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Renaissance Dance
Renaissance dances belong to the broad group of historical dances. During the Renaissance period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Dance
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance, for pleasure at themed balls or dance clubs, as historical reenactment, or for musicological or historical research. Dances from the early 20th century can be recreated precisely, being within living memory and after the advent of film and video recording. Earlier dance types, however, must be reconstructed from less reliable evidence such as surviving notations and instruction manuals. For performance dancing, see History of dance. Categories Medieval dance Very little evidence survives about medieval dance except what can be gleaned from paintings and works of literature from this time period. Some names of the dances which we know existed during the Middle Ages include Carole, Ductia, Estampie ( Istampitta), Saltarello, and the Trotto. The farandole is also frequently pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (dance)
The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard and done to the same kind of music. Its main figure consisted of a turn and lift in a sort of closed position, which could be done either to the right or to the left. It is also called La volta, Volta, Volte. Spelling variants include la volta and levolto; its name is ''la volte'' in French and ''la volta'' in Italian. It was considered at first to be risque and controversial. Although the dance was known at the court of Elizabeth I, the popular notion (much portrayed in film and television) that Elizabeth and her favourite Lord Robert Dudley regularly performed the volta has been repudiated.Ian Pittaway Description Detailed instructions for voltas were written by Thoinot Arbeau; some brief notes appear in MS Douce 280. (about 1606) These instructions are open to some int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Dance
Renaissance dances belong to the broad group of historical dances. During the Renaissance period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Dudley Elizabeth Dancing
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosius Benson - Elegant Couples Dancing In A Landscape Leo Sobre Tabla Museo De Bellas Artes De La Universidad De Utah Utah Usa
Ambrosius or Ambrosios (a Latin adjective derived from the Ancient Greek word ἀμβρόσιος, ''ambrosios'' "divine, immortal") may refer to: Given name: *Ambrosius Alexandrinus, a Latinization of the name of Ambrose of Alexandria (before 212–c. 250), Egyptian theologian and saint *Saint Ambrose (Aurelius Ambrosius) (c. 340–397), bishop of Milan *Ambrosius Aurelianus, fifth-century war leader of the Romano-British * Ambrosius of Georgia (1861–1927), Catholicos Patriarch of All Georgia * Ambrosius of Optino * Ambrosius, Metropolitan of Helsinki * Ambrosius, Metropolitan of Moscow * Ambrosius (Hussite), priest, leader of Hussite peasants * Ambrosius Beber ( fl. 1610–1620), German composer * Ambrosius Benson (c. 1495/1500 – 1550), Italian painter *Ambrosius Blarer (1492–1564), Swiss reformer *Ambrosius Bosschaert (1573–1621), Dutch painter * Ambrosius Bosschaert II (1609–1645), Dutch painter, son of the above * Ambrosius Bogbinder, mayor of Copenhagen (1529–36) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse Danse
The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone. History The earliest record of a basse danse is found in an Occitan poem of the 1320s by Raimon de Cornet, who notes that the ''joglars'' performed them. The ''bassa danza'' is described in the dance treatise of Guglielmo Ebreo da Pesaro, in northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be contrasted with the ''alta danza'', the "high" or leaping dance called the ''saltarello''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo Ebreo Da Pesaro
Guglielmo Ebreo da Pesaro (c. 1420 – c. 1484) was a Jewish Italian dancer and dancing master at some of the most influential courts in Renaissance Italy, including Naples, Urbino, Milan, and Ferrara. His byname ''wikt:ebreo, Ebreo'' means simply ‘Hebrews, Hebrew.’ Not always used when referring to him, ''da Pesaro'' indicates that he was from the east-central town of Pesaro. Between October 1463 and May 1465, Guglielmo probably converted from Judaism to Roman Catholicism and took the name Giovanni Ambrosio. He studied with Domenico da Piacenza (sometimes known as Domenico da Ferrara) in the 1440s, and is mentioned in Domenico's ''Liber ballorum'' (1460). Around 1463, Guglielmo authored the treatise ''De pratica seu arte tripudii'' (''On the Practice or Art of Dancing''), sometimes cited as ''Trattato dell' arte del ballare'' (''Treatise on the Art of Dancing''). In it, Guglielmo defends dancing as a noble art, emphasizing the important role of music. He also describes q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Cornazzano
Antonio Cornazzano (c. 1430 in Piacenza – 1484 in Ferrara) was an Italian poet, writer, biographer, and dancing master. Biography In the city of Piacenza, which was then in the Duchy of Milan, Antonio Cornazzano was born probably in 1432. His father, Bonifacio Cornazzano was a well-known lawyer and his mother, Costanza Bagarotti, belonged to the small nobility from Piacentine territory. Cornazzano studied at the university of Siena between 1444–47, and in 1450 he was in Rome, probably in the service of a high prelate. He then found his way to Milan in 1455, where he served Duke Francesco Sforza, and wrote a long poem in praise of the Duke, his 'De gestis Francisci Sfortiae' or 'Sforziade'. He also wrote a small treatise on the art of dancing, a life of the Virgin Mary and a Latin scurrilous collection of 'novellae' "De proverbiorum origine". After attending the Duke's funeral in 1466, he left Milan. He moved to Venetian territory and, for a time, worked with the condottiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Da Piacenza
Domenico da Piacenza (c. 1400 – c. 1470), also known as Domenico da Ferrara, was an Italian Renaissance dancing master. He became a very popular teacher with his students – most notably Antonio Cornazzano and Guglielmo Ebreo da Pesaro – who both later became successful dance masters. At a time between 1452 and 1463 he received the Order of the Golden Spur. Biography Piacenza was born in Piacenza, Northern Italy in around 1400, and was the first known dancing master to have left published dance instructions. He began teaching dance in around 1440 and is believed to have taught elements of dramatic mime and elaborate dance. He taught future dance masters Antonio Cornazzano and Guglielmo Ebreo da Pesaro. He moved from Piacenza to Ferrara during Leonello d'Este's tenure as marquis of the city between 1441 and 1450. Between 1452 and 1463 Piacenza received the Order of the Golden Spur, and is believed to have been knighted by Frederick III, Holy Roman Emperor. In April 1455 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branle
A branle (, ), also bransle, brangle, brawl, brawle, brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of French dance popular from the early 16th century to the present, danced by couples in either a line or a circle. The term also refers to the music and the characteristic step of the dance. History Beginnings and courtly adoption The name ''branle'' derives from the French verb ''branler'' (to shake, wave, sway, wag, wobble), referring to the side-to-side movement of a circle or chain of dancers holding hands or linking arms. Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today. Before 1500, the only dance-related use of this word is the "swaying" step of the basse danse. The branle was danced by a chain of dancers, usually in couples, with linked arms or holding hands. The dance alternated a number of larger sideways steps to the left (often four) with the same number of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth I Of England
Elizabeth I (7 September 153324 March 1603) was List of English monarchs, Queen of England and List of Irish monarchs, Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed when Elizabeth was two years old. Anne's marriage to Henry was annulled, and Elizabeth was for a time declared Royal bastard, illegitimate. Her half-brother Edward VI ruled until his death in 1553, bequeathing the crown to Lady Jane Grey and ignoring the claims of his two half-sisters, the Catholic Church, Catholic Mary I of England, Mary and the younger Elizabeth, in spite of Third Succession Act, statute law to the contrary. Edward's will was set aside and Mary became queen, deposing Lady Jane Grey. During Mary's reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant reb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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