The New Amsterdam Theatre is a
Broadway
Broadway may refer to:
Theatre
* Broadway Theatre (disambiguation)
* Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S.
** Broadway (Manhattan), the street
**Broadway Theatre (53rd Stree ...
theater on 214 West
42nd Street, at the southern end of
Times Square
Times Square is a major commercial intersection, tourist destination, entertainment hub, and neighborhood in Midtown Manhattan, New York City. It is formed by the junction of Broadway, Seventh Avenue, and 42nd Street. Together with adjacent ...
, in the
Theater District of
Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state ...
in
New York City
New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ...
. One of the oldest surviving Broadway venues, the New Amsterdam was built from 1902 to 1903 to designs by
Herts & Tallant
Henry Beaumont Herts (January 23, 1871 – March 27, 1933) was an American architect.
Herts was born in New York City, attended Columbia University without graduating, and apprenticed under Bruce Price. He studied architecture in Europe at th ...
. The theater is operated by
Disney Theatrical Productions
Disney Theatrical Productions Limited (DTP), also known as Disney on Broadway, is the flagship stageplay and musical production company of the Disney Theatrical Group, a subsidiary of The Walt Disney Studios, a major business unit of The Walt Di ...
and has 1,702 seats across three levels. Both the
Beaux-Arts exterior and the
Art Nouveau interior of the building are
New York City landmarks, and the building is on the
National Register of Historic Places
The National Register of Historic Places (NRHP) is the United States federal government's official list of districts, sites, buildings, structures and objects deemed worthy of preservation for their historical significance or "great artistic ...
.
The New Amsterdam consists of an auditorium facing 41st Street and a narrow 10-story office wing facing 42nd Street. The
facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby from 42nd Street leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevered above a ground-level orchestra. Above the main auditorium was the Roof Garden, which opened in 1904 and served variously as its own theater and as a studio. The theater has a steel frame and was designed with advanced mechanical systems for its time.
The New Amsterdam Theatre was named for the Dutch settlement of
New Amsterdam, the precursor to New York City.
Klaw and Erlanger operated the venue for more than three decades after its opening on October 26, 1903. From 1913 to 1927, the New Amsterdam was the home of the ''
Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Ai ...
'', whose producer,
Florenz Ziegfeld Jr., maintained an office in the building and operated another theater on the roof garden. The New Amsterdam was converted into a
movie theater in 1937, a capacity in which it served until 1983. The
Nederlander Organization tried to redevelop the theater for ten years as part of the 42nd Street Development Project. It was then leased by
The Walt Disney Company
The Walt Disney Company, commonly known as Disney (), is an American multinational mass media and entertainment industry, entertainment conglomerate (company), conglomerate headquartered at the Walt Disney Studios (Burbank), Walt Disney Stud ...
and renovated by
Hardy Holzman Pfeiffer
Hardy Holzman Pfeiffer Associates' (HHPA) was an internationally recognized American architecture firm with offices in New York and Los Angeles. Established by Hugh Hardy, Malcolm Holzman and Norman Pfeiffer in 1967 in New York, HHPA was noted ...
from 1995 to 1997. Under Disney's operation, the theater has hosted the musicals ''
The Lion King
''The Lion King'' is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance ...
'', ''
Mary Poppins'', and ''
Aladdin''.
Site
The New Amsterdam Theatre is on 214 West
42nd Street, between
Seventh Avenue and
Eighth Avenue near the southern end of
Times Square
Times Square is a major commercial intersection, tourist destination, entertainment hub, and neighborhood in Midtown Manhattan, New York City. It is formed by the junction of Broadway, Seventh Avenue, and 42nd Street. Together with adjacent ...
, in the
Theater District of
Midtown Manhattan in
New York City
New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ...
.
The
land lot is irregularly shaped and covers , extending between its two
frontages on 41st and 42nd Streets.
The main frontage on 42nd Street (including the box office) measures wide, while the 41st Street frontage measures wide.
Originally, the 42nd Street frontage was only wide;
the developers,
Abraham L. Erlanger and
Marcus Klaw
Marc Klaw, (born Marcus Alonzo Klaw, May 29, 1858 – June 14, 1936) was an American lawyer, theatrical producer, theater owner, and a leading figure of the Theatrical Syndicate.
Life and work
Referred to as both Mark and Marc, he was born in ...
, wanted the more prominent 42nd Street frontage as the main entrance.
The lots comprising the site had previously been owned by Samuel McMillan and the Johnson estate.
The
city block includes
5 Times Square
5 Times Square is a 38-story office skyscraper at the southern end of Times Square in the Midtown Manhattan neighborhood of New York City. Located on the western sidewalk of Seventh Avenue between 41st and 42nd Street, the building measures ...
to the east and the
Candler Building,
Madame Tussauds New York
Madame Tussauds New York (UK /təˈsɔːdz/, US /tuːˈsoʊz/; the family themselves pronounce it /ˈtuːsoʊ/) is a tourist attraction located on 42nd Street in the Times Square neighborhood of Midtown Manhattan in New York City. Madame Tussaud ...
,
Empire Theatre, and
Eleven Times Square
Eleven Times Square is an office and retail tower located at 640 Eighth Avenue, at the intersection with West 42nd Street, in the Times Square and West Midtown neighborhoods of Manhattan, New York City. The 40-story, tower rises , making it t ...
to the west. The
American Airlines Theatre,
Times Square Theater,
Lyric Theatre,
New Victory Theater
The New Victory Theater is a theater at 209 West 42nd Street in the Theater District of Midtown Manhattan in New York City, near Times Square. Built in 1900 as the Republic Theatre (also Theatre Republic), it was designed by Albert Westover an ...
, and
3 Times Square
3 Times Square, also known as the Thomson Reuters Building, is a 30-story skyscraper at Times Square in the Midtown Manhattan neighborhood of New York City. Located on Seventh Avenue between 42nd and 43rd Street, the building measures to ...
are across 42nd Street to the north, while the
Nederlander Theatre
The Nederlander Theatre (formerly the National Theatre, the Billy Rose Theatre, and the Trafalgar Theatre) is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was des ...
is to the south.
An entrance to the
New York City Subway's
Times Square–42nd Street station, served by the , is next to the theater.
The surrounding area is part of
Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state ...
's Theater District and contains many
Broadway theaters.
In the first two decades of the 20th century, eleven
legitimate theaters were built within one block of West 42nd Street between Seventh and Eighth Avenues.
The New Amsterdam,
Harris
Harris may refer to:
Places Canada
* Harris, Ontario
* Northland Pyrite Mine (also known as Harris Mine)
* Harris, Saskatchewan
* Rural Municipality of Harris No. 316, Saskatchewan
Scotland
* Harris, Outer Hebrides (sometimes called the Isle of ...
,
Liberty
Liberty is the ability to do as one pleases, or a right or immunity enjoyed by prescription or by grant (i.e. privilege). It is a synonym for the word freedom.
In modern politics, liberty is understood as the state of being free within society fr ...
,
Eltinge, and
Lew Fields
Lew Fields (born Moses Schoenfeld, January 1867 – July 20, 1941) was an American actor, comedian, vaudeville star, theatre manager, and producer. He was part of a comedy duo with Joe Weber. He also produced shows on his own and starred in c ...
theaters occupied the south side of the street. The original
Lyric and
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label ...
theaters (combined into the current Lyric Theatre), as well as the Times Square, Victory, Selwyn (now American Airlines), and
Victoria
Victoria most commonly refers to:
* Victoria (Australia), a state of the Commonwealth of Australia
* Victoria, British Columbia, provincial capital of British Columbia, Canada
* Victoria (mythology), Roman goddess of Victory
* Victoria, Seychelle ...
theaters, occupied the north side.
These venues were mostly converted to movie theaters by the 1930s, and many of them were showing pornography by the 1970s.
Design
The New Amsterdam Theatre was designed by architects
Herts & Tallant
Henry Beaumont Herts (January 23, 1871 – March 27, 1933) was an American architect.
Herts was born in New York City, attended Columbia University without graduating, and apprenticed under Bruce Price. He studied architecture in Europe at th ...
and developed for
Klaw and Erlanger from 1902 to 1903.
It was built by the
Fuller Construction Company
George A. Fuller (1851 – December 14, 1900) was an American architect often credited as being the "inventor" of modern skyscrapers and the modern contracting system.
Early life and career
Fuller was born in Templeton, Massachusetts, near W ...
.
The facade is designed in the
Beaux-Arts style
with elements of the
Art Nouveau style,
[; ] while the theater's interior is an early example of architectural Art Nouveau in New York City.
Decoration was carried out by more than a dozen painters and sculptors.
The decorative scheme predominantly depicted three topics: the
history of New York City
The written history of New York City began with the first European explorer, the Italian Giovanni da Verrazzano in 1524. European settlement began with the Dutch in 1608.
The "Sons of Liberty" campaigned against British authority in New York Ci ...
prior to 1903, including its original history as the Dutch colony of
New Amsterdam; the history of theatre; and the floral and foliage motifs often seen in theaters.
The design also included elements of classicism.
The theater consists of two major portions: a 11-story office tower on the narrow 42nd Street frontage, as well as the auditorium at the rear on 41st Street.
The tower was developed to house Klaw and Erlanger's booking activities.
The two sections are connected by a one-story passageway at ground level. The New Amsterdam Theatre's building housed two theaters when it opened: the main 41st Street auditorium as well as a rooftop theater.
[; ]
Facade
The primary
elevation
The elevation of a geographic location is its height above or below a fixed reference point, most commonly a reference geoid, a mathematical model of the Earth's sea level as an equipotential gravitational surface (see Geodetic datum § Ver ...
of the
facade, on 42nd Street, is made of gray limestone with a steeply
pitched roof
Roof pitch is the steepness of a roof expressed as a ratio of inch(es) rise per horizontal foot (or their metric equivalent), or as the angle in degrees its surface deviates from the horizontal. A flat roof has a pitch of zero in either insta ...
made of red tile.
The first three stories contain a
segmental arch
A segmental arch is a type of arch with a circular arc of less than 180 degrees. It is sometimes also called a scheme arch.
The segmental arch is one of the strongest arches because it is able to resist thrust. To prevent failure, a segmental ar ...
with the theater's entrance while the stories above are for the offices.
[; ] The office wing measures tall.
The 41st Street elevation contains the stage doors and is clad with plain brick, since the architects thought the public would seldom see that elevation. The side walls of the office wing on 42nd Street are also designed in brick because the architects had anticipated that high-rise buildings would be constructed on either side.
Fire escapes are placed across the theater wing's exterior on 41st Street.
Theater entrance
![New Amsterdam Theatre entrance](https://upload.wikimedia.org/wikipedia/commons/1/13/New_Amsterdam_Theatre_entrance.jpg)
On 42nd Street, the triple-height arch had
rusticated stone
piers on either side.
The original entrance was a double door and transom windows made of
leaded glass, above which was a sign with the theater's name.
[; ] The sign was ornately decorated and, at night, was illuminated by lights on the upper stories.
The second and third stories contain bronze-framed windows with flower and vine decorations.
While the original doors were removed around 1937, the second- and third-story windows still exist.
The entrance vestibule, originally immediately inside the doors, contained green cathedral tiles and five
relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
panels by St. John Issing. The vestibule was reconfigured as an outdoor space when the original entrance doors were removed; it contains a ticket booth on its western side.
The arch at the second and third stories was initially highly decorated, but the decorations were all removed in 1937 to make way for a
marquee.
At the second floor were yellow-and-gray Montreal marble columns.
These were topped by bronze
capitals designed by
Enid Yandell
Enid Yandell (October 6, 1869 – June 12, 1934) was an American sculptor from Louisville, Kentucky who studied with Auguste Rodin in Paris, Philip Martiny in New York City, and Frederick William MacMonnies.
Yandell specialized in portrait bus ...
, which contained four heads depicting the ages of drama. The top of the arch at the third story originally had a
keystone carved by Grendellis and Ricci, with a
garland
A garland is a decorative braid, knot or wreath of flowers, leaves, or other material. Garlands can be worn on the head or around the neck, hung on an inanimate object, or laid in a place of cultural or religious importance.
Etymology
From the ...
depicting oak, laurel, and ivy.
Above was a
cornice with
modillions, as well as a group of sculptures by
George Gray Barnard
George Grey Barnard (May 24, 1863 – April 24, 1938), often written George Gray Barnard, was an American sculptor who trained in Paris. He is especially noted for his heroic sized '' Struggle of the Two Natures in Man'' at the Metropolitan Museu ...
, depicting five figures linked by garlands.
Cupid (symbolizing love comedy) and a woman stood on one side of the central figure, a female personification of drama, while
Pierrot
Pierrot ( , , ) is a stock character of pantomime and '' commedia dell'arte'', whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of ''Pi ...
(symbolizing musical farce) and a knight stood on the other side.
Office stories
The office stories along the 42nd Street elevation are three
bays wide. The fourth through sixth stories contain simple
fenestration
Fenestration may refer to:
* Fenestration (architecture), the design, construction, or presence of openings in a building
* Used in relation to fenestra in anatomy, medicine and biology
* Fenestration, holes in the rudder
A rudder is a primar ...
, but the seventh-story windows are taller than those on the three preceding stories. On the seventh story there is a
frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
with winged heads below it, as well as
pilaster
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wal ...
s topped by capitals with floral decorations.
Grendellis and Ricci designed
terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous.
In applied art, craft, construction, and architecture, terracotta ...
panels for the arched
pediment
Pediments are gables, usually of a triangular shape.
Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds.
A pedim ...
s above the seventh-story windows, which represent dance,
declamation
Declamation (from the Latin: ''declamatio'') is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed.
History
In Ancient Rome, decla ...
, and song.
At the ninth story, decorated pilasters flank the windows, and a frieze runs above the windows, with the year "1903" carved into it.
The tenth story contains a central projecting
dormer, containing a decorated pediment, as well as a smaller dormer in either of the side bays. The peak of the central dormer contains a mask with garlands.
It was originally flanked by representations of drama and music.
These figures held up a shield silhouetted against the sky.
Herts and Tallant chose not to include
cornices on the facade since they felt such a feature was unsuitable for office buildings.
Interior
The New Amsterdam Theatre was among the first non-high-rise buildings in New York City with a steel
superstructure.
The structural frame is made of of steel.
According to a 1903 source, the frame is made of approximately 270,000 steel pieces, which required about 7,500 engineering drawings. There were also 57 cantilevers and 38 electric elevator counterweights.
The side walls of the office wing are
non-bearing walls.
The tower wing was used as offices for Klaw and Erlanger and later
Florenz Ziegfeld Jr.
The theater was also mechanically advanced for its time, with heating, cooling, and vacuum-cleaning systems, as well as a fireproof structural frame.
The auditorium alone had a volume of and was indirectly heated by fans in the subbasement. The ventilation system included air plenums on 41st Street, a silk filter, and a heater that moistened the air to natural levels of humidity. The air could be completely changed in ten minutes.
Air was distributed through the floors and walls,
and it was exhausted through disc fans above the auditorium.
Three telephone systems were installed to allow communications in different parts of the theater.
These mechanical systems were completely refurbished between 1995 and 1997.
The new mechanical systems do not intrude upon the original design, except for a light grid above the
proscenium of the auditorium.
Lobby and foyers
Leading from the 42nd Street entrance vestibule is the lobby, which runs under the office wing and contains curving Art Nouveau-style floral motifs.
The eastern (or left) wall contains bronze office and elevator doors.
The remainder of the wall contains marble panels, separated by terracotta pilasters that were designed by Neumark of Bremen and carved by Grendellis and Ricci.
[; ] There are mirrored panels above the marble on the western (right) wall.
Above the walls are twelve terracotta panels designed by
Roland Hinton Perry, one above each of the marble panels; they collectively form a frieze.
Those on the eastern wall depict scenes from
Shakespeare's plays
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays—as well as their classifications as tragedy, history, comedy, or otherwise—is a ...
, while those on the western wall depict scenes from operas by
Richard Wagner.
Additionally, a scene from ''
Faust
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540).
The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...
'' is depicted over the entrance on the north, while Greek drama is depicted over the doorway to the auditorium foyer on the south.
The
coffered ceiling
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault.
A series of these sunken panels was often used as decoration for a ceiling or a vault, als ...
is made of wood
and originally contained plaster-and-leaded-glass chandeliers, which have since been replaced by simpler fixtures.
The lobby leads south to the auditorium's entrance foyer.
Within the foyer, above the doors from the lobby, is a semicircular plaster relief by Hugh Tallant, depicting progress.
[; ] This design includes a blue-and-gold representation of a woman with flower and leaf decorations on either side.
Perry designed full-size panels for the foyer walls, which depicted the colony of
New Amsterdam in the 17th century as well as a more modern view of New York City in the 19th century.
The panels were subsequently removed when refreshment stands were added,
and mirrors were installed in their place.
The ceiling of the foyer contained a stained-glass dome called "The Song of the Flowers".
The stained glass vault was replaced with a vault painted gold.
![New Amsterdam Theatre first floor plan](https://upload.wikimedia.org/wikipedia/commons/2/21/New_Amsterdam_Theatre_first_floor_plan.png)
The south wall of the entrance foyer leads to a promenade foyer, which is as wide as the auditorium itself.
The promenade foyer contains a
groin vault
A groin vault or groined vault (also sometimes known as a double barrel vault or cross vault) is produced by the intersection at right angles of two barrel vaults. Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Lau ...
with floral moldings.
The foyer contains a wood balustrade overlooking the
parterre
A ''parterre'' is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of ...
orchestra level of the auditorium to the west.
A sylvan-themed relief by St. John Issing is at the southern end of the promenade foyer, leading to 41st Street.
[; ]
On the east wall of the promenade foyer, there are four staircases: two leading up to the auditorium's balconies and two leading down to the lounges.
[; ] The stairs are made of Maryland Cremo marble, veined with green.
The stairs contain green terracotta
balustrades made with
faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major a ...
glazing, containing panels with representations of vines, flowers, and animals. The oak-wood
newel
A newel, also called a central pole or support column, is the central supporting pillar of a staircase. It can also refer to an upright post that supports and/or terminates the handrail of a stair banister (the "newel post"). In stairs having st ...
posts at each landing have figures inspired by characters from Shakespeare. The staircase decorations have been attributed to Norwegian architect Thorbjorn Bassoe.
Rooms
From the rear of the first-floor promenade foyer is an arch leading to the general reception room, a green-and-gold space with oak
paneling
Panelling (or paneling in the U.S.) is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials.
Panelling was developed in antiquity to make ro ...
.
The general reception room measures .
The arch was originally flanked by marble fountains.
On the north and south walls, George Peixotto designed two symbolic paintings entitled "Inspiration" and "Creation".
[; ] The rear (east) wall of the reception room has a fireplace with a Caen stone and Irish marble
mantel, also decorated with curving foliate patterns. Above the fireplaces are niches, which originally contained busts depicting poets
Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
,
Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
, and
Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: th ...
.
The paneling is high and contains built-in seats and stylized curved trees. The paneling also once had 38 medallions with painted portraits, designed by William Frazee Strunz and depicting "Lovers of Historical Drama".
The reception room's vaulted ceiling and the room's arches are decorated with floral moldings.
The women's and men's lounge are both directly below the reception room: the women's lounge to the south and the men's lounge to the north. The women's lounge was originally strongly themed to roses, with both pink colors and carved reliefs. The ceiling of the women's lounge contained a depiction of a rose, themed to the five senses, as well as depictions of the figures
Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the ear ...
,
Ganymede, and
Jupiter
Jupiter is the fifth planet from the Sun and the largest in the Solar System. It is a gas giant with a mass more than two and a half times that of all the other planets in the Solar System combined, but slightly less than one-thousandth t ...
.
![Smoking room in the New Amsterdam Theatre](https://upload.wikimedia.org/wikipedia/commons/0/0f/Smoking_room_in_the_New_Amsterdam_Theatre.jpg)
The old rectangular smoking room, also called the New Amsterdam Room for its decorations, is between the lounges.
Stairs descend from the lounges to the room.
The space measures .
The room's floor is made of Welsh quarry tile while the walls have brown Flemish-oak paneling and upholstered seats.
The upper portions of the walls contain sixteen murals attributed to
Edward Simmons and
R. W. Finn, which depict New York City's historical development. There is a fireplace at one corner of the room, with a mantel of Caen stone and gray-washed brick.
The ceiling is a segmental dome, supported by an oval
colonnade
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or cur ...
of plain, round Caen-stone columns. Eight allegorical murals by Peixotto decorate the dome.
There is a bronze grille representing a winged youth, at the dome's apex.
An inscription surrounds the dome's base, with the words "I had rather a fool to make me merry than experience to make me sad", a line from the Shakespeare comedy ''
As You Like It''.
The old smoking room serves as a drinks bar.
Auditorium
The auditorium is at the south end of the building and contains an elliptical plan with curved walls, a domed ceiling, and two balcony levels over the orchestra level.
[; ] The space measures wide, and it is long between the
stage apron and the reception room's wall. The dome rises above the floor of the orchestra.
The original color scheme was described in ''The New York Times'' as containing a color scheme of "tender pinks, mauves, lilacs, red and gold".
[; ] These decorations were bright to compensate for the original
direct current
Direct current (DC) is one-directional flow of electric charge. An electrochemical cell is a prime example of DC power. Direct current may flow through a conductor such as a wire, but can also flow through semiconductors, insulators, or eve ...
lighting system, which was dim. The modern decorative scheme contains reproductions of many of the original decorations with a subdued color palette.
A double wall surrounds the whole auditorium and contains a fire gallery measuring wide.
The auditorium held around 1,550 seats in its original configuration.
After its reopening in 1997, the auditorium had 1,814 seats;
, the New Amsterdam has a seating capacity of 1,702.
![Amsterdam Theatre 2 (1290568927)](https://upload.wikimedia.org/wikipedia/commons/9/93/Amsterdam_Theatre_2_%281290568927%29.jpg)
Unusually for theaters of the time, the balconies are cantilevered from the structural framework, which eliminated the need for columns that blocked sightlines.
The second balcony is recessed from the first balcony and is suspended directly from the ceiling with tension rods.
At the orchestra and balcony levels, the lower sections of the walls have carved-oak
wainscot
Panelling (or paneling in the U.S.) is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials.
Panelling was developed in antiquity to make ro ...
ing.
The original seating contained exposed walnut-stained backs, which became known as "Amsterdam backs" when they were used in other theaters. The original design included twelve seating boxes, six on either side of the stage;
they were arranged in staggered pairs and installed within arches on the side walls.
Each box was ornamented with a different floral motif,
[; ] and the boxes were often identified by the names of the flowers on them.
The boxes were removed when the New Amsterdam were converted into a movie theater.
They were restored in 1997 based on designs in historical documents.
![New Amsterdam Theatre proscenium and boxes](https://upload.wikimedia.org/wikipedia/commons/c/c3/New_Amsterdam_Theatre_proscenium_and_boxes.jpg)
The Neumark brothers designed plaster and carved-oak moldings around the dome, the proscenium arch, and the wall arches.
The proscenium arch measures high and tall.
Surrounding the proscenium is an elliptical arch, which rises to the edge of the ceiling dome.
Between the two arches is a mural, designed by
Robert Blum
Robert Blum (10 November 1807 – 9 November 1848) was a German democratic politician, publicist, poet, publisher, revolutionist and member of the National Assembly of 1848. In his fight for a strong, unified Germany he opposed ethnocentrism a ...
and executed by Albert B. Wenzell after Blum died.
The mural depicts personified figures of such topics as truth, love, melancholy, death, and chivalry,
flanking a central figure representing poetry.
On either side are murals by Wenzell depicting Virtue and Courage.
In addition, Issing designed 16 dark-green vine and peacock figures for the proscenium.
There are also floral motifs and female figures around the dome.
The ceiling of the auditorium also has seven arches with wood paneling.
The ceiling of the main auditorium contains a girder measuring long and tall and weighing .
At the time of the New Amsterdam's construction in 1903, this was the largest piece of steel ever used in a building.
The stage measures ,
making it the largest legitimate theater stage ever designed at the time.
The entire stage consists of bridge spans that could be lowered to below the auditorium.
A two-story-deep area was excavated below the stage to accommodate this.
Four hydraulic platforms, each measuring , could raise or lower different parts of the stage.
In addition, the stage had a turntable,
and the stage floor cold be tilted.
Surrounding the stage is a large freight elevator, two dressing-room elevators, and a carpentry shop.
There is also a
fly gallery with counterweights to raise or lower sets. One side of the stage had an electric switchboard that controlled the lighting.
The original
stage curtain had floral motifs similar to those in the rest of the theater.
The dressing room could accommodate 500 people.
The lighting system itself was designed with a set of emergency exit lights, and reflectors were installed so the area between the
footlights was not darkened.
Roof theater
The girder of the main auditorium supported a roof theater, the Aerial Gardens.
Accessed by two elevators from the lobby,
the Aerial Gardens was also designed by Herts & Tallant and opened in 1904.
New York City building regulations at the time prohibited the construction of buildings above theater stages. As a result, the back of the theater's stage wall was directly above the proscenium arch of the main auditorium, and the stage was smaller.
There was no balcony, but there were twelve boxes as well as a promenade at the rear of the roof theater.
The Aerial Gardens was fully enclosed
[; ] and originally had 680 seats.
It could theoretically be used year-round, but in practice it was only used during the summer. There was also an actual garden adjacent to the theater.
The Aerial Gardens was subsequently known as Ziegfeld Roof, Danse de Follies, Dresden Theatre, Frolics Theatre, and finally the New Amsterdam Roof.
After Florenz Ziegfeld started hosting the ''
Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Ai ...
'' at the New Amsterdam in 1913, the main floor of the roof theater was turned into a dance floor, and a "U"-shaped balcony was erected. The redesigned roof theater had a movable stage and a glass balcony.
Cross lighting could also be used to create rainbow color patterns.
In 1930, a movable glass curtain was installed over the proscenium of the roof theater.
The floor was soundproofed so the space could be used as an
NBC
The National Broadcasting Company (NBC) is an American English-language commercial broadcast television and radio network. The flagship property of the NBC Entertainment division of NBCUniversal, a division of Comcast, its headquarters are l ...
broadcast studio, and smaller studios were placed in the office wing.
History
Times Square became the epicenter for large-scale theater productions between 1900 and the
Great Depression. Manhattan's theater district had begun to shift from
Union Square
Union commonly refers to:
* Trade union, an organization of workers
* Union (set theory), in mathematics, a fundamental operation on sets
Union may also refer to:
Arts and entertainment
Music
* Union (band), an American rock group
** ''Un ...
and
Madison Square
Madison Square is a town square, public square formed by the intersection of Fifth Avenue and Broadway (Manhattan), Broadway at 23rd Street (Manhattan), 23rd Street in the New York City borough (New York City), borough of Manhattan. The square ...
during the first decade of the 20th century.
The New Amsterdam,
Lyceum
The lyceum is a category of educational institution defined within the education system of many countries, mainly in Europe. The definition varies among countries; usually it is a type of secondary school. Generally in that type of school the t ...
, and
Hudson, which all opened in 1903, were among the first theaters to make this shift.
Furthermore, at the beginning of the 20th century, Klaw and Erlanger operated the predominant theatrical booking agency in the United States. They decided to relocate to 42nd Street after observing that the
Metropolitan Opera House, the
Victoria Theatre, and the Theatre Republic (now New Victory Theater) had been developed around that area.
Construction
![New Amsterdam Theatre, 42nd Street, Manhattan](https://upload.wikimedia.org/wikipedia/commons/f/f1/New_Amsterdam_Theatre%2C_42nd_Street%2C_Manhattan.jpg)
In January 1902, Klaw and Erlanger bought seven land lots at 214 West 42nd Street and 207–219 West 41st Street. At the time, the theater was to be known as the Majestic.
The next month, Fuller Construction was hired as the main contractor,
and Herts and Tallant were selected as the architects for the theater, now known as the New Amsterdam.
Herts and Tallant submitted plans to the
New York City Department of Buildings
The New York City Department of Buildings (DOB) is the department of the New York City government that enforces the city's building codes and zoning regulations, issues building permits, licenses, registers and disciplines certain construction ...
(DOB) shortly afterward. Construction had commenced by May 1902. Eighteen steam drills and 150 workers excavated the foundation to a depth of , while 20 teams of workers carried the stone away.
A controversy arose in early 1903 when a neighboring landowner, Samuel McMillan, discovered that the office wing on 42nd Street would protrude beyond the lot line.
The DOB ordered that work be halted temporarily, pending a decision on an ordinance regarding "ornamental projections". The
New York City Board of Aldermen
The New York City Board of Aldermen was a body that was the upper house of New York City's Common Council from 1824 to 1875, the lower house of its Municipal Assembly upon consolidation in 1898 until the charter was amended in 1901 to abolish ...
had already passed the ordinance, and mayor
Seth Low
Seth Low (January 18, 1850 – September 17, 1916) was an American educator and political figure who served as the mayor of Brooklyn from 1881 to 1885, the president of Columbia University from 1890 to 1901, a diplomatic representative of t ...
had to decide whether to approve it. The DOB stationed a police officer outside the construction site during the daytime, but the developers erected the facade overnight in March 1903.
After a meeting on the ordinance drew much public opposition, leading Low to send the bill back to the Board of Aldermen. A judge placed an injunction in April 1903, preventing Low from making a decision on the ordinance. The injunction was vacated two days afterward, and Low ultimately vetoed the resolution. The Board of Aldermen passed a revised resolution the next week; the aldermen explicitly stated that the ordinance would help Klaw and Erlanger.
After the ordinance was passed, the New Amsterdam's facade was completed as planned.
The partners' lawyer, Erlanger's brother
Mitchell L. Erlanger, claimed McMillan had demanded compensation for the ornamentation after construction had started, though McMillan denied the allegations. By July 1903, work was proceeding on the New Amsterdam full-time, which ''The New York Times'' attributed to an agreement between the Fuller Company and the building trades. At the beginning of that August, the steel structure was topped out. The dispute over the facade continued even after the theater's opening. In 1905, McMillan brought the lawsuit to an appellate court, which reversed the earlier decision that Klaw and Erlanger be allowed to construct "ornamental projections".
Original Broadway run
1900s and early 1910s
The New Amsterdam Theatre opened on October 26, 1903,
[; ] with Shakespeare's ''
A Midsummer Night's Dream'', which was a flop despite costing five times as much as the typical Broadway show.
In its first few months of operation, the theater also hosted ''
Whoop Dee Doo'', a musical by
Weber and Fields
Weber (, or ; German: ) is a surname of German origin, derived from the noun meaning " weaver". In some cases, following migration to English-speaking countries, it has been anglicised to the English surname 'Webber' or even 'Weaver'.
Notable pe ...
.
''Architects' and Builders' Magazine'' said "The character of the decoration fixes more or less the purpose of the house",
and another critic wrote that "the New Amsterdam Theatre will mark an epoch in the history of art" if it were successful.
''The New York Times'' referred to the theater as "a vision of gorgeousness",
while yet another source said, "Architecturally it is near perfection."
''
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform ...
'' magazine described the New Amsterdam as "perhaps the most imposing of all the new theatres" opened on Broadway during 1903.
The Aerial Gardens opened on June 6, 1904, with the vaudeville production ''A Little of Everything''.
![New Amsterdam Theater - 42nd St](https://upload.wikimedia.org/wikipedia/commons/0/0d/New_Amsterdam_Theater_-_42nd_St._-_New_York_City_1905_crop.jpg)
The New Amsterdam had started out as a venue for serious drama,
but comedy drama became popular within a few years of its opening.
[; ] Additionally, Klaw and Erlanger had started to rent out the theater, which, because of its technologically advanced equipment and Art Nouveau design, was highly desired among producers.
The men disagreed over the theater's bookings; Klaw wanted to stage classical productions, while Erlanger preferred large revues and musicals.
In 1905, the theater ran a production of ''
She Stoops to Conquer
''She Stoops to Conquer'' is a comedy by Oliver Goldsmith, first performed in London in 1773. The play is a favourite for study by English literature and theatre classes in the English-speaking world. It is one of the few plays from the 18t ...
''.
The next year, the theater hosted ''
Forty-five Minutes from Broadway
''Forty-Five Minutes From Broadway'' is a three-act musical by George M. Cohan written about New Rochelle, New York. The title refers to the 45-minute train ride from New Rochelle to Broadway.
The musical debuted on January 1, 1906 at the New ...
'', featuring
Fay Templeton
Fay Templeton (December 25, 1865 – October 3, 1939) was an American actress, singer, songwriter, and comedian.
Her parents were actors/vaudevillians and she followed in their footsteps, making her Broadway debut in 1900. Templeton excelled ...
and
Victor Moore
Victor Fred Moore (February 24, 1876 – July 23, 1962) was an American actor of stage and screen, a major Broadway star from the late 1920s through the 1930s. He was also a writer and director, but is best remembered today as a comedian, play ...
,
[; ; ] as well as ''The Governor's Son,'' starring the family of
George Cohan.
This was followed in 1907 by ''
The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt ...
'',
which ran 416 performances
at both the main auditorium and the Aerial Gardens.
Richard Mansfield had a limited engagement at the theater for several seasons,
starring in both ''Richard III (play), Richard III''
and ''Peer Gynt''.
''Kitty Grey'' with Julia Sanderson performed at the New Amsterdam in 1909,
as did the European operetta ''The Silver Star''.
The New Amsterdam also staged musicals, particularly those imported from Europe,
as well as classic hits.
The productions included those by Shakespeare, as well as those themed to "kiddie fare" such as Mother Goose and Humpty Dumpty.
In 1910, the New Amsterdam staged the melodrama ''Madame X''
''
'' and the European operetta ''Madame Sherry'',
the latter of which ran 231 performances.
The next year saw a production of ''The Pink Lady (musical), The Pink Lady'' with Hazel Dawn,
running 312 performances,
as well as the musical adaptation of Ben-Hur (play), ''Ben-Hur''.
The New Amsterdam hosted several other productions in 1912 and 1913, including ''Robin Hood'',
''The Count of Luxembourg'',
and ''Oh! Oh! Delphine''.
''Ziegfeld Follies'' era
Flo Ziegfeld hosted the ''
Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Ai ...
'' at the New Amsterdam every year from 1913 to 1927, with two exceptions.
[; ; ] Ziegfeld's relationship with Klaw and Erlanger had dated to the mid-1900s, when the syndicated had paid him $200 a week to present vaudeville; by 1907, he had come up with the ''Follies''.
The first edition of the ''Follies'' at the New Amsterdam was hosted on June 16, 1913.
Among the performers in the ''Follies'' were Fanny Brice, Eddie Cantor, W.C. Fields, Ina Claire, Marilyn Miller, Will Rogers, Sophie Tucker, Bert Williams, and Van and Schenck.
An urban legend holds that the theater contains the ghost of one performer, silent film star Olive Thomas.
Ziegfeld also hired either Joseph Urban
or John Eberson to redesign the roof garden theater with a balcony and a dance floor.
With the completion of the roof garden's renovation, Ziegfeld began displaying ''Danse de Follies'', a racier sister show of the ''Follies'', in 1915.
Subsequently, known as the ''Midnight Frolic'',
the show was also used to test the skills of promising up-and-coming performers.
Ziegfeld also had his own office on the seventh floor of the office wing.
The longest run of the ''Follies'' occurred in 1924, when it had 401 performances, though that edition was not particularly distinctive either critically or artistically.
Between each year's ''Follies'', the theater hosted other productions as well.
The production Sweethearts (musical), ''Sweethearts'' premiered in 1913,
[; ]
and Hazel Dawn starred in ''The Little Cafe'' the same year. The musical Watch Your Step (musical), ''Watch Your Step'' premiered at the New Amsterdam in 1914,
featuring Irving Berlin's first complete Broadway score;
it ran for 175 performances.
A performance of ''Around the Map'' was staged in 1915.
The following year, Sir Herbert Tree and Company staged several Shakespeare plays,
and Guy Bolton and Emmerich Kálmán's musical ''Miss Springtime'' ran 224 performances.
The ''Cohan Revue of 1918'' was then staged at the New Amsterdam,
followed the same year by ''The Rainbow Girl''
and ''The Girl Behind the Gun.''
[; ]
The decade ended with ''The Velvet Lady'',
as well as a musical version of ''Monsieur Beaucaire (opera), Monsieur Beaucaire'', in 1919.
The New Amsterdam staged ''Sally (musical), Sally,'' where Marilyn Miller had her musical comedy debut, in 1920;
[; ] it ran for 570 performances.
The ''Midnight Frolic'' was popular but was forced to close during Prohibition in the United States, Prohibition in 1921 or 1922.
It then reopened as the Dresden,
with performances of ''Cinders'' starting in April 1923.
The rooftop theater became the Frolic Theatre in September 1923 and was operated by Ziegfeld and Charles Dillingham.
During the mid- and late 1920s, the main auditorium hosted numerous plays. In 1925, the musical ''Sunny (musical), Sunny'' opened,
[; ; ] ultimately running 517 performances;
by contrast, ''Betsy'' opened the next year and was a failure with 39 performances.
The main auditorium's productions in 1927 included ''Lucky'',
''Trelawny of the 'Wells''',
and ''Julius Caesar''. The Frolic, meanwhile, hosted a performance of ''He Loved the Ladies'' during one week in 1927; one of the seven showings had no audience members at all.
Late 1920s and 1930s
Klaw and Erlanger continued to operate the New Amsterdam Theatre jointly until 1927, when Erlanger bought out Klaw's interest. Erlanger then announced plans to renovate the New Amsterdam Theatre for $500,000. The same year, Ziegfeld developed his own theater, the Ziegfeld Theatre (1927), Ziegfeld Theatre on Sixth Avenue.
The theater's hits in 1928 included the musical comedy Rosalie (musical), ''Rosalie'',
which ran 327 performances,
and ''Whoopee!, Whoopee'',
[; ] which ran 379 performances.
Meanwhile, Ziegfeld re-launched the ''Midnight Frolic'' at the rooftop theater in December 1928. The following June, Erlanger announced he would convert the rooftop theater into a modern facility called Aerial Theater, which would accommodate Legitimate theatre, legitimate plays, films with sound, or radio broadcasts. Upon obtaining sole ownership of the theater, Erlanger renewed Dillingham and Ziegfeld's lease, which had been set to expire at the end of 1929. Another production was staged at the main auditorium in 1929, ''Sherlock Holmes''.
[; ] Erlanger was in significant debt when he died in 1930, and the Dry Dock Savings Bank took over his estate.
In the 1930s, during the beginning of the
Great Depression, many Broadway theaters were impacted by declining attendance. The main auditorium only saw a small decrease in quality and quantity of productions, but the Frolics Theatre had a steep decline in premieres.
NBC
The National Broadcasting Company (NBC) is an American English-language commercial broadcast television and radio network. The flagship property of the NBC Entertainment division of NBCUniversal, a division of Comcast, its headquarters are l ...
took over the roof theater in February 1930 and converted it into a broadcast studio, the NBC Times Square Studio, which opened the next month.
The modifications cost $70,000.
Downstairs, ''Earl Carroll's Vanities'' of 1930 was played at the main auditorium,
A revival of ''The Admirable Crichton''
and the original revue The Band Wagon (musical), ''The Band Wagon'' followed in 1931,
[; ; ] as did Face the Music (musical), ''Face the Music'' in 1932.
After ''Face the Music'' closed at the end of 1932, the theater had no musical premiere for the first time in its history.
During early 1933, the musicals Alice in Wonderland (musical), ''Alice in Wonderland''
and ''The Cherry Orchard''
had limited runs at the New Amsterdam, presented by Eva Le Gallienne and her Civic Repertory Theater. ''Murder at the Vanities'' premiered in late 1933
and was followed by ''Roberta'' the same year,
the latter of which was a hit with 295 performances.
When ''Revenge with Music'' premiered at the New Amsterdam in 1934,
[; ] it was the only remaining legitimate theater production on 42nd Street.
''Revenge with Music'' was followed by ''George White's Scandals'' of 1936,
as well as Sigmund Romberg's ''Forbidden Melody'' the same year.
The Dry Dock Savings Bank acquired the New Amsterdam Theatre through a foreclosure proceeding in May 1936 after the theater's owners had failed to pay over $1.65 million in interest, taxes, and other fees. By then, Erlanger and Ziegfeld had died several years previously.
Afterward, Dry Dock leased the roof to CBS and the Mutual Broadcasting System for broadcasts, but an injunction was placed in August 1936 because Dry Dock had no broadcast license. The broadcasters had to apply for a license after Dry Dock unsuccessfully sued to have the injunction removed. ''Othello'', which premiered in January 1937,
was the last live performance at the New Amsterdam for more than half a century;
it ran for 21 performances before closing.
Movie theater and decline
![Times Sq Oct 2021 19](https://upload.wikimedia.org/wikipedia/commons/0/0d/Times_Sq_Oct_2021_19.jpg)
The New Amsterdam Theatre was sold in June 1937 to Max A. Cohen of Anco Enterprises for $1.05 million, under the condition that the New Amsterdam never house burlesque.
Cohen renovated the facade, replacing the original decorations with a marquee.
The New Amsterdam reopened as a
movie theater on July 3, 1937, showing the film adaptation of ''A Midsummer Night's Dream (1935 film), A Midsummer Night's Dream.''
Bernard Sobel, Flo Ziegfeld's former agent, lamented in ''The New York Times'' that the cinema conversion was "another indication that the old order has indeed changed". The theater showed other movies for 10 to 25 cents per ticket, although Cohen could not show First run (filmmaking), first runs of movies immediately upon their release, at least not initially.
The marquee was further modified in 1947.
The auditorium boxes were removed
as part of a 1953 renovation.
These modifications allowed the installation of a Cinerama wide screen.
MBS continued to use the rooftop theater as a studio. The Cinema Circuit Corporation leased the roof theater in April 1943, showing movies at the 740-seat facility only on weekends. That November, the roof theater hosted a ten-week roster of small plays.
The United Booking Office, the New Amsterdam's last remaining tenant from the legitimate theater era, moved out of the office wing that year. The roof studio was leased in 1949 to television station WOR-TV, which spent $75,000 to remodel the roof theater and $20,000 on equipment.
The renovated rooftop studio started broadcasting in October 1949.
In subsequent years, the roof theater was used for rehearsals, while the main auditorium became a profitable cinema.
[ By the late 1950s, the New Amsterdam was one of two First run (filmmaking), first-run theaters on the block, along with the Lyric Theatre (New York City, 1998), Lyric. Ticket prices were higher than both "move-over houses", which received films immediately after they ran at the first-run theaters, and the "reissue houses", which screened old films. The New Amsterdam and the other 42nd Street theaters operated from 8 a.m. to 3 a.m., with three shifts of workers. The ten theaters on the block attracted about five million visitors a year between them.]
In 1960, Mark Finkelstein, who co-owned the theater building with Cohen, announced that the roof theater would be renovated into a 700-seat venue for theatrical productions. The following year, Finkelstein and Andour Enterprises Inc. were listed as having purchased the building outright. Cohen retired around the same time, and Finkelstein took over full operation. By the early 1960s, the surrounding block had decayed, but many of the old theater buildings from the block's heyday remained, including the New Amsterdam. Later that decade, a critic characterized the roof theater as a "gloomy cavern" and the main auditorium as "just another in the dubious string of 42nd Street movie houses". By the late 1970s, the New Amsterdam Theatre was dilapidated, though many of the interior decorations still remained. The area had become dangerous: two armed guards were killed at the theater during a robbery in 1976, and a patron was stabbed to death in 1979. The cinema continued to run until about 1982 or 1983, showing kung fu movies in its final years.
Restoration
The 42nd Street Development Corporation, formed in 1976 to discuss plans for redeveloping Times Square, considered turning the New Amsterdam Theatre into a dance complex in 1977. The same year, the City University of New York's Graduate Center, CUNY, Graduate Center hosted an exhibition with photographs of the New Amsterdam and other theaters to advocate for the area's restoration. Another plan, in 1978, called for restoring the New Amsterdam as a legitimate theater while razing nearby buildings to create a park. The New York City Landmarks Preservation Commission designated the New Amsterdam Theatre and a portion of its interior as a city landmark on October 23, 1979. The theater was added to the National Register of Historic Places
The National Register of Historic Places (NRHP) is the United States federal government's official list of districts, sites, buildings, structures and objects deemed worthy of preservation for their historical significance or "great artistic ...
on January 10, 1980.
Nederlander plans
The New York State Urban Development Corporation (UDC), an agency of the New York state government, had proposed redeveloping the area around a portion of West 42nd Street in 1981. The Nederlander Organization tried to buy the New Amsterdam Theatre from Finkelstein in early 1982, before the city and state governments selected developers for the sites, but were unsuccessful. The city government selected the Nederlander Organization in April 1982 to operate the New Amsterdam Theatre, and the Nederlanders bought the rights to operate the theater in December 1982. The theater was technically owned by the New York City Industrial Development Corporation, which issued $5 million in bonds to finance the acquisition. The Nederlanders were responsible for developing the theater and paying off the bonds, as well as $250,000 of annual Payment in lieu of taxes, payments in lieu of taxes. The company planned to redevelop the main auditorium into a 1,700-seat theater and reopen the 700-seat roof theater by 1983.[ If the rest of the 42nd Street Development Project was unsuccessful, the Nederlanders could switch the theater's main entrance to 41st Street.] Robert Nederlander had wanted to continue hosting motion pictures while the redevelopment was underway, but the city government did not allow it.
Plans for restoration were officially announced in May 1983. Construction was to cost $6 million, with both private and public funding. Soon after work began, contractors discovered more structural damage than they had expected, including rotting girders. This led the Nederlanders to announce in mid-1983 that the reopening would be delayed indefinitely. The production of the musical ''Carmen'', which was supposed to be presented at the roof theater, was relocated as a result. The Nederlanders wanted to seal off the roof theater completely, but the city government suggested instead that the National Theater Center be hosted on the roof. The Empire State Development Corporation and New York City Economic Development Corporation purchased the property in 1984. The same year, Jerry Weintraub purchased a stake in the operation of the New Amsterdam. The city indicated it would provide $2.5 million for the roof theater's restoration, as part of the National Theater Center, but allocated the funds elsewhere in the 1985 city budget.
The theater's renovation had been planned in conjunction with four new office towers, which had been delayed. The renovation was abandoned partway through, with the decorations being left exposed to the elements. The roof had started leaking, and the interior had water damage. Several shows were announced for the rundown theater, all of which were withdrawn. After having spent $15 million on renovations, the Nederlanders announced in 1990 that the New Amsterdam's restoration would not be viable "for the next several years" until the four office towers were completed. The New York City Opera considered moving to the theater in 1991 but decided against doing so. After the Nederlanders fell behind on their payments in 1992, the UDC agreed to take over the theater for $247,000 or $275,000. Hardy Holzman Pfeiffer Associates (HHPA) was hired to stabilize the structure. By then, chunks of plaster had fallen from the roof and first balcony, and entire sections of the roof theater had fallen apart. Bird droppings had appeared all over the floor because the windows had holes. The basement had dead cats and the auditorium floor had mushrooms growing through it.
Disney renovation
Marian Sulzberger Heiskell, a chairwoman of the 42nd Street Development Project, was a family friend of Michael Eisner, the chairman of The Walt Disney Company
The Walt Disney Company, commonly known as Disney (), is an American multinational mass media and entertainment industry, entertainment conglomerate (company), conglomerate headquartered at the Walt Disney Studios (Burbank), Walt Disney Stud ...
. For several years in the 1980s and 1990s, Heiskell had tried to convince Eisner to open a Disney enterprise on Times Square. However, Disney's internal studies showed that such a venue would conflict with the gated and clean image of its amusement parks and other venues. Architect Robert A. M. Stern, who had worked both on Disney projects and on the 42nd Street Development, tried to convince Eisner but was rebuffed. In March 1993, Eisner changed his mind and asked to see a full-size model of the buildings being planned in the 42nd Street Development. After the recent high-profile cancellations of the Disney's America and WestCOT theme parks, Disney Development vice president David A. Malmuth wanted a successful development. At a meeting to discuss designs for the town of Celebration, Florida, Stern arranged for Eisner to tour the theater. Eisner quickly agreed to renovate the theater after New 42nd Street president Cora Cahan guided him through the dilapidated interior.
In September 1993, the media reported that Disney was seriously considering renovating the New Amsterdam Theatre. Disney had planned to show Beauty and the Beast (musical), ''Beauty and the Beast'' there, but delays forced the production to open at the Palace Theatre (New York City), Palace Theatre instead. By the end of the year, Disney had tentatively agreed to take over the New Amsterdam. Disney real estate negotiator Frank S. Ioppolo Sr. obtained several guarantees after threatening to withdraw from the project. This included protection against lawsuits over the proposed renovation; expensive, high-quality items; and government subsidies from the state and city. Other Broadway theatre operators had initially opposed the economic incentives, alleging the 42nd Street Development Project was tantamount to a subsidy for the New Amsterdam. After New York governor Mario Cuomo promised to create a loan program for other Broadway theatres, two operators said they would no longer oppose the Disney project.
Disney promised in February 1994 to renovate the theater with $8 million of its own equity and a $21 million low-interest loan from the city and state governments. Other entertainment companies showed interest in the 42nd Street redevelopment after the agreement was announced, and there was also interest in renovating 42nd Street's other theaters. During 1994, the rundown theater was used as a filming location for the movie ''Vanya on 42nd Street.'' Officials agreed to loan Disney another $5 million later that year. In May 1995, Disney Theatrical Productions
Disney Theatrical Productions Limited (DTP), also known as Disney on Broadway, is the flagship stageplay and musical production company of the Disney Theatrical Group, a subsidiary of The Walt Disney Studios, a major business unit of The Walt Di ...
signed a 49-year revenue-based lease for the property, in which Disney would pay the city and state a percentage of the gross sales from the theater. Disney and the city and state ultimately agreed to share any costs above $32.5 million. In addition, Disney would pay about $2 million to pay for higher-quality items, and the city and state would commit $1.9 million to a contingency fund. The final financial plan was announced in July 1995. Before it began restoring the New Amsterdam, Disney received commitments for at least two other nearby developments from Madame Tussauds and AMC Theatres.
Disney's research and development subsidiary, Walt Disney Imagineering, oversaw the renovation of the New Amsterdam Theatre, hiring design firm Theatre Projects Consultants as a consultant. HHPA was hired to design the renovation, while Tishman Construction was the general contractor. Some mockups of the decorations were created before work commenced. Conservators took a paint chip sample from a billboard outside the building and discovered 121 layers of paint, each for a different event. According to Hugh Hardy of HHPA, the project entailed recreating half the oak paneling and three-quarters of the plaster decoration, in addition to the restoration of other decorations and the installation of new mechanical systems. Some of the design details were painted and glazed to give the impression of aging. New spaces, such as lounges, restrooms, and elevators, were also created. At some point in the restoration, state preservation officials had requested the restoration of the ornament on the 42nd Street facade. This request was ultimately dropped because the replacement marquee was itself an important part of the theater's history.
Disney operation
The New Amsterdam's restoration was officially completed on April 2, 1997. Architectural critic Ada Louise Huxtable wrote "If this is Disney magic, we need more of it", and Herbert Muschamp wrote: "The place is an architectural version of an American Eden, the unsullied natural paradise in which European explorers cast the New World." The first production was a limited engagement of a concert version of ''King David (musical), King David'' that May,
followed by the premiere of the film ''Hercules (1997 film), Hercules'' the following month. Disney's decision to stage these events was to ensure the New Amsterdam's restoration would not be overshadowed by the premiere of ''The Lion King
''The Lion King'' is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance ...
'', which in itself was a highly acclaimed production. ''The Lion King'' opened in November 1997.
The roof theater remained closed, with no plans to reopen it, in part because the elevators were insufficient to accommodate 700 patrons under city building codes. The renovation of the theater was detailed in the book ''The New Amsterdam: The Biography of a Broadway Theater''.
Disney's restoration of the New Amsterdam Theatre helped spur the long-delayed redevelopment of Times Square; this led to criticisms of the area's "Disneyfication" from observers who were unaware of Disney's investment. Besides theatrical productions, the revived New Amsterdam has hosted events benefiting ''Broadway Cares/Equity Fights AIDS'', including past iterations of the annual Easter Bonnet Competition. It also hosted a televised concert by the Backstreet Boys for Disney Channel, ''Backstreet Boys In Concert'', in 1998''.'' ''The Lion King'' continued to run at the New Amsterdam Theatre until June 2006, when it relocated to make way for '' Mary Poppins.'' ''Mary Poppins'' began previews at the New Amsterdam Theatre on October 14, 2006, and had its first regular performance on November 16, 2006.
''Mary Poppins'' continued to run until March 3, 2013.
The musical '' Aladdin'' opened for previews on February 26, 2014, and opened on March 20, 2014. ''Aladdin'' broke the house record at the New Amsterdam Theatre for the week ending August 10, 2014, with a gross of $1,602,785. ''Aladdin'' also holds the current record for the New Amsterdam Theatre, grossing $2,584,549 over nine performances for the week ending December 30, 2018. On March 12, 2020, the theater closed due to the COVID-19 pandemic. It reopened September 28, 2021, with performances of ''Aladdin.''
Notable productions
* 1903: '' A Midsummer Night's Dream''
* 1903: ''Whoop-Dee-Doo''
* 1904: ''The Two Orphans (play), The Two Orphans''
* 1905: ''She Stoops to Conquer
''She Stoops to Conquer'' is a comedy by Oliver Goldsmith, first performed in London in 1773. The play is a favourite for study by English literature and theatre classes in the English-speaking world. It is one of the few plays from the 18t ...
''
* 1905: ''Richard III (play), Richard III''
* 1906: ''Forty-five Minutes from Broadway
''Forty-Five Minutes From Broadway'' is a three-act musical by George M. Cohan written about New Rochelle, New York. The title refers to the 45-minute train ride from New Rochelle to Broadway.
The musical debuted on January 1, 1906 at the New ...
''
* 1907: ''The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt ...
''
* 1907: ''Peer Gynt''
* 1910: ''Madame X''
*1911: The Pink Lady (musical), ''The Pink Lady''
*1911: Ben-Hur (play), ''Ben-Hur''
* 1912: ''The Count of Luxembourg''
* 1913: ''Oh! Oh! Delphine''
* 1913–1927: ''Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Ai ...
''
* 1913: ''Sweethearts (musical), Sweethearts''
* 1914: ''Watch Your Step (musical), Watch Your Step''
* 1918: ''The Girl Behind the Gun''
* 1920: ''Sally (musical), Sally''
* 1925: ''Sunny (musical), Sunny''
* 1927: ''Trelawny of the 'Wells'''
* 1928: ''Rosalie (musical), Rosalie''
* 1928: ''Whoopee!, Whoopee''
* 1930: ''Earl Carroll's Vanities''
* 1931: ''The Band Wagon (musical), The Band Wagon''
* 1932: ''Face the Music (musical), Face the Music''
* 1933: ''Alice in Wonderland (musical), Alice in Wonderland''
* 1933: ''The Cherry Orchard''
* 1933: ''Roberta''
* 1934: ''Revenge with Music''
* 1936: ''George White's Scandals''
* 1937: ''Othello''
* 1997: ''King David (musical), King David''
* 1997: ''The Lion King
''The Lion King'' is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance ...
''
* 2006: '' Mary Poppins''
* 2014: '' Aladdin''
See also
* List of Broadway theaters
* List of New York City Designated Landmarks in Manhattan from 14th to 59th Streets
* National Register of Historic Places listings in Manhattan from 14th to 59th Streets
References
Notes
Citations
Sources
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External links
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{{Portal bar, Architecture, Disney, National Register of Historic Places, New York City, Theatre
1903 establishments in New York City
42nd Street (Manhattan)
Art Nouveau architecture in New York City
Art Nouveau theatres
Beaux-Arts architecture in New York City
Broadway theatres
Nederlander Organization
New York City Designated Landmarks in Manhattan
New York City interior landmarks
Theater District, Manhattan
Theatres completed in 1903
Theatres on the National Register of Historic Places in Manhattan
Walt Disney Theatrical