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Sei Lob Und Preis Mit Ehren, BWV 231
' (May there be praise and glory and honour), 28/2a and 231, identical to the second movement of BWV Anh. 160, is a motet composed by Johann Sebastian Bach.Bach Digital Works , and It was composed some time in 1725. Text BWV 28/2a is an arrangement of the second movement of Bach's cantata ''Gottlob! nun geht das Jahr zu Ende'', BWV 28, with a different text, however taken from the same Lutheran hymn, that is Johann Gramann's "Nun lob, mein Seel, den Herren" (1530). Music The motet has SATB voice parts. In some printings of this motet, a basso continuo is added to support the bass part, doubling it exactly. Recordings * Thomanerchor Leipzig, Baroque Brass of London and Capella Thomana conducted by Georg Christoph Biller Georg Christoph Biller (20 September 1955 – 27 January 2022) was a German choral conductor. He conducted the Thomanerchor as the sixteenth Thomaskantor since Johann Sebastian Bach from 1992 to 2015. He was also a baritone, an academic teacher, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskirche
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SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV Anh
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The BWV Anh., Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlob! Nun Geht Das Jahr Zu Ende, BWV 28
(Praise God! Now the year comes to an end), BWV28, is a church cantata by Johann Sebastian Bach for the Sunday after Christmas. He first performed it on 30 December 1725. History and text Bach composed the cantata in his third year as in Leipzig for the Sunday after Christmas. The prescribed readings for the Sunday were from the Epistle to the Galatians, through Christ we are free from the law (), and from the Gospel of Luke, Simeon and Anna talking to Mary ().Alfred Dürr (1981), ''Die Kantaten von Johann Sebastian Bach'' (vol. 1, 4th ed.), Deutscher Taschenbuchverlag, pp. 146–149. . The cantata text is by Erdmann Neumeister:Gottlob! nun geht das Jahr zu Ende BWV 28; BC A 20 / Sacred cantata (1st Sunday of Christmas) '' |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gramann
Johann Gramann or Graumann (5 July 1487 – 29 April 1541), also known by his pen name Johannes Poliander, was a German pastor, theologian, teacher, humanist, reformer, and Lutheran leader. Life Gramann was born in Neustadt an der Aisch, Middle Franconia. He worked as rector of the Thomasschule in Leipzig. Poliander was Johann Eck's secretary at the 1519 Leipzig Debate, where he met Martin Luther and joined the Protestant Reformation. Poliander became pastor of Altstadt Church in 1525 in Königsberg (Kaliningrad), capital of the new Duchy of Prussia (a fief of the Crown of Poland), succeeding the fiery Johannes Amandus. The humanist was well-regarded by his peers, including the Catholic Johannes Dantiscus. He wrote secular and religious poetry in German and Latin. He was a strong advocate with Albert, Duke of Prussia, for the creation of the University of Königsberg. He donated his personal collection of 1,000 books to Altstadt's council; this became the foundation of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Lob, Mein Seel, Den Herren
"" (Now praise, my soul, the Lord) is a Lutheran hymn written in German by the theologian and reformer Johann Gramann in 1525. It was published in 1540 and appears in 47 hymnals. A translation by Catherine Winkworth, "My Soul, now Praise thy Maker!", was published in 1863. History and text The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was published in Nürnberg as a broadsheet around 1540, and in Augsburg in the hymnal ''Concentus novi'' by in 1540, with a hymn tune, Zahn No. 8244, derived from the secular song "Weiß mir ein Blümlein blaue". A fifth stanza was added in a reprint in Nürnberg in 1555, "Sey Lob und Preis mit Ehren". The hymn appears in 47 hymnals. Music The text has been set by composers. Christoph Graupner wrote a cantata, Johann Hermann Schein composed a motet, Michael P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
