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Big Bags
''Big Bags'' is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.Milt Jackson discography
accessed January 18, 2012


Reception

In his January 3, 1963 review, '''' magazine critic John S. Wilson described the album thus: "A big band made up of top New York studio men that varies slightly in the course of three recording sessions, plus arrangements by

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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ...
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Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and ''On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, ''Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, '' Finian's Rainbow'' (1947) and ''On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, '' ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ...
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Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ...
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If I Should Lose You
"If I Should Lose You" is a song composed by Ralph Rainger, with lyrics by Leo Robin. It was introduced in the 1936 film '' Rose of the Rancho''. Notable recordings *Geri Allen – '' Twenty One'' (1994) *Chet Atkins – '' Stay Tuned'' (1985) * Georgia Brown − ''Georgia Brown'' (1963). * Betty Carter − '' Feed the Fire'' (1993) * June Christy − '' Day Dreams'' (1995), ''Cool Christy'' (2002) * Chick Corea and Stefano Bollani – '' Orvieto'' (2010) *Fabien Degryse − ''Fingerswinging'' (2011) *Dena DeRose − ''I Can See Clearly Now'' (2000) *Jane Ira Bloom – '' Slalom'' (1988) *Lou Donaldson – ''Sweet Poppa Lou'' (1981) * Aretha Franklin – '' Unforgettable: A Tribute to Dinah Washington'' (1964) *The Four Freshmen − ''Voices in Latin'' (1958). *Grant Green – '' Born to be Blue'' (1962) *Al Haig − '' Al Haig Trio'' (1954) *Jan Harbeck Quartet - ''In the Still of the Night'' (2008) *Dick Haymes − '' The Complete Capitol Collection'' (2006), '' Moondreams'' ...
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Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ...
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Gene De Paul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 ...
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Star Eyes (song)
"Star Eyes" is a song from the 1943 film ''I Dood It'', written by Gene de Paul and Don Raye. It was performed in the film by Helen O'Connell and Bob Eberly accompanied by Jimmy Dorsey's orchestra. Jimmy Dorsey was the first to release the song. Other recordings Charlie Parker recorded "Star Eyes" in 1951 for Verve Records. Owing to Parker's influence, the song has become a popular vehicle for jazz musicians and is considered a jazz standard. It has been recorded by Johnny Mathis, Carmen McRae, Sarah Vaughan, Art Pepper, Lee Konitz, Lennie Niehaus, Donald Byrd, Bud Powell, Tina Brooks, Milt Jackson, Bill Evans, McCoy Tyner, Chet Baker, Sonny Stitt, Dexter Gordon, Freddie Hubbard, Joni James, Anita O'Day, and Chris Potter, among others. Film appearances The song first appeared in the 1943 MGM film ''I Dood It'' performed by Jimmy Dorsey and His Orchestra. His recording was released as a s78 single on Decca Records. See also * List of 1940s jazz standards Jazz standards are ...
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Carl Sigman
Carl Sigman (September 24, 1909 – September 26, 2000) was an American songwriter. Early life Born in Crown Heights, Brooklyn, New York to a Jewish-American family, Sigman graduated from law school and passed his bar exams to practice in the state of New York. Instead of law, encouraged by his friend Johnny Mercer, he embarked on a songwriting career, that saw him become one of the most prominent and successful songwriters in American music history. He was awarded the Bronze Star for his efforts in Africa, during World War II. Career Although Sigman wrote many song melodies, he was primarily a lyricist who collaborated with songwriters such as Bob Hilliard, Bob Russell, Jimmy van Heusen, and Duke Ellington. He also wrote English language lyrics to many songs which were originally composed in other languages, such as "Answer Me", "Till", " The Day the Rains Came", "You're My World", and "What Now My Love?". During the big band era, Sigman composed works used by top band ...
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If You Could See Me Now (1946 Song)
"If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. He wrote it especially for vocalist Sarah Vaughan, a frequent collaborator. Lyrics were written by Carl Sigman and it became one of her signature songs, inducted into the Grammy Hall of Fame in 1998. Dameron himself included a version, sung by Barbara Winfield, on his 1962 album '' The Magic Touch''. Notable recordings *Sarah Vaughan's 1946 original recording was released through Musicraft Records. It also appeared on her 1981 album '' Send in the Clowns'' with the Count Basie Orchestra. *Randy Weston recorded the composition in 1956/57 for his album '' Trio and Solo'' *Gil Evans recorded a version for his 1957 album '' Gil Evans & Ten'' * Chet Baker recorded it for his 1959 album '' Chet''. *Yusef Lateef recorded it on his 1959 album '' Cry! - Tender'' *Bobby Timmons from his album '' Easy Does It'' (1961) *Milt Jackson recorded it on his 1962 ''Big Bags'' album *Bill Evans recorded his version of the so ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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