Western classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...

, a motet is mainly a vocal musical composition, of highly diverse form and style, from high

medieval music Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance ...

to the present. The motet was one of the pre-eminent polyphonic forms of

Renaissance music Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Tr ...

. According to

Margaret Bent Margaret Bent CBE , (born Margaret Hilda Bassington; 23 December 1940) is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English ...

, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,
The Late-Medieval Motet
in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (

Berkeley, California Berkeley ( ) is a city on the eastern shore of San Francisco Bay in northern Alameda County, California, United States. It is named after the 18th-century Irish bishop and philosopher George Berkeley. It borders the cities of Oakland and Emer ...

: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".

Etymology

In the early 20th century, it was generally believed the name came from the

Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...

''movere'' (to move), though a derivation from the French ''mot'' ("word", or "phrase") had also been suggested. The

Medieval Latin Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned ...

for "motet" is ''motectum'', and the Italian ''mottetto'' was also used. If the word is from Latin, the name describes the movement of the different voices against one another. Today, however, the French etymology is favoured by reference books, as the word "motet" in 13th-century French had the sense of "little word". In fact, the troped clausulas that were the forerunner of the motet were originally called ''motelli'' (from the French ''mot'', "word"), soon replaced by the term ''moteti''.

Medieval examples

The earliest motets arose in the 13th century from the ''

organum ''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the sam ...

'' tradition exemplified in the

Notre-Dame school The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced. The only composers whose names hav ...

Léonin Léonin (also Leoninus, Leonius, Leo; ) was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school ...

and

Pérotin Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the intro ...

.Ernest H. Sanders and Peter M. Lefferts, "Motet, §I: Middle Ages", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...

and John Tyrrell (London: Macmillan Publishers, 2001). The motet probably arose from clausula sections in a longer sequence of organum. Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new text in the upper part(s), creating motets. From these first motets arose a

medieval In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the Post-classical, post-classical period of World history (field), global history. It began with t ...

tradition of

secular Secularity, also the secular or secularness (from Latin ''saeculum'', "worldly" or "of a generation"), is the state of being unrelated or neutral in regards to religion. Anything that does not have an explicit reference to religion, either negativ ...

motets. These were two- to four-part compositions in which different texts, sometimes in different

vernacular A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, n ...

languages, were sung simultaneously over a (usually Latin-texted) ''

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tr ...

'' usually adapted from a

melismatic Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is refer ...

passage of

Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek (language), Greek) of the Roman Catholic Church. Gregorian chant developed ma ...

on a single word or phrase. It is also increasingly argued that the term "motet" could in fact include certain brief single-voice songs. The texts of upper voices include subjects as diverse as courtly love odes, pastoral encounters with shepherdesses, political attacks, and many Christian devotions, especially to the Virgin Mary. In many cases, the texts of the upper voices are related to the themes of the chant passage they elaborate on, even in cases where the upper voices are secular in content. Most medieval motets are anonymous compositions and significantly re-use music and text. They are transmitted in a number of contexts, and were most popular in northern France. The largest surviving collection is in the

Montpellier Codex The ''Montpellier Codex'' (''Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196'') is an important source of 13th-century French polyphony. The ''Codex'' contains 336 polyphonic works probably composed c. 1250–1300, and wa ...

. Increasingly in the 14th and 15th centuries, motets made use of repetitive patterns often termed panisorhythmic; that is, they employed repeated rhythmic patterns in all voices—not only the ''cantus firmus''—which did not necessarily coincide with repeating melodic patterns.

Philippe de Vitry Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musi ...

was one of the earliest composers to use this technique, and his work evidently had an influence on that of Guillaume de Machaut, one of the most famous named composers of late medieval motets.

Medieval composers

Other medieval motet composers include: *

Adam de la Halle Adam de la Halle (1245–50 – 1285–8/after 1306) was a French poet-composer '' trouvère''. Among the few medieval composers to write both monophonic and polyphonic music, in this respect he has been considered both a conservative and progr ...

(1237?–1288? or after 1306) *

Johannes Ciconia Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particularly ...

(c. 1370–1412) *

Guillaume Du Fay Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and repr ...

(1397-1474) *

John Dunstaple John Dunstaple (or Dunstable, – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was ...

(c. 1390–1453) *

Franco of Cologne Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation pe ...

(fl. mid-13th century) *

Jacopo da Bologna Jacopo da Bologna (fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the '' Italian ars nova''. He was one of the first composers of this group, making him a contemporary of Gherardello da Firenze ...

(fl. 1340–1385) *

Marchetto da Padova Marchetto da Padova (Marchettus of Padua; fl. 1305 – 1319) was an Italian music theorist and composer of the late medieval era. His innovations in notation of time-values were fundamental to the music of the Italian ars nova, as was his w ...

(fl. 1305–1319) *

Petrus de Cruce Petrus de Cruce (also Pierre de la Croix) was active as a cleric, composer and music theorist in the late part of the 13th century. His main contribution was to the notational system. Life 13th-century composer, theorist, and scholar, Petrus de ...

(fl. second half of the 13th century) *

Willelmus de Winchecumbe W. de Wycombe (Wicumbe, and perhaps Whichbury) (late 13th century) was an English composer and copyist of the Medieval era. He was precentor of the priory of Leominster in Herefordshire. It is possible that he was the composer of one of the most f ...

(fl. 1270s)

Renaissance examples

The compositional character of the motet changed entirely during the transition from medieval to

, as most composers abandoned the use of a repeated figure as a ''cantus firmus''.

Guillaume Dufay Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and repr ...

was a transitional figure in this regard, writing one of the last important motets in the medieval, isorhythmic style, '' Nuper rosarum flores'', in 1436. During the second half of the fifteenth century Motets stretched the ''cantus firmus'' to greater lengths compared to the surrounding multi-voice counterpoint, adopting a technique of contemporary 'tenor masses'.Leeman L. Perkins and Patrick Macey, "Motet, §II: Renaissance", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell (London: Macmillan Publishers, 2001). This obscured the ''cantus firmus rhythm more than in medieval isorhythmic motets. Cascading,

passing chord In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. "Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord ma ...

s created by the interplay of voices and the absence of an obvious beat distinguish medieval and renaissance motet styles. Motet frequently used the texts of

antiphon An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominentl ...

s and the Renaissance period marked the flowering of the form. The Renaissance motet is polyphonic, sometimes with an imitative counterpoint, for a chorus singing a Latin and usually sacred text. It is not connected to a specific

liturgy Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...

, making it suitable for any service. Motets were sacred

madrigal A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphoni ...

s and the language of the text was decisive:

for a motet and the vernacular for a madrigal. The relationship between the forms is clearest in composers of sacred music, such as

Giovanni Pierluigi da Palestrina Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading ...

, whose "motets" setting texts from the '' Canticum Canticorum'' are among the most lush and madrigal-like, while and his madrigals using

Petrarch Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited ...

's poems could be performed in a church. Religious compositions in vernacular languages were often called ''

madrigali spirituali A madrigale spirituale (Italian; pl. ''madrigali spirituali'') is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text. Most examples of the form date from the late Renaissance and early Baroque eras, and principal ...

'', "spiritual madrigals". These Renaissance motets developed in episodic format with separate phrases of the text given independent melodic treatment and contrapuntal development. Secular motets, known as "ceremonial motets",Blanche Gangwere,
Music History During the Renaissance Period, 1520–1550
' (Westport, CT, Praeger Publishers: 2004), pp. 451–54. typically set a Latin text to praise a monarch, music or commemorate a triumph. The theme of courtly love, often found in the medieval secular motet, was banished from the Renaissance motet. Ceremonial motets are characterised by clear articulation of formal structure and by clear diction, because the texts would be novel for the audience.

Adrian Willaert Adrian Willaert ( – 7 December 1562) was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers ...

Ludwig Senfl Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy R ...

, and

Cipriano de Rore Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish compose ...

are prominent composers of ceremonial motets from the first half of the 16th century.

Renaissance composers

The motet was one of the preeminent forms of

. Important composers of Renaissance motets include: *

Alexander Agricola Alexander Agricola (; born Alexander Ackerman; – 15 August 1506) was a Netherlandish composer of the Renaissance writing in the Franco-Flemish style. A prominent member of the ''Grande chapelle'', the Habsburg musical establishment, he wa ...

Gilles Binchois Gilles de Bins dit Binchois (also Binchoys; – 20 September 1460) was a Franco-Flemish composer of early Renaissance music. A central figure of the Burgundian School, Binchois and his colleague Guillaume Du Fay were deeply influenced by the ...

* Antoine Boësset * Antoine Brumel *

Antoine Busnois Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and ...

William Byrd William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He ...

Johannes Vodnianus Campanus Johannes Vodnianus Campanus (also Ionnes Campanus Vodnianus, cs, Jan Campanus Vodňanský , ''Jan z Vodňan'' or ''Jan Kampánus Vodňanský'') (27 December 1572 – 13 December 1622) was a Czech humanist, composer, pedagogue, poet, and dramatist ...

Loyset Compère Loyset Compère ( – 16 August 1518) was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians ...

* Josquin des Prez *

* François-Eustache Du Caurroy *

Antoine de Févin Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely b ...

Carlo Gesualdo Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century ...

Nicolas Gombert Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex ...

Francisco Guerrero Francisco Guerrero is the name of: *Francisco Guerrero (composer) (1528–1599), Spanish composer of the Renaissance * Francisco Guerrero (politician) (1811–1851), Alcalde of San Francisco *Francisco Guerrero Marín (1951–1997), Spanish composer ...

Heinrich Isaac Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin de ...

* Claude Le Jeune *

Pierre de La Rue Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vic ...

Orlande de Lassus Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Pale ...

Cristóbal de Morales Cristóbal de Morales (c. 1500 – between 4 September and 7 October 1553) was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria. Life Cristóbal de Mo ...

* Étienne Moulinié *

Jean Mouton Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Ve ...

Jacob Obrecht Jacob Obrecht (also Hobrecht; 1457/8

Johannes Ockeghem Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with hi ...

Lucrezia Orsina Vizzana Lucrezia Orsina Vizzana (also "Lucretia") (3 July 1590 – 7 May 1662) was an Italian singer, organist, and composer. She entered the Camaldolese convent of S Christina in Bologna in 1598. She was taught by her aunt, Camilla Bombacci, who was the ...

Martin Peerson Martin Peerson (or Pearson, Pierson, Peereson) (between 1571 and 1573 – December 1650 or January 1651 and buried 16 January 1651) was an English composer, organist and virginalist. Despite Roman Catholic leanings at a time when it was illegal ...

Thomas Tallis Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one ...

John Taverner John Taverner ( – 18 October 1545) was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for ''Missa Gloria tibi Trinitas'' and ''The Western Wynde Mass'', and ''Missa Coro ...

* Robert Carver *

Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Ren ...

* Manuel Cardoso In the latter part of the 16th century,

Giovanni Gabrieli Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift f ...

and other composers developed a new style, the

polychoral An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently ...

motet, in which two or more

choir A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which ...

s of singers (or instruments) alternated. This style of motet was sometimes called the ''Venetian motet'' to distinguish it from the ''Netherlands'' or ''Flemish'' motet written elsewhere. "

If Ye Love Me "If ye love me" is a four-part motet or anthem by the English composer Thomas Tallis, a setting of a passage from the Gospel of John. First published in 1565 during the reign of Elizabeth I, it is an example of Tudor music and is part of the rep ...

" by Thomas Tallis serves the demand of the Church of England for English texts, and a focus on understanding the words, beginning in

homophony In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh ...

Baroque examples

Baroque music Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transiti ...

, especially in France where the motet was very important, there were two distinct, and very different types of motet: ''petits motets'', sacred choral or chamber compositions whose only accompaniment was a

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

; and ''

grands motets The grand motet (plural grands motets) was a genre of motet cultivated at the height of the French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating choirs, the works w ...

'', which included massed choirs and instruments up to and including a full orchestra. Jean-Baptiste Lully, Michel Richard de La Lande,

Marc-Antoine Charpentier Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still us ...

were important composers of this sort of motet. There motets often included parts for soloists as well as choirs; they were longer, including multiple movements in which different soloist, choral, or instrumental forces were employed. Lully's motets also continued the Renaissance tradition of semi-secular Latin motets in works such as ''

Plaude Laetare Gallia ''Plaude laetare Gallia'' is a motet by Jean-Baptiste Lully (music) and Pierre Perrin (text), written to celebrate the baptism of King Louis XIV's son, ''the Grand Dauphin'' Louis, on 24 March 1668 (when he was 7 years old), at the chapel of th ...

'', written to celebrate the baptism of King

Louis XIV , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Ver ...

's son; its text by

Pierre Perrin Pierre Perrin (c.1620 – 24 April 1675) was a French poet and librettist. Perrin, sometimes known as L'Abbé Perrin although he never belonged to the clergy, was born in Lyon. He founded the Académie d'Opéra, which later was renamed the Acad ...

begins:

''Plaude laetare Gallia'' ''Rore caelesti rigantur lilia,'' ''Sacro Delphinus fonte lavatur'' ''Et christianus Christo dicatur.'' ("Rejoice and sing, France: the lily is bathed with heavenly dew. The Dauphin is bathed in the sacred font, and the Christian is dedicated to Christ.")

In France, Pierre Robert (24 grands motets), Henry Dumont (grands & petits motets), Marc-Antoine Charpentier (206 different types of motets), Michel-Richard de La Lande (70 grands motets), Henry Desmarest (20 grands motets), François Couperin (motets lost), Nicolas Bernier, André Campra, Charles-Hubert Gervais (42 grands motets),

Louis-Nicolas Clérambault Louis-Nicolas Clérambault (19 December 1676 – 26 October 1749) was a French musician, best known as an organist and composer. He was born, and died, in Paris. Biography Clérambault came from a musical family (his father and two of his sons ...

, François Giroust (70 grands motets) were also important composers. In Germany, too, pieces called motets were written in the new musical languages of the Baroque.

Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He ...

wrote many motets in series of publications, for example three books of Symphoniae sacrae, some in Latin and some in German.

Hans Leo Hassler Hans Leo Hassler (in German, Hans Leo Haßler) (baptized 26 October 1564 – 8 June 1612) was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of less known composer Jakob Hassler. He was born in Nür ...

composed motets such as ''

Dixit Maria ''Dixit Maria'' (Mary said o the angel is a motet for four voices by Hans Leo Hassler. It is part of his collection ''Cantiones sacrae'' published in 1591. It sets a verse from the narration of the annunciation in Latin. Hassler based a mass on th ...

'', on which he also based a mass composition.

J. S. Bach's compositions

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

wrote works he called motets, relatively long pieces in German on sacred themes for choir and ''

'', with instruments playing

colla parte A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

, several of them composed for funerals. Six motets certainly composed by Bach are: * BWV 225 ''

Singet dem Herrn ein neues Lied "Sing dem Herrn ein neues Lied" ("Sing unto the Lord a new song") is a Lutheran hymn in four stanzas by Matthäus Apelles von Löwenstern.

'' (1726) * BWV 226 ''

Der Geist hilft unser Schwachheit auf ' (The Spirit gives aid to our weakness), 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti. History For ' , the autograph score survives. Bach himself noted on its title: "." (' ...

'' (1729) * BWV 227 ''

Jesu, meine Freude "" (; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal in 1653. The text addresses Jesus as joy and support, versus enemies ...

'' (?) * BWV 228 '' Fürchte dich nicht'' (?) * BWV 229 '' Komm, Jesu, komm'' (1730?) * BWV 230 '' Lobet den Herrn, alle Heiden'' (?) The funeral cantata ''O Jesu Christ, meins Lebens Licht'', BWV 118 (1736–37?) is regarded as a motet. The motet ''Sei Lob und Preis mit Ehren'', BWV 231 is an arrangement of a movement from Bach's Cantata 28, and the authenticity of the arrangement is not certain. For a few more motets, such as ''Ich lasse dich nicht'', BWV Anh 159, Bach's authorship is debated.

18th century

Later 18th-century composers wrote few motets.

Johann Christoph Friedrich Bach Johann Christoph Friedrich Bach (21 June 1732 – 26 January 1795) was a harpsichordist and composer, the fifth son of Johann Sebastian Bach, sometimes referred to as the "Bückeburg Bach". Born in Leipzig in the Electorate of Saxony, he was ...

composed an extended

chorale motet The chorale motet was a type of musical composition in mostly Protestant parts of Europe, principally Germany, and mainly during the 16th century. It involved setting a chorale melody and text as a motet. Stylistically chorale motets were simila ...

Wachet auf, ruft uns die Stimme "" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, f ...

'', combining Baroque techniques with the galant style. Mozart's

Ave verum corpus "" is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attr ...

(K. 618) is this genre.

Rameau Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and ...

, Mondonville and Giroust also wrote grands motets.

19th century

In the 19th century, some German composers continued to write motets. Felix Mendelssohn composed '' Jauchzet dem Herrn, alle Welt'' and ''

Denn er hat seinen Engeln befohlen ''Denn er hat seinen Engeln befohlen'' (''For He shall give His angels charge''), MWV B 53, is the incipit of a motet for an eight-part choir a cappella by Felix Mendelssohn. He wrote it in 1844 for the Berlin Cathedral, setting verses 11 and ...

''. Johannes Brahms composed three motets on biblical verses, '' Fest- und Gedenksprüche''. Josef Rheinberger composed '' Abendlied''. Anton Bruckner composed about 40

motets In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Marga ...

, mainly in Latin, including ''

Locus iste is the Latin gradual for the anniversary of the dedication of a church (), which in German is called .Cornelis van Zwol, ''Anton Bruckner 1824-1896 - Leven en werken'', Thoth, 2012, p.706 The incipit translates to "This place was made by God" ...

''. French composers of motets include

Camille Saint-Saëns Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano C ...

and

César Franck César-Auguste Jean-Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in modern-day Belgium. He was born in Liège (which at the time of his birth was p ...

. In English similar compositions are called anthems. Some later English composers, such as

Charles Villiers Stanford Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the ...

, wrote motets in Latin. Most of these compositions are

a cappella ''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Ren ...

and some, such as Edward Elgar's three motets Op. 2, are accompanied by organ.

20th century

In the 20th century, composers of motets have often consciously imitated earlier styles. In 1920, Ralph Vaughan Williams composed '' O clap your hands'', a setting of verses from

Psalm 47 Psalm 47 is the 47th psalm of the Book of Psalms, beginning in English in the King James Version: "O clap your hands". The Book of Psalms is the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly diff ...

for a four-part choir, organ, brass, and percussion, called a motet.

Carl Nielsen Carl August Nielsen (; 9 June 1865 – 3 October 1931) was a Danish composer, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor yet musically talented parents on the island of Funen, he ...

set in '' Tre Motetter'' three verses from different psalms as motets, first performed in 1930. Francis Poulenc set several Latin texts as motets, first ''

Quatre motets pour un temps de pénitence ' (''Four Penitential Motets''), FP 97, are four sacred motets composed by Francis Poulenc in 1938–39. He wrote them on Latin texts for penitence, scored for four unaccompanied voices. Structure and texts The four motets are: # Timor et tre ...

'' (1938).

Maurice Duruflé Maurice Gustave Duruflé (; 11 January 1902 – 16 June 1986) was a French composer, organist, musicologist, and teacher. Life and career Duruflé was born in Louviers, Eure in 1902. He became a chorister at the Rouen Cathedral Choir School fr ...

composed '' Quatre Motets sur des thèmes grégoriens'' in 1960, and ''

Notre Père (Our Father), Opus number, Op. 14, is a sacred motet by Maurice Duruflé, setting the Lord's Prayer in French as a sacred motet. It was published for voice and organ in 1977, and for a four-part choir a cappella in 1978, by Éditions Durand. The ...

'' in 1977. Other examples include works by Richard Strauss,

Edmund Rubbra Edmund Rubbra (; 23 May 190114 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak o ...

Lennox Berkeley Sir Lennox Randal Francis Berkeley (12 May 190326 December 1989) was an English composer. Biography Berkeley was born on 12 May 1903 in Oxford, England, the younger child and only son of Aline Carla (1863–1935), daughter of Sir James Char ...

Morten Lauridsen Morten Johannes Lauridsen (born February 27, 1943) is an American composer. A National Medal of Arts recipient (2007), he was composer-in-residence of the Los Angeles Master Chorale from 1994 to 2001, and is the Distinguished Professor Emeritus ...

, Edward Elgar,

Hugo Distler August Hugo Distler (24 June 1908 – 1 November 1942)Slonimsky & Kuhn, ''Baker's Biographical Dictionary of Musicians'', v. 2, p. 889 was a German organist, choral conductor, teacher and composer. Life and career Born in Nuremberg, Distler att ...

Ernst Krenek Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer of Czech origin. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study ...

, Michael Finnissy,

Karl Jenkins Sir Karl William Pamp Jenkins (born 17 February 1944) is a Welsh multi-instrumentalist and composer. His best known works include the song " Adiemus" and the ''Adiemus'' album series; '' Palladio''; ''The Armed Man''; and his ''Requiem''. J ...

and

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...

21st century

Arvo Pärt has composed motets, including ''

Da pacem Domine (Give peace, Lord) is the incipit of two different Latin texts, a hymn and an introit. Both have been the base for compositions to be used in church liturgy, beginning with chant. Paraphrased versions of the hymn were created by Martin Luther in G ...

'' in 2006, as have

Dave Soldier David Sulzer (born November 6, 1956) is an American neuroscientist and musician. He is a professor at Columbia University Medical Center in the departments of psychiatry, neurology, and pharmacology. Sulzer's laboratory investigates the interact ...

(Motet: Harmonies of the World, with rules from Johannes Kepler), Sven-David Sandström,

Enjott Schneider Enjott Schneider (born Norbert Jürgen Schneider 25 May 1950 in Weil am Rhein) is a German businessman, composer, musicologist, and music educator. He is best known as the chairman of the board of the German collecting society GEMA. As a compo ...

Ludger Stühlmeyer Ludger Stühlmeyer (born 3 October 1961 in Melle, West Germany) is a German cantor, composer, docent and musicologist. Biography Stühlmeyer was born to a family of cantors and made his first steps under the guidance of his father in the town c ...

and

Pierre Pincemaille Pierre-Marie François Pincemaille (8 December 1956 – 12 January 2018) was a French organist, improviser, and pedagogue. He was known for his organ improvisations, both in concert and on CD and for his recordings of Charles-Marie Widor's ...

.Three motets (Pater Noster; Ave Maria; Ave Verum), published with A coeur joie editions
Website of ''A coeur joie'' editions
/ref>

References

External links

Motet online database
at the

University of Florida The University of Florida (Florida or UF) is a public land-grant research university in Gainesville, Florida. It is a senior member of the State University System of Florida, traces its origins to 1853, and has operated continuously on its ...

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