opéra-ballet'', all notable for their rich orchestration and harmonic daring. Despite the popularity of Italian
opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
throughout much of Europe during the Baroque period, Italian opera never gained much of a foothold in France, where its own national operatic tradition was more popular instead. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater focus on the drama. At the same time, by the middle of the 18th century another genre was gaining popularity in France: ''
opéra comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
''. This was the equivalent of the German
singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like ...
, where arias alternated with spoken dialogue. Notable examples in this style were produced by Pierre-Alexandre Monsigny, Monsigny, François-André Danican Philidor, Philidor and, above all, André Grétry, Grétry. During the French Revolution, Revolutionary and Napoleonic Wars, Napoleonic period, composers such as Étienne Méhul, Luigi Cherubini and Gaspare Spontini, who were followers of Gluck, brought a new seriousness to the genre, which had never been wholly "comic" in any case. Another phenomenon of this period was the 'propaganda opera' celebrating revolutionary successes, e.g. François-Joseph Gossec, Gossec's ''Le triomphe de la République'' (1793).
![Salzburger Festspiele 2012 - Carmen](https://upload.wikimedia.org/wikipedia/commons/d/de/Salzburger_Festspiele_2012_-_Carmen.jpg)
By the 1820s, Gluckian influence in France had given way to a taste for Italian
bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing.
The phrase was not associat ...
, especially after the arrival of
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
in Paris. Rossini's ''Guillaume Tell'' helped found the new genre of
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
, a form whose most famous exponent was another foreigner,
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...
. Meyerbeer's works, such as ''Les Huguenots'', emphasised virtuoso singing and extraordinary stage effects. Lighter ''opéra comique'' also enjoyed tremendous success in the hands of Boïeldieu, Daniel Auber, Auber, Ferdinand Hérold, Hérold and Adolphe Adam, Adam. In this climate, the operas of the French-born composer Hector Berlioz struggled to gain a hearing. Berlioz's epic masterpiece ''Les Troyens'', the culmination of the Gluckian tradition, was not given a full performance for almost a hundred years.
In the second half of the 19th century,
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' ...
created
operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
with witty and cynical works such as ''Orphée aux enfers'', as well as the opera ''Les Contes d'Hoffmann''; Charles Gounod scored a massive success with ''Faust (opera), Faust''; and Georges Bizet composed ''Carmen'', which, once audiences learned to accept its blend of Romanticism and realism, became the most popular of all opéra comiques. Jules Massenet, Camille Saint-Saëns and Léo Delibes all composed works which are still part of the standard repertory, examples being Massenet's ''Manon'', Saint-Saëns' ''Samson and Delilah (opera), Samson et Dalila'' and Delibes' ''Lakmé''. Their operas formed another genre, the Opera Lyrique, combined opera comique and grand opera. It is less grandiose than grand opera, but without the spoken dialogue of opera comique. At the same time, the influence of
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
was felt as a challenge to the French tradition. Many French critics angrily rejected Wagner's music dramas while many French composers closely imitated them with variable success. Perhaps the most interesting response came from Claude Debussy. As in Wagner's works, the orchestra plays a leading role in Debussy's unique opera ''Pelléas et Mélisande (opera), Pelléas et Mélisande'' (1902) and there are no real arias, only recitative. But the drama is understated, enigmatic and completely un-Wagnerian.
Other notable 20th-century names include Maurice Ravel, Ravel, Paul Dukas, Dukas, Albert Roussel, Roussel, Arthur Honegger, Honegger and Darius Milhaud, Milhaud. Francis Poulenc is one of the very few post-war composers of any nationality whose operas (which include ''Dialogues of the Carmelites, Dialogues des Carmélites'') have gained a foothold in the international repertory. Olivier Messiaen's lengthy sacred drama ''Saint François d'Assise'' (1983) has also attracted widespread attention.
English-language opera
![Henry Purcell](https://upload.wikimedia.org/wikipedia/commons/5/53/Henry_Purcell.jpg)
In England, opera's antecedent was the 17th-century ''jig''. This was an afterpiece that came at the end of a play. It was frequently libellous and scandalous and consisted in the main of dialogue set to music arranged from popular tunes. In this respect, jigs anticipate the ballad operas of the 18th century. At the same time, the French masque was gaining a firm hold at the English Court, with even more lavish splendour and highly realistic scenery than had been seen before. Inigo Jones became the quintessential designer of these productions, and this style was to dominate the English stage for three centuries. These masques contained songs and dances. In Ben Jonson's ''Lovers Made Men'' (1617), "the whole masque was sung after the Italian manner, stilo recitativo".
[From Webrarian.com's]
''Ivanhoe (opera), Ivanhoe'' site. The approach of the English Commonwealth closed theatres and halted any developments that may have led to the establishment of English opera. However, in 1656, the dramatist Sir William Davenant produced ''The Siege of Rhodes''. Since his theatre was not licensed to produce drama, he asked several of the leading composers (Henry Lawes, Lawes, Henry Cooke (composer), Cooke, Matthew Locke (composer), Locke, Charles Coleman (composer), Coleman and George Hudson (composer), Hudson) to set sections of it to music. This success was followed by ''The Cruelty of the Spaniards in Peru'' (1658) and ''The History of Sir Francis Drake'' (1659). These pieces were encouraged by Oliver Cromwell because they were critical of Spain. With the English Restoration, foreign (especially French) musicians were welcomed back. In 1673, Thomas Shadwell's ''Psyche (Locke), Psyche'', patterned on the 1671 'comédie-ballet' of the same name produced by Molière and
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
. William Davenant produced ''The Tempest'' in the same year, which was the first musical adaption of a Shakespeare play (composed by Locke and Johnson).
About 1683, John Blow composed ''Venus and Adonis (opera), Venus and Adonis'', often thought of as the first true English-language opera.
Blow's immediate successor was the better known
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer.
Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
. Despite the success of his masterwork ''Dido and Aeneas'' (1689), in which the action is furthered by the use of Italian-style recitative, much of Purcell's best work was not involved in the composing of typical opera, but instead, he usually worked within the constraints of the
semi-opera
The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manne ...
format, where isolated scenes and masques are contained within the structure of a spoken play, such as Shakespeare in Purcell's ''The Fairy-Queen'' (1692) and Beaumont and Fletcher in ''The Prophetess'' (1690) and ''Bonduca'' (1696). The main characters of the play tend not to be involved in the musical scenes, which means that Purcell was rarely able to develop his characters through song. Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera in England, but these hopes ended with Purcell's early death at the age of 36.
![Thomas Augustine Arne](https://upload.wikimedia.org/wikipedia/commons/3/32/Thomas_Augustine_Arne.png)
Following Purcell, the popularity of opera in England dwindled for several decades. A revived interest in opera occurred in the 1730s which is largely attributed to Thomas Arne, both for his own compositions and for alerting Handel to the commercial possibilities of large-scale works in English. Arne was the first English composer to experiment with Italian-style all-sung comic opera, with his greatest success being ''Thomas and Sally'' in 1760. His opera ''Artaxerxes (opera), Artaxerxes'' (1762) was the first attempt to set a full-blown
opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
in English and was a huge success, holding the stage until the 1830s. Although Arne imitated many elements of Italian opera, he was perhaps the only English composer at that time who was able to move beyond the Italian influences and create his own unique and distinctly English voice. His modernized ballad opera, ''Love in a Village'' (1762), began a vogue for pastiche opera that lasted well into the 19th century. Charles Burney wrote that Arne introduced "a light, airy, original, and pleasing melody, wholly different from that of Purcell or Handel, whom all English composers had either pillaged or imitated".
![Mikado 02 - Weir Collection](https://upload.wikimedia.org/wikipedia/commons/6/69/Mikado_02_-_Weir_Collection.jpg)
Besides Arne, the other dominating force in English opera at this time was
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
, whose ''opera serias'' filled the London operatic stages for decades and influenced most home-grown composers, like John Frederick Lampe, who wrote using Italian models. This situation continued throughout the 18th and 19th centuries, including in the work of Michael William Balfe, and the operas of the great Italian composers, as well as those of Mozart, Beethoven, and Meyerbeer, continued to dominate the musical stage in England.
The only exceptions were ballad operas, such as John Gay's ''The Beggar's Opera'' (1728), musical Victorian burlesque, burlesques, European
operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
s, and late Victorian era light operas, notably the Savoy Operas of W. S. Gilbert and Arthur Sullivan, all of which types of musical entertainments frequently spoofed operatic conventions. Sullivan wrote only one grand opera, ''Ivanhoe (opera), Ivanhoe'' (following the efforts of a number of young English composers beginning about 1876),
but he claimed that even his light operas constituted part of a school of "English" opera, intended to supplant the French operettas (usually performed in bad translations) that had dominated the London stage from the mid-19th century into the 1870s. London's ''Daily Telegraph'' agreed, describing ''The Yeomen of the Guard'' as "a genuine English opera, forerunner of many others, let us hope, and possibly significant of an advance towards a national lyric stage". Sullivan produced a few light operas in the 1890s that were of a more serious nature than those in the G&S series, including ''Haddon Hall (opera), Haddon Hall'' and ''The Beauty Stone'', but ''Ivanhoe (opera), Ivanhoe'' (which ran for 155 consecutive performances, using alternating casts—a record until Broadway's ''
La bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'') survives as his only
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
.
In the 20th century, English opera began to assert more independence, with works of Ralph Vaughan Williams and in particular
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
, who in a series of works that remain in standard repertory today, revealed an excellent flair for the dramatic and superb musicality. More recently Harrison Birtwistle, Sir Harrison Birtwistle has emerged as one of Britain's most significant contemporary composers from his first opera ''Punch and Judy (opera), Punch and Judy'' to his most recent critical success in The Minotaur (opera), The Minotaur. In the first decade of the 21st century, the librettist of an early Birtwistle opera, Michael Nyman, has been focusing on composing operas, including ''Facing Goya'', ''Man and Boy: Dada'', and ''Love Counts''. Today composers such as Thomas Adès continue to export English opera abroad.
Also in the 20th century, American composers like George Gershwin (''Porgy and Bess''), Scott Joplin (''Treemonisha''), Leonard Bernstein (''Candide (operetta), Candide''), Gian Carlo Menotti, Douglas Moore, and Carlisle Floyd began to contribute English-language operas infused with touches of popular musical styles. They were followed by composers such as
Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up fr ...
(''Einstein on the Beach''), Mark Adamo, John Corigliano (''The Ghosts of Versailles''), Robert Moran,
John Adams
John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
(''Nixon in China''), André Previn and Jake Heggie. Many contemporary 21st century opera composers have emerged such as Missy Mazzoli, Kevin Puts, Tom Cipullo, Huang Ruo, David T. Little, Terence Blanchard, Jennifer Higdon, Tobias Picker, Michael Ching, and Ricky Ian Gordon.
Russian opera
![Feodor Chaliapin as Ivan Susanin](https://upload.wikimedia.org/wikipedia/commons/e/e7/Feodor_Chaliapin_as_Ivan_Susanin.jpg)
Opera was brought to Russia in the 1730s by the Italian operatic wikt:troupe, troupes and soon it became an important part of entertainment for the Russian Imperial Court and aristocracy. Many foreign composers such as Baldassare Galuppi, Giovanni Paisiello, Giuseppe Sarti, and Domenico Cimarosa (as well as various others) were invited to Russia to compose new operas, mostly in the Italian language. Simultaneously some domestic musicians like Maksym Berezovsky and Dmitry Bortniansky were sent abroad to learn to write operas. The first opera written in Russian was ''Tsefal i Prokris'' by the Italian composer Francesco Araja (1755). The development of Russian-language opera was supported by the Russian composers Vasily Pashkevich, Yevstigney Fomin and Alexey Verstovsky.
However, the real birth of Russian opera came with Mikhail Glinka and his two great operas ''A Life for the Tsar'' (1836) and ''Ruslan and Lyudmila (opera), Ruslan and Lyudmila'' (1842). After him, during the 19th century in Russia, there were written such operatic masterpieces as ''Rusalka (Dargomyzhsky), Rusalka'' and ''The Stone Guest (Dargomyzhsky), The Stone Guest'' by Alexander Dargomyzhsky, ''Boris Godunov (opera), Boris Godunov'' and ''Khovanshchina'' by Modest Mussorgsky, ''Prince Igor'' by Alexander Borodin, ''Eugene Onegin (opera), Eugene Onegin'' and ''The Queen of Spades (opera), The Queen of Spades'' by Pyotr Ilyich Tchaikovsky, Pyotr Tchaikovsky, and ''The Snow Maiden'' and ''Sadko (opera), Sadko'' by Nikolai Rimsky-Korsakov. These developments mirrored the growth of Russian nationalism across the artistic spectrum, as part of the more general Slavophilism movement.
In the 20th century, the traditions of Russian opera were developed by many composers including Sergei Rachmaninoff in his works ''The Miserly Knight'' and ''Francesca da Rimini (Rachmaninoff), Francesca da Rimini'',
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
in ''The Nightingale (opera), Le Rossignol'', ''Mavra'', ''Oedipus rex (opera), Oedipus rex'', and ''
The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progres ...
'', Sergei Prokofiev in ''The Gambler (Prokofiev), The Gambler'', ''The Love for Three Oranges'', ''The Fiery Angel (opera), The Fiery Angel'', ''Betrothal in a Monastery'', and ''War and Peace (Prokofiev), War and Peace''; as well as Dmitri Shostakovich in ''The Nose (opera), The Nose'' and ''Lady Macbeth of the Mtsensk District (opera), Lady Macbeth of the Mtsensk District'', Edison Denisov in ''L'écume des jours (opera), L'écume des jours'', and Alfred Schnittke in ''Life with an Idiot'' and ''Historia von D. Johann Fausten (opera), Historia von D. Johann Fausten''.
Czech opera
Czech composers also developed a thriving national opera movement of their own in the 19th century, starting with Bedřich Smetana, who wrote List of operas by Bedřich Smetana, eight operas including the internationally popular ''The Bartered Bride''. Smetana's eight operas created the bedrock of the Czech opera repertory, but of these only ''The Bartered Bride'' is performed regularly outside the composer's homeland. After reaching Vienna in 1892 and London in 1895 it rapidly became part of the repertory of every major opera company worldwide.
![Leóš Janáček (1917)](https://upload.wikimedia.org/wikipedia/commons/c/cf/Le%C3%B3%C5%A1_Jan%C3%A1%C4%8Dek_%281917%29.png)
Antonín Dvořák, Antonín Dvořák's nine operas, except his first, have librettos in Czech and were intended to convey the Czech national spirit, as were some of his choral works. By far the most successful of the operas is ''Rusalka (opera), Rusalka'' which contains the well-known aria "Měsíčku na nebi hlubokém" ("Song to the Moon"); it is played on contemporary opera stages frequently outside the Czech Republic. This is attributable to their uneven invention and libretti, and perhaps also their staging requirements – ''The Jacobin'', ''Armida (Dvořák), Armida'', ''Vanda (opera), Vanda'' and ''Dimitrij (opera), Dimitrij'' need stages large enough to portray invading armies.
Leoš Janáček gained international recognition in the 20th century for his innovative works. His later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravia, Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta (Janáček), Sinfonietta and the ''Glagolitic Mass''.
Other national operas
Spain also produced its own distinctive form of opera, known as zarzuela, which had two separate flowerings: one from the mid-17th century through the mid-18th century, and another beginning around 1850. During the late 18th century up until the mid-19th century, Italian opera was immensely popular in Spain, supplanting the native form.
In Russian Eastern Europe, several national operas began to emerge. Ukrainian opera was developed by Semen Hulak-Artemovsky (1813–1873) whose most famous work ''Zaporozhets za Dunayem'' (A Cossack Beyond the Danube) is regularly performed around the world. Other Ukrainian opera composers include Mykola Lysenko (''Taras Bulba (opera), Taras Bulba'' and ''Natalka Poltavka (opera), Natalka Poltavka''), Heorhiy Maiboroda, and Yuliy Meitus. At the turn of the century, a distinct national opera movement also began to emerge in Georgia (country), Georgia under the leadership Zacharia Paliashvili, who fused local folk songs and stories with 19th-century Romantic music, Romantic classical themes.
![Erkel Ferenc Györgyi Alajos](https://upload.wikimedia.org/wikipedia/commons/5/59/Erkel_Ferenc_Gy%C3%B6rgyi_Alajos.jpg)
The key figure of Hungarian national opera in the 19th century was Ferenc Erkel, whose works mostly dealt with historical themes. Among his most often performed operas are ''Hunyadi László (opera), Hunyadi László'' and ''Bánk bán''. The most famous modern Hungarian opera is Béla Bartók's ''Duke Bluebeard's Castle''.
Stanisław Moniuszko's opera ''The Haunted Manor, Straszny Dwór'' (in English ''The Haunted Manor'') (1861–64) represents a nineteenth-century peak of Polish opera, Polish national opera. In the 20th century, other operas created by Polish composers included ''King Roger'' by Karol Szymanowski and ''Ubu Rex'' by Krzysztof Penderecki.
The first known opera from Turkey (the Ottoman Empire) was ''Arshak II (opera), Arshak II'', which was an Armenian opera composed by an ethnic Armenian composer Tigran Chukhajian in 1868 and partially performed in 1873. It was fully staged in 1945 in Armenia.
![Leyli and Majnun opera 1908](https://upload.wikimedia.org/wikipedia/commons/b/b5/Leyli_and_Majnun_opera_1908.jpg)
The first years of the Soviet Union saw the emergence of new national operas, such as the ''Koroğlu (opera), Koroğlu'' (1937) by the Azerbaijani composer Uzeyir Hajibeyov. The first Kyrgyzstan, Kyrgyz opera, ''Ai-Churek'', premiered in Moscow at the Bolshoi Theatre on 26 May 1939, during Kyrgyz Art Decade. It was composed by Vladimir Vlasov, Abdylas Maldybaev and Vladimir Fere. The libretto was written by Joomart Bokonbaev, Jusup Turusbekov, and Kybanychbek Malikov. The opera is based on the Kyrgyz heroic epic ''Epic of Manas, Manas''.
In Iran, opera gained more attention after the introduction of Western classical music in the late 19th century. However, it took until mid 20th century for Iranian composers to start experiencing with the field, especially as the construction of the Roudaki Hall in 1967, made possible staging of a large variety of works for stage. Perhaps, the most famous Iranian opera is Rostam and Sohrab (opera), Rostam and Sohrab by Loris Tjeknavorian premiered not until the early 2000s.
Chinese contemporary classical opera, a Chinese language form of Western style opera that is distinct from traditional Chinese opera, has had operas dating back to ''The White Haired Girl'' in 1945.
In Latin America, opera started as a result of European colonisation. The first opera ever written in the Americas was ''La púrpura de la rosa'', by Tomás de Torrejón y Velasco, although ''Partenope (Zumaya), Partenope'', by the Mexican Manuel de Zumaya, was the first opera written from a composer born in Latin America (music now lost). The first Brazilian opera for a libretto in Portuguese was ''A Noite de São João'', by Elias Álvares Lobo. However, Antônio Carlos Gomes is generally regarded as the most outstanding Brazilian composer, having a relative success in Italy with its Brazilian-themed operas with Italian librettos, such as ''Il Guarany''. Opera in Argentina developed in the 20th century after the inauguration of Teatro Colón in Buenos Aires—with the opera ''Aurora (opera), Aurora'', by Ettore Panizza, being heavily influenced by the Italian tradition, due to immigration. Other important composers from Argentina include Felipe Boero and Alberto Ginastera.
Contemporary, recent, and modernist trends
Modernism
Perhaps the most obvious stylistic manifestation of modernism in opera is the development of
atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a s ...
. The move away from traditional tonality in opera had begun with
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
, and in particular the Tristan chord. Composers such as
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
, Claude Debussy,
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long li ...
,
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne ...
,
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
and Hans Pfitzner pushed Wagnerian harmony further with a more extreme use of chromaticism and greater use of dissonance. Another aspect of modernist opera is the shift away from long, suspended melodies, to short quick mottos, as first illustrated by
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
in his ''
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
''. Composers such as Strauss, Britten, Shostakovich and Stravinsky adopted and expanded upon this style.
![Schiele - Bildnis des Komponisten Arnold Schönberg](https://upload.wikimedia.org/wikipedia/commons/5/5e/Schiele_-_Bildnis_des_Komponisten_Arnold_Sch%C3%B6nberg._1917.jpg)
Operatic modernism truly began in the operas of two Viennese composers,
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and his student
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
, both composers and advocates of atonality and its later development (as worked out by Schoenberg), dodecaphony. Schoenberg's early musico-dramatic works, ''Erwartung'' (1909, premiered in 1924) and ''Die glückliche Hand'' display heavy use of chromatic harmony and dissonance in general. Schoenberg also occasionally used Sprechstimme.
The two operas of Schoenberg's pupil Alban Berg, ''Wozzeck'' (1925) and ''Lulu (opera), Lulu'' (incomplete at his death in 1935) share many of the same characteristics as described above, though Berg combined his highly personal interpretation of Schoenberg's twelve-tone technique with melodic passages of a more traditionally tonal nature (quite Mahlerian in character) which perhaps partially explains why his operas have remained in standard repertory, despite their controversial music and plots. Schoenberg's theories have influenced (either directly or indirectly) significant numbers of opera composers ever since, even if they themselves did not compose using his techniques.
![Igor Stravinsky Essays](https://upload.wikimedia.org/wikipedia/commons/c/cc/Igor_Stravinsky_Essays.jpg)
Composers thus influenced include the Englishman
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
, the German Hans Werner Henze, and the Russian Dmitri Shostakovich. (
Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up fr ...
also makes use of atonality, though his style is generally described as minimalist music, minimalist, usually thought of as another 20th-century development.)
However, operatic modernism's use of atonality also sparked a backlash in the form of
neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was ...
. An early leader of this movement was
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary ...
, who in 1913 wrote the libretto for his neoclassical
number opera A number opera (; ) is an opera consisting of individual pieces of music ('numbers') which can be easily extracted from the larger work."Number opera" in ''New Grove''. They may be numbered consecutively in the score, and may be interspersed with r ...
''Arlecchino (opera), Arlecchino'' (first performed in 1917). Also among the vanguard was the Russian
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
. After composing music for the Diaghilev-produced ballets ''Petrushka (ballet), Petrushka'' (1911) and ''The Rite of Spring'' (1913), Stravinsky turned to neoclassicism, a development culminating in his opera-oratorio ''Oedipus rex (opera), Oedipus Rex'' (1927). Stravinsky had already turned away from the modernist trends of his early ballets to produce small-scale works that do not fully qualify as opera, yet certainly contain many operatic elements, including ''Renard (Stravinsky), Renard'' (1916: "a burlesque in song and dance") and ''Histoire du soldat, The Soldier's Tale'' (1918: "to be read, played, and danced"; in both cases the descriptions and instructions are those of the composer). In the latter, the actors declaim portions of speech to a specified rhythm over instrumental accompaniment, peculiarly similar to the older German genre of ''Melodrama''. Well after his Rimsky-Korsakov-inspired works ''The Nightingale (opera), The Nightingale'' (1914), and ''Mavra'' (1922), Stravinsky continued to ignore serialism, serialist technique and eventually wrote a full-fledged 18th-century-style diatonic number opera ''
The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progres ...
'' (1951). His resistance to serialism (an attitude he reversed following Schoenberg's death) proved to be an inspiration for many other composers.
Other trends
A common trend throughout the 20th century, in both opera and general orchestral repertoire, is the use of smaller orchestras as a cost-cutting measure; the grand Romantic-era orchestras with huge string sections, multiple harps, extra horns, and exotic percussion instruments were no longer feasible. As government and private patronage of the arts decreased throughout the 20th century, new works were often commissioned and performed with smaller budgets, very often resulting in chamber-sized works, and short, one-act operas. Many of
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
's operas are scored for as few as 13 instrumentalists; Mark Adamo's two-act realization of ''Little Women (opera), Little Women'' is scored for 18 instrumentalists.
Another feature of late 20th-century opera is the emergence of contemporary historical operas, in contrast to the tradition of basing operas on more distant history, the re-telling of contemporary fictional stories or plays, or on myth or legend. ''The Death of Klinghoffer'', ''Nixon in China'', and ''Doctor Atomic'' by
John Adams
John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...
, ''Dead Man Walking (opera), Dead Man Walking'' by Jake Heggie, and ''Anna Nicole'' by Mark-Anthony Turnage exemplify the dramatisation onstage of events in recent living memory, where characters portrayed in the opera were alive at the time of the premiere performance.
The Metropolitan Opera in the US (often known as the Met) reported in 2011 that the average age of its audience was 60. Many opera companies attempted to attract a younger audience to halt the larger trend of greying audiences for
classical music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...
since the last decades of the 20th century. Efforts resulted in lowering the average age of the Met's audience to 58 in 2018, the average age at Berlin State Opera was reported as 54, and Paris Opera reported an average age of 48.
''New York Times'' critic Anthony Tommasini has suggested that "companies inordinately beholden to standard repertory" are not reaching younger, more curious audiences.
Smaller companies in the US have a more fragile existence, and they usually depend on a "patchwork quilt" of support from state and local governments, local businesses, and fundraisers. Nevertheless, some smaller companies have found ways of drawing new audiences. In addition to radio and television broadcasts of opera performances, which have had some success in gaining new audiences, broadcasts of live performances to movie theatres have shown the potential to reach new audiences.
From musicals back towards opera
By the late 1930s, some Musical theatre, musicals began to be written with a more operatic structure. These works include complex polyphonic ensembles and reflect musical developments of their times. ''Porgy and Bess'' (1935), influenced by jazz styles, and ''Candide (operetta), Candide'' (1956), with its sweeping, lyrical passages and farcical parodies of opera, both opened on Broadway theatre, Broadway but became accepted as part of the opera repertory. Popular musicals such as ''Show Boat'', ''West Side Story'', ''Brigadoon'', ''Sweeney Todd: The Demon Barber of Fleet Street, Sweeney Todd'', ''Passion (musical), Passion'', ''Evita (musical), Evita'', ''The Light in the Piazza (musical), The Light in the Piazza'', ''The Phantom of the Opera (1986 musical), The Phantom of the Opera'' and others tell dramatic stories through complex music and in the 2010s they are sometimes seen in opera houses. ''The Most Happy Fella'' (1952) is quasi-operatic and has been revived by the New York City Opera. Other Rock musical, rock-influenced musicals, such as ''The Who's Tommy, Tommy'' (1969) and ''Jesus Christ Superstar'' (1971), ''Les Misérables (musical), Les Misérables'' (1980), ''Rent (musical), Rent'' (1996), ''Spring Awakening (musical), Spring Awakening'' (2006), and ''Natasha, Pierre & The Great Comet of 1812'' (2012) employ various operatic conventions, such as through-composed, through composition, recitative instead of dialogue, and
leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s.
Acoustic enhancement in opera
A subtle type of sound electronic reinforcement called acoustic enhancement is used in some modern concert halls and theatres where operas are performed. Although none of the major opera houses "...use traditional, Broadway-style sound reinforcement, in which most if not all singers are equipped with radio microphones mixed to a series of unsightly loudspeakers scattered throughout the theatre", many use a sound reinforcement system for acoustic enhancement and for subtle boosting of offstage voices, child singers, onstage dialogue, and sound effects (e.g., church bells in ''
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'' or thunder effects in Wagnerian operas).
Operatic voices
Operatic vocal technique evolved, in a time before electronic amplification, to allow singers to produce enough volume to be heard over an orchestra, without the instrumentalists having to substantially compromise their volume.
Vocal classifications
Singers and the roles they play are classified by voice type, based on the tessitura, vocal weight, agility, power and timbre of their voices. Male singers can be classified by vocal range as bass (voice type), bass, bass-baritone, baritone, baritenor, tenor and countertenor, and female singers as contralto, mezzo-soprano and
soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...
. (Men sometimes sing in the "female" vocal ranges, in which case they are termed sopranist or countertenor. The countertenor is commonly encountered in opera, sometimes singing parts written for castrati—men neutered at a young age specifically to give them a higher singing range.) Singers are then further classified by size—for instance, a soprano can be described as a lyric soprano, coloratura, soubrette, spinto, or dramatic soprano. These terms, although not fully describing a singing voice, associate the singer's voice with the roles most suitable to the singer's vocal characteristics.
Yet another sub-classification can be made according to acting skills or requirements, for example the ''basso buffo'' who often must be a specialist in Patter song, patter as well as a comic actor. This is carried out in detail in the ''Fach'' system of German speaking countries, where historically opera and spoken drama were often put on by the same repertory company.
A particular singer's voice may change drastically over his or her lifetime, rarely reaching vocal maturity until the third decade, and sometimes not until middle age. Two French voice types, ''premiere dugazon'' and ''deuxieme dugazon'', were named after successive stages in the career of Louise-Rosalie Lefebvre (Mme. Dugazon). Other terms originating in the star casting system of the Paris Opera#See also, Parisian theatres are ''Jean-Blaise Martin, baryton-martin'' and
soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...
''Cornélie Falcon, falcon''.
Historical use of voice parts
:''The following is only intended as a brief overview. For the main articles, see
soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...
, mezzo-soprano, contralto, tenor, baritone, bass (voice type), bass, countertenor and
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
''.
The soprano voice has typically been used as the voice of choice for the female protagonist of the opera since the latter half of the 18th century. Earlier, it was common for that part to be sung by any female voice, or even a
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
. The current emphasis on a wide vocal range was primarily an invention of the Classical period (music), Classical period. Before that, the vocal virtuosity, not range, was the priority, with soprano parts rarely extending above a high A (musical note), A (
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
, for example, only wrote one role extending to a high C (musical note), C), though the castrato
Farinelli
Farinelli (; 24 January 1705 – 16 September 1782) was the stage name of Carlo Maria Michelangelo Nicola Broschi (), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli h ...
was alleged to possess a top D (musical note), D (his lower range was also extraordinary, extending to tenor C). The mezzo-soprano, a term of comparatively recent origin, also has a large repertoire, ranging from the female lead in Purcell's ''Dido and Aeneas'' to such heavyweight roles as Brangäne in Wagner's ''Tristan und Isolde'' (these are both roles sometimes sung by sopranos; there is quite a lot of movement between these two voice-types). For the true contralto, the range of parts is more limited, which has given rise to the insider joke that contraltos only sing "witches, bitches, and breeches role, britches" roles. In recent years many of the "trouser roles" from the Baroque era, originally written for women, and those originally sung by castrati, have been reassigned to countertenors.
The tenor voice, from the Classical era onwards, has traditionally been assigned the role of male protagonist. Many of the most challenging tenor roles in the repertory were written during the ''bel canto'' era, such as Donizetti's sequence of 9 Cs above middle C during ''La fille du régiment''. With Wagner came an emphasis on vocal heft for his protagonist roles, with this vocal category described as ''Heldentenor''; this heroic voice had its more Italianate counterpart in such roles as Calaf in Puccini's ''Turandot''. Basses have a long history in opera, having been used in ''opera seria'' in supporting roles, and sometimes for comic relief (as well as providing a contrast to the preponderance of high voices in this genre). The bass repertoire is wide and varied, stretching from the comedy of Leporello in ''
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...
'' to the nobility of Wotan in Der Ring des Nibelungen, Wagner's ''Ring Cycle,'' to the conflicted King Phillip of Verdi's ''
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
''. In between the bass and the tenor is the baritone, which also varies in weight from say, Guglielmo in Mozart's ''Così fan tutte'' to Posa in Verdi's ''Don Carlos''; the actual designation "baritone" was not standard until the mid-19th century.
Famous singers
![Senesino portrait edited](https://upload.wikimedia.org/wikipedia/commons/0/04/Senesino_portrait_edited.jpg)
Early performances of opera were too infrequent for singers to make a living exclusively from the style, but with the birth of commercial opera in the mid-17th century, professional performers began to emerge. The role of the male hero was usually entrusted to a
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
, and by the 18th century, when Italian opera was performed throughout Europe, leading castrati who possessed extraordinary vocal virtuosity, such as
Senesino
Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel ...
and
Farinelli
Farinelli (; 24 January 1705 – 16 September 1782) was the stage name of Carlo Maria Michelangelo Nicola Broschi (), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli h ...
, became international stars. The career of the first major female star (or prima donna), Anna Renzi, dates to the mid-17th century. In the 18th century, a number of Italian sopranos gained international renown and often engaged in fierce rivalry, as was the case with
Faustina Bordoni
Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano.
In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni.
Early career
She was born in Venice and brought up unde ...
and Francesca Cuzzoni, who started a fistfight with one another during a performance of a Handel opera. The French disliked castrati, preferring their male heroes to be sung by an haute-contre (a high tenor), of which Joseph Legros (1739–1793) was a leading example.
Though opera patronage has decreased in the last century in favor of other arts and media (such as musicals, cinema, radio, television and recordings), mass media and the advent of recording have supported the popularity of many famous singers including
Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...
,
Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...
, Amelita Galli-Curci, Kirsten Flagstad, Mario Del Monaco, Renata Tebaldi, Risë Stevens, Alfredo Kraus, Franco Corelli, Montserrat Caballé, Joan Sutherland, Birgit Nilsson, Nellie Melba, Rosa Ponselle, Beniamino Gigli, Jussi Björling, Feodor Chaliapin, Cecilia Bartoli, Renée Fleming, Marilyn Horne, Bryn Terfel, Dmitri Hvorostovsky and The Three Tenors (Luciano Pavarotti, Plácido Domingo, José Carreras).
Changing role of the orchestra
Before the 1700s, Italian operas used a small string orchestra, but it rarely played to accompany the singers. Opera solos during this period were accompanied by the
basso continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
group, which consisted of the
harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
, "plucked instruments" such as lute and a bass instrument.
[John Spitzer. (2009). Orchestra and voice in eighteenth-century Italian opera. In: Anthony R. DelDonna and Pierpaolo Polzonetti (eds.) Cambridge Companions to Music, The Cambridge Companion to Eighteenth-Century Opera. pp. 112–139. [Online]. Cambridge Companions to Music. Cambridge: Cambridge University Press.] The string orchestra typically only played when the singer was not singing, such as during a singer's "...entrances and exits, between vocal numbers, [or] for [accompanying] dancing". Another role for the orchestra during this period was playing an orchestral ritornello to mark the end of a singer's solo.
During the early 1700s, some composers began to use the string orchestra to mark certain aria or recitatives "...as special"; by 1720, most arias were accompanied by an orchestra. Opera composers such as Domenico Sarro, Leonardo Vinci, Giambattista Pergolesi, Leonardo Leo, and Johann Adolf Hasse added new instruments to the opera orchestra and gave the instruments new roles. They added wind instruments to the strings and used orchestral instruments to play instrumental solos, as a way to mark certain arias as special.
![Fotothek df roe-neg 0006329 030 Orchester im Orchestergraben](https://upload.wikimedia.org/wikipedia/commons/5/55/Fotothek_df_roe-neg_0006329_030_Orchester_im_Orchestergraben.jpg)
The orchestra has also provided an instrumental overture before the singers come onstage since the 1600s. Jacopo Peri, Peri's ''
Euridice'' opens with a brief instrumental ritornello, and Claudio Monteverdi, Monteverdi's ''
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ...
'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. The French overture as found in
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
's operas consist of a slow introduction in a marked "dotted rhythm", followed by a lively movement in fugato style. The overture was frequently followed by a series of dance tunes before the curtain rose. This overture style was also used in English opera, most notably in
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer.
Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
's ''Dido and Aeneas''.
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
also uses the French overture form in some of his Italian operas such as
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...
.
In Italy, a distinct form called "overture" arose in the 1680s, and became established particularly through the operas of
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
...
, and spread throughout Europe, supplanting the French form as the standard operatic overture by the mid-18th century.
[Fisher, Stephen C. 2001. "Italian Overture." ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (musicologist), John Tyrrell. London: Macmillan Publishers.] It uses three generally homophony, homophonic Movement (music), movements: fast–slow–fast. The opening movement was normally in duple metre and in a major key; the slow movement in earlier examples was short, and could be in a contrasting key; the concluding movement was dance-like, most often with rhythms of the gigue or minuet, and returned to the key of the opening section. As the form evolved, the first movement may incorporate fanfare-like elements and took on the pattern of so-called "sonatina form" (sonata form without a development section), and the slow section became more extended and lyrical.
In Italian opera after about 1800, the "overture" became known as the ''sinfonia''.
[Fisher, Stephen C. 1998. "Sinfonia". ''The New Grove Dictionary of Opera'', four volumes, edited by Stanley Sadie. London: Macmillan Publishers, Inc. ] Fisher also notes the term ''Sinfonia avanti l'opera'' (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as opposed to one serving to begin a later section of the work".
[ In 19th-century opera, in some operas, the overture, ''Vorspiel'', ''Einleitung'', Introduction, or whatever else it may be called, was the portion of the music which takes place before the curtain rises; a specific, rigid form was no longer required for the overture.
The role of the orchestra in accompanying the singers changed over the 19th century, as the Classical style transitioned to the Romantic era. In general, orchestras got bigger, new instruments were added, such as additional percussion instruments (e.g., bass drum, cymbals, snare drum, etc.). The orchestration of orchestra parts also developed over the 19th century. In Wagnerian operas, the forefronting of the orchestra went beyond the overture. In Wagnerian operas such as Der Ring des Nibelungen, the Ring Cycle, the orchestra often played the recurrent musical themes or ]leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s, a role which gave a prominence to the orchestra which "...elevated its status to that of a prima donna". Wagner's operas were scored with unprecedented scope and complexity, adding more brass instruments and huge ensemble sizes: indeed, his score to ''Das Rheingold'' calls for six harps. In Wagner and the work of subsequent composers, such as Benjamin Britten, the orchestra "often communicates facts about the story that exceed the levels of awareness of the characters therein." As a result, critics began to regard the orchestra as performing a role analogous to that of a literary narrator."
As the role of the orchestra and other instrumental ensembles changed over the history of opera, so did the role of leading the musicians. In the Baroque era, the musicians were usually directed by the harpsichord player, although the French composer Lully is known to have conducted with a long staff. In the 1800s, during the Classical period, the first violinist, also known as the concertmaster, would lead the orchestra while sitting. Over time, some directors began to stand up and use hand and arm gestures to lead the performers. Eventually this role of music director became termed the conductor, and a podium was used to make it easier for all the musicians to see him or her. By the time Wagnerian operas were introduced, the complexity of the works and the huge orchestras used to play them gave the conductor an increasingly important role. Modern opera conductors have a challenging role: they have to direct both the orchestra in the orchestra pit and the singers on stage.
Language and translation issues
Since the days of Handel and Mozart, many composers have favored Italian as the language for the libretto of their operas. From the Bel Canto era to Verdi, composers would sometimes supervise versions of their operas in both Italian and French. Because of this, operas such as ''Lucia di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''.
...
'' or ''Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'' are today deemed canonical in both their French and Italian versions.
Until the mid-1950s, it was acceptable to produce operas in translations even if these had not been authorized by the composer or the original librettists. For example, opera houses in Italy routinely staged Wagner in Italian. After World War II, opera scholarship improved, artists refocused on the original versions, and translations fell out of favor. Knowledge of European languages, especially Italian, French, and German, is today an important part of the training for professional singers. "The biggest chunk of operatic training is in linguistics and musicianship", explains mezzo-soprano Dolora Zajick. "[I have to understand] not only what I'm singing, but what everyone else is singing. I sing Italian, Czech, Russian, French, German, English."
In the 1980s, supertitles (sometimes called surtitles) began to appear. Although supertitles were first almost universally condemned as a distraction, today many opera houses provide either supertitles, generally projected above the theatre's proscenium arch, or individual seat screens where spectators can choose from more than one language. TV broadcasts typically include subtitles even if intended for an audience who knows well the language (for example, a RAI broadcast of an Italian opera). These subtitles target not only the hard of hearing but the audience generally, since a sung discourse is much harder to understand than a spoken one—even in the ears of native speakers. Subtitles in one or more languages have become standard in opera broadcasts, simulcasts, and DVD editions.
Today, operas are only rarely performed in translation. Exceptions include the English National Opera, the Opera Theatre of Saint Louis, Opera Theater of Pittsburgh, and Opera South East, which favor English translations. Another exception are opera productions intended for a young audience, such as Humperdinck's ''Hansel and Gretel (opera), Hansel and Gretel'' and some productions of Mozart's ''The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
''.
Funding
Outside the US, and especially in Europe, most opera houses receive public subsidies from taxpayers. In Milan, Italy, 60% of La Scala's annual budget of €115 million is from ticket sales and private donations, with the remaining 40% coming from public funds. In 2005, La Scala received 25% of Italy's total state subsidy of €464 million for the performing arts. In the UK, Arts Council England provides funds to Opera North, the Royal Opera House, Welsh National Opera, and English National Opera. Between 2012 and 2015, these four opera companies along with the English National Ballet, Birmingham Royal Ballet and Northern Ballet accounted for 22% of the funds in the Arts Council's national portfolio. During that period, the Council undertook an analysis of its funding for large-scale opera and ballet companies, setting recommendations and targets for the companies to meet prior to the 2015–2018 funding decisions. In February 2015, concerns over English National Opera's business plan led to the Arts Council placing it "under special funding arrangements" in what ''The Independent'' termed "the unprecedented step" of threatening to withdraw public funding if the council's concerns were not met by 2017. European public funding to opera has led to a disparity between the number of year-round opera houses in Europe and the United States. For example, "Germany has about 80 year-round opera houses [as of 2004], while the U.S., with more than three times the population, does not have any. Even the Met only has a seven-month season."
Television, cinema and the Internet
A milestone for opera broadcasting in the U.S. was achieved on 24 December 1951, with the live broadcast of ''Amahl and the Night Visitors'', an opera in one act by Gian Carlo Menotti. It was the first List of television operas, opera specifically composed for television in America.[Obituary: Gian Carlo Menotti]
''The Daily Telegraph'', 2 February 2007. Accessed 11 December 2008 Another milestone occurred in Italy in 1992 when ''Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1 ...
'' was broadcast live from its original Roman settings and times of the day: the first act came from the 16th-century Church of Sant'Andrea della Valle at noon on Saturday; the 16th-century Palazzo Farnese was the setting for the second at 8:15 pm; and on Sunday at 6 am, the third act was broadcast from Castel Sant'Angelo. The production was transmitted via satellite to 105 countries.
Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries. The Metropolitan Opera began a Metropolitan Opera Live in HD, series of live high-definition video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (No ...
transmissions to cinemas around the world in 2006. In 2007, Met performances were shown in over 424 theaters in 350 U.S. cities. ''La bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe G ...
'' went out to 671 screens worldwide. San Francisco Opera began prerecorded video transmissions in March 2008. As of June 2008, approximately 125 theaters in 117 U.S. cities carry the showings. The HD video opera transmissions are presented via the same Digital cinema, HD digital cinema projectors used for major Cinema of the United States, Hollywood films. European opera houses and List of opera festivals, festivals including the Royal Opera, London, Royal Opera in London, La Scala in Milan, the Salzburg Festival, La Fenice in Venice, and the Maggio Musicale Fiorentino, Maggio Musicale in Florence have also transmitted their productions to theaters in cities around the world since 2006, including 90 cities in the U.S.
The emergence of the Internet has also affected the way in which audiences consume opera. In 2009 the British Glyndebourne Festival Opera offered for the first time an online digital video download of its complete 2007 production of ''Tristan und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was compose ...
''. In the 2013 season, the festival Live streaming, streamed all six of its productions online. In July 2012, the first online community opera was premiered at the Savonlinna Opera Festival. Titled ''Free Will'', it was created by members of the Internet group Opera By You. Its 400 members from 43 countries wrote the libretto, composed the music, and designed the sets and costumes using the Wreckamovie web platform. Savonlinna Opera Festival provided professional soloists, an 80-member choir, a symphony orchestra, and the stage machinery. It was performed live at the festival and streamed live on the internet.[Partii, Heidi (2014)]
"Supporting Collaboration in Changing Cultural Landscapes"
pp. 208–209 in Margaret S Barrett (ed.) ''Collaborative Creative Thought and Practice in Music''. Ashgate Publishing.
See also
* Lists of operas, including a Lists of operas#General, general list as well as by Lists of operas#By theme, theme, by Lists of operas#By country, country, by Lists of operas#By medium, medium, and by Lists of operas#By venue, venue
* List of fictional literature featuring opera
* Opera management
* Radio opera
References
Notes
Sources
*
* See also Google Book
partial preview
Further reading
* ''The New Grove Dictionary of Opera'', edited by Stanley Sadie (1992), 5,448 pages, is the best, and by far the largest, general reference in the English language.
* ''The Viking Opera Guide'', edited by Amanda Holden (writer), Amanda Holden (1994), 1,328 pages,
* ''The Oxford Illustrated History of Opera'', ed. Roger Parker (1994)
* ''The Oxford Dictionary of Opera'', by John Warrack and Ewan West (1992), 782 pages,
* ''Opera, the Rough Guide'', by Matthew Boyden et al. (1997), 672 pages,
* ''Opera: A Concise History'', by Leslie Orrey and Rodney Milnes, World of Art, Thames & Hudson
*
* John Louis DiGaetani, DiGaetani, John Louis: ''An Invitation to the Opera'', Anchor Books, 1986/91. .
* Dorschel, Andreas, 'The Paradox of Opera', ''The Cambridge Quarterly'' 30 (2001), no. 4, pp. 283–306. (print). (electronic). Discusses the aesthetics of opera.
* Silke Leopold, "The Idea of National Opera, c. 1800", ''United and Diversity in European Culture c. 1800'', ed. T. C. W. Blanning, Tim Blanning and Hagen Schulze (New York: Oxford University Press, 2006), 19–34.
* MacMurray, Jessica M. and Allison Brewster Franzetti: ''The Book of 101 Opera Librettos: Complete Original Language Texts with English Translations'', Black Dog & Leventhal Publishers, 1996.
* Howard Mayer Brown, "Opera", ''The New Grove Dictionary of Music and Musicians''. 2001. Oxford University Press
* Rous, Samuel Holland (1919). ''The Victrola Book of the Opera. Stories of The Operas with Illustrations...''. Camden, New Jersey: Victor Talking Machine Company
View
at Internet Archive.
* Simon, Henry W.: ''A Treasury of Grand Opera'', Simon and Schuster, New York, 1946.
"Opera"
Herbert Weinstock and Barbara Russano Hanning, ''Encyclopædia Britannica''
*
External links
Comprehensive opera performances database
Operabase
Opera-Inside
opera and aria guides, biographies, history
StageAgent – synopses and character descriptions for most major operas
Vocabulaire de l'Opéra
HistoricOpera – historic operatic images
"America's Opera Boom"
By Jonathan Leaf, ''The American (magazine), The American'', July/August 2007 Issue
Opera~Opera article archives
*
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