Miriam Bucher
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Miriam Bell Bucher (1912- 2002) was a pioneering 20th-century female writer, editor, and director of documentary and educational films primarily based on international topics.


Career

Early in her career, Miriam Bell was a film critic at the Miami Daily News. She then worked as an assistant to
Pare Lorentz Pare Lorentz (December 11, 1905 – March 4, 1992) was an American filmmaker known for his film work about the New Deal. Born Leonard MacTaggart Lorentz in Clarksburg, West Virginia he was educated at Buckhannon High School, West Virginia Wesl ...
, well-known documentary director of films such as T''he Plow that Broke the Plains''. Together with her husband, filmmaker Jules Bucher, whom she married in 1940, she worked with the Motion Picture Division of the Office of the Coordinator of Inter-American Affairs, producing numerous films about South America, often collaborating with filmmaker
Julien Bryan Julien Hequembourg Bryan (23 May 1899 in Titusville, Pennsylvania – 20 October 1974) was an American photographer, filmmaker, and documentarian. He is best known for documenting the daily life in Poland, Soviet Union, and Nazi Germany between 1 ...
. With the Simmel-Meservey company, she was involved in several short instructional films. She and her husband lived and worked in Burma, Indonesia, India, Vietnam, and the Philippines in the 1950s and 1960s, making films, often working on projects for the
US Information Agency The United States Information Agency (USIA), which operated from 1953 to 1999, was a United States agency devoted to "public diplomacy". In 1999, prior to the reorganization of intelligence agencies by President George W. Bush, President Bill C ...
and the US Agency for International Development. With Louis de Rochemont Productions, she went to Burma in the early 1950s to help establish the film industry there, serving as writer-editor member of the team and also assistant manager. The film ''Doh Pyi Daung Su'' (Our Burma), for which she wrote the screenplay, was screened at the 1953 Cannes Film Festival Short Film Competition. While living in Indonesia in the 1950s, she was involved with setting up the Indonesian film industry, as well as advising the South Vietnam film industry in the 1960s. In India, she worked for a private film production company called Art Films of Asia based in Bombay (Mumbai) that produced several documentary films on life, culture, and economy in post-Independence India. She later worked with Airlie Productions and Population Communication Services at Johns Hopkins University on films relating to population, reproductive health, and family planning.


Filmography

* ''Roads South'' (1942), as scriptwriter * ''Argentine Primer'' (1942), as scriptwriter * ''Montevideo Family'' (1943), as scriptwriter * ''Lima, Capital of Peru, Andes Mountains, South America'' (1944) as scriptwriter. Produced by the Office of the Coordinator of Inter-American Affairs. * ''The High Plain'' (1944), as scriptwriter. Produced by the Office of the Coordinator of Inter-American Affairs. * ''Let's Make A Sandwich'' (1950), as director and writer * ''Let's Make A Meal In 20 Minutes'' (1950) * ''Obligations'' (1950), as editor * '' A Date with Your Family'' (1950), as editor * ''Our Burma'' (1953) (alternate title ''Doh Pyi Daung Su)'', screened at the 1953 Cannes Film Festival. * ''A House, a Wife, a Singing Bird'' (1956) (alternate title ''
Rajuan Alam ''Rajuan Alam'' (Perfected Spelling: ''Rayuan Alam'', released internationally as ''A House, a Wife, a Singing Bird'') is a 1956 semi-documentary directed by Miriam Bucher and starring and Lies Noor. Plot Amin (), a village youth, attempts to ea ...
''), as writer and director. A joint production of the US Information Service and Produksi Film Negara (PFN). * ''River of Life'' (1960?) ''(''alternate title ''Jeewan Ki Nadia)'', as writer and editor * ''The Call,'' as director. A study on nursing at the JJ Hospital in Bombay for USAID. * ''A Quiet Revolution'' (1974?), as screenwriter * ''Dos Caminos'' (1974?), as screenwriter * ''Cherish the Children'' (1974), screened at the 1976 Trento Film Festival * ''A Question of Choice'' (1978), as screenwriter * ''Para Cambiar Su Vida'' (1977), as screenwriter * ''Vamos Donde Ello'' (1977), as screenwriter * ''A Question of Justice'' (1977), as screenwriter/producer, about international women lawyers on needed legal reforms for women around the world * ''To the People'' (1977), as screenwriter * ''Social Marketing'' (1978), as screenwriter * ''Indonesia: Family Planning First'' (1978) * ''The Cheerful Revolution'' (1979) * ''National Family Planning Programs; Restoring the Balance'' (197?), as writer * ''Lessons For The Future'' (1980s?) * ''Mexico: Year 2000'' (1985?) * ''The Joyful Day'' (1988), as screenwriter


Personal life

Miriam Bell was born in Indiana in 1912 and attended Butler University. She married Jules Bucher in 1940. They had one son, Van Dyck Bucher. Jules Bucher was also a documentary filmmaker and the two often collaborated.


References


External links

*
Miriam Bucher
at US National Library of Medicine Digital Collections
Miriam Bucher
at Internet Archive {{DEFAULTSORT:Bucher, Miriam 1912 births 2002 deaths Screenwriters from Indiana American women screenwriters American women film directors Film directors from Indiana