"Nick's World" (also known as "Nick's World...") is a twelve-page comic book story featured in the second issue of ''Marvel Knights: Double Shot'' written by Grant Morrison and drawn by Manuel Gutiérrez. The story concerns a young spy who tries to trick

Nick Fury Colonel Nicholas Joseph "Nick" Fury Sr. is a fictional character appearing in American comic books published by Marvel Comics. Created by writer/artist Jack Kirby and writer Stan Lee, he first appeared in ''Sgt. Fury and his Howling Commandos ...

. The story was originally intended to be a part of a much longer series but after the follow-up series proposal was ignored by Marvel, Morrison incorporated much of the psychedelic super-spy material into their Vertigo title '' The Filth''. It was Morrison's only solo Marvel Knights story.

Publication history

The story was first published in 2002 under the Marvel Knights imprint. It was then reprinted in ''Marvel Crossover #33'' and again in 2011 in '' Fantastic Four: 1234''. In Italy, the story has been published in ''Spider-Man'' #388.

Plot

The story begins with

and a female agent talking about his car needing a new tire. The page gets cut and a new figure is introduced, a man in a strange get up who explains who Nick Fury is and reveals that the scene is just a training exercise with a young spy named Chris Kong who is strapped into a machine which makes him experience moments out of Fury's life in an attempt to mimic him perfectly so that he can infiltrate S.H.I.E.L.D. and replace Fury. It is also revealed that the man is in the company of some alien-like creatures. The man tells Kong that it is not enough that he is a master of disguise but that he must truly become like Fury, think, act and feel like him since S.H.I.E.L.D. has telepaths superior to those they work with. The man also reveals that Kong has failed every mission so far in rather embarrassing ways, he lost at the roulette table, accidentally killed a cat instead of its megalomaniac owner and failed the most recent one which they just attempted. Kong tells the man that he seems to make small mistakes that lead to total disaster. The man then tells him that he clearly lacks some quality that Fury possesses, Kong agrees and says that he must begin his physical transformation into Fury and complies with having one of his eyes amputated. The man states that, now that Kong is wearing Fury's trademark eye-patch, maybe now he will bring more of his fire to the simulation. Kong answers that he feels a lot more like Fury and tells them to run the machine again. The page cuts back to the scene with the car, where suddenly a man in a parachute lands on Kong and the woman and they are dragged into the road, where they are run over by several cyclists. An upset Kong exclaims that this cannot be happening since he is Nick Fury and that would not ever happen to him. The man reappears and tells Kong that he is far from being Nick Fury and that he has failed yet again. The story ends with the reveal that Kong's superior is actually Nick Fury himself and some S.H.I.E.L.D. agents disassembling the set on which the story has taken place.

Reception

The story has been described as a cross and double-cross, Steranko-esque spy surrealness, and "James Bond meets cosmic 70's Kirby" story. Comic Book Resources called the story the 9th greatest Nick Fury story ever. They stated that the story "Both examines how difficult it is to be Nick Fury while also showing the bizarre lengths Nick Fury will go to protect his place in the world." Brian Cronin has also stated that the story was a strong look at a theme Morrison later explored in the pages of ''

Final Crisis "Final Crisis" is a crossover storyline that appeared in comic books published by DC Comics in 2008, primarily the seven-issue miniseries of the same name written by Grant Morrison. Originally DC announced the project as being illustrated solely b ...

'' – the notion that there are certain people (here Nick Fury; in ''Final Crisis'' Batman) that you just cannot duplicate, because they are truly unique individuals. "It's an interesting (and humorous) ode to the coolness of Nick Fury. Gutierrez does a fine job on the artwork."

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