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Joseph Stevens Jones
Joseph Stevens Jones (September 28, 1809 – December 29, 1877) was an American actor, playwright, theater manager, and surgeon. He wrote at least 150 plays that were mostly produced at theaters in Boston, Massachusetts. Early life and education Jones was born in Boston, Massachusetts on September 28, 1809. He was the son of Mary Ann (née Stevens) and Abraham A. Jones, a sea captain who worked for the Russian American Company in Alaska. His father died in 1819 in Unalaska, leaving Jones and his four siblings to be raised by his mother in Boston. He attended public elementary schools in Boston. He left school to work in a cordage store. Next, he worked in the counting room of a bank. When his boss at the bank learned of his interest in writing plays, he contacted a theater manager and helped Jones secure a job at the theater. While working in theaters, he also attended medical school. In 1843 he graduated from Harvard Medical School. Career Theater Jones debuted as an ...
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Freemasonry
Freemasonry or Masonry refers to fraternal organisations that trace their origins to the local guilds of stonemasons that, from the end of the 13th century, regulated the qualifications of stonemasons and their interaction with authorities and clients. Modern Freemasonry broadly consists of two main recognition groups: * Regular Freemasonry insists that a volume of scripture be open in a working lodge, that every member profess belief in a Supreme Being, that no women be admitted, and that the discussion of religion and politics be banned. * Continental Freemasonry consists of the jurisdictions that have removed some, or all, of these restrictions. The basic, local organisational unit of Freemasonry is the Lodge. These private Lodges are usually supervised at the regional level (usually coterminous with a state, province, or national border) by a Grand Lodge or Grand Orient. There is no international, worldwide Grand Lodge that supervises all of Freemasonry; each Grand Lod ...
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1809 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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Pietro Gariboldi
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470–1 ...
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Old State House (Boston)
The Old State House is a historic building in Boston, Massachusetts. Built in 1713, it was the seat of the Massachusetts General Court until 1798. It is located at the intersection of Washington and State streets, and is one of the oldest public buildings in the United States. One of the landmarks on Boston's Freedom Trail, it is the oldest surviving public building in Boston, and now serves as a history museum that, through 2019, was operated by the Bostonian Society. On January 1, 2020, the Bostonian Society merged with the Old South Association in Boston to form Revolutionary Spaces. The Old State House was designated a National Historic Landmark in 1960 and a Boston Landmark by the Boston Landmarks Commission in 1994. History The Massachusetts Town House: seat of colony government 1713–1776 The previous building, the wooden Town House of 1657, had burned in the fire of 1711.Walter Muir Whitehill. ''Boston: a topographical history''. Today's brick Old State House was buil ...
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The Bostonian Society
The Bostonian Society was a non-profit organization that was founded in 1881 for the purpose of preventing the Old State House (built in 1713) from being "moved brick by brick""Tarnished heirloom" (editorial)
'''' (August 18, 2006).
from Boston, Massachusetts to .
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Hannah Farnham Sawyer Lee
Hannah Farnham Sawyer Lee (November 5, 1780-December 27, 1865) was an American author, best known for her 1837 novelette ''Three Experiments of Living'' which was published in more than 30 editions in the United States, and 10 in England. Lee was a popular novelist during her life, though her writing was not lauded and her success is now largely forgotten.Wright, Lyle HTraditional Errors in American Biography ''Huntington Library Quarterly'', Vol. 5, No. 2 (Jan., 1942), pp. 273-76 (focusing on the actual facts of the publication date of ''Grace Seymour'' and whether it was largely lost in a fire). Life Lee was born in 1780 to physician Micajah Sawyer and Sibyll Farnham, in Newburyport, Massachusetts. She married George Gardiner Lee of Boston in 1807, on the same day her sister Mary Anna married Philip Jeremiah Schuyler.Simmons, Nancy Craig, edThe Selected Letters of Mary Moody Emerson p. 36 (1993) George Lee died in 1816 leaving Lee with three young daughters.
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Moll Pitcher
Moll Pitcher (born Mary Diamond; c. 1736 – April 9, 1813) was a clairvoyant and fortune-teller from Lynn, Massachusetts. A tree in West Dedham, today Westwood, was named for her in 1837. Background Moll Pitcher was said to have descended from a long line of "wizards." Her father, Aholiab Diamond, was a cordwainer in Lynn. He and Lydia Silsbee were married in 1735. There were no public schools for girls at the time of her youth, but Moll Pitcher seems to have received some education. On October 2, 1760 she married Robert Pitcher, probably an apprentice of her father. The couple continued to live with the Diamonds and had four children, John, Rebecca, Ruth and Lydia. Her parents and brother died about 1788, and Moll Pitcher inherited the family property. Predictions and popularity It is said that soon after her marriage she was known as a fortune-teller, a reader of tea leaves, with a clientele that continued to increase in importance for the next 50 years that she lived. ...
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Chatham Theatre
The Chatham Theatre or Chatham Street Theatre was a playhouse on the southeast side of Chatham Street (now Park Row) in New York City. It was located at numbers 143-9, between Roosevelt and James streets, a few blocks south of the Bowery. At its opening in 1839, the Chatham was a neighborhood establishment, which featured big-name actors and drama. By the mid-1840s, it had become primarily a venue for blackface minstrel shows. Frank S. Chanfrau restored some of its grandeur in 1848. The playhouse's most successful period was under the management of A. H. Purdy. He staged productions of Harriet Beecher Stowe's ''Uncle Tom's Cabin'' beginning in 1852, the success of which prompted him to advertise heavily and to create a special section where African American patrons could sit. Following Purdy's departure in 1857, the theatre entered its final decline. It flip-flopped many times between a standard melodrama house and a concert saloon before finally being demolished in 1862. Ea ...
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Burletta
In theater and music history, a burletta (Italian, meaning "little joke", sometimes burla or burlettina) is a brief comic opera. In eighteenth-century Italy, a burletta was the comic intermezzo between the acts of an ''opera seria''. The extended work Pergolesi's ''La serva padrona'' was also designated a "burletta" at its London premiere in 1758. In England, the term began to be used, in contrast to burlesque, for works that satirized opera but did not employ musical parody. Burlettas in English began to appear in the 1760s, the earliest identified as such being ''Midas'' by Kane O'Hara, first performed privately in 1760 near Belfast, and produced at Covent Garden in 1764. The form became debased when the term ''burletta'' began to be used for English comic or ballad operas, as a way of evading the monopoly on "legitimate drama" in London belonging to Covent Garden and Drury Lane. After the passage of the Theatres Act of 1843, which repealed crucial regulations of the Licensing A ...
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Park Theatre (Manhattan)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798. In its early years, the Park enjoyed little to no competition in New York City. Nevertheless, it rarely made a profit for its owners or managers, prompting them to sell it in 1805. Under the management of Stephen Price and Edmund Simpson in the 1810s and 1820s, the Park enjoyed its most successful period. Price and Simpson initi ...
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Chestnut Street Theatre
The Chestnut Street Theatre in Philadelphia, Pennsylvania was the first theater in the United States built by entrepreneurs solely as a venue for paying audiences.The Chestnut Street Theatre Project The New Theatre (First Chestnut Street Theatre) The Chestnut Street Theatre (originally named the New Theatre) was the brainchild of Thomas Wignell and Alexander Reinagle who in 1791 convinced a group of Philadelphia investors to build a theater suitable for Wignell's company to perform in. Wignell had not yet formed his company when the New Theatre was being set up to be built, but as the New Theater was being built, Wignell was in England recruiting actors to be a part of his company. The New Theater's design, modeled after the Theatre Royal, Bath, was made possible by John Inigo Richards, Wignell's brother-in-law, who obtained architect Thomas Greenway's original plans.Oxford Companion to American Theatre The New Theatre was built on Chestnut Street near the corner of Sixth Stre ...
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