My Mum Is Wrong

"Maman a tort" is a 1984 song recorded by French artist Mylène Farmer. It was the debut single from Farmer's first studio album '' Cendres de Lune'', and marked the beginning of her collaboration with her long-time composer, Laurent Boutonnat. With lyrics by Jérôme Dahan, who also helped compose the song with Boutonnat, the song was first released in March 1984. Initially, Boutonnat and Dahan held auditions to find a performer for the song, which ultimately led to Farmer being chosen. An English-language version, titled "My Mum Is Wrong" and produced by F. R. David, was released in September 1984.

"Maman a tort" was deemed provocative at the time of its release, as its ambiguous lyrics were accused of containing themes of Lesbianism. Its accompanying music video, in which Farmer appeared lightly dressed, was also censored on television. "Maman a tort" was generally well received by critics and achieved modest success, while its English-language version was a commercial failure. "Maman a tort" helped Farmer to launch her singing career and establish her artistry, while the song attracted the attention of many gay people to her work.

Background and writing

In December 1983, Jerôme Dahan and Laurent Boutonnat, two friends, composed a song called "Maman a tort", about lesbian love between a girl committed to a mental hospital and her nurse. To find a performer, they held a casting. A girl aged 15–16 was initially chosen to perform the song, before being rejected because she was too young to sing its sexually ambiguous lyrics. Cachin, 2006, p. 160. Boutonnat then decided to ask one of his friends, Mylène Gautier, to sing the track. Both composers have said that they thought Gautier seemed psychotic and thus was the ideal person to record the track. Boutonnat said: "As soon as I saw her, with her triangular face, I realized that this would be her and nobody else. She looked crazy, it was perfect." After they decided to work with her, Gautier took the pseudonym of Farmer, as a tribute to actress Frances Farmer. Cachin, 2006, p. 162.

According to Jean-Claude Déquéant, Farmer showed limited enthusiasm during the demo recordings and declared: "The voice was surprisingly present and she laughed after each take when listening". Dahan was satisfied, because Farmer had a clear and deep voice and could easily reach high notes. Initial rehearsals were held at Dahan's home. Dahan has said of these rehearsals: "There was a large room with a piano and there we repeated the staging of the song. Mylène had a hard time understanding all this, we had to teach her everything, starting with the choreography ..This probably did not look very professional."

Recording of the French version of "Maman a tort" took place in Paris in January 1984, with Farmer stating that the sessions were a "magic" moment. Later, the English-language version of the song was recorded in an afternoon at the Dany Darras studio in Cernay. Farmer had no difficulty in singing in English because she spoke the language very well, having lived in Canada. Hemmerlin, Pontet, 2009, pp. 70–73.

Initially Boutonnat and Dahan found it difficult to find a record company who would release the track, either because labels were worried about the song being censored due to the sexual nature of its lyrics or because they did not see any commercial potential in the track. In order to get a second appointment with RCA records the pair claimed they had remixed the song, even though they had not. Only after a third appointment with RCA did the label's Francis Dacla give them a contract.

According to ''France Dimanche'', the song saved Farmer from entering into a loveless marriage. Farmer had become disillusioned with showbusiness after struggling to get even tiny roles in commercials and had resolved to wed a childhood friend, a student of the École nationale d'administration, before she was selected to sing "Maman a tort".

Release

The single was first released in France in March 1984, but was not commercially successful. Several months later, it gained more success under the management of Bertrand Le Page, a famous artistic director. The song was heavily played on French radio. In view of the song's success, Frédérick Leibovitz suggested that Farmer record an English-language version of the single named "My Mum Is Wrong", in an effort to win over a wider audience. Cachin, 2006, p. 161. This version was produced by F. R. David who also translated the lyrics, being motivated by affection for Le Page. The song was released in September in France and Canada. The English version was released in Germany, Italy and Scandinavia and was scheduled to be released in England and the United States. Extended versions of "Maman a tort" and "My Mum Is Wrong" were produced by Laurent Boutonnat and issued as 7" maxi singles.

There were two covers for "Maman a tort": the first release was produced in black and white and shows Farmer looking sad and wearing a nightgown, Violet, 2004, p. 54. the second release, in colour, shows her laughing. The second cover was based on an idea by Bertrand Le Page who thought that it would be better to give the public an image it wanted. The single's Canadian release did not have a cover. A different cover was used for "My Mum Is Wrong"'s vinyl, with the image used being similar to the second French release of "Maman a tort". The B-side of the song was an instrumental version of the track, as Farmer's musical team had no budget to record another song. In 2003, a remix version was produced by DJ Joaquim Garraud for the compilation album '' RemixeS'' but was not released.

Lyrics and music

The song is constructed like a nursery rhyme in which a young girl, while numbering facts between 1 and 8, confesses her love for a female nurse. As written on the cover, the song is dedicated to the actress Frances Farmer, as well as King Ludwig II of Bavaria. Farmer explained at the time that the song was not autobiographical.

"Maman a tort" lays the foundation of Farmer's musical universe, including many themes dealt with by Farmer in subsequent releases. Among the topics discussed are transgression, love, the world of childhood, violence and death, mortality and suffering, sexuality, and social demands. Bee, 2006, pp. 234–35. The song also deals with psychoanalysis. The rhythm is catchy, and the lyrics, "dark and symbolic", describe the conflicts between a daughter and her mother, as the title suggests. According to an analysis published by Sophie Khairallah, the lyrics could also refer to incest. Khairallah, 2007, p. 151. They seem to be "innocent" and are sung "in the most ingenuous way". Biographer Bernard Violet considers the song "a nursery rhyme with enigmatic but quite spicy lyrics which place it rather far from contemporary Sabine Paturel and her innocent song " Les Bêtises"". Journalist Caroline Bee deemed the song as "a small efficient UFO, with a catchy and binary melody and a disconcerting video".

In a 1984 interview Farmer discussed the song's lyrics, stating: "It can happen to many children who are in hospital ..the nurses feed these children, tuck them into bed, kiss them before they sleep and therefore take the place of their mothers. So it is a little girl who tells her mother: I love the nurse". She said in another interview: "But if people prefer to give this song a perverse sense, it is their problem". Thus, she does not confirm the lesbian allusions that seem to emerge from the chorus (the French verb "aimer" can mean either "to love" or "to like"). However, the song has been listed in several books dealing with homosexuality and explains the fact that many gay people were immediately attracted to Farmer's work.

Music video

Production and plot

The music video was directed by Laurent Boutonnat who also wrote the screenplay. Produced by RCA, it was shot in one day and cost about 5,000 francs (750–760 euro). Boutonnat wanted the video to be filmed in cinemascope, but this was unusual at the time and the idea was withdrawn.

The video begins with a portrait of Sigmund Freud in close-up, then shows a picture of Farmer's mother. The song's lyrics are subtitled. Still images of Farmer are then shown in silhouette wearing a white and transparent nightgown. With each line of the song, an image of Farmer appears. When the chorus begins, Farmer turns blue and begins to dance in front of a backdrop featuring stars and the moon. Three children are shown looking at Farmer. After another verse, which again features still images of Farmer, shots of Farmer jumping are intercut with shots of her singing along with the track with her arms clutched to her breast. Afterwards Farmer and the three children are shown holding placards with the words "Maman a tort". Following another verse Farmer's severed head is pictured on a plate on a table in front of the children who are holding knives and forks. Farmer is again shown in blue and cries before being slapped in the face. A low-angle shot

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