Mathieu Gascongne (first name also Matthieu or Matthias; last name also Gascogne, Gascongus, Gascone, Gasconia, and Guascogna; fl. early 16th century) was a French composer of the

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...

. Contemporaries, such as

Adrian Willaert Adrian Willaert ( – 7 December 1562) was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers ...

(as quoted by the renowned

Venetian Venetian often means from or related to: * Venice, a city in Italy * Veneto, a region of Italy * Republic of Venice (697–1797), a historical nation in that area Venetian and the like may also refer to: * Venetian language, a Romance language s ...

theorist

Zarlino Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlino w ...

) grouped him with

Josquin Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the ...

, Ockeghem, and

Jean Mouton Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Ven ...

as among the finest composers of the time. Compared with those others, however, little of his output has survived.

Life

Little is known for certain about his life, and there are two principal theories regarding where he lived and worked. The first is that he was associated with the French royal court, for he wrote several motets for official occasions (such as the coronation of King

Francis I Francis I or Francis the First may refer to: * Francesco I Gonzaga (1366–1407) * Francis I, Duke of Brittany (1414–1450), reigned 1442–1450 * Francis I of France (1494–1547), King of France, reigned 1515–1547 * Francis I, Duke of Saxe-Lau ...

in 1515); this would have put him there at the same time as

and just after

Antoine de Févin Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely b ...

. In addition, one document describes him as a priest of the

Meaux Meaux () is a commune on the river Marne in the Seine-et-Marne department in the Île-de-France region in the metropolitan area of Paris, France. It is east-northeast of the centre of Paris. Meaux is, with Provins, Torcy and Fontainebleau, ...

diocese, and also associates him with the cathedral in

Tours Tours ( , ) is one of the largest cities in the region of Centre-Val de Loire, France. It is the Prefectures in France, prefecture of the Departments of France, department of Indre-et-Loire. The Communes of France, commune of Tours had 136,463 ...

; it also names him as a singer in the royal chapel in 1517–1518. A second theory is that he was associated with a group of composers active at

Cambrai Cambrai (, ; pcd, Kimbré; nl, Kamerijk), formerly Cambray and historically in English Camerick or Camericke, is a city in the Nord (French department), Nord Departments of France, department and in the Hauts-de-France Regions of France, regio ...

, since his music appears in manuscripts there. Possibly both theories are correct, and he was active in

Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...

in the first decades of the 16th century, and at Cambrai later.

Music and influence

Gascongne wrote masses,

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...

s and

chanson A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic s ...

s. Nine masses have been attributed to him, but not all survive complete. Of his motets, two are settings of the

Magnificat The Magnificat (Latin for "

y soul Y, or y, is the twenty-fifth and penultimate letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. According to some authorities, it is the sixth (or sevent ...

magnifies

he Lord He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' ...

) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated ...

. The chansons were famous, and Gascongne has been called the inventor, along with Antoine de Févin, of the Parisian ''chanson rustique'' .

, the founder of the Venetian school, also held Gascongne in high regard, stating that he was on the level of

, Ockeghem, and his own teacher Jean Mouton. Most of his sacred music is for four

a cappella ''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Ren ...

voices; he uses as source material chansons by

Pierre de la Rue Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico ...

, Jean Mouton and Josquin des Prez. His chansons are mostly for three voices, but there are numerous works which are attributed to him in one source but to another composer in other sources (Mouton is a common competitor for attribution). Stylistically his music is typical of French music of the early 16th century, with smooth, balanced

polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...

and pervasive

imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. I ...

Note

# Lawrence Bernstein, ''Cantus Firmus in the French Chanson for Two or Three Voices'', 1500-1550. Ph.D. dissertation, New York University, 1969.

References and further reading

* Article "Mathieu Gascongne," in ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. *

Gustave Reese Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) ...

, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. * Peter Gram Swing: "Mathieu Gascongne", Grove Music Online ed. L. Macy (Accessed November 14, 2005)
(subscription access)

Recording

* Capilla Flamenca, ''The A-La-Mi-Re Manuscripts'', Flemish Polyphonic Treasures for Charles V. Naxos CD 8.554744. Contains a portion of his ''Missa Myn hert''.

External links

* * {{DEFAULTSORT:Gascongne, Mathieu Renaissance composers French classical composers French male classical composers