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The National Theatre (1836-1863) was a theatre in the West End of
Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- mo ...
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Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut assachusett writing systems, məhswatʃəwiːsət'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ...
, in the mid-19th century. William Pelby established the enterprise in 1836, and presented productions of "original pieces, and the efforts of a well selected stock company, which, with few exceptions, have been American. The scenery is of the highest order, and the business of the stage well directed. Mr C.A. Eaton made his debut at this theatre, and here Mr. F.S. Hill's early labors were eminently successful. Mr. J.S. Jones has written and produced on this stage thirty pieces, embracing every department except tragedy." William Washburn designed the building, erected on the site of the former Warren Theatre. Performers at the National included Edwin Adams,
Marietta Zanfretta Marietta Zanfretta (Madame Siegrist) (31 August 1832 – 8 February 1898) was an Italian tightrope dancer who found success in the United States. One of the greatest female tight-rope dancers in the world, she was known for performing ''en poin ...
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Jean Margaret Davenport Jean Margaret Davenport (May 3, 1829, Wolverhampton, England – August 3, 1903, Washington, D.C.), later Mrs. Frederick William Lander, was an English people, English actress with a career in both England and the United States. Biography Her fa ...
, Julia Dean, Jonathan Harrington, W.H. Smith,
Mary Ann Vincent Mary Ann Vincent (September 18, 1818 – September 4, 1887) was a British born American actress. Biography Mary Ann Vincent was born in Portsmouth, England on September 18, 1818, the daughter of an Irishman named Farlin. Left an orphan at an ea ...
, and
Billy Whitlock William M. Whitlock (1813 – 1878) was an American blackface performer. He began his career in entertainment doing blackface banjo routines in circuses and dime shows, and by 1843 he was well known in New York City. He is best known for h ...
. In 1852 the theatre burnt down, and was rebuilt. In 1863 the building was again destroyed by fire.


Architecture

In 1836:
"this theatre, planned and erected by Mr William Washburn, is 120 by , exclusive of the saloons, refreshment rooms, &c., which are contained in an adjoining building, 20 by , fronting on Traverse Street, and communicating with the lobbies. The leading architectural features are Doric presenting brood pilasters with slight projections on the front which support an.unbroken entablature and a pediment, high at each end. The roof is covered with slate and zinc, and is surmounted by an octagonal lantern, in diameter and high, having a window on each of its sides. The structure is covered on the exterior walls with cement, in imitation' of granite, which gives a uniform and beautiful appearance. The interior comprises a pit, with 600 seats, three tiers of boxes, with 336 seats each, and a gallery with 200 seats. The saloons, lobbies, refreshment rooms, &c. are spacious, convenient and well ventilated by large windows on the two streets and in rear. The boxes have five rows of seats each, and are accessible from both streets, affording, in case of fire or other cause of alarm, ready egress from the house. The main roof is supported by 18 hard pine pillars, high and 10 inches square, which also support a portion of the boxes, and divide them from the lobbies. The remaining boxes are supported by 2 octagonal pillars of the same material, 9 inches in diameter. The main ceiling is a single arch, of span, rising within of the ridge. The gallery is entirely above the level cornice of the building, having an arched ceiling which rises five feet higher than the main ceiling, and is ventilated by a large round window placed in the centre of the tympanum. The proscenium presents an opening wide and high. It is composed of pilasters, having ornamented capitals and bases, which support a beautifully enriched arch, crowned with the American eagle. The depth of the stage is . The circle of boxes is so arranged, that in every part of the house a full view is had of the stage. The decorations are in good taste. The lower tier of boxes is adorned with paintings of the battles of the United States Navy; the second tier bears the arms of the States, and the upper parts have appropriate scenes from the Iliads."


Performances


Images

Image:1838 Banking NationalTheatre Boston.png, Advertisement for "3 Degrees of Banking," 1838 Image:NationalTheatre PortlandStreet TraverseStreet Bowen PictureOfBoston 1838.png, The National, designed by William Washburn, as it appeared ca.1838 Image:1846 National Theatre Boston map byGGSmith detail BPL 10581.png, Detail of 1846 map of Boston, showing National Theatre at corner of Portland St. and Traverse St. Image:1852 fire NationalTheatre Boston.jpg, The National on fire, 1852 Image:1854 Ado NationalTheatre Boston.png, Advertisement for "Much Ado About Nothing," 1854 Image:1856 CushingsNYCircus NationalTheatre Boston byChampney BallousPictorial 1.jpg, Cushing's New York Circus, 1856


Managers/Proprietors

Managers and proprietors included: William Pelby (1836-1850), William B. English (ca.1857-1863), Thomas Barry, Rosalie Pelby, John B. Wright, Henry W. Fenno, George Bird, Joseph Leonard, W.M. Fleming, Joseph Cushing, G.H. Griffiths, James Pilgrim, Henry Willard, Charles R. Thome, Sr., John Moran, Walter Gay, Henry Willard, F.B. Conway, E.B. Williams, Thomas Hampton, J. C. Myers, C.J. Boniface.


Variant names

* Willard's National Theatre, 1856 * People's National Theatre, 1856, 1859 * Union Concert Hall, 1862


References

{{Boston theatres Commercial buildings completed in 1836 Commercial buildings completed in 1852 Former theatres in Boston Former buildings and structures in Boston 1836 establishments in Massachusetts 1863 disestablishments Cultural history of Boston 19th century in Boston West End, Boston Event venues established in 1836