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Ngesti Pandawa is a professional
wayang wong ''Wayang wong'', also known as ''wayang orang'' (literally "human ''wayang''"), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the '' Ramayāna'' or '' Mahabharāta''. Performances ...
, or wayang orang, art company located in
Semarang Semarang ( jv, ꦏꦸꦛꦯꦼꦩꦫꦁ , Pegon: سماراڠ) is the capital and largest city of Central Java province in Indonesia. It was a major port during the Dutch colonial era, and is still an important regional center and port today. ...
. The Ngesti Pandawa Wayang Orang is housed in the Ki Narto Sabdho Hall, in Taman Budaya Raden Saleh. It is also located in the Taman Raden Saleh Cultural Complex, at Jalan Sriwijaya 29, Semarang City,
Central Java Central Java ( id, Jawa Tengah) is a province of Indonesia, located in the middle of the island of Java. Its administrative capital is Semarang. It is bordered by West Java in the west, the Indian Ocean and the Special Region of Yogyakarta in t ...
Province,
Indonesia Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guine ...
. Ngesti Pandawa is one of three surviving Wayang Orang troupes in Indonesia, besides Wayang Orang Sriwedari, in Taman Sriwedari
Solo Solo or SOLO may refer to: Arts and entertainment Comics * ''Solo'' (DC Comics), a DC comics series * Solo, a 1996 mini-series from Dark Horse Comics Characters * Han Solo, a ''Star Wars'' character * Jacen Solo, a Jedi in the non-canonical ''S ...
, and Wayang Orang Bharata, in Jakarta.


History

Ngesti Pandawa was founded in Madiun by Sastro Sabdo on July 1, 1937, with the aim of reviving the art of wayang orang panggung, wayang plays performed by human actors on a proscenium stage. Wayang orang panggung is a blend of court wayang orang (which was also called pendhapa wayang orang because it was performed in the pendhapa he spacious open hall of Javanese stately mansionsinstead on a stage) with western theater. The first wayang orang panggung troupe was first established in 1895 by Gan Kan, a Chinese entrepreneur from Surakarta (Solo).a The founding of wayang orang Ngesti Pandawa was intended to preserve the art of wayang orang, and inspire a sense of love in traditional arts. The wayang orang performances also provide entertainment to the public. Sastro Sabdo's mission was supported by Sastro Sudirdjo, Narto Sabdo, Darso Sabdo, and Kusni. Since its founding, wayang orang Ngesti Pandawa has been much liked by the public. Not only by the Javanese but also by the Dutch and Chinese population. Wayang orang, from its early beginning, was a performing art that was enjoyed by a diverse audience, indigenous and non-indigenous. Ngesti Pandawa has gone through a long historical journey in the city of Semarang. During that time, Ngesti Pandawa has had to move several times. In 1954, Ngesti Pandawa occupied a new building in the Gedung Rakyat Indonesia Semarang (GRIS) building complex at Jalan Pemuda 116 (currently Paragon City Mall Semarang). From the 1960s to the 1970s, under the leadership of Sastro Sabdo and Narto Sabdo Ngesti Pandawa reached its peak of popularity and became an icon of Semarang. Ngesti Pandawa became a point of reference for other wayang orang groups in that era. Its theatrical scenery, musical accompaniment, costume, choreography, and stage tricks were emulated by other wayang orang groups. The popularity of Ngesti Pandawa attracted the attention of President
Sukarno Sukarno). (; born Koesno Sosrodihardjo, ; 6 June 1901 – 21 June 1970) was an Indonesian statesman, orator, revolutionary, and nationalist who was the first president of Indonesia, serving from 1945 to 1967. Sukarno was the leader of ...
. When Mount Merapi erupted 1953, Ngesti Pandawa was called to raise funds for the victims. President Sukarno invited Ngesti Pandawa to perform at the
Istana Merdeka The Merdeka Palace (; also known in Indonesian as ''Istana Gambir'' and during the Dutch colonial times as ''Paleis te Koningsplein''), is one of six presidential palaces in Indonesia. It is located on the north side of the Merdeka Square in Cen ...
or Merdeka Palace in Jakarta and Istana Negara or the Palace in Bogor. This was certainly a proud moment for Ngesti Pandawa. For a wayang orang company, being invited to perform at the State Palace is certainly a great honour. Due to its achievements, Ngesti Pandawa in 1962 was again invited to the Presidential Palace to receive the Wijayakusuma Award from the President of the Republic of Indonesia. In 1994, the GRIS complex was sold by the local government to a third party. Ngesti Pandawa had no home anymore, and had to move to the Taman Raden Saleh Cultural Complex and was housed in a theater building for two years. In 1996 it moved to the Majapahit Amusement Park and formed the Wayang Orang Ngesti Pandawa Foundation. In 2001 Ngesti Pandawa was again given the opportunity by the local government to use a hall at the Taman Raden Saleh cultural complex. Ngesti Pandawa reserves the right to use the hall every three days in a week. However, regular performances are only staged on Saturday evenings starting at 8 pm.


Current situation

Despite the ups and downs, the Wayang Orang Ngesti Pandawa continues to perform, keeping its mission to preserve Javanese culture and to entertain the people of Semarang and tourists visiting the city. Every Saturday at 8 pm Ngesti Pandawa is never fails to perform, presenting different lakons or stories from the vast wayang repertoire. Several social media such as his website, Facebook, Instagram, and YouTube are used to get interest from the society and tourists. In addition to regular performances at the Raden Saleh Cultural Park in Semarang, Ngesti Pandawa has also performed in other cities including Sukoharjo, Jepara, Solo, and Jakarta. Ngesti Pandawa even has performed for limited audiences such as students and government as well private institutions, as part of its effort to introduce wayang orang to the general public. The head of Semarang City's Culture and Tourism Office, Masdiana Safitri, has promised to renovate the venue of Ngesti Pandawa, to make it more attractive and comfortable for visitors. Hopefully, this will allow Ngesti Pandawa to regain its former glory, as an entertainment with a timeless moral message to all generations of people.


Notes

:a. Rustopo, 2007 :b. Mumpuni, 1986 :c. Rinardi, 2002 :d. Moehadi, 1987


External links


Perkumpulan Wayang Orang Ngesti Pandowo (1937-2001): Studi Tentang Manajemen Seni Pertunjukan

Wayang Orang Ngesti Pandowo 2001-2015: Kajian tentang Manajemen Senin Pertunjukan

Pola Pewarisan Pemain Wanita Wayang Orang Ngesti Pandawa Semarang
{{Commons category, Wayang wong Dance in Indonesia Wayang