Nigâr Hanım
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Nigâr Hanım (1856 – 1 April 1918) ( ota, نگار خانم) was an Ottoman poet, who pioneered modern Western styles in a feminine mode. She is a major figure in post-
Tanzimat The Tanzimat (; ota, تنظيمات, translit=Tanzimāt, lit=Reorganization, ''see'' nizām) was a period of reform in the Ottoman Empire that began with the Gülhane Hatt-ı Şerif in 1839 and ended with the First Constitutional Era in 1876. ...
Turkish poetry.


Biography

Nigâr was born in
Istanbul Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
to Macar Osman Pasha, an Ottoman nobleman of Hungarian origin. She was educated at the
Kadıköy Kadıköy (), known in classical antiquity and during the Roman and Byzantine eras as Chalcedon ( gr, Χαλκηδών), is a large, populous, and cosmopolitan district in the Asian side of Istanbul, Turkey, on the northern shore of the Sea of ...
Fransız Mektebi (French School in Kadıköy), later receiving lectures at home from private teachers. She was able to speak eight different languages and play piano at a young age. She was married at age fourteen, but divorced after a few years of great unhappiness. By this marriage she had a son, Feridun Bey, who became a French teacher at Robert College and a tutor of Şehzade Ahmed Nihad, a grandson of Sultan
Murad V Murad V ( ota, مراد خامس, translit=Murâd-ı ḫâmis; tr, V. Murad; 21 September 1840 – 29 August 1904) was the Sultan of the Ottoman Empire who reigned from 30 May to 31 August 1876. The son of Abdulmejid I, he supported the ...
. Her early poetry is in the traditional
divan A divan or diwan ( fa, دیوان, ''dīvān''; from Sumerian ''dub'', clay tablet) was a high government ministry in various Islamic states, or its chief official (see ''dewan''). Etymology The word, recorded in English since 1586, meanin ...
style, but later she was influenced by Recaizade Mahmut Ekrem and others, and adopted a more modernist stance, influenced by the Western poetry of her time. She was well versed in the cultures of East and West, and knew French, Greek, Arabic, and German. Her book '' Efsus'' was the first poetry book written in Western style of poetry by a woman author. Her writing style, choice of themes and presentation reflects a very feminine sensibility. Apart from poetry, she wrote prose and made several translations. In her personal life, she was an important and well-known figure in the society of her time. Apart from her career as a poet, her life-style, outgoing personality and choice of clothing had a wide influence on society and the perspective of women at the time. She became increasingly isolated in the last years of her life, and was in great pain. She died 1918 in İstanbul.


Awards and Recognitions

Her humanitarian work was recognised by the award of the Order of Charity (Şefkat Nişanı). In 1998,
Şairler Sofası A part of Beşiktaş Vişnezade Park is oriented under the name "Şairler Sofası". ''Şairler Sofası'' is the 1998 sculpture by Gürdal Duyar whos name the park goes by. The depicted characters in the sculpture as well as the figures depicted ...
Park was inaugurated, she is featured in a sculpture by
Gürdal Duyar Gürdal Duyar (20 August 1935 – 18 April 2004) was a Turkish people, Turkish sculptor, known especially for his monuments to Mustafa Kemal Atatürk, Atatürk and Bust (sculpture), busts of famous people. His art is characterized by a Modern scul ...
along with 6 other famous poets. At the same time
Namık Denizhan Namik or Namık is a masculine given name. Notable people with the name include: * Namig Abdullayev (born 1971), Azerbaijani wrestler * Namik Dokle (born 1946), Albanian politician * Namık Gedik (1911–1960), Turkish physician and politician * ...
made a sculpture of her individually which is in the same park.


"Tell me Again"

"Tell me Again" is an early love poem by Hanım (translation by Talat S. Halman).Cosman, Carol; Keefe, Joan; Weaver, Kathleen, 1978. ''The Penguin Book of Women Poets'', Allen Lane, London, p. 265 Am I your only love -- in the whole world -- now? Am I really the only object of your love? If passions rage in your mind, If love springs eternal in your heart -- Is it all meant for me? Tell me again. Tell me right now, am I the one who inspires All your dark thoughts, all your sadness? Share with me what you feel, what you think. Come, my love, pour into my heart Whatever gives you so much pain. Tell me again.


Selected works


Poetry

*'' Efsus I'' *'' Efsus II'' *'' Nîrân'' *'' Aks-i Sada'' *'' Safahat-ı Kalb'' *'' Elhan-ı Vatan''


Play

*'' Tesir-i Aşk''


Memoir

*'' Hayatımın Hikâyesi'' (1959)


References

{{DEFAULTSORT:Nigar Hanim 1856 births 1918 deaths Women poets from the Ottoman Empire Divan poets from the Ottoman Empire Burials at Aşiyan Asri Cemetery 19th-century poets from the Ottoman Empire 19th-century women writers from the Ottoman Empire 20th-century poets from the Ottoman Empire 20th-century women writers from the Ottoman Empire