Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians. Elements of moresca include blackening of the face, bells attached to the costumes and, in occasions, men disguised as women to portray fools. An example of the moresca can be seen in

Franco Zeffirelli Gian Franco Corsi Zeffirelli (12 February 1923 – 15 June 2019), was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post-World War II era, ...

's 1968 production of ''

Romeo and Juliet ''Romeo and Juliet'' is a Shakespearean tragedy, tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetim ...

'', which has a scene with both, Juliet and Romeo dancing the moresca in a circle. In the 15th century, the moresca is the most-often mentioned dance type in literature. On the rare occasions other dances (such as the

basse danse The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a ...

saltarello The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast tr ...

, or

piva Piva may refer to: * Piva (river), a river in Montenegro and Bosnia and Herzegovina * Piva, Montenegro, a region in Montenegro and tribe * Piva River, Bougainville, Papua New Guinea * Piva Trail, Bougainville, Papua New Guinea ** Battle for Piva Tr ...

) are mentioned, the moresca is almost invariably described as well. In its early manifestation it appears in two forms: as a

solo dance A solo dance is a dance done by an individual dancing alone, as opposed to couples dancing together but independently of others dancing at the same time, if any, and as opposed to groups of people dancing simultaneously in a coordinated manner. ...

, and as a

couple Couple or couples may refer to : Basic meaning *Couple (app), a mobile app which provides a mobile messaging service for two people *Couple (mechanics), a system of forces with a resultant moment but no resultant force *Couple (relationship), tw ...

or group dance in which the dancers mime a sword combat between Christians and Muslims. The moresca continues to be danced in Spain, Corsica, and Guatemala, and the name as well as certain characteristics of the choreography are related to the English

Morris dance Morris dancing is a form of English folk dance. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins. Implements such as sticks, swords and handkerchiefs may ...

.) The term moresca was also applied to ballet or pantomimic dance in opera by the 17th century. Some examples include: the moresca at the end of Monteverdi's Orfeo (1607). The ‘Entrée de' Mori’ at the end of Act 2 of Handel's Ariodante (1735) portrays an eccentric musical character that links it to the moresca tradition. Moresca (Italian for: Moorish song) is also a musical genre that caricatured Black Africans. This genre of is related to the

villanella In music, a villanella (; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also ...

, a song that imitates lyric Neapolitan traditions of the street and countryside that became popular in the 1530s (see moresche, which is the Italian plural of moresca). This popular genre in 16th century had texts that parody the speech of Moors, later defined as Muslims or narrowly as inhabitants of the Barbary Coast. This genre originally had strong references to African style in music, like the accented eight notes and staccato rhythms.

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