Nathaniel Adderley
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Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition " Work Song" (1960) is a
jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive lis ...
, and also became a success on the pop charts after singer
Oscar Brown Jr. Oscar Brown Jr. (October 10, 1926May 29, 2005) was an American singer, songwriter, playwright, poet, civil rights activist, and actor. Aside from his career, Brown ran unsuccessfully for office in both the Illinois state legislature and the U. ...
wrote lyrics for it.


Early life

Adderley was born in
Tampa Tampa () is a city on the Gulf Coast of the U.S. state of Florida. The city's borders include the north shore of Tampa Bay and the east shore of Old Tampa Bay. Tampa is the largest city in the Tampa Bay area and the seat of Hillsborough County ...
, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army and played in the army band under his brother, taking at least one tour of Korea before returning to a station in the United States. After returning home, he attended Florida A&M intending to become a teacher. Shortly before Adderley was expected to begin student teaching,
Lionel Hampton Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles M ...
played a concert at Florida A&M. Confident in his abilities, he played for Hampton, and Hampton invited him to join the band. Putting school on hold, he played under Hampton from 1954 to 1955 and visited Europe on tour. After returning, he intended to go back to school to become a teacher.


Career


1950s

The turning point in the Adderley brothers' careers occurred on a trip to New York in 1955. The brothers stopped by the Café Bohemia in Greenwich Village when bassist Oscar Pettiford was playing. Both of them showed up ready to play. Cannonball was asked to sit in because the regular saxophonist was out, and he overwhelmed the musicians. Then Nat was pulled on stage, and everyone was equally impressed. This appearance was enough to renew their careers. Job offers began pouring in, and Nat recorded for the first time that year. The brothers moved to New York City, founding the bop group Cannonball Adderley Quintet in 1956. Due to lack of popular interest, they disbanded the group in 1957. Nat played for trombonist
J. J. Johnson J.J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger. Johnson was one of the earliest trombonists to embrace bebop. Biograph ...
for a couple of years and ended up in the Woody Herman sextet. Cannonball gained a higher profile, joining the Miles Davis sextet alongside John Coltrane in time to record the album ''
Kind of Blue ''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Co ...
''. In 1959, the Cannonball Adderley Quintet reunited. This time around the group was more successful and had its first hit, "This Here", written by pianist Bobby Timmons. The group sound became known as soul jazz, starting the genre. The quintet also played hard bop, as everyone in the group had been influenced by bebop and wanted to continue a virtuosic tradition. Soul jazz kept the group popular, while hard bop gave the musicians a chance to challenge themselves and demonstrate their abilities.


1960s

During the 1960s, Adderley acted as cornetist, composer, and manager for the quintet. While he kept the band in order, he also composed some of the group's most successful songs. His most successful song was " Work Song" (January 1960), a hard bop tune. Adderley called it his "Social Security song" due to the steady flow of income over the years from to royalty payments when others recorded the song. "Work Song" is now considered a jazz standard. His other popular songs include "
Jive Samba Jive may refer to: Businesses * Jive (publisher), a Japanese publishing company in Shinjuku, Tokyo Prefecture * Jive Electro, a sublabel of the Zomba Group's Jive Records * Jive Records, an American independent record label founded by Clive Calder ...
", "
Hummin' ''Hummin is an album by jazz cornetist Nat Adderley recorded in 1976 and released on the Dutch Little David label. While he was an integral part of the Cannonball Adderley Quintet, this was not the only project occupying his time in his career as professional jazz musician. Since moving to New York, he had been recording outside the Adderley group. He worked with Kenny Clarke, Wes Montgomery, and Walter Booker. Other projects included the film '' A Man Called Adam'' (1966). In the film, Sammy Davis Jr.'s character plays the trumpet. Since Davis could not himself play the trumpet, Adderley was hired to ghost everything that the character played. His other significant project during this time was a musical. He and his brother wrote ''
Shout Up a Morning Shout or Shouts may refer to: * Shout (sound), a loud vocalization Films and television * ''The Shout'', a 1978 film by Jerzy Skolimowski * ''Shout! The Story of Johnny O'Keefe'', 1986 television movie about the Australian singer * ''Shout'' ...
'' based on the folk hero John Henry. While this project started as a collaboration, work was interrupted when Cannonball died from a stroke.


1970s

After Cannonball's death in 1975, the quintet broke up. Nat Adderley toured Europe as a headliner. He toured Japan, then returned to the U.S. and taught courses at
Harvard Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher le ...
while performing and recording with his quintet, which included Walter Booker, Jimmy Cobb, and Vincent Herring. Adderley established himself in his own right. He also worked with
Ron Carter Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded nu ...
, Sonny Fortune, Johnny Griffin, and
Antonio Hart Antonio Hart (born September 30, 1968) is a jazz alto saxophonist. He attended the Baltimore School for the Arts, studied with Andy McGhee at Berklee College of Music, and has a master's degree from Queens College, City University of New York. H ...
.


1980s and later years

Adderley created the Adderley Brotherhood, a sextet which included several members of the Cannonball Adderley Quintet. This group toured Europe in 1980. ''Shout Up a Morning'', after having a concert performance in
Carnegie Hall Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhatta ...
shortly after Cannonball's death, was staged in several locations around the United States in 1986. Adderley became involved in several other ensembles over the next decade, including the Paris Reunion Band and a group called the Riverside Reunion Band (after the
Riverside Riverside may refer to: Places Australia * Riverside, Tasmania, a suburb of Launceston, Tasmania Canada * Riverside (electoral district), in the Yukon * Riverside, Calgary, a neighbourhood in Alberta * Riverside, Manitoba, a former rural m ...
label), a bop group that formed at the
Monterey Jazz Festival The Monterey Jazz Festival is an annual music festival that takes place in Monterey, California, United States. It debuted on October 3, 1958, championed by Dave Brubeck and co-founded by jazz and popular music critic Ralph J. Gleason and jaz ...
in 1993 and then toured Europe in 1994. Adderley spent half the year touring and the other half at home in Lakeland, Florida, writing and recording. He thought many of his greatest fans were in Japan, but Europeans were also enthusiastic about the music. In 1997, he joined the faculty of Florida Southern College as an artist-in-residence. He also helped in the founding and development of the annual Child of the Sun Jazz Festival held annually at the university which he headlined for over a decade. During the same year, he was inducted into the Jazz Hall of Fame in Kansas City. He lived on 112th Street in Harlem in the 1960s and in Teaneck, New Jersey, in the 1970s, before moving to Lakeland. He also lived near his brother in Corona, Queens.


Death and legacy

Nat Adderley died as a result of complications from diabetes at the age of 68 in Lakeland, Florida. He was interred near his brother in the Southside Cemetery in Tallahassee, Florida. He was survived by his wife, Ann; a son, Nat Adderley Jr. of West Orange, N.J.; a daughter, Alison Adderley-Pittman of Palm Bay, Fla.; and five grandchildren. He was an innovator in the popularization of soul jazz and was one of the most prolific jazz artists of his time, recording nearly 100 albums. He proved that cornet could be a modern jazz instrument.


Style

Although Adderley started playing trumpet, he switched to the less common
cornet The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a sopr ...
. He preferred the darker tone of the conical cornet to the brighter sound of the cylindrical trumpet. He could produce a rich, earthy tone that became his signature sound, one that could only come from the cornet. He also enjoyed the cornet's historic quality, reinvigorating the instrument played by early jazz musicians. Adderley is widely attributed with the development and establishment of the 1960s style of soul jazz along with the rest of the members Cannonball Adderley Quintet. This style is characterized by simple harmonies, a heavy blues feel, catchy riffs, and a presence of the church. The point of soul jazz was to bring back a simpler type of jazz that had direct influence from
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
and church music. However, this is not the only style that Adderley wrote and played. The quintet was also widely known for their hard bop, which comprised roughly half of their recorded work. This is a rougher, edgier style descended from bebop, and virtuosic abilities are required to be able to play it. As a soloist and composer, Adderley had a wide range of abilities. He could improvise simpler, more soulful solos for soul jazz numbers, but he could experiment and show off all of his abilities for hard bop. Especially in playing hard bop, he was not afraid to use the range of the instrument, often playing below the typical cornet range for short bursts before returning to the normal range. Although his range was starting to fade by the late 1960s, this did not keep him from continuing to play for the rest of his life.


Discography


As leader

* 1955: ''
That's Nat ''That's Nat'' is an album by jazz cornetist Nat Adderley first released on the Savoy label featuring performances by Adderley with Jerome Richardson, Hank Jones, Wendell Marshall, and Kenny Clarke.
'' (
Savoy Savoy (; frp, Savouè ; french: Savoie ) is a cultural-historical region in the Western Alps. Situated on the cultural boundary between Occitania and Piedmont, the area extends from Lake Geneva in the north to the Dauphiné in the south. Savo ...
, 1955) * 1955: ''
Introducing Nat Adderley ''Introducing Nat Adderley'' is an album by jazz cornetist Nat Adderley first released on the Wing label featuring performances by Adderley and his brother Julian "Cannonball" Adderley, Horace Silver, Paul Chambers, and Roy Haynes.Wing, 1955) * 1956: '' To the Ivy League from Nat'' (
EmArcy EmArcy Records is a jazz record label founded in 1954 by the American Mercury Records. The name is a phonetic spelling of "MRC", the initials for Mercury Record Company. During the 1950s and 1960s, musicians such as Max Roach, Clifford Brown ...
, 1956) * 1958: ''
Branching Out ''Branching Out'' is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Johnny Griffin, and The Three Sounds.
'' (
Riverside Riverside may refer to: Places Australia * Riverside, Tasmania, a suburb of Launceston, Tasmania Canada * Riverside (electoral district), in the Yukon * Riverside, Calgary, a neighbourhood in Alberta * Riverside, Manitoba, a former rural m ...
, 1956) * 1959: '' Much Brass'' (Riverside, 1959) * 1960: '' Work Song'' (Riverside, 1960) * 1960: ''
That's Right! ''That's Right!'' is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside Records, Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, ...
'' (Riverside, 1960) * 1961: '' Naturally!'' ( Jazzland, 1961) * 1962: ''
In the Bag ''In the Bag'' is a 1956 American animated short comedy film produced by Walt Disney Productions, directed by Jack Hannah, and featuring park ranger J. Audubon Woodlore and his comedic foil Humphrey the Bear. This was the last Disney theatrical ...
'' (Jazzland, 1962) * 1963: '' Little Big Horn'' (Riverside, 1963) * 1964: ''
Autobiography An autobiography, sometimes informally called an autobio, is a self-written account of one's own life. It is a form of biography. Definition The word "autobiography" was first used deprecatingly by William Taylor in 1797 in the English peri ...
'' ( Atlantic, 1965) * 1966: '' Sayin' Somethin''' (Atlantic, 1966) * 1966: '' Live at Memory Lane'' (Atlantic, 1966) – live * 1968: '' The Scavenger'' ( Milestone, 1968) * 1968: ''
You, Baby ''You, Baby'' is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
'' ( CTI, 1968) * 1968: ''
Calling Out Loud ''Calling Out Loud'' is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Leo Morris and with brass and woodwinds arranged and conducted by Bil ...
'' (CTI, 1968) * 1972: ''
Soul Zodiac ''Soul Zodiac'' is the first collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released in 1972 through Capitol Records. Recording sessions took place at Independent Recording ...
'' ( Capitol, 1972) * 1972: ''
Soul of the Bible ''Soul of the Bible'' is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to ''Soul Zodiac'' through Capitol Records in 1972. Recording se ...
'' (Capitol, 1972) * 1974: '' Double Exposure'' ( Prestige, 1975) * 1976: '' Don't Look Back'' (
SteepleChase Steeplechase may refer to: * Steeplechase (horse racing), a type of horse race in which participants are required to jump over obstacles * Steeplechase (athletics), an event in athletics that derives its name from the steeplechase in horse racing ...
, 1976) * 1976: ''
Hummin' ''Hummin is an album by jazz cornetist Nat Adderley recorded in 1976 and released on the Dutch Little David label.Little David, 1976) * 1978: ''
A Little New York Midtown Music ''A Little New York Midtown Music'' is an album by jazz cornetist Nat Adderley recorded in 1978 and released on the Galaxy label.Galaxy A galaxy is a system of stars, stellar remnants, interstellar gas, dust, dark matter, bound together by gravity. The word is derived from the Greek ' (), literally 'milky', a reference to the Milky Way galaxy that contains the Solar System. ...
, 1979) * 1982: '' On the Move'' ( Theresa, 1983) – live * 1982: ''
Blue Autumn Blue Autumn is a jazz album by the Nat Adderley quartet. The album was recorded live in October 1982 at the Keystone Korner in San Francisco and released in 1983 on cassette and 12 Aug. 1993 on CD. On this date, the quintet featured Nat Adderley o ...
'' (Theresa, 1983) – live * 1989: ''
We Remember Cannon ''We Remember Cannon'' is a live album by Nat Adderley's Quintet recorded in Switzerland in 1989 and released on the In + Out label.
'' (In & Out, 1991) * 1990: '' Autumn Leaves'' (Sweet Basil, 1991) – live * 1990: '' Work Song: Live at Sweet Basil'' (Sweet Basil, 1993) – live * 1990: ''
Talkin' About You ''Talkin' About You'' is an album by Nat Adderley's Quintet recorded in 1990 and originally released on the Landmark label. Reception ''The Penguin Guide to Jazz'' states "Astonishingly slow to get going (almost as if it were an unedited take o ...
'' (
Landmark A landmark is a recognizable natural or artificial feature used for navigation, a feature that stands out from its near environment and is often visible from long distances. In modern use, the term can also be applied to smaller structures or f ...
, 1991) * 1990: '' The Old Country'' (Alfa, 1991) * 1992: ''Workin' '' (
Timeless Timeless (or atemporal) or timelessness (or atemporality) may refer to: * Agelessness, the condition of being unaffected by the passage of time * Akal (Sikh term), timelessness in Sikhism * Eternity, timeless existence or infinite duration * Immo ...
, 1993) * 1994: ''Good Company'' (
Challenge Challenge may refer to: * Voter challenging or caging, a method of challenging the registration status of voters * Euphemism for disability * Peremptory challenge, a dismissal of potential jurors from jury duty Places Geography *Challenge, C ...
, 1994) * 1994: ''Live at the 1994 Floating Jazz Festival'' ( Chiaroscuro, 1996) CD– live * 1995: ''Mercy, Mercy, Mercy'' (
Evidence Evidence for a proposition is what supports this proposition. It is usually understood as an indication that the supported proposition is true. What role evidence plays and how it is conceived varies from field to field. In epistemology, evidenc ...
, 2007) * compilation: ''Live on Planet Earth'' ( West Wind, 2008) – live


As sideman

With
Cannonball Adderley Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", whi ...
* '' Presenting Cannonball Adderley'' (Savoy, 1955) * '' Julian "Cannonball" Adderley'' (Emarcy, 1955) * ''
In the Land of Hi-Fi with Julian Cannonball Adderley ''In the Land of Hi-Fi with Julian Cannonball Adderley'' is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a nonet (six horns, three rhythm) with Nat Adderley, Jerome Richardson, E ...
'' (Emarcy, 1956) * ''
Sophisticated Swing ''Sophisticated Swing'' is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy Records, EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones (musician), Sam Jones and Jimmy Cobb ...
'' (Emarcy, 1957) * ''
Cannonball Enroute ''Cannonball Enroute'' is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
'' (Mercury, 1957) * ''
Cannonball's Sharpshooters ''Cannonball's Sharpshooters'' is the seventh album by jazz saxophonist Cannonball Adderley, and his second released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.The Cannonball Adderley Quintet in San Francisco ''The Cannonball Adderley Quintet in San Francisco'' is a 1959 album by The Cannonball Adderley Quintet. The groundbreaking album launched "soul jazz", according to NPR, bridging "the gap between bebop and funk".Sidran, BenJazz Profiles from NPR ...
'' (Riverside, 1959) * ''
Them Dirty Blues ''Them Dirty Blues'' is an album by the Cannonball Adderley Quintet, recorded in 1960. Reception The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, ''Them Dirty Blues'' contains two classic jazz comp ...
'' (Riverside, 1960) * ''
The Cannonball Adderley Quintet at the Lighthouse ''The Cannonball Adderley Quintet at the Lighthouse'' is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
'' (Riverside, 1960) * ''
African Waltz ''African Waltz'' is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins.
'' (Riverside, 1961) – recorded in 1957 * '' The Cannonball Adderley Quintet Plus'' (Riverside, 1961) * '' Nancy Wilson/Cannonball Adderley'' (Capitol, 1962) – recorded in 1961 * '' The Cannonball Adderley Sextet in New York'' (Riverside, 1962) * ''
Cannonball in Europe! ''Cannonball in Europe!'' is a live album by jazz saxophonist Cannonball Adderley recorded at the Comblain-la-Tour in Belgium and released on the Capitol label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam ...
'' (Riverside, 1962) * ''
Jazz Workshop Revisited ''Jazz Workshop Revisited'' is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
'' (Riverside, 1962) * '' Autumn Leaves'' (Riverside, 1963) * '' Nippon Soul'' (Riverside, 1963) * ''
The Sextet Since 1998, Trey Anastasio, best known from Phish, has toured and recorded with several backing musicians, including several side-projects organized and led by the guitarist and composer. Fans commonly referred to them as Trey Anastasio Band, ...
'' (Milestone, 1982) – recorded in 1962–63 * '' Cannonball Adderley Live!'' (Capitol, 1964) * ''
Live Session! ''Live Session!'' is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley ...
'' (Capitol, 1964) * '' Cannonball Adderley's Fiddler on the Roof'' (Capitol, 1964) * ''
Domination Domination or dominant may refer to: Society * World domination, which is mainly a conspiracy theory * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which ...
'' (Capitol, 1965) * ''
Great Love Themes ''Great Love Themes'' is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of ballads ― mostly Broadway show tunes ― by Cannonball Adderley with ...
'' (Capitol, 1966) * '' Mercy, Mercy, Mercy! Live at "The Club"'' (Capitol, 1966) * '' Cannonball in Japan'' (Capitol, 1966) * ''
74 Miles Away ''74 Miles Away'' is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor G ...
'' (Capitol, 1967) * ''
Why Am I Treated So Bad! ''Why Am I Treated So Bad!'' is an album by the Cannonball Adderley Quintet, recorded at the Capitol Studios in Hollywood in 1967.In Person'' (Capitol, 1968) * '' Accent on Africa'' (Capitol, 1968) * '' Radio Nights'' (Night/Virgin, 1968) * ''
Country Preacher ''Country Preacher'' is a live album recorded by the Cannonball Adderley Quintet in 1969. Recorded at an unidentified church meeting of the Chicago chapter of the Southern Christian Leadership Conference's Operation Breadbasket, the album spen ...
'' (Capitol, 1969) * '' The Cannonball Adderley Quintet & Orchestra'' (Capitol, 1970) * ''
The Price You Got to Pay to Be Free ''The Price You Got to Pay to Be Free'' is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie ''Play Misty For Me''. A ...
'' (Capitol, 1970) * ''
The Happy People ''The Happy People'' is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded in 1970 in New York City and released in 1972 through Capitol Records. It features contributio ...
'' (Capitol, 1972) – recorded in 1970 * '' The Black Messiah'' (Capitol, 1971) * ''
Music You All ''Music, You All'' is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded at the Troubadour in West Hollywood, California in 1972, and released in 1976 through Capitol Recor ...
'' (Capitol, 1976) – recorded in 1972 * '' Inside Straight'' (Fantasy, 1973) – live * ''
Love, Sex, and the Zodiac ''Love, Sex, and the Zodiac'' is an album by jazz saxophonist Cannonball Adderley recorded in Berkeley, California in 1970, but not released on the Fantasy label until 1974, featuring performances by Adderley's Quintet featuring Nat Adderley, Hal ...
'' (Fantasy, 1974) – recorded in 1970 * '' Pyramid'' (Fantasy, 1974) * ''
Phenix Phenix or Phénix may refer to: Buildings * Phenix Baptist Church, West Warwick, Rhode Island, formerly on the National Register of Historic Places * Phenix Building (Chicago), an office building, demolished in 1957 * De Phenix, Marrum, a smock ...
'' (Fantasy, 1975) * ''Big Man: The Legend of John Henry'' (Fantasy, 1975) LP* '' Lovers'' (Fantasy, 1976) – recorded in 1975 * '' Money in the Pocket'' (Capitol, 2005) – recorded in 1966 With
Gene Ammons Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and ...
* ''
Gene Ammons and Friends at Montreux ''Gene Ammons and Friends at Montreux'' is a live album by saxophonist Gene Ammons recorded at the Montreux Jazz Festival in 1973 and released on the Prestige label.
'' (Prestige, 1973) – live * '' Goodbye'' (Prestige, 1974) With Jimmy Heath * ''
The Thumper ''The Thumper'' is the debut album by saxophonist Jimmy Heath featuring performances recorded in 1959 originally released on the Riverside label.
'' (Riverside, 1960) – recorded in 1959 * ''
Really Big! ''Really Big!'' is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.
'' (Riverside, 1960) With
J. J. Johnson J.J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger. Johnson was one of the earliest trombonists to embrace bebop. Biograph ...
* ''
J. J. in Person! ''J. J. in Person!'' is an album recorded "in concert" by the J. J. Johnson Quintet which was released on the Columbia label. This is a studio recording, but some release of the album, including the original release, feature over-dubbed applause a ...
'' (
Columbia Columbia may refer to: * Columbia (personification), the historical female national personification of the United States, and a poetic name for America Places North America Natural features * Columbia Plateau, a geologic and geographic region in ...
, 1958) * '' Really Livin''' (Columbia, 1959) * '' The Yokohama Concert'' (Pablo Live, 1978) – live recorded in 1977 * '' Chain Reaction: Yokohama Concert, Vol. 2'' ( Pablo, 2002) – recorded in 1977 With Philly Joe Jones * ''
Blues for Dracula ''Blues for Dracula'' is the debut album by American jazz drummer Philly Joe Jones which was recorded in 1958 for the Riverside label. Reception The Allmusic review by Scott Yanow described it as a "worthwhile but not overly essential release".Y ...
'' (Riverside, 1958) *'' Philly Mignon'' (Galaxy, 1978) – recorded in 1977 With Sam Jones * '' The Soul Society'' (Riverside, 1960) * '' The Chant'' (Riverside, 1961) With King Curtis *''
The New Scene of King Curtis ''The New Scene of King Curtis'' is an album by saxophonist King Curtis recorded for the Prestige Records, New Jazz label in 1960.
'' (New Jazz, 1960) - as Little Brother * ''
Soul Meeting ''Soul Meeting'' is a 1961 Atlantic Records album of recordings made by Ray Charles and Milt Jackson in 1957. The album was later re-issued together with the earlier '' Soul Brothers'' (1958), on a 2 CD compilation together with other 'bonus' t ...
'' (Prestige, 1960) With Oliver Nelson * '' Encyclopedia of Jazz'' (
Verve Verve may refer to: Music * The Verve, an English rock band * ''The Verve E.P.'', a 1992 EP by The Verve * ''Verve'' (R. Stevie Moore album) * Verve Records, an American jazz record label Businesses * Verve Coffee Roasters, an American coffee ho ...
, 1967) – recorded in 1965-66 * ''
The Sound of Feeling ''The Sound of Feeling'' (full title ''Leonard Feather Presents The Sound of Feeling and The Sound of Oliver Nelson'') is a jazz album featuring two separate groups featuring Oliver Nelson recorded in late 1966 and released on the Verve label.
'' (Verve, 1968) – recorded in 1966-67 With others * Kenny Burrell, ''
Ellington Is Forever Volume Two ''Ellington Is Forever Volume Two'' is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label.Fantasy, 1977) – recorded in 1975 *
Charlie Byrd Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album '' Jazz Samba' ...
, ''Top Hat'' (Fantasy, 1975) *
James Clay James Clay may refer to: * James Clay (author) (1804–1873), English MP and writer about the game of whist * James Clay (musician) (1935–1994), saxophonist and flautist * James Clay (Pennsylvania politician), member of the Pennsylvania House of ...
, '' A Double Dose of Soul'' (Riverside, 1960) * Victor Feldman, ''
Soviet Jazz Themes ''Soviet Jazz Themes'' (full title: ''The Victor Feldman All Stars Play the 'World's First Album of Soviet Jazz Themes'') is an album by vibraphonist and pianist Victor Feldman featuring tunes by three composers he discovered while on Benny Goodm ...
'' ( Äva, 1963) – recorded in 1962 * Red Garland, '' Red Alert'' (Galaxy, 1978) – recorded in 1977 *
Benny Golson Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launch ...
, '' That's Funky'' (Meldac Jazz, 1995) – recorded in 1994 * Bennie Green and
Gene Ammons Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and ...
, ''
The Swingin'est ''The Swingin'est'' is an album by American trombonist Bennie Green and saxophonist Gene Ammons recorded in 1958 and released on the Vee-Jay label.
'' (Vee-Jay, 1958) * Johnny Griffin, ''
White Gardenia ''White Gardenia'' is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label.
'' (Riverside, 1961) * Louis Hayes, '' Louis Hayes'' ( Vee-Jay, 1960) *
Milt Jackson Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solo ...
, ''
Big Bags ''Big Bags'' is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
'' (Riverside, 1962) * Budd Johnson, '' Budd Johnson and the Four Brass Giants'' (Riverside, 1960) * Quincy Jones, ''
I/We Had a Ball ''I/We Had a Ball'' is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical ''I Had a Ball'' performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was rele ...
'' (Limelight, 1965) – recorded in 1964-65 * Wynton Kelly, '' Kelly Blue'' (Riverside, 1959) * Sal Nistico, '' Heavyweights'' (Jazzland, 1962) – recorded in 1961 *
Sonny Rollins Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a ...
, ''
Sonny Rollins and the Big Brass ''Sonny Rollins and the Big Brass'' is an album by jazz saxophonist Sonny Rollins, recorded for the MetroJazz label, later reissued on Verve Records as ''Sonny Rollins/Brass - Sonny Rollins/Trio''.
'' (MetroJazz, 1958) *
A. K. Salim Ahmad Khatab Salim or Ahmad Kharab Salim (born Albert Atkinson on July 28, 1922) was an American jazz composer, and arranger. Biography Salim attended DuSable High School with Bennie Green, Dorothy Donegan and Gene Ammons and played alto saxopho ...
, '' Blues Suite'' (Savoy, 1958) * Eddie "Cleanhead" Vinson, ''
Back Door Blues ''Back Door Blues'' is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was parti ...
'' (Riverside, 1962) – recorded in 1961-62 * Don Wilkerson, '' The Texas Twister'' (Riverside, 1960) * Joe Williams, ''
Joe Williams Live ''Joe Williams Live'' is a live album by Joe Williams featuring Cannonball Adderley's Septet recorded at Fantasy Studios' Studio "A" in front of a live audience and released on the Fantasy label.
'' (Fantasy, 1973) – live


References


External links

* {{DEFAULTSORT:Adderley, Nat 1931 births 2000 deaths Jazz musicians from Florida Musicians from Tampa, Florida People from Harlem People from Corona, Queens Musicians from Lakeland, Florida People from Teaneck, New Jersey Florida A&M University alumni A&M Records artists African-American jazz musicians American jazz cornetists American jazz trumpeters American male trumpeters Bebop trumpeters Hard bop trumpeters Soul-jazz trumpeters United States Army Band musicians Military personnel from Florida Atlantic Records artists Capitol Records artists Challenge Records artists Chiaroscuro Records artists EmArcy Records artists Enja Records artists Fantasy Records artists Galaxy Records artists Landmark Records artists Milestone Records artists Prestige Records artists Riverside Records artists Savoy Records artists SteepleChase Records artists Timeless Records artists Verve Records artists 20th-century trumpeters 20th-century American male musicians American male jazz musicians Cannonball Adderley Quintet members CTI Records artists Deaths from diabetes Jazz musicians from New York (state) 20th-century African-American musicians